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John Cena Jun 2015
Two memes diverged in a dank montage,
And sorry I could not watch both
And be one memer, long I stood
And looked down one as far as I could
To where it memed in the undergrowth;

Then took the other, as just as dank,
And having perhaps the better meme,
Because it was dank and wanted memes;
Though as for that the meming there
Had danked them really about the same,

And both that montage equally lay
In leaves no step had trodden african american.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back to 9gag.

I shall be telling this with a sigh
Somewhere ages and ages hence: ******* kiddies
Two memes diverged in a montage, and I—
I took the one less memed by,
And that has made all the dankness.
Ken Pepiton Mar 2023
Protesting, I, rise, e-raising my hand,
in ranked row,
three from the front, in the middle,
a glance,
and nothing more, and another,
Aseneth was her name, and she hated it.
She said.

Many were the flirty glances, unrestrained
wonder
what is different,
is this ink, or scar tissue?

Eight billion essentially identical minds, in use,
being tuned to consume elemental mental
as we form from base material, mother stuff.

We think in single words, letters let us do this,
that which formerly prevented, lets us do this now,

do you read me is not valid protocol on a voxnet.
You know. Five by five, is not valid either, listen.

Does your memed mind hear me now, Brown Cow,
Dao a do nothing dues paid note, this is business,
this is what the messenger in charge,
special agent,
secret agencies allowed, in my mind, baby, listening

constantly, no time,
silent,
only imagining Major Tom.

Waking spacy Sunday Morning, unre-tied to the strand
of faith that wound the core hard ball of pure rubber,
vulcanized, for bounce,

CRACK of the bat, where once, no, each once ever,
the feeling
one side, then the other, being mentally cognoscente,
cognoscenti, either way,
we both know, we both take knowing duty as demanded
of the code
we obey. At the command. We pay proper attention,
not too much of any thing,
take your own measure,
remember, certainty is bad mad solid state, bricked.
In a sermon writing state of mind after reading poets alive when I was young.
Connor Veach Feb 2017
Harambe the inquisitive Self
Harambe the mangy dog
Harambe the broken Spirit
Harambe whose bones are my altar, scepter
Harambe who in his jailhouse did rock
Harambe whose name is communal labor
Harambe who stared into clear blank eyes and intuited the nature of the Soul
Harambe because Blake
Harambe because Hattie Carroll
Harambe because Truth in unintelligible letters, bleak
Harambe because ******* bullets pointed your way
Harambe because Et tu, Brute?

Harambe who constructed mental labyrinths out of paradise
Harambe who was half divine
Harambe who was half Man
Harambe who was full Anima Mundi
Harambe who was aped by the lollygagging necks and stiff roboticism of the masses
Harambe who was memed within an inch of his exhumed life
Harambe who was politicized
Harambe who was poeticized, needlessly

Harambe who stared down a Cincinnati sunrise just once upon arrival
Harambe who could not take it
Harambe who stayed inside all day
Harambe who was struck by the immensity of small broken objects (especially children)
Harambe who could not fathom my poetry, but wrote it all the same
Harambe who did not die in vain
Harambe whose voice will never taste his country
Harambe who no amount of ***** held out will return his stagnant soul to his body again
GL Thompson Mar 2019
Bob Dylan’s hats mean more to me than a requited lust for fame.
On our screens over the summer months,
with it’s logo slapped obnoxiously onto the water cooler -
covering more pressing concerns.
As people rant and rave, the so called stars of the show are prominent for a matter of days.
In their fifteen minutes of fame they become better recognised than a man called Dave.
Some are hated for things they have said or done.
trending on twitter and being memed from day one.
But as the winter solace rolls into place
Everyone forgets the familiar face
that pranced and clapped on morning TV
What was his name again who was he?
What once was a Dave is more like a Huxley or Mort.
He was far too easy to replace, when fame hit abort.
Jonathan Moya Nov 2020
I.
1.
The poem parses time into syllables
and the syllables reach out to hold you
in the embrace of your grandmother’s words,
the light touch of motherly praise,
the squirm of a daughter’s protestations,
the first gurgling phonemes of the womb
advancing to meaning, dissolving to memory.
2.
The grandfather clock travels in grandfather time,
its tick tick ticking replacing the shadows
cast by the sun on a circular stone
that mimicked the once holy dawn ringing out
on the sway of evergreens,
the rattle of doe hooves,
every sound collecting to the center
of the pulsating green forest.
3.
The lullabies chanted to the womb
hickory dickory dock, tick tock
its way up into the time of every song
you ever sung and remembered
until its sleepy dreams replace
every still moment of waking life.
4.
The paintings in the Louvre
are all Mona Lisas and Medusa’s—
the same **** faces
with different smiles
that become petrifying
when gazed head on
but freeing apace when
converted into frame rates
that match the time and space
of your foot movements,
heartbeats and thoughts.
5.
The pandemic has reduced
the world to FaceTime,
apart in space, time and touch:
the voice, the echoing of electrons,
the face, replaced by the screen image,
the same **** faces again without depth,
permitting no movement beyond
the camera’s border, no past or future,
just a present looped and memed ad infinitum
without a song to sing,
no dancing cheek to cheek,
until denied the reality of human time
neither of you can sustain a relationship
within the movement of this thing.  

II.
1.
Now your world exists
in the untouchable,
in shutdown,
in stopped time,
just a still life hung on the wall,
that you can only gaze at
but dare not touch
lest violence erupt.
2.
Everything is gone
in the flicker of an eye.
The black bird
with the yellow underwings
speeds by in a golden flash
until it vanishes into the forest.

III.
1.
And you are left
with the memory
of your grandmother’s embrace
singing only to you.
2.
It was holy, holy, holy,
a divine person,
a hymn,
a double beat
of syllables
seeding first into the earth
and then into you.
3.
You develop bifocular vision,
seeing not only
everything near and far
but all that is above and below
the soul’s watery movements.

IV.
1.
You remember the first time
you saw the goddess
rising half from  
the water and the sky,
dancing and singing
on the shore.
2.
Now, everything is painted
with the white clay
of her existence.
3.
Syllable by syllable her song
becomes your poetry,
a repeating chant
that entrances you
until your joy
passes beyond time,
to become the only
thing that matters.
4.
Her love allows you
to touch those things
that can never be touched
without the risk of infection.
5.
The poems written
enter through
the eye and ear
and touch the heart
of the world.

V.
1.
On your last walk
a green snake
undulates in S curves
on the trail in front.
2.
In the hiss
you hear no threat,
only love
that acquiesces
to allowing you
to touch its back,
until it straightens
itself out .
3.
In that moment
time un-wrinkles.

— The End —