Come queen of months in company
Wi all thy merry minstrelsy
The restless cuckoo absent long
And twittering swallows chimney song
And hedge row crickets notes that run
From every bank that fronts the sun
And swathy bees about the grass
That stops wi every bloom they pass
And every minute every hour
Keep teazing weeds that wear a flower
And toil and childhoods humming joys
For there is music in the noise
The village childern mad for sport
In school times leisure ever short
That crick and catch the bouncing ball
And run along the church yard wall
Capt wi rude figured slabs whose claims
In times bad memory hath no names
Oft racing round the nookey church
Or calling ecchos in the porch
And jilting oer the weather ****
Viewing wi jealous eyes the clock
Oft leaping grave stones leaning hights
Uncheckt wi mellancholy sights
The green grass swelld in many a heap
Where kin and friends and parents sleep
Unthinking in their jovial cry
That time shall come when they shall lye
As lowly and as still as they
While other boys above them play
Heedless as they do now to know
The unconcious dust that lies below
The shepherd goes wi happy stride
Wi moms long shadow by his side
Down the dryd lanes neath blooming may
That once was over shoes in clay
While martins twitter neath his eves
Which he at early morning leaves
The driving boy beside his team
Will oer the may month beauty dream
And **** his hat and turn his eye
On flower and tree and deepning skye
And oft bursts loud in fits of song
And whistles as he reels along
Cracking his whip in starts of joy
A happy ***** driving boy
The youth who leaves his corner stool
Betimes for neighbouring village school
While as a mark to urge him right
The church spires all the way in sight
Wi cheerings from his parents given
Starts neath the joyous smiles of heaven
And sawns wi many an idle stand
Wi bookbag swinging in his hand
And gazes as he passes bye
On every thing that meets his eye
Young lambs seem tempting him to play
Dancing and bleating in his way
Wi trembling tails and pointed ears
They follow him and loose their fears
He smiles upon their sunny faces
And feign woud join their happy races
The birds that sing on bush and tree
Seem chirping for his company
And all in fancys idle whim
Seem keeping holiday but him
He lolls upon each resting stile
To see the fields so sweetly smile
To see the wheat grow green and long
And list the weeders toiling song
Or short note of the changing thrush
Above him in the white thorn bush
That oer the leaning stile bends low
Loaded wi mockery of snow
Mozzld wi many a lushing thread
Of crab tree blossoms delicate red
He often bends wi many a wish
Oer the brig rail to view the fish
Go sturting by in sunny gleams
And chucks in the eye dazzld streams
Crumbs from his pocket oft to watch
The swarming struttle come to catch
Them where they to the bottom sile
Sighing in fancys joy the while
Hes cautiond not to stand so nigh
By rosey milkmaid tripping bye
Where he admires wi fond delight
And longs to be there mute till night
He often ventures thro the day
At truant now and then to play
Rambling about the field and plain
Seeking larks nests in the grain
And picking flowers and boughs of may
To hurd awhile and throw away
Lurking neath bushes from the sight
Of tell tale eyes till schools noon night
Listing each hour for church clocks hum
To know the hour to wander home
That parents may not think him long
Nor dream of his rude doing wrong
Dreading thro the night wi dreaming pain
To meet his masters wand again
Each hedge is loaded thick wi green
And where the hedger late hath been
Tender shoots begin to grow
From the mossy stumps below
While sheep and cow that teaze the grain
will nip them to the root again
They lay their bill and mittens bye
And on to other labours hie
While wood men still on spring intrudes
And thins the shadow solitudes
Wi sharpend axes felling down
The oak trees budding into brown
Where as they crash upon the ground
A crowd of labourers gather round
And mix among the shadows dark
To rip the crackling staining bark
From off the tree and lay when done
The rolls in lares to meet the sun
Depriving yearly where they come
The green wood pecker of its home
That early in the spring began
Far from the sight of troubling man
And bord their round holes in each tree
In fancys sweet security
Till startld wi the woodmans noise
It wakes from all its dreaming joys
The blue bells too that thickly bloom
Where man was never feared to come
And smell smocks that from view retires
**** rustling leaves and bowing briars
And stooping lilys of the valley
That comes wi shades and dews to dally
White beady drops on slender threads
Wi broad hood leaves above their heads
Like white robd maids in summer hours
Neath umberellas shunning showers
These neath the barkmens crushing treads
Oft perish in their blooming beds
Thus stript of boughs and bark in white
Their trunks shine in the mellow light
Beneath the green surviving trees
That wave above them in the breeze
And waking whispers slowly bends
As if they mournd their fallen friends
Each morning now the weeders meet
To cut the thistle from the wheat
And ruin in the sunny hours
Full many wild weeds of their flowers
Corn poppys that in crimson dwell
Calld ‘head achs’ from their sickly smell
And carlock yellow as the sun
That oer the may fields thickly run
And ‘iron ****’ content to share
The meanest spot that spring can spare
Een roads where danger hourly comes
Is not wi out its purple blooms
And leaves wi points like thistles round
Thickset that have no strength to wound
That shrink to childhoods eager hold
Like hair—and with its eye of gold
And scarlet starry points of flowers
Pimpernel dreading nights and showers
Oft calld ‘the shepherds weather glass’
That sleep till suns have dyd the grass
Then wakes and spreads its creeping bloom
Till clouds or threatning shadows come
Then close it shuts to sleep again
Which weeders see and talk of rain
And boys that mark them shut so soon
will call them ‘John go bed at noon
And fumitory too a name
That superstition holds to fame
Whose red and purple mottled flowers
Are cropt by maids in weeding hours
To boil in water milk and way1
For washes on an holiday
To make their beauty fair and sleak
And scour the tan from summers cheek
And simple small forget me not
Eyd wi a pinshead yellow spot
I’th’ middle of its tender blue
That gains from poets notice due
These flowers the toil by crowds destroys
And robs them of their lowly joys
That met the may wi hopes as sweet
As those her suns in gardens meet
And oft the dame will feel inclind
As childhoods memory comes to mind
To turn her hook away and spare
The blooms it lovd to gather there
My wild field catalogue of flowers
Grows in my ryhmes as thick as showers
Tedious and long as they may be
To some, they never weary me
The wood and mead and field of grain
I coud hunt oer and oer again
And talk to every blossom wild
Fond as a parent to a child
And cull them in my childish joy
By swarms and swarms and never cloy
When their lank shades oer morning pearls
Shrink from their lengths to little girls
And like the clock hand pointing one
Is turnd and tells the morning gone
They leave their toils for dinners hour
Beneath some hedges bramble bower
And season sweet their savory meals
Wi joke and tale and merry peals
Of ancient tunes from happy tongues
While linnets join their fitful songs
Perchd oer their heads in frolic play
Among the tufts of motling may
The young girls whisper things of love
And from the old dames hearing move
Oft making ‘love knotts’ in the shade
Of blue green oat or wheaten blade
And trying simple charms and spells
That rural superstition tells
They pull the little blossom threads
From out the knapweeds button heads
And put the husk wi many a smile
In their white bosoms for awhile
Who if they guess aright the swain
That loves sweet fancys trys to gain
Tis said that ere its lain an hour
Twill blossom wi a second flower
And from her white ******* hankerchief
Bloom as they ne’er had lost a leaf
When signs appear that token wet
As they are neath the bushes met
The girls are glad wi hopes of play
And harping of the holiday
A hugh blue bird will often swim
Along the wheat when skys grow dim
Wi clouds—slow as the gales of spring
In motion wi dark shadowd wing
Beneath the coming storm it sails
And lonly chirps the wheat hid quails
That came to live wi spring again
And start when summer browns the grain
They start the young girls joys afloat
Wi ‘wet my foot’ its yearly note
So fancy doth the sound explain
And proves it oft a sign of rain
About the moor ‘**** sheep and cow
The boy or old man wanders now
Hunting all day wi hopful pace
Each thick sown rushy thistly place
For plover eggs while oer them flye
The fearful birds wi teazing cry
Trying to lead their steps astray
And coying him another way
And be the weather chill or warm
Wi brown hats truckd beneath his arm
Holding each prize their search has won
They plod bare headed to the sun
Now dames oft bustle from their wheels
Wi childern scampering at their heels
To watch the bees that hang and swive
In clumps about each thronging hive
And flit and thicken in the light
While the old dame enjoys the sight
And raps the while their warming pans
A spell that superstition plans
To coax them in the garden bounds
As if they lovd the tinkling sounds
And oft one hears the dinning noise
Which dames believe each swarm decoys
Around each village day by day
Mingling in the warmth of may
Sweet scented herbs her skill contrives
To rub the bramble platted hives
Fennels thread leaves and crimpld balm
To scent the new house of the swarm
The thresher dull as winter days
And lost to all that spring displays
Still mid his barn dust forcd to stand
Swings his frail round wi weary hand
While oer his head shades thickly creep
And hides the blinking owl asleep
And bats in cobweb corners bred
Sharing till night their murky bed
The sunshine trickles on the floor
Thro every crevice of the door
And makes his barn where shadows dwell
As irksome as a prisoners cell
And as he seeks his daily meal
As schoolboys from their tasks will steal
ile often stands in fond delay
To see the daisy in his way
And wild weeds flowering on the wall
That will his childish sports recall
Of all the joys that came wi spring
The twirling top the marble ring
The gingling halfpence hussld up
At pitch and toss the eager stoop
To pick up heads, the smuggeld plays
Neath hovels upon sabbath days
When parson he is safe from view
And clerk sings amen in his pew
The sitting down when school was oer
Upon the threshold by his door
Picking from mallows sport to please
Each crumpld seed he calld a cheese
And hunting from the stackyard sod
The stinking hen banes belted pod
By youths vain fancys sweetly fed
Christning them his loaves of bread
He sees while rocking down the street
Wi weary hands and crimpling feet
Young childern at the self same games
And hears the self same simple names
Still floating on each happy tongue
Touchd wi the simple scene so strong
Tears almost start and many a sigh
Regrets the happiness gone bye
And in sweet natures holiday
His heart is sad while all is gay
How lovly now are lanes and balks
For toils and lovers sunday walks
The daisey and the buttercup
For which the laughing childern stoop
A hundred times throughout the day
In their rude ramping summer play
So thickly now the pasture crowds
In gold and silver sheeted clouds
As if the drops in april showers
Had woo’d the sun and swoond to flowers
The brook resumes its summer dresses
Purling neath grass and water cresses
And mint and flag leaf swording high
Their blooms to the unheeding eye
And taper bowbent hanging rushes
And horse tail childerns bottle brushes
And summer tracks about its brink
Is fresh again where cattle drink
And on its sunny bank the swain
Stretches his idle length again
Soon as the sun forgets the day
The moon looks down on the lovly may
And the little star his friend and guide
Travelling together side by side
And the seven stars and charleses wain
Hangs smiling oer green woods agen
The heaven rekindles all alive
Wi light the may bees round the hive
Swarm not so thick in mornings eye
As stars do in the evening skye
All all are nestling in their joys
The flowers and birds and pasture boys
The firetail, long a stranger, comes
To his last summer haunts and homes
To hollow tree and crevisd wall
And in the grass the rails odd call
That featherd spirit stops the swain
To listen to his note again
And school boy still in vain retraces
The secrets of his hiding places
In the black thorns crowded copse
Thro its varied turns and stops
The nightingale its ditty weaves
Hid in a multitude of leaves
The boy stops short to hear the strain
And ’sweet jug jug’ he mocks again
The yellow hammer builds its nest
By banks where sun beams earliest rest
That drys the dews from off the grass
Shading it from all that pass
Save the rude boy wi ferret gaze
That hunts thro evry secret maze
He finds its pencild eggs agen
All streakd wi lines as if a pen
By natures freakish hand was took
To scrawl them over like a book
And from these many mozzling marks
The school boy names them ‘writing larks’
*** barrels twit on bush and tree
Scarse bigger then a bumble bee
And in a white thorns leafy rest
It builds its curious pudding-nest
Wi hole beside as if a mouse
Had built the little barrel house
Toiling full many a lining feather
And bits of grey tree moss together
Amid the noisey rooky park
Beneath the firdales branches dark
The little golden crested wren
Hangs up his glowing nest agen
And sticks it to the furry leaves
As martins theirs beneath the eaves
The old hens leave the roost betimes
And oer the garden pailing climbs
To scrat the gardens fresh turnd soil
And if unwatchd his crops to spoil
Oft cackling from the prison yard
To peck about the houseclose sward
Catching at butterflys and things
Ere they have time to try their wings
The cattle feels the breath of may
And kick and toss their heads in play
The *** beneath his bags of sand
Oft jerks the string from leaders hand
And on the road will eager stoop
To pick the sprouting thistle up
Oft answering on his weary way
Some distant neighbours sobbing bray
Dining the ears of driving boy
As if he felt a fit of joy
Wi in its pinfold circle left
Of all its company bereft
Starvd stock no longer noising round
Lone in the nooks of foddering ground
Each skeleton of lingering stack
By winters tempests beaten black
Nodds upon props or bolt upright
Stands swarthy in the summer light
And oer the green grass seems to lower
Like stump of old time wasted tower
All that in winter lookd for hay
Spread from their batterd haunts away
To pick the grass or lye at lare
Beneath the mild hedge shadows there
Sweet month that gives a welcome call
To toil and nature and to all
Yet one day mid thy many joys
Is dead to all its sport and noise
Old may day where’s thy glorys gone
All fled and left thee every one
Thou comst to thy old haunts and homes
Unnoticd as a stranger comes
No flowers are pluckt to hail the now
Nor cotter seeks a single bough
The maids no more on thy sweet morn
Awake their thresholds to adorn
Wi dewey flowers—May locks new come
And princifeathers cluttering bloom
And blue bells from the woodland moss
And cowslip cucking ***** to toss
Above the garlands swinging hight
Hang in the soft eves sober light
These maid and child did yearly pull
By many a folded apron full
But all is past the merry song
Of maidens hurrying along
To crown at eve the earliest cow
Is gone and dead and silent now
The laugh raisd at the mocking thorn
Tyd to the cows tail last that morn
The kerchief at arms length displayd
Held up by pairs of swain and maid
While others bolted underneath
Bawling loud wi panting breath
‘Duck under water’ as they ran
Alls ended as they ne’er began
While the new thing that took thy place
Wears faded smiles upon its face
And where enclosure has its birth
It spreads a mildew oer her mirth
The herd no longer one by one
Goes plodding on her morning way
And garlands lost and sports nigh gone
Leaves her like thee a common day
Yet summer smiles upon thee still
Wi natures sweet unalterd will
And at thy births unworshipd hours
Fills her green lap wi swarms of flowers
To crown thee still as thou hast been
Of spring and summer months the queen

is there really enough genius bound
to speak in complex μαθ?
         among demons, angels...
geniuses... corpus miseria -
          and some other additives.
        it's a wonder, that it does happen,
ventures Newtonian, Copernican -
         but there's also that stance
toward language: whereby one reaches
a limit... because a marble-engraving,
like so many otherwise:
   bound to the fate of dust,
     those rising above it, settle in ornamental
celebratory guise... depending
on what's going to be the next finicky
cruelty... whether the wind,
or whether the talk of Parisian vogue:
primarily begun with anorexia...
    could it have been otheriwse?
models as sketches,
   skeletons for the glitter and paparazzi
blink... gluttonous maggoty-flesh
whirling in the bedroom: intoxicated
by champagne and canapes.
                 there are geniuses out there,
they do seek the limits of the human
endeavour... they use language of
solipsism,
       god Solipsus in his carved emblem
said so...
                 but there are also geniuses
who numb...
           when given language, one is given
utility,
             say: learning French, to do your
shopping, and learn French, to read a newspaper...
learn a langusge, and become as useful
as a hammer...
         well: all that's left to fathom is a care for
applause!
      but unlearning language?
                  can it be done?
    not because i wanted to become enigmatic,
not because i wanted the divergence...
       it came naturally, i paused,
and said: my limits are bound to be completely
uncreative, if that be the permitted clause...
                 as to how: language can become
dislodged from hymn,
                        from a letter (formal or informal),
from a petition, from anything invoking
a congregation...
     there's Einstein with his theory,
    and there's me... without such a theory...
  it's already trendy, labelled deconstructionism...
as ever: architecture in reverse...
                i can sometimes be bound as having possession
of a nation... i can fall into rank,
           i can be a political motiff...
i can circumstance everything on the "i am'',
have a thousand leeches suckling at me,
be prone to wavering and other subtler mechanism...
                 simply because: i have surrendered
myself to something that could never guarantee
thinking, as something worth making finicky...
             i trusted the convening of vogue,
to no testament worth reciting...
                      the labyrinth is already there,
                 question is: can i mirror it?
               so yes, there are geniuses out there,
who reveal hidden complexities...
             without necessarily using a said language -
                 death & the democratic ideal...
            throughout life and still honing toward
that one vote autocratic...
                                some even care for epitaphs,
as if chiseled in marble cares for distinguishing such
last words...
                           i have no competence to
   rummage in the a priori...
   man was always bound to create a safety
   in a historical certainty...
   a way to suggest: the carousel will stop...
               we'll find El Dorado...
                              and sure, mathematics
has the same punctuation marks
      as what is necessary to be a merchant...
i + pause            or i, pause...
                                       i could have written
a theory that might elevate man,
   but i decided to deconstruct language, whereby
i'd reach a limit, and find a 21st century
                                if there ever was one...
given the fashion industry...
                   it's hard not to see a need to plagiarise...
and so striving for originality becomes so
****** exhausting... you stop to even care for it...
                the herd is and always will be:
the dicta.
                           anything beyond it...
how we wake each day to the past, and this
persistent abortion, this panic asking:
   am i the flesh of those, kindred?!
                  take the crucifix, and it's glorification,
abstracting the tetragrammaton:
   worthy for those uneducated barbarians to be:
everything, and summary.
          have i the potential to mould a copper
effigy of a bull, empty, and place people in it
   and put the bull under a fire, and hear the cries
of agony, like some Sicillian tyrant?
                                   the title **** sapiens
came too soon... it's too immature...
     i can't grasp the argument counter:
herbivore                                        and on god's
green earth...                  the wet-eyed sheep -
  or dangling the iron maiden mould on the neck...
so it is... every, single day:
   i wake into a nightmare of the nagging man...
                   how did the third *****
create this ant-like subordinate race,
can anyone really comprehend such a congregation?
                               it's almost staggering,
that unison... that non-existent desire for
    the artist's own...
                                   no individual:
but a people...
                                       can that even be revised?
                 it does't matter...
                                    i can't imagine it,
having totally discarded the theological circumstance
   and embraced the completely natural
      slaugherhouse... as glorification of nature
   states: of god and the weakness...
                                    of nature and strength.
        and if the ancients spoke of a nonsense,
                             i cannot say anything more than
this hanging shadow of apathy.
              are snakes without eyelids?
                    transcript insomniac...
it's almost, as if, Islam is trying to rummage
in graves of ancients...
                                                 as if we are
sodden with apathy, and readied for an en masse
awakening, that's bound to Istambul...
                                 and if i think i'm writing
something contemporary, i'm always fidgety
when giving that fabled precursor that's history...
               i never know the schwab from Silesian.
ja... dicta esse noon, and anorexic shadow...
                                   and so begins,
alternative cursor... beethoven into kraftwerk...
             music in the elements...
from classical winded, into rhythm and earth
   and the bass and drum... marquise of raz, dwa, trzy...
            cztery, pięć... pięść... zex....
                       synthetic... gorgon siedem... decalogue...
                                              ginger root
Pomerenian... filthy blonde...
                                          chasing the Pruß...
and some say violence is a dietary equivalent of
fibre... or roughage...
                                    and i say:
           dogs may bark, dogs may whimper,
   but a dog will be more rational than
man with his god and his exclusion zone...
                      i feel:
                                               a fraction of
what's believable...
                                and thankfully: a moment
of being ingracious in feeling a common status
is enough... **** spaciens is a worded escapism,
it is never a fulfillment -
                             a marking worthy of universal
appeal...
                      it is man
                              trying to escape the rotations,
     it is man attempting to find a standstill...
          why bother though?
   everything is an inward continuum...
          man and his plumbing?
   plumbing, sure... darwinism and the big bang...
                     assured in finding the plughole...
            and a thousand convened ballerinas in
a tornado... silently: tip, toe, tip, toe, tip: tugging.
        branding cattle and prostitutes...
   i found more humanity in their eager whip,
than i found lipstick on a hankerchief...
                 and yes: kisses lead to bloating.
        i am glutton, meaning: am deutsche...
                               there are no germanic peoples,
          the

/political correctness is a term used for people who have forgotten, near-archaic social formalities... oddly enough, social-formality is still obliterating political debate,  and is only existent, when met with political "dialectic"... since ancient Greece,  dialectics has been the enemy of politics, since it curbed the stampede of orchestrated, pristine, rhetoric... which is why politicians stutter, or mishandle... what was once a fact, has now become a statistic... which is... something you call: diluted ****, or diarrhoea...

political correctness?!
    what is "political"
about an ontological
focus of a priori
   social formalities?
   political correctness,
id est:
    satus quo prolongation?
as far as i know that
ship has sailed...
perhaps like the Titanic's
maiden voyage,
not blessed with a champagne
bottle christening...
a Kantian revival against
the Hegelian "dialectic"...
after all, he was the Copernicus
to what became the Marxist-
Galileo fiasco!
    if only Copernicus
became a martyr for looking
down the whirlpool of
a flushed toilet... who knows?!
*******... spaghetti
al fresco and Venitian blinds...
fatso mafiasos and
Marlon Brando dyslexia
due to cotton buds shoved
into his cheeks like
a ******* jerbal...
             gallows the schmuck,
hence came Zodiac Leo...
i'm actually apprehensive
about the fact that political
correctness is actually
an: apolitical statement...
seen that khaki attired king rat
scuttling about giving
shadow commands?!
me neither...
   but at least in a dictatorship...
some *******
doesn't have a choice,
but own up...
    illusion of the emperor's
new clothes...
you're right... the clothes
are rented...
   because there weren't any
to begin with!
   no wonder there's a shadow
spine to the "pristine"
idea of democracy...
chivaraly was also,
once upon a time, a novel idea
and an idea with a span of
history (ideology, vogue)...
      but came the undertaker
and buried that *******
with the maiden's hankerchief
he used as target practice for either
*****, or snot...
    political correctness is any ugly
term for what is otherwise
a root of social formality,
   laughable, even still...
  political correctness has no
a priori root to pivot on...
   political correctness attempts to
be a form of social formality,
but it's... kinda hard to
speak about an unspoken rule
that has been passed on
and is anti-political,
id est: intuitive... hardly the curious
child with a stick and a wasp hive...
      people feel unhinged...
no wonder!
        a social formality is within
the ontological a priori focus...
an inheritence that's silent...
but, politics, is never exactly
   an a priori focus...
              tinged with a posteriori
artifacts, it usually cites
Napoleon, ****** and Russia...
             to be "politically"
incorrect, is to what? what?!
                    momentarily relaxing
social formality?
                gender neutral pronouns
of the western world... ha ha!
a much older debate about
pronouns exists in the Slavic world...
made concise be the use of
the pronoun you...
     and of course,  i...
       which focuses on a loss of the title
herr und fraulein...
              ha ha...
told you that nag hammadi library
shepherd and pivotal St. Thomas' gospel
was going to be a hit...
              Chinese whispers in Judea...
the current... thrill of bi-cis-dunno...
doughnut?
    - only two people worth
admiring in the 20th century:
Lenon and Kennedy...
   the sort of people who true... fans!
i make a falsetto,
some Hannibal Lector will be
on my heels, thinking up
a ritual where, I'm actually eaten,
in a snippet of my body, akin
to the tender-bits of my liver...
   way to go... a sabbath encore
of those ***** ****-takes of beauty
Scotch banshees!
       fifth limb and the word: USURPER!
nope... make my tongue
into a ***- (yes, like
****** I might call the urban
of what is a renowned country's
worth of Billy, hence
the hyphen attaché)...

     whatever is politically correct
(mind you, german idealism,
rigidness of vocabulary,
only 3 definitions of a word
are utilised, the fourth
becomes a writers' scurvy
or a ***** tattoo in a thesaurus)...

whatever is politically "correct",
hence the ambiguity of -ness
is an orphan of both social
formality & informality...
who the **** would asked
for a political butcher,
let alone a member of parliament
take on a rabbi's son?!

nooooo....   oooooone....
       lovely,  ain't that
the pretty siht:
sight of a tightening
of a cravat prior to
the folded napkin in heavy cotton
before the state dinner...
minus the China and
the yardstick worth of... silverware...

came the ümlaut...  
the closing of the parabola...
the shy messiah...
the rollingpin of omicron,
the ******'s worth of omega.
   und?!
          ah...
    the siamese twins of H
in the tetragrammaton...
once a wave (W)...
     once a particle 3D (Y)...
jew counted matchsticks
   and read a book...
Pole has 1 to count,
       afro-boy has 20+ raps
for one gil scott-heron
  for every ****** factory
and for every if it came to:
this revolution, lardy lardy,
was televised...
now we're praying that it
could please! please! shut! up!
            
the toying with Greek and
a crucifix that became the tongue
of the golgotha-cranium?
   do the sons of light caste
a shadow?
       surely "we" read the light
from shadows...
   night, however...
is... without form....
        devoid of the triangle
and the square...
    the universe is ever expanding
is the closest they came to
giving it a geometry...
and then they finally settled on a:
linear proposition...
   came the "big" and the "bang"...
and then the, "supposed"
sparrow eater worth of vacuum...

there is an understanding
of social formality
  (a priori)
     as there is a knowledge
of social informality
      (a posteriori)...
    political "correctness":
a claim of being...
       politicians should learn this
mantra:
    to be politically "correct / incorrect"
is to be... apolitical...
   what?  
                just because
the church bred atheists...
a parliament can't breed apoliticians?
  granted...
     the parliament has a luxury
of a god on a string...
          and a suddenly materialised
"god"...
             the church is already a warm broth
of gurgling **** in the shadows...

for whatever the audacity of
youth apparent,
the fervour in me is hardly
as Dynamo for Alt.    
        in what remains an inherited
burgeon of power....
   than a plebiscite of gambling...

who speaks of political correctness
is only speaking of
a buffer zone to the ham trough...
yes, thank you,
I know there is no talk of
political correctness in the scenario
of a uniformed police officer
and me drinking a beer on a bench...
politicised bystanders...
****... me...
   can they flip and omelette like
a pancake?
        social formalities don't need
a stray dog's worth of tongue
to suddenly discover
the arithmetic of counting teeth!

I saw him led across my BLACK AN D WHITE  television screen in the rundown city of NEWARK huge shades covered his eyes like black bandages head skyward voice a dynamite musicial roar of sound as RAY CHARLES screamed I GOT A WOMAN WAY OVER TOWN THAT"S GOOD TO ME  THAN JAMES BROWN  in a shoulder cape danced  did a split dropped to his knees and roared PLEASE PLEASE  PLEASE and PAPA GOT A BRAND NEW BAG the DRIFTERS took the stage with UNDER THE BOARD WALK  JACKIE WILSON ex boxer punched out the tune LONELY TEARDROPSwhile doing another split and throwing his coat or hankerchief to waiting  screaming  fans DION AND THE BELMONTS told about RUNAROUND SUE SMOKEY ROBINSON AND THE MIRACLES with his high falsetto touched the rafters with TEARS OF A CLOWN  the TEMPTATIONS told everybody that would listen  that PAPA WAS A ROLLING STONE  and I WISH IT WOULD RAIN so that no one will see my teardrops when I go outside BROOK BENTON with his smooth baritone sang about A RAINY NIGHT IN GEOGIA  and that ITS JUST A MATTER OF TIME and THE JAGUARS were careful on tiptoe because THE LION SLEEPS TONIGHT ELVIS PRESSLEY wanted to know ARE YOU LONESOME TONIGHT  and sang about THE JAILHOUSE ROCK and JERRY LEE LEWIS known as the killer on the stage beat beat the piano like a bad child with elbows feet hands letting us know about there is A WHOLE LOT OF SHAKING GOING ON we ain't faking there's a whole lot  of shaking going on

An ant crawling on the edge of my hankerchief.
Testing the summer air with hopeful antennas
I let her stay

i. prodigal daughter

****** cough
great grandmother's
             hankerchief
   letters, no name,
      not mine
  
                              i ruin a lot
                              you can't see
                         red hands together
                            prayer. maybe.
                                   not me.

ii. menace

burning woman
settle in the wallpaper
your eyes are yellow
again: i cry while
you paint over me -
        this house is as haunted as me.

iii. flight of the wolves

her eyes
    slide into mine
until eventually
                 the moon takes me by
                            the hand
                 we are running
                  against ourselves
                  and bleeding stars
                               fading as nothing
                               but hungry dogs
                               into the night

iv. ancient light

you have never
wanted touch
like this  
                   a mysterious something
                   is in the air
                   someone else's sun
                   swallowed whole

      fire has his hand in my mouth
                   i am screaming.

v. town fair memory

my lover in a dream
finds me by the craft table
it's sun down
             tiptoes around  my adolescence
                  he knows he is not my love.  

i lay on the trembling blacktop
with my friends. the sky is pink
but not as warm as us, we can see
stars from here: we're not waking up
                 from today

                    his name
                        still
                    eludes me

i write this sort of *******, and they wonder why it's not Pompeii mascara.... they wonder! they wonder!  i'm half as worth to be amused... when they stop making jokes of eastern europe, or how the males make perfect plumbers, and the women perfect ******... how i think western europe deserves a beating and a ****... how i pledge my allegiance to мама Россия: you are, no, surrogate father model type, a ******* ******, hillbilly... colonel i rather pledge allegiance to your enemy than waste my time, licking out your ***... the sober me is way gone... i don't like western europe, i just think of it as a homosexual haven: but **** on me! the castratos can sing in that english county home! like some Italian, my guess! you're the one stressing darwinism, i wasn't even asking! i have no allegiance with the west, it's auper-land to me... a barricade, something the Chinese might add with a sneeze: achoo! Hans! Hans! kraft Honk bei Donkey Kong! für eine Hong! that said, the west is boring with its quest for journalistic freedom... they bore me... i'm satire prone enough... they really are a lost clause to a case, that once might have ringed true... it's when my ethnicity was brought onto the canvas, that i wished them all the more debasement in practice so shallowed, so despised, so... well... me pledging my allegiance to Россия... it's a case of: you just become tired after a while.... too many Pakistanis get in the way... you start to keep / remember a plot... but never earn a living as a plumber... then you rebel... and that's when people start to not like it... but then you're like: hey! no problem! i liked how you dealt with the original problem in the first place! here's to free love! when you heard enough jokes about Eastern Europe... just about then... you turn you prerogatives to a super-power... and you realise that the only slavs in western europe are the rich... so you begin writing, addressing the poor... it then makes sense, only then... ensuring the west is given a firm foundation of an immigrant status to usurp the Apache as worth a sneeze into a hankerchief... there i, toward Siberia bound; i'd laugh when you stopped at the **** and the Paddy... now i don't feel like laughing... i feel like cannibalising your ***; only because vegeterianism is way too risqué, and India is too far away.*

because the real poets said:
give me your everyday!
because the odd poets said:
i love you!
   i said unto mutter РУС:
absolved, that i am,
  overcome by a feeling...
      i have a heart
in a place that delves in all
my ethnically bound women
as mere ******...
not in a "like it's ment to be"
but in: do i really have a care?
then to later rob me of my
tongue; ugly irish! ginger *****!
              set
           it's become a near fetish to
think of nothing but
    a human sordid bone
   when there's a beef allowance
to set my teeth into.
it's a shame to even say these words,
and eat nothing...
        ******* bunch of cauliflower
fairies when they said: there be clover!
there be clover!
    imagine an Irishman that hadn't
enticed himself with Joyce!
   pish poor ire-mann if you ask me.
my allegience still stands with mama РУС,
ah shucks, the romance and the "greek"
in me.

The alarm clock buzzed beside him as he struggled to reach his hand out to shut the alarm away. He groaned as he rolled over from his side of the bed to the other side of his king-sized bed. The other side of the bed, that used to feel so warm, was now empty and cold. He gave out a deep sigh before sitting up on his bed and proceeded to kiss the picture frame on the side table beside his bed. He admired her beautiful face for a few minutes as he smiled painfully before placing it back where it was before. Ruffling his own hair, he walked towards his cupboard to grab a random shirt and threw it on before quickening his steps to the bedroom beside his. He knocked on the door gently before opening it lightly. Walking towards the snoozing female on the bed, he sat down beside her and shook her petite body.

"Hey... Wake up..." he spoke gently as he switched the side lamp on. Long eyelashes fluttered as she slowly opened her eyes, her brown watery orbs shimmered under the small light. Small groans could be heard as she tried to hide herself under the blanket, making the grown man laugh at her cute antics. "Come on, I need to get to work..." he said as he shook her more.

"Noooooooooo~" a small muffled groan could be heard from under the blanket and he chuckled.

"If you are not going wake up, the tickle monster is going to attack you~" He grabbed the girl who was hiding under the blankets and started to tickle her through the thick cloth and cute giggles could be heard as she slowly revealed her head, sitting up as she came eye to eye with the grown man.

"Good morning, Daddy." she greeted politely.

"Good morning, little princess." he greeted back, smiling as he stroked his little girl's long wavy hair that she grew out ever since the day she was borned. "Come on, let's get washed up." he opened his arms, inviting the little girl into his arms. She did the same and held onto his broad shoulders as he carried her and they both went into the bathroom. He sat her down on their sturdy basin counter top as he started shaving his stubs carefully. The 5 year old independently took her father's toothbrush and squeezed some toothpaste on the brush before passing it to him. He smiled lightly before taking his toothbrush and watched as she prepared her own small pink bunny designed toothbrush. After finishing brushing their teeth, he helped the little girl down from the basin as she ran towards the bathtub.

"Kailee! Remove your clothes before you start the bath." he spoke firmly to the girl as she started running the tap to the fill the bathtub.

SPLASH SPLASH SPLASH!

He squeezed his eyes together so that the water that was splashing around would not get into his eyes. "Will you please stop splashing?" he nagged at the young girl but she merely giggled, finding the scene of her father getting all soaked rather amusing. She continued splashing the soaped water in her father's direction, ignoring the fact that he was literally getting drenched in his clothes as he scrubbed her clean.

After drying her up, he brought her back into her bedroom as he looked through her clothes that were hung in her wardrobe. "Daddy! I want to wear that dress!" she exclaimed, pointing to a sky blue dress, with floral prints on the thin silk layer on top of the bottom half of the dress.

"Again? This is probably the 50th time you wore it this year, my dear." he half-complained as he chuckled behind his words, taking it out from the wardrobe and dressed her up in the dress.

"What~? I like this dress." she responded as she waited for her father to help her zip up the dress before she skipped to the full-length mirror in her room and admired herself.

"I know I know. Go down for breakfast. Your grandparents are probably waiting for you." he said as he went back into his own bedroom and prepared himself for his day at work.

Decked in a simple tight fit black tee shirt and light blue ripped jeans, he started styling his hair, slicking his black hair backwards in a neat style. After he was done accessorising, he jogged down the stairs to join his family for breakfast.

As he sat down with his father and mother for breakfast, he saw that his little girl was already done with her meal and had scattered off to play with the two dogs in the yard. "Good morning Mom, Dad." he greeted before bowing a little and started to munch on his sandwich. "Egg sandwich! Mmm, this is tasty." he spoke with a little hype as he munched on it more.

"Dylan... Why did you let her wear that dress again?" his mother nagged at him, but he merely smiled at her with respect.

"It's alright Mom, you know that's her favourite dress." he said nonchalantly before realising that his parents were already looking at one another with worried looks. "It's alright, it really is." he assured them with a cool smile as he heard his phone ring and his secretary's name showed on the phone. "Alright, we need to go. Come on, Kailee!"

At the sound of her father's voice, Kailee kissed the retriever puppies goodbye before running towards Dylan, who was waiting for her with his hand outstretched for her hand. Small fingers gripped around his masculine hand as he tugged her along towards the posh looking van that was waiting for them upfront. The two of them board the van and the well-mannered Kailee greeted the adult man inside.

"Good morning Uncle Fred!" she grinned brightly at the male whom was older than her own father.

"Good morning Kailee, wearing your favourite dress again?" he commented casually but Dylan knew that he eyed him for a bit there.

"Yes! I love this dress!" Kailee exclaimed, smiling brightly as her eyes turned into crescents, just like how her father's would. The three of them went on their way to the company. Upon arriving, they made their way up towards the studios and the elevator stops on the 4th floor. Before the elevator door opened, Dylan knelt down on one knee if front of Kailee and gently brushed his thumb against her chubby cheeks and stroked her hair.

"I've got to go. Behave, okay?" he smiled at her but she pouted.

"Can't you stay with me today?" she mumbled and Dylan felt his heart clenched a little. He had always felt sorry that he could not spend his time with Kailee, but this career was all that was supporting him and his family.

"Sorry baby." he lightly kissed her on her forehead and smiled at her again, "I love you." he murmured to her.

"I love you too." she replied with a small smile as she waved to her father goodbye. Dylan waved a little before walking out of the elevator, leaving Fred and Kailee in the elevator alone as they proceeded to the fifth floor, where Kailee's private tutor was waiting for her.



"Dylan."

"Dylan."

"Mister Dylan Caleb!"

Finally snapping out of his daze, Dylan raised his head as he looked Travis in the eyes. "Yes?" he realised that he have not been paying attention to the song that Travis was playing for him and he watched as  his partner sighed in front of him. "I'm sorry." he apologised to Travis but his blonde friend merely sighed deeper.

"Let's go for a break." Travis suggested and they both stood up, leaving the studio as they started to take a stroll around the building. They finally came to the room where Kailee was receiving her private tutoring. Through the full glass doors, he leaned against a pillar that was out of sight from Kailee. Staring at her backview, he smiled lightly. His heart warmed up, feeling grateful for her existence.

"Are you alright?" Travis placed a hand on Dylan's shoulder and his eyes started to tear up.

"What have I ever done to deserve this?" he murmured, loud enough for Travis to hear and Travis' face turned solemn as he patted Dylan on the shoulder.



Chapter 3

*He stared in the mirror as he fixed his tie nicely. The black tie went nicely with his black shirt and coat. He turned to take a look at his bedroom, which still held the things that belonged to her. Controlling his emotions, he stepped out of his bedroom and saw his 2 years old daughter held in her grandmother's arms, decked in a formal black dress.

"Must we really bring her?" Dylan murmured to his parents, his head lowered and his hands pocketed. He bit his lips as he kept his hopes high, hoping that he did not have to bring his daughter along.

"She is, after all, her mother, Dylan..." His father replied him and he nodded his lightly. He outstretched his arms to welcome his daughter into his embrace as the innocent toddler giggled and held onto her father, his face struggling to smile for the little girl.

"Let's go..." Dylan said calmly as the entire family left the house.

Arriving at their destination, most of the people were already there although it was pretty early. He left his daughter in the care of his parents as he proceeded to greet his guests politely before moving to the main hall, where his wife was.

He slowly approached the white grand coffin which his wife laid in and he hesitated before looking into the glass panel, where he could see the face of his beautiful wife, all dolled up. She looked so beautiful, and he smiled as tears started to fall down his face. Reaching out his hand, he gently caressed the glass panel as his tears started hitting it in droplets.

"Sky..." he murmured her name softly, his body shivering as he admired her face. Her eyes were closed and the small smile on her face made it seem like she was in peace. "What am I to do...? What am I to do without you...?" he mumbled under his breath as he slowly stroked the glass panel. "Ah... Sorry... I'll be okay...You will watch over Kailee and I... Right?" he mumbled some more. He slowly placed his lips against the glass panel and kissed it, his body still shaking uncontrollably. He heard people walking into the room, but he ignored it, placing his full attention on his wife.

"Dylan..." A deep voice spoke as a hand was placed on Dylan's shoulder. "Be strong..." he said. He turned slightly to see TOP standing beside him before turning back to Haneul as he slowly calmed down. Back and forth, people came up to Jiyong to comfort him and send him their condolences. It was a small funeral as Jiyong was a celebrity and he wished to be able to protect his family's privacy by not blowing it up too big. The only guests there were his close friends and family as well as Haneul's. Finally coming eye to eye with Haneul's parents, Jiyong bowed deeply at his in-laws, solemnly portraying his apologies and guilt towards them.

"Sorry that I didn't take good care of Haneul like I've promised to. I'm deeply sorry, Father and Mother." he said in great sorrow.

"Look up, Jiyong-ah." Haneul's father said in a deep, calm voice as her mother teared beside him. "It's not your fault. It's just Haneul's fate that she couldn't live longer. But she is a fool herself, ending her own life like this."

BASH!

Out of nowhere, Haneul's younger brother, Hanbyun, came out and gave Jiyong a punch in the face, sending him crashing to the ground. Jiyong's friends wanted to help him up, but he shook his hand before turning to look Hanbyun in the eye. Instead of anger, he saw sadness in Hanbyun's eyes.

"I'm sorry, Hanbyun-ah." he apologised, not knowing what to say to the depressed young adult. With no reply, Hanbyun stomped out of the funeral hall.

"Sorry Ji-"

"It's okay Father and Mother. Everyone is definitely not in a good mood because of this. Hanbyun is no exception." he lowered his head, feeling shameful to face his in-laws after what happened to their daughter.

"Let's go send Haneul off nicely." Jiyong's father commented to everyone as Seungri, Daesung, TOP, Youngbae, Mithra and Seungyoon were ready to lift the coffin. He nodded as he turned to see his daughter in his mother's arms.

"Umma. Let me hold Hanyoung." Jiyong said as he reached out his hand towards his daughter and held on to her. Sending Haneul off into the fire, he bid his last farewell to his one true love.



Chapter 4

He held his daughter's hand as they slowly walk along the rows of tombs. Once they had arrived at the tomb of the person they were here to visit, Jiyong passed the bouquet of light blue and red roses to Hanyoung. The 5 year old held the bouquet in her arms and made a small prayer as she laid the bouquet on her mother's tomb. Taking out his hankerchief from his pocket, he knelt down in front of the tomb and started wiping her photo and the words that were engraved on the tomb.

"Haneul-ah... Hanyoung and I have come to visit you." he said steadily and softly.

"Umma..." Hanyoung called out to her mother as her small hands reached out to stroke the photo of her late mother. Jiyong held on to his daughter as he forced out a smile.

"Hanyoungie is 5 years old already..." he paused, "Which means you have been gone for 3 years now..." he said, his lips quivering as he tried his best to keep his emotions under control. There was so much he wanted to say to Haneul, but he kept them in his heart as he made a silent prayer. He wanted to tell her how much he missed her, how much he wanted her here with him and Hanyoung, how everything felt so incomplete without her.

"Appa, don't cry..." he heard a small voice comfort him as her warm hands reach out to wipe away his tears. "Hanyoung knows that Appa misses Umma... I miss Umma too..." she murmured to her father as her face to change. Jiyong reached out to hug his daughter tightly, feeling her warmth as his heart continued to tear apart at the thought of his wife. He started to hear little sniffles coming from beside him and he gulped in guilt.

"Alright... Appa won't cry anymore... Hanyoung shall not cry too, okay?" Jiyong swallowed his agony to comfort his daughter. Hanyoung parted the hug and turned towards the tomb and placed her hand on the photo again.

"Umma... Why did you leave me and Appa alone? I want you here with Appa and I..." her innocent thoughts rolled out bit by bit and Jiyong watched as Hanyoung conversed with the photo. "But it's okay... Umma is in better place now... Appa said that Umma will take care of Hanyoung and Appa from that place..." she smiled slightly, "Please take care of Appa... He seems really stressed out from work..." she prayed to her mother out loud and Jiyong cringed at her words, his heart shattering with every word that came out of the young girl's mouth. He choked on his tears, controlling himself as hard as he could.

"Umma... I miss you... And I love you, forever..." she stroked the photo gently.

"I'm so sorry, Hanyoungie..." Jiyong caressed his daughter's face as he lowered his head.

"It's okay, Appa. It's not your fault..." Hanyoung tilted her head in confusion as she patted her father's head, making Jiyong smile slightly.


Bringing Hanyoung to a restaurant for lunch, he ordered his usual as well as Haneul's favourites, Carbonara Spaghetti and Beef Sirloin Steak. As he fed Hanyoung, he started to speak softly.

"You know... This is the restaurant where I first met your Umma..." he said and it called Hanyoung's attention. Her ears perked slightly as she looked up at her father, waiting for him to continue his story.


Chapter 5


"What do you mean there are no more seats left? Don't you know who am I? I'm G-Dragon. What happened to my usual table?"

Jiyong ranted at one of the waiters softly in the restaurant. He was there for his lunch that day, but the restaurant was packed.

"Sorry sir. Your table is taken by that lady. We didn't know you would be coming by today..." the waiter replied in a flustered tone, not knowing how to deal with the situation. Jiyong frowned in anger as he turned to look at the woman who had taken his seat. His expression softened as he watched the woman twirled on her spaghetti. She was in a white collared blouse and a mini black skirt, a pair of studious yet classy spectacles on her nose as she was studying her laptop as she ate. He was overwhelmed by her charisma and beauty uncontrollably. Just then, her eyes looked up and he met with the most beautiful pair of brown orbs that he had ever seen in his entire life. With a pose of dignity and sophistication, she smiled at him before calling over the waiter that Jiyong was questioning. Nodding his head at her words, he literally ran up to Jiyong one more time.

"The lady said that if you don't mind, you can share the table with her." he st

January made any movement feel extraneous, as if something nudged to
haunting irresponse.
Sing Sing Prison was beyond all that, but
never more there--yet not even its
manifestation would have it.
The Mahicannituk (Hudson River)
followed the land two ways--to conceive
more than water.
Ruth Snyder saw that as Sing Sing walled
alive--smothered her prefume, crouched
over lights & coughed out iron.
Queens was a place, this was not--food ate her, water drank her.
A place to make out surroundings that
don't want to be seen, that are put forth
just for deprivation.
"Ruthless Ruth" appealed to her thin frame, dropped it like a hankerchief on
the cold floor.
Almost convincing herself that one's true
nature is unpunishable--as she stood up
again.
"Old Sparky" (name for the electric chair) was seated across from an indefinite coming--its unapproachable presence growing into its features.
Ruth was roaring with the twenties as her lover tried to go thru her--while her
husband wagged his tail somewhere.
So Ruth enlightened his sexless naivety,
with a couple of cold puddles outside of a
long lay.
Her lover (Judd Gray) smacking back his suspenders in answer to a Who Done It.
Their body-exploring-finallys & whispering hot sophications--saw a door
kick open to the rest of the world.
A lot came on in, Ruth needed luxuriating, to writhe on high-end furniture.
See again: "Old Sparky", now it's all about
"Old Sparky"--it was never not about
"Old Sparky".
Led by the hand to a modern-day witch burning, of course there was an audience--they arrived in cathartically shaped veils.
A latched heap, held by safety--holding their peace.
Figuring into the law, & willing to watch
a subcutaneous thunderstorm.
Especially Tom Howard of the New York Daily News, who had a camera strapped to his ankle--expressly told it was for:
Private Eyes Only.
His Life's Work was strapped to his ankle--as The Mahicannituk's current flowed.
He lifted up his trouser cuff & squeezed
the shutter buld, then ungripped it.
The room met the designated height of the switch as it was flipped, its current
flowed.
Ruth conceived something more than electricity, as she made hairpin turns--
blowing toward unsuccessful ejection.
She cocked her head calmly as she watched herself beat leathered husks,
her scalp smoking like twigs.
The witch they came for surged upward, & was restrained as if she were reacting to Latin commands.
If she had the **** for a last meal, a menu put to taste congealed & what thirst there was ran dry.
Tom got his picture, & Ruth was blurrily
venting mid-fry on the front page of The Daily News.
Which read: "DEAD!", the first public picture of its kind.

The strange thing
About the wind is
I know it blows
But not which way it will go
Like a sneezing man
Who loses sight of the road
With a constant cold
Hankerchief for weeping and sobbing
And digging the pygmies
On dog days and lazy nights for the old
On the March 15th, for thoughts to his mischief