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sara Jul 2018
My heart is whole
but it has sharp edges.
It got wet on my sleeve;
now, it hangs from my necklace

-round like a pendant; hurt hangs
round my neck with a vengeance:
like a lighthouse on a dark night,
blinding sailors. It’s offensive.

It draws them near like a siren's call,
but the sky bleeds red at the first sign of morning.
The captain is certain he'll lock land at dawn,
but does any siren songs ever sing without warning?
Red sky in the morning, sailor's warning; red sky at night, sailor's delight.
my love is building a building
around you,a frail slippery
house,a strong fragile house
(beginning at the singular beginning

of your smile)a skilful uncouth
prison, a precise clumsy
prison(building thatandthis into Thus,
Around the reckless magic of your mouth)

my love is building a magic, a discrete
tower of magic and(as i guess)

when Farmer Death(whom fairies hate)shall

crumble the mouth-flower fleet
He’ll not my tower,
                        laborious, casual

where the surrounded smile
                                hangs

                                          breathless
Thunder rolled deeply on the morning as the baby boy arrived,
his father typically absent  his mother she wasn't surprised.
Early days were troublesome for a single mother to provide  
a home, somewhere that was safe and retain some dignity and pride.
The child grew in hardship, in his mother's eyes he saw inner pain,
he often heard his mother weeping and hang her head in shame.

They survived, and into an average youth he learned and he grew,
not so different  to others because, his dad, he never knew.
Early teens, he began leaving his concerned mother home alone,
with bravado hanging around places, with kids he didn't know,
from their dark influences, tricks he learnt well, in guile he was trained,
powerless to change his ways, his  mother hangs her head in shame.

Attitudes hardened, he became devious, now almost a man,
so involved he became leader of his own pointless, wilful gang.
One night attempting thievery from a store, they almost were caught,
it's not their manor, they can't avoid the local gang, so they fought,
midst fists - kicks - shouts most ran, but he was pinned against an alley wall
scared, choking, grabbed a bottle from a bin and made that bottle fall
mindlessly, again - again, smashing down on his opponent's head,
fleeing the from the scene, doesn't know the man on the ground is, dead.
his gang has gone, his escape is now blocked by shadows of a group
open arms he walked toward them he's unsure of what he should do
he's encircled,  the streetlight reflects each drawn blades dull deadly flame,
and later that night, his mother hangs her head in grief and shame

Michael C Crowder
Hangs Her Head In Shame (rewrite of my 1978 song Samuel)
somewhat relevant in the UK these days
CK Baker Oct 2017
dust cloud heavy
in an apricot sky
cottonwood mucker
under ambrose pale
whippet and shepherd
mill at the earth patch
yellow birch hangs
over red bench park

combine shavings
in crack rust brown
scissors chips
fall to the back stop
whiskey jack looters
sing patented chords
siblings (and 2 wheel enthusiasts)
give thanks

joyous retrievers
master the criss cross
bare maples stand
at settlers way
barred owl and blue jay
whistle the fore-wind
ghosts
and goblins
pull at the seeds

wind gusts belt
over the west gulch
blood rush churns
in a chilling fall morn
hallowed grounds still
at the midday
quiet reflections
of the afghan
and hound

jumpers unite
at the oxbow
route runners bend
(on a sultry foray!)
meadows exposed
in the framework
ball park empty
with pennants past

barrel dirt favors
the brew house
crimson and copper
find bracken ridge gate
harvest hands savor
the honey and hops
blankets of color
for a winter's hatch

brush fire kept
under steady peruse
bark bites fly
and embers glow
pine cones drop
from timber tops
3 wick candles
set the dinner place

shiver and ******
at the piper's call
cob web dew
on shadowy gates
a chilled mist mellows
the season's return ~
poets and artists
and dreamers awake
Ally May 2017
On a wall,
Hangs dreams and memories.                  
There hangs inspirations and wanna-bes.  
Love, life, youth, happiness.                        
Even the old to young to have died.

Taken away, gone like a summer breeze.    
The breath of the city stagnant and stale.    
Once so alive, but now                            
frozen in photographs.

We learn as if these people had no souls.          
As if they were nonhuman objects,                
A tumbleweed in the wind.                          
But what we failed to see                            
was the fire that burned in them.

On a wall,
Hangs what I forgot to remember.
There hangs the faces assigned
To the names engraved in memorials
And textbooks and minds.

On a wall,
Hangs the unknown before
To the well known after.
There hangs the dreamers,
The lovers, the futures.

On my mind,
Hangs people that should have been,
But never were, and couldn’t have been.
I love the evenings, passionless and fair, I love the evens,
Whether old manor-fronts their ray with golden fulgence leavens,
In numerous leafage bosomed close;
Whether the mist in reefs of fire extend its reaches sheer,
Or a hundred sunbeams splinter in an azure atmosphere
On cloudy archipelagos.

Oh, gaze ye on the firmament! a hundred clouds in motion,
Up-piled in the immense sublime beneath the winds' commotion,
Their unimagined shapes accord:
Under their waves at intervals flame a pale levin through,
As if some giant of the air amid the vapors drew
A sudden elemental sword.

The sun at bay with splendid thrusts still keeps the sullen fold;
And momently at distance sets, as a cupola of gold,
The thatched roof of a cot a-glance;
Or on the blurred horizon joins his battle with the haze;
Or pools the blooming fields about with inter-isolate blaze,
Great moveless meres of radiance.

Then mark you how there hangs athwart the firmament's swept track,
Yonder a mighty crocodile with vast irradiant back,
A triple row of pointed teeth?
Under its burnished belly slips a ray of eventide,
The flickerings of a hundred glowing clouds in tenebrous side
With scales of golden mail ensheathe.

Then mounts a palace, then the air vibrates--the vision flees.
Confounded to its base, the fearful cloudy edifice
Ruins immense in mounded wrack;
Afar the fragments strew the sky, and each envermeiled cone
Hangeth, peak downward, overhead, like mountains overthrown
When the earthquake heaves its hugy back.

These vapors, with their leaden, golden, iron, bronzèd glows,
Where the hurricane, the waterspout, thunder, and hell repose,
Muttering hoarse dreams of destined harms,--
'Tis God who hangs their multitude amid the skiey deep,
As a warrior that suspendeth from the roof-tree of his keep
His dreadful and resounding arms!

All vanishes! The Sun, from topmost heaven precipitated,
Like a globe of iron which is tossed back fiery red
Into the furnace stirred to fume,
Shocking the cloudy surges, plashed from its impetuous ire,
Even to the zenith spattereth in a flecking scud of fire
The vaporous and inflamèd spaume.

O contemplate the heavens! Whenas the vein-drawn day dies pale,
In every season, every place, gaze through their every veil?
With love that has not speech for need!
Beneath their solemn beauty is a mystery infinite:
If winter hue them like a pall, or if the summer night
Fantasy them starre brede.
Spenser Bennett Jun 2016
The taste of rust hangs
Heavy in my mouth
A copper color stains
My crooked teeth

I am awake now
Unlike how I used to be
Though my eyes were open
I was surely dreaming

The taste of rust hangs
Tangy on your lips
Blue twinges decorate
Your iced expression

Bound with veins
Of hope and smoke
We lie side by endless side
Entwined lost to the madness

Now the taste of rust hangs
Growing older still
Let me restore the flame
To the fire in your soul
Grahame Jun 2014
A  MOONLIT  KNIGHT.

Fern rises and looks out of her window.
Silver shards of moonlight lick the lawn.
She who once felt gay and oh so joyous,
Now feels oh so desolate and lorn.

Will she ever find true love again?
She before has never felt so low.
Should she, for love, continue searching?
Or give up by ending it here and now?

Outside, all is monochrome and still,
Inside, Fern is still and very sad.
Will she feel happiness again?
Who knows how long she’ll feel this bad?

At the stroke of midnight, there’s a change,
There seems to be a disturbance in the air.
Gradually something seems to materialise
On the lawn, a shape, come from where?

It is a knight, armoured cap-à-pie,
On a horse, for war caparisoned.
From his saddle hangs a jousting shield,
A silver moon on it is designed.

A white plume is mounted on his helmet,
On his lance a white pennon is tied.
The knight looks at her, at her window,
Silently he sits and does bide.

He raises a gauntleted hand and beckons,
Should she stay in, or venture out?
In her white nightdress she goes downstairs,
Deciding to see what it’s all about.

Cautiously she opens up the door,
And putting her head out, looks outside.
The knight still sits, patiently waiting.
Fern wonders what might now betide.

Slipping on an old pair of shoes,
She slowly walks over to the knight.
In her wake she leaves a dewy trail,
And as she nears, the knight fades from sight.

Fern wonders what this all might mean,
Is she dreaming or is she awake?
Is, what she has seen, been real?
Or has she made a big mistake?

Then, whilst standing there in wonder,
She happens to look down at the ground.
Where the knight was, the grass is trampled,
As though a horse has curvetted around.

Then she hears a sound from behind her,
And startled, Fern quickly turns round.
Her house no longer seems to be there,
In its stead, a keep there is stound.

The sound she hears is a woman calling,
“My Lady, please come back here inside.
You shouldn’t be alone out in the dark,
Please come back and in your chamber bide.”

The woman, from a window, looks at Fern.
“Excuse me, are you addressing me?”
Fern directs the question at the woman,
Who replies to her, “Of course, my Lady.”

“’Tis not safe out at this time of night,
And you are in your night attire dight,
So if someone, of you, catches sight,
You’ll not be seen in a good light.”

Before Fern can think of what to say,
She hears the sound of a galloping horse.
It is getting nearer in the dark.
She hopes that things will now not get worse.

“My Lady, quickly, please get you inside,
Do not just stand there as if dazed.
Hurry now, before it it too late.”
Fern, though, does stand there amazed.

Approaching through the night is a horse,
The one she’d seen before on her lawn,
The same knight is seated on its back,
Though now the pennant on his lance is torn.

The horse stops right next to Fern,
And caracoles to bring them face-to-face.
The knight lowers his lance to show his pennant,
Which Fern sees is a torn fragment of white lace.

The knight again does sit in stilly silence,
He waits, and does not make any demand.
Then lowers his lance to touch her nightdress’s hem,
When suddenly, Fern does understand.

The hem of her nightdress is lace trimmed,
So Fern bends, and seizes it in hand.
Then with a sharp tug she tears it off,
Removing it in a single strand.

The knight raises up his lance higher,
The old lace, from the lance, Fern does remove.
Then ties the furbelow on very tightly,
Saying, “Please take this favour with my love.”

The knight dips his lance in salute,
Then turns his horse, back down the road to face.
His spurs lightly touch the horse’s flanks,
Which straight away gallops off at pace.

Fern walks across to the keep.
The woman opens the main door wide.
Fern steps across the threshold,
And now, in her own house is inside.

She turns to look back across the lawn,
Which is still lit by the silver moon’s light.
The lawn is now smooth and unblemished,
With no marks caused by the steed of the knight.

Fern goes upstairs to her bedroom.
Has this all been a dream ere now?
Then, as she gets back into bed,
She sees her nightdress lacks its furbelow.

Fern remembers her nightdress has a pocket,
And into it, her hand she does place,
Then, to her utter amazement,
She pulls out a fragment of torn lace.

Fern wonders at what’s just happened,
Was it real, or only in her mind?
If it was just her imagination,
Why has she been able, the fragment to find?

Eventually Fern drifts off to sleep,
Waking with the chorus of the dawn.
Although she doesn’t think she has changed,
She no longer feels quite so forlorn.

“Why does the knight appear to me?
Why has he only come at night?
Is he trying to find out if he’s wanted?
Is he trying to make something right?”

Later on that day Fern walks to town,
And heads for the library to find,
If there are any references to knights
That might help to ease her troubled mind.

Fern does find a story of a knight,
Who had a moon device on his shield.
He was very brave in the fight,
And to a foe would never yield.

He had been commissioned to take a message,
To a lord, by order of the king.
It was to be delivered urgently,
And he was not to stop for anything.

He was nearly there when something happened.
By the side of the highway lay a maid.
Being a chivalrous knight, he should have stopped,
Instead, he carried on, not giving aid.

He delivered the message to the lord,
And later was seated, drinking in the hall,
When there entered in some serving men,
Carrying on their shoulders a shrouded pall.

They lay down their burden on the floor,
And without having said a word,
Reverently uncovered the face of a body.
It was the lady of the lord.

Then entered in another knight,
Who stepped up to the lord, and said,
“On our way here, we found your lady.
She was wounded, and now, alas, she’s dead.”

The other knight continued with his story,
“Seemingly, she had been robbed and *****.
There was no sign of the perpetrators,
We think they’d been disturbed, and then escaped.”

“Perhaps if we had managed to come sooner,
We might have been there to prevent this crime.
However, it seems the Fates conspired against us,
So we were not there to help in time.”

The Knight of the Moon sat there horror-struck,
He knew if he’d not been so keen to arrive,
Though helped, as his conscience had dictated,
The lady might yet even be alive.

Instead of speaking up, he stayed silent,
And never about this matter spoke a word.
Then he rose, and gave his condolence,
And went out from the presence of the lord.

The lady was removed to lie in state,
The Knight of the Moon went, to look at her face.
He knelt there in silent prayer awhile,
Then, from her dress, removed a length of lace.

He accoutred himself in his full armour,
Then rode from the keep that very night.
He left a note, stating his omission,
And of him, no-one ever saw a sight.

Fern is very sad to read this story.
What had then been in the knight’s mind?
Had he ridden off to end his disgrace,
Or the perpetrators, gone to find?

Fern now makes her thoughtful way home,
Hoping he’d found surcease from his torment,
Wondering what to him had befallen,
And if, for his lapse, he’d made atonement.

Fern reaches home rather tired,
So lies down on her bed, then falls asleep.
She dreams of knights in armour and fair damsels,
And jousting in the grounds of the keep.

Eventually, Fern wakens from her slumber.
She lies for a moment in her bed.
Yet again she thinks about her dream.
Was it real, or made up in her head.

“Perhaps,” she thinks, “I’m just on the rebound,
Because I’m still in mourning for my love.
And being of a romantic nature,
Dreaming of knights this does this prove.”

“Knights should have been chivalrous and kind,
Treating damsels in distress with care.
Except, when a knight I truly needed,
As it happened, there was not one there.”

“On that night, if we’d had some help,
My husband might still be alive.
Now, he has been taken from me,
And I feel that alone I cannot thrive.”

“However, life must go on as usual,
I should carry on, if just for him,
And so, perhaps, I should cease this moping,
And try to get on with my life again.”

So Fern gets up, refreshed from her nap,
Then decides, after eating, to go out.
That she must now get herself together,
Fern is not left in any doubt.

“Perhaps a short drive into the country,
And to stretch my legs, a gentle walk.
However, I will get on much quicker,
If I do not, to myself, talk.”

Fern puts on her coat and gets her bag,
Then goes out and walks to her car.
This is the first time that she’s driven
Since losing him, so she’ll not go too far.

Fern unlocks her car, and sits inside,
Then she is overcome with fear.
“Suppose, now, I am too scared to drive.
Perhaps I’d feel better if help was near.”

“Come on Fern, pull yourself together!
Feel the fear and do it anyway!
If you don’t do it now, then when?
Start the car, and let’s be on our way.”

So having given herself a little lecture,
Fern belts up, and pulls out of her drive.
Then, not really knowing where she’s headed,
Off she goes to see where she’ll arrive.

Fern motors out into the country,
And following a lane, drives up a hill.
At the top she parks and gets out.
Everything seems peaceful and so still.

She aimlessly ambles round the hill top,
And reads a notice saying it was a fort.
Then, Fern drifts off into a daydream,
And views the panorama without thought.

In her mind’s eye she sees a castle,
Decorated with many banners bright.
A tournament seems to be in progress,
And the winner is, of course, her moonlit knight.

Eventually, Fern becomes aware,
That she has gone some distance from her car.
So she slowly makes her way back to it.
She hadn’t meant to walk quite so far.

The shades of night are now falling fast,
And everything is starting to look grey.
So Fern unlocks her car and gets inside,
Ready to be getting on her way.

Slowly, she starts off down the hill,
The lane is very narrow with high hedges,
The moon is hidden behind some lowering clouds,
The track’s overgrown with grass and sedges.

Somehow, she’s gone a different way.
In the dark, everything seems wrong.
Fern is now starting to get worried,
And wonders why the track seems so long.

Eventually, she debouches onto a road,
Though she is not sure exactly where.
Fern is by now really anxious,
Then suddenly, gets an awful scare.

It looks just like the road they had been travelling,
When her husband lost control of the car.
It had skidded, spun and then rolled over,
The door had opened, and Fern had been flung far.

Her husband had still been trapped inside,
When it suddenly erupted into flame.
Fern could only stand and helplessly watch,
All the while loudly screaming his name.

No-one was around at that moment,
Perhaps someone might have pulled him out.
Then, as other motorists arrived,
They phoned for help, while listening to Fern shout.

Quite soon, a fire-engine came,
Closely followed by an ambulance.
The fire was eventually put out,
And Fern driven off still in a trance.

That had been several weeks ago,
And Fern has not since passed that place.
Now, it looks as if she is there,
And will, her darkest moment, have to face.

Then, to her horror, she sees a shape,
Dimly lit by her headlamps’ light.
It is a fallen motorcycle,
And the rider’s lying by it, just in sight.

Fern stops her car, and runs up to him.
Perhaps she can be of some aid.
As she approaches, the man gets up,
While a voice behind her says, “Don’t be afraid.”

“You just do exactly as we tell you.
We only want your money, and some fun.
Then, you can be on your way.
Do not even think of trying to run.”

The first man picks up the bike,
And pushes it to the road’s side.
The other man comes up close to Fern,
Who wonders again what might betide.

The wind blows the clouds across the sky,
Bringing the bright moon into sight.
The road that ’til then was hidden in darkness,
Is now lit with shards of silver light.

Fern then hears the sound of a horse,
Approaching through the wild and windy night.
The jingling of trappings can be heard,
And Fern thinks that now all will be right.

The courser slowly comes into view,
With the same knight seated on its back.
His lance is not couched, it’s held *****,
And the reins are loosely held, and quite slack.

Casually the steed comes to a stop,
And lowers his head to nibble at some grass.
The men, uncertain, both watch the knight,
While each wonders what might now pass.

One of them goes up to the bike,
And opens up the box on the back,
Then takes from it two crash helmets,
And a length of chain, which dangles slack.

He throws a helmet to his crony,
And they each fasten one upon their head.
Then they both turn to face the knight,
Who has not a word utteréd.

The one with the chain lifts it up,
And menacingly starts to whirl it around,
Then slowly walks towards the knight,
Who casually sits, not giving ground.

The other man reaches into his pocket,
Pulling out a wicked flick-knife,
And then, letting the blade spring open,
Prepares to join in with the strife.

He circles round the knight to the rear,
As the other man comes in from the side,
When the knight drops his lance into rest,
And suddenly, off he does ride.

He charges away from the men,
And gallops right past Fern at full speed.
Then, his lance aimed at the motorcycle,
He urges on his racing steed.

The lance pierces into the fuel tank,
And knocks the bike over in the road.
Petrol gushes out in a torrent,
And soon over the tarmac it has flowed.

The lance is broken in twain, the knight drops it,
And very quickly turns his horse about,
Then as he gallops back past the bike,
Both of the men start to shout.

Sparks from the horse’s hoofs come flying,
Igniting the petrol on the road.
Fern gives a shrill scream in panic,
Thinking that the bike might now explode.

The man with the chain wildly flails it,
Desperately trying to hit the horse’s head.
The knight strikes the man with a morning-star,
Who drops down, just like one who’s dead.

The knight then dismounts, drawing his sword,
And silently strides towards the other man,
Who flings away his knife, and starts running,
Fleeing just as fast as ever he can.

Fern sees the fallen man get up,
Rising groggily to stagger to his feet.
He looks at them, and then he turns away,
Slowly stumbling off, not yet too fleet.

Suddenly, the night becomes quite dark.
Clouds again, do the moon obscure.
Fern turns to try to thank the knight.
He’s gone, though she now feels secure.

Confidently she walks towards the bike,
And sees the lance by the fire’s light.
Fern bends and unties the lace from the lance,
And slowly walks back with it through the night.

She reaches her car, and gets inside,
Then starts driving off to get back home.
Belatedly thinking of her husband,
And wondering what next to her will come.

Safely arriving home, Fern parks the car,
And getting out, she sees on the lawn,
A pavilion has there been erected,
Turned rosaceous by the coming dawn.

The horse is also there, grazing tackless,
And by the entrance hangs a well-known targe.
Fern carefully goes and looks inside.
The pavilion’s quite small, not very large.

She sees the knight, kneeling on the ground,
His head bowed, as like one in prayer.
He holds his sword in front, just like a cross,
Of her, he seems not to be aware.

Quietly, Fern withdraws from the pavilion,
Then thinks, of the horse, to get a sight.
It’s nowhere to be seen, she turns around,
The pavilion’s now bathed in golden light.

As Fern stares at it in wonder,
See thinks that she can hear an ætherial sound,
Like a choir of heavenly angels singing,
And the pavilion vanishes from the ground.

Fern sees only a sword, stuck in the lawn,
And hanging from a nearby tree, the shield.
Then reliving what occurred in the night,
To tears of relief, Fern does yield.

She wonders if the knight has been translated,
Having now atoned for his mistake,
And Fern hopes that he’s managed to find peace,
For risking his life for her sake.

Fern hangs the sword above her bed,
And fastens the shield over her door.
She feels much more confidant now,
And is able to do so much more.

Sometimes though, when the moon is full,
Fern goes outside at midnight,
Carrying in her hand a strip of lace,
And seems just to vanish from sight.

At that time, if anyone was around,
They might then hear an unusual sound,
As though a fully accoutred
Anonymous Jun 2014
The word disappointment weighs heavy inside my mind
It hangs on my shoulders like an anchor
It seeps from my pores
and causes blood to run from my veins
The girl in the mirror stands hollow and emptied by the world
lost in the desolation of space and time
she does not feel warmth;
she cant even will hot tears to flow from her eyes
she is left in silence-
with the word 'disappointment' haunting her thoughts
Tom Spencer Jul 2015
Summer morning -
pink jets of clouds
splash out
from the golden well of the east
falling just short
of an ebbing moon.

Streams of swallows
flutter and glide
over the garden -
they are all flying
in the same direction
as if erupting

from the sun’s waking pulse.
Just for a moment
one of the birds hangs
perfectly still -
like the top-most drop of water
from a fountain before it turns

to face the glittering pool.
Beneath them all
the hummingbird
makes her rounds
and a dove scratches the earth
below the feeder

keeping an wary eye
on the scribbling intruder.
So many summer mornings -
too many summer mornings
I have wasted
worrying about the world

and my place in it –
absent from my own body
and breath
the cage of my ribs
rising, falling, and pausing
without me. Meanwhile,

another swallow
stills her wings.
Buoyed by an unseen breeze
she is both feathered sail
and cresting wave as she slices
over my shoulder bearing west.


Tom Spencer © 2015
M Seifert M Mar 2013
I want you
I want someone to want me
but
you don't want me

please want me

don't!
I'm broken
you don't want a leaky faucet
that
self repairs
with duct tape and silly putty

I'll recite you the backs of cereal boxes
and
throw away the locks on the doors of our common places
I'll keep a smile on mine if your face feels too tired from the weight of what your mind is speaking out your eyes

Everything.
Every string
that hangs off of well worn sweaters
snags on finger nails and pealing calluses.

I'll draw the curtains
if
and ONLY
IF
you first admit that you
are
BEAUTIFUL.
and i know it.

Your doubt should drown.
We'll drink it down.
Sipping wine only to set the scene
because
WE
already ditched our inhibitions
and
we decided that what was best for each other was to feeds each other's needs with the other's body.

This letter.
This note.
To you.
The long lost women of my dreams
the shape shifting goddess
who floats freely through the open windows of my memories.
Will this be enough to summon spirits to lift me to your level without being beaten to life by a trigger happy judge's gavel?

I built my prison to your specifications.
The measurements may be off
but
the bed...
The bed is warm
and cozy.
And
it fills my heart to see your cheeks turn that rosy
rosy red
that same
rosy red
that fills my heart
and
flows through yours.
Kept inside
but
peaking out in moments of vulnerability.
Shed your false
heavy
layers of security
toss them in the water and...

Flush skin of lips and finger tips
other places where my mind can only wander
wondering where in the world we will
meet again.

It's half past ten or some other hour,
I don't know and you don't mind
because
we're alive!
and our heart beats will set the pace
keeping time in place.

THE STORM IS LOUD
MY VOICE
is softer
now...

Okay--

Alright--

*
I'll give you your space{













But
YOU
BETTER FLY.
And NO MATTER HOW HIGH
NOW IS YOUR CHANCE TO SHOW
to TRULY KNOW the color of your wings.

And
I'll continue singing
because
someone else may be listening.
And
although these tears won't quench my thirst
I'm learning more about myself through my time searching
through my ***** laundry:
Bags of rags
and forgotten junior high and high school notebooks.

Failed jokes took to heart
the stinging silence of laughter kept inside.

Broken funny bones
NUMBED by repetition [repetition]
DUMBED down
COMFORTABLE BEING SUBMISSIVE

Well, I'm not sorry
NOT SORRY
to tell you
this mouse
whose mouth you shut is now stirring

Stirring the ***
Kept at temperature
All the right spices and slices and dices to enlighten you as to what the taste of life is.
.............................................................­.................................................
Please sit, here is your chair.
I love what you've done with your hair!
let me know if you would like seconds
but
that depends on if you brought your appetite.
I know I'M Hungary [hungry]
but
I won't slurp my soup if it offends you.

We'll take it slow
because
I know that
I still don't know you that well yet.
And I think we both could cool it down on the unnecessary judgement.
I'd really like to know you well, so I won't try to sell you anything that you're not buying.
And call me out if you think I'm lying, but I promise to be as honest as you want.

But it's a two way street
and I know you're probably tired from running down it so long
in which case I would gladly rub your feet
or your shoulders if you'd like to be a bit more discrete.

However, it still may be too soon for that
in which case I'll take a couple steps back.

Do you like music?
How bout dancing?
It doesn't have to be romantic
I just enjoy the feeling when I'm moving to the rhythm in time with other bodies.

Does you mind maybe feel clearer now that your body's moving free
or
are you holding back because you falsely feel that you lack the ability to let the music move

Your soul's of you feet.

Let go
and hold on to me.
I won't let you fall unless you're ready
but I'll catch you
please don't worry.

We are free
here.

Let's just be
here.

Forget fear
and see where that takes us
in a year.

Or more
Or less
Or until you decide
that your dress
is not
the most comfortable thing
you
could be wearing...

I'm just glad we can share the same air
and not care that our hair's getting messy.

But...
This...
is the best I've felt.

In a loooong while...

Spinning out of control
Lying
With you here next to me.
Nikki No Love Jul 2018
Within the shadow of a false icon,
Which hangs over me like fallen titans,
The ones who in the darkness of ignorance wore capes and flew,
But now wear maniacal grins and snarl to.
The same person who used to make you want to say live,
Now only force you to to spell it backwards and with yourself become more combative.

He says he misses me,
But that would make three,
Me, mom and The Monster,
He says "straighten your postue"
I miss the days I could look past your hypocrisies,
Back when I could look at your  and think "these are the right policies "
In my time of need,
You can't seem to see,
Your voice make me bleed,
You're whose killing me

To be stuck in a house, but not a home,
Trapped inside not a shrine, but a tomb,
Imprisoned by the voice that used to be that of ideology and hope,
Which is now the voice of the hate that hangs me like a rope,
The voice that tears my mind in two,
One side screaming "you are wrong," and I should be rejecting you,
The other side creeping and deafaningly whispers I am the infection, adieu.
This is a poem about my dad..I know a lot of people feel like this..hope it helps someone. Also I think this is my longest poem yet.
PERSONIFICATIONS.

Boys.            Girls.
  January.                February.
  March.                  April.
  July.                   May.
  August.                 June.
  October.                September.
  December.               November.

  Robin Redbreasts; Lambs and Sheep; Nightingale and
  Nestlings.

  Various Flowers, Fruits, etc.

  Scene: A Cottage with its Grounds.


[A room in a large comfortable cottage; a fire burning on
the hearth; a table on which the breakfast things have
been left standing. January discovered seated by the
fire.]


          January.

Cold the day and cold the drifted snow,
Dim the day until the cold dark night.

                    [Stirs the fire.

Crackle, sparkle, *****; embers glow:
Some one may be plodding through the snow
Longing for a light,
For the light that you and I can show.
If no one else should come,
Here Robin Redbreast's welcome to a crumb,
And never troublesome:
Robin, why don't you come and fetch your crumb?


  Here's butter for my hunch of bread,
    And sugar for your crumb;
  Here's room upon the hearthrug,
    If you'll only come.

  In your scarlet waistcoat,
    With your keen bright eye,
  Where are you loitering?
    Wings were made to fly!

  Make haste to breakfast,
    Come and fetch your crumb,
  For I'm as glad to see you
    As you are glad to come.


[Two Robin Redbreasts are seen tapping with their beaks at
the lattice, which January opens. The birds flutter in,
hop about the floor, and peck up the crumbs and sugar
thrown to them. They have scarcely finished their meal,
when a knock is heard at the door. January hangs a
guard in front of the fire, and opens to February, who
appears with a bunch of snowdrops in her hand.]

          January.

Good-morrow, sister.

          February.

            Brother, joy to you!
I've brought some snowdrops; only just a few,
But quite enough to prove the world awake,
Cheerful and hopeful in the frosty dew
And for the pale sun's sake.

[She hands a few of her snowdrops to January, who retires
into the background. While February stands arranging
the remaining snowdrops in a glass of water on the
window-sill, a soft butting and bleating are heard outside.
She opens the door, and sees one foremost lamb, with
other sheep and lambs bleating and crowding towards
her.]

          February.

O you, you little wonder, come--come in,
You wonderful, you woolly soft white lamb:
You panting mother ewe, come too,
And lead that tottering twin
Safe in:
Bring all your bleating kith and kin,
Except the ***** ram.

[February opens a second door in the background, and the
little flock files through into a warm and sheltered compartment
out of sight.]

  The lambkin tottering in its walk
    With just a fleece to wear;
  The snowdrop drooping on its stalk
      So slender,--
  Snowdrop and lamb, a pretty pair,
  Braving the cold for our delight,
      Both white,
      Both tender.

[A rattling of doors and windows; branches seen without,
tossing violently to and fro.]

How the doors rattle, and the branches sway!
Here's brother March comes whirling on his way
With winds that eddy and sing.

[She turns the handle of the door, which bursts open, and
discloses March hastening up, both hands full of violets
and anemones.]

          February.

Come, show me what you bring;
For I have said my say, fulfilled my day,
And must away.

          March.

[Stopping short on the threshold.]

    I blow an arouse
    Through the world's wide house
  To quicken the torpid earth:
    Grappling I fling
    Each feeble thing,
  But bring strong life to the birth.
    I wrestle and frown,
    And topple down;
  I wrench, I rend, I uproot;
    Yet the violet
    Is born where I set
  The sole of my flying foot,

[Hands violets and anemones to February, who retires into
the background.]

    And in my wake
    Frail wind-flowers quake,
  And the catkins promise fruit.
    I drive ocean ashore
    With rush and roar,
  And he cannot say me nay:
    My harpstrings all
    Are the forests tall,
  Making music when I play.
    And as others perforce,
    So I on my course
  Run and needs must run,
    With sap on the mount
    And buds past count
  And rivers and clouds and sun,
    With seasons and breath
    And time and death
  And all that has yet begun.

[Before March has done speaking, a voice is heard approaching
accompanied by a twittering of birds. April comes
along singing, and stands outside and out of sight to finish
her song.]

          April.

[Outside.]

  Pretty little three
  Sparrows in a tree,
    Light upon the wing;
    Though you cannot sing
    You can chirp of Spring:
  Chirp of Spring to me,
  Sparrows, from your tree.

  Never mind the showers,
  Chirp about the flowers
    While you build a nest:
    Straws from east and west,
    Feathers from your breast,
  Make the snuggest bowers
  In a world of flowers.

  You must dart away
  From the chosen spray,
    You intrusive third
    Extra little bird;
    Join the unwedded herd!
  These have done with play,
  And must work to-day.

          April.

[Appearing at the open door.]

Good-morrow and good-bye: if others fly,
Of all the flying months you're the most flying.

          March.

You're hope and sweetness, April.

          April.

            Birth means dying,
As wings and wind mean flying;
So you and I and all things fly or die;
And sometimes I sit sighing to think of dying.
But meanwhile I've a rainbow in my showers,
And a lapful of flowers,
And these dear nestlings aged three hours;
And here's their mother sitting,
Their father's merely flitting
To find their breakfast somewhere in my bowers.

[As she speaks April shows March her apron full of flowers
and nest full of birds. March wanders away into the
grounds. April, without entering the cottage, hangs over
the hungry nestlings watching them.]

          April.

  What beaks you have, you funny things,
    What voices shrill and weak;
  Who'd think that anything that sings
    Could sing through such a beak?
  Yet you'll be nightingales one day,
    And charm the country-side,
  When I'm away and far away
    And May is queen and bride.

[May arrives unperceived by April, and gives her a kiss.
April starts and looks round.]

          April.

Ah May, good-morrow May, and so good-bye.

          May.

That's just your way, sweet April, smile and sigh:
Your sorrow's half in fun,
Begun and done
And turned to joy while twenty seconds run.
I've gathered flowers all as I came along,
At every step a flower
Fed by your last bright shower,--

[She divides an armful of all sorts of flowers with April, who
strolls away through the garden.]

          May.

And gathering flowers I listened to the song
Of every bird in bower.
    The world and I are far too full of bliss
    To think or plan or toil or care;
      The sun is waxing strong,
      The days are waxing long,
        And all that is,
          Is fair.

    Here are my buds of lily and of rose,
    And here's my namesake-blossom, may;
      And from a watery spot
      See here forget-me-not,
        With all that blows
          To-day.

    Hark to my linnets from the hedges green,
    Blackbird and lark and thrush and dove,
      And every nightingale
      And cuckoo tells its tale,
        And all they mean
          Is love.

[June appears at the further end of the garden, coming slowly
towards May, who, seeing her, exclaims]

          May.

Surely you're come too early, sister June.

          June.

Indeed I feel as if I came too soon
To round your young May moon
And set the world a-gasping at my noon.
Yet come I must. So here are strawberries
Sun-flushed and sweet, as many as you please;
And here are full-blown roses by the score,
More roses, and yet more.

[May, eating strawberries, withdraws among the flower beds.]

          June.

The sun does all my long day's work for me,
  Raises and ripens everything;
I need but sit beneath a leafy tree
    And watch and sing.

[Seats herself in the shadow of a laburnum.

Or if I'm lulled by note of bird and bee,
  Or lulled by noontide's silence deep,
I need but nestle down beneath my tree
    And drop asleep.

[June falls asleep; and is not awakened by the voice of July,
who behind the scenes is heard half singing, half calling.]

          July.

     [Behind the scenes.]

Blue flags, yellow flags, flags all freckled,
Which will you take? yellow, blue, speckled!
Take which you will, speckled, blue, yellow,
Each in its way has not a fellow.

[Enter July, a basket of many-colored irises slung upon his
shoulders, a bunch of ripe grass in one hand, and a plate
piled full of peaches balanced upon the other. He steals
up to June, and tickles her with the grass. She wakes.]

          June.

What, here already?

          July.

                  Nay, my tryst is kept;
The longest day slipped by you while you slept.
I've brought you one curved pyramid of bloom,

                        [Hands her the plate.

Not flowers, but peaches, gathered where the bees,
As downy, bask and boom
In sunshine and in gloom of trees.
But get you in, a storm is at my heels;
The whirlwind whistles and wheels,
Lightning flashes and thunder peals,
Flying and following hard upon my heels.

[June takes shelter in a thickly-woven arbor.]

          July.

  The roar of a storm sweeps up
    From the east to the lurid west,
  The darkening sky, like a cup,
    Is filled with rain to the brink;

  The sky is purple and fire,
    Blackness and noise and unrest;
  The earth, parched with desire,
      Opens her mouth to drink.

  Send forth thy thunder and fire,
    Turn over thy brimming cup,
  O sky, appease the desire
    Of earth in her parched unrest;
  Pour out drink to her thirst,
    Her famishing life lift up;
  Make thyself fair as at first,
      With a rainbow for thy crest.

  Have done with thunder and fire,
    O sky with the rainbow crest;
  O earth, have done with desire,
    Drink, and drink deep, and rest.

[Enter August, carrying a sheaf made up of different kinds of
grain.]

          July.

Hail, brother August, flushed and warm
And scatheless from my storm.
Your hands are full of corn, I see,
As full as hands can be:

And earth and air both smell as sweet as balm
In their recovered calm,
And that they owe to me.

[July retires into a shrubbery.]

          August.

  Wheat sways heavy, oats are airy,
    Barley bows a graceful head,
  Short and small shoots up canary,
    Each of these is some one's bread;
  Bread for man or bread for beast,
      Or at very least
      A bird's savory feast.

  Men are brethren of each other,
    One in flesh and one in food;
  And a sort of foster brother
    Is the litter, or the brood,
  Of that folk in fur or feather,
      Who, with men together,
      Breast the wind and weather.

[August descries September toiling across the lawn.]

          August.

My harvest home is ended; and I spy
September drawing nigh
With the first thought of Autumn in her eye,
And the first sigh
Of Autumn wind among her locks that fly.

[September arrives, carrying upon her head a basket heaped
high with fruit]


          September.

Unload me, brother. I have brought a few
Plums and these pears for you,
A dozen kinds of apples, one or two
Melons, some figs all bursting through
Their skins, and pearled with dew
These damsons violet-blue.

[While September is speaking, August lifts the basket to the
ground, selects various fruits, and withdraws slowly along
the gravel walk, eating a pear as he goes.]

      
Tessellate Nov 2012
i had a thought.
i ran out of my room,
down the hallway,
and into the bathroom.

i wriggled out of my worn down, tie dye shirt.
hopping up and down as i pull off my
high-waisted jeans, pulling my pant leg with my foot as i
trample the dark denim to the ground.

i stand there naked, in front of the
harsh, full length mirror.
combing my fingers through my natural, wavy hair.
i contort my face in disgust, cocking
my head slightly to the side.

i close my eyes, and take one deep breath in.
when i open my eyes,
the reflection staring back at me is a thin, natural
beauty.

Her smooth ivory skin glows in the
silvery reflective glass.
Her stomach is flat and toned.
Her ******* lay on Her chest in perfect
proportion to the rest of her petite frame.

i run my fingers down the sides of my body.
my palms trailing along, dipping and
rising with the mounds beneath my skin.

i close my eyes and open them again,
this time taking my reflection for
what it really is.

i am fat.
my skin is pink and spotted with freckles the
colour of blood.

my stomach hangs low, covering the part
a man should see when i'm naked.

my ******* are big.
but not in the way you'd like them to be.
they lay there, sort of lop-sided.
hanging just above my ribs. Another place for
fat to take over.

the cuts on my thighs are hardly noticable
next to

all

that

fat

i can see tears in the eyes of the reflection staring back at me,
but i am numb.

i thought correctly. i am
fat. i am ugly.
Nobody in their right mind would want to
love me.
Nassif Younes Mar 2016
Another day and up goes
Another indoor ski *****
Another indoor hunting range
And another underwater golf club
All built on the backs of Blistered Men
In the blistering sun
Who hydrate on warm water by day
And wash in ***** water by night
As towers cut holes in the sky
Through which the heavens rain down
Their radioactive rays.

At dusk, the Imam ****
Who wears on all ten fingers
Rings bearing ten different precious stones
Waves his winking hand
At the ******* Cop
Who smiles back showing his teeth
Cunningly freckled with golden flakes
While a voice from the nearest mosque hangs over them
And says something
About morality.

In the middle of the desert
In the highest room
Of the tallest hotel
Sits The Perfumed Prince
Enjoying his favourite meal -
Lobster with pieces of fillet steak
Clutched in the pincers
And both eyes gouged out
And the sockets fitted with white truffles.
The waiter holds his breath before returning with the bill
And the Prince tips one of The Blistered Men
With a rare shellfish
Which he does not know how to eat
Without getting poisoned.
After his meal, The Perfumed Prince
Relieves himself in a solid gold toilet
Which makes his ***** look like fresh water
Whilst his pet falcon innocently crunches the carcass of a baby rat
In the other room.

On New Year's Eve
As the baking sun had set
And sweated out into a stinking humid haze
The sixty-three storey Downtown hotel caught ablaze
Because - reports say -
The owner tried to squeeze into it
A sixth star.
The Imam **** of Many Rings
Suggested postponing the scheduled firework display next door
And charging people to watch the fire.
The Gold-Flaked ******* Cop
Argued this was impractical
And insisted the show go on
As it would omit the sound of people screaming
Something about priorities.

The fire was contained
And the firework show a success.
The Perfumed Prince flew in the next day
And resolved that the burning hotel was structurally flawed
And should have been
Bigger.
"If we're going to have an inferno,"
He said,
"It had better be the best inferno this world has ever seen."
And so he set The Blistered Men to work
On wobbly scaffolding
In the blistering sun.

The women have been blocked out of this story
Much like they are in the streets

But in other news
Somebody, somewhere
Has just resolved
To eat less red meat.
Brandon Webb Nov 2012
1
she taps he hand, twice.
across the room,
he stares, thinking
into empty air.
others, scattered
tap pencils or fingers
on desktops, booktops
and phone keyboards

the balding man
with black hair:
combed backward
and to differing angles
so that his head is split
vertically-
stands, above the room
his back turned

his words,
meant for the crowd
reverberate only
along classes fringe
but still take precedence
over nothing
even to them-
academics, outcasts


2
back of the room
reveals everything
to the observer
trying to see

blue-eyed brunette
glares vengefully
at no one,
just to glare

he looks up once
to watch
as another
pulls up
drooping jeans.
she laughs
at conversation
unmeant for,
and inaudible
to her


3
today, she smiles
and lets her lip fall
begging, like a puppy
But when they
lose eye contact,
she glares, again

he leaves footprints
on parallel desk
from lounging
then fires himself
to his feet
using stored energy,
and sugar from gum

words bounce along
the walls in the back,
and isolated eyes peer
towards the screen
but hide the fact
that they care


4
two week vacation
has left their minds
full of everything
except math,
so they listen
to him, while he speaks

but travel backward
in time, with
those closest them
while he creeps,
silent, around the room

she concentrates hard,
on her work
glaring at the page.
he sits a desk forward
feet on floor
neighboring desk full
today, but only physically

blue hat rests
on sketchbook,
its border
barely covering
closed eyes

blond head
implants itself
jokingly, into
smooth shining
white wall
with enough force
to collapse
accidental target

a hand raises
attracting gazes,
awestruck,
at her interest
in forgotten
material
of future tests


5
only a few eyes wander
from blue lined notebooks
though the left flank
still chatters, embodying
either a secretive chipmunk
or the breeze which starts the storm

storm clouds appear slowly
in sketchbook, blue hat bobbing
rhythmically in response to active pen

perched above the flock
reminiscent, split headed
papa bird scans the masks
of his shockingly silent chicks

random lecture breaks the silence.
Her eyes aren’t the only ones
Fixed into a steel laden glare
But the chipmunk wind ceases


6
his questioning glance lands
on uninhabited space,
exhibiting a yawn
which traverses through,
and twists, the faces of
those otherwise engaged

lecture ends with a question,
the scent of nuts blows through
mentally empty classroom
turning desks to predetermined
positions and swiftly inhabiting
three-quarters of the physical class

his steel glare has replaced hers
the latter’s eyes now soft as an infants

within five minutes, his voice
undergoes  a brutal, complete cycle
pleading, congratulating, yelling
and as always, lecturing


7
pre-test:

preparations for misery-
mundane chipmunk chattering,
jokes and laughs from random
oddities appearing everywhere

blue hat rests in intervals.
Blue coat rearranges
essay for another class

The girl in the sunny plaid
Rolls an orange along her hand

He points at nothing and asks
Nobody something without answer

The left flank, as always
Is turned away, conversing

A sigh rings outward loudly
Everyone glares, nervously,
Everywhere, reward of concentration


After my test:

First paper in, he scans lightly
Sets it down with a scowl
and yawns, twice, breaking the
silent shroud of heavy fog
which is hanging overhead

wandering free eyes witness
down-turned heads concentrating
as much on tests  as on moving
their hands wildly, excitedly
trying to communicate non-vocally

others have yet to detach themselves
from their seats and stride upward,
hopefully more triumphantly
than their sole predecessor

one shuffles now, slowly toward him
his hand shaking as he releases
that  paper, he turns away as it flutters
onto the desk- he replants himself in his

twelve others walk forward
smiling, shrinking, sometimes speaking
and always he glares, triumphant
knowing his success at our failure


later:

his near-sleeping form            
finds distraction, in waking
dreams, jumping back suddenly
breaking from his plank-like state
without speaking. excitement
for approaching weekend is
communicated in the left flank

two girls break the silence
running in from outside            
he glares at them, but laughs

everyone breaks into groups
after the conversation about
mysteriously nutty discarded sock

he runs to the forefront
forehead folded, finger on mouth
no-one notices, but still he glares

8
he smiles and glares at the floor
his legs swinging back and forth            
tan slacks rustling softly

exaggerated scores bubble in ears            
as they search for their destroyer

in front of forgotten faces falls
the page of a forgotten tome

several yawn, hoping, understandably
that their stretched lips
will pull themselves far enough
to barricade ears from his droning

he kills himself, twice, bumbling
into half-thought chastisements
of the  flittingly flirtatious students
intermingling hoping behind him
causing waves of whispers, laughter
and slightly strengthened chatter

he re-aligns his thoughts quickly
and rambles on again, always

9
he speaks to her softly
from across a sea of desks
she looks up, panicking calmly
distracted from distraction

in silence, blank eyes turn
surprised at the non-withering
state of her barely living corpse

he asks a question, looking up
a single answer is given
unemotional and short, buy ending
heavy hanging awkward silence

how talented the teacher
who gives his lecture while
still addressing unrelated
student self lectures

the still silence given
in his questioning lull
hangs so loudly the whispers
traversing the classroom appear
silent as finger wiggle
and pencils trace zeros

his extrication, caused by
distractingly thunderous voice
is met with a comment
causing a wave of laughter
starting at his mouth
and extending to inhabit everything

10
half the time gives
twice the attention
as they concentrate
on keeping him on
the undying topic
of the work we
have already done

they admit defeat
as dusty tome opens
spreading a nutty cloud
causing heads to turn
and words to leap.

from opens lips,
mischievous gremlins
sprout, dancing on
tables and chuckling
away from the sigh
of his down-turned, split
shining, globular mind

he scratches pink ear
with bone pale finger
reading unrelated words

in the center of the room
both mentally and physically
he sits, momentarily quiet
as dark eyes glare past
rumpled pink nose,
concentrating

blue hat rests on open palms
above dust covered open page
he slips into sleeping state
but picks himself up
and stares though thin borderline
toward shiny rambling forehead

a shutter cord flies forward
the hand at the end pulling hard
but with no affect to the shutters
neither lowering the physical
or raising the mental

the color of non-color pencils
interrupts the class momentarily
as she strides forward to compare
and then criticizes his care

he just sits, smiles and stares

11
eleven desks lie empty
of one form more than usual
amplifying the arm movements
of the ever ticking seconds

his obscured mouth flings seeds
which sprout into words
before even meeting the worn
blood-colored carpet below

in the main room, sixteen
sit silent, sketching, sleeping
or siphoning the last minute

12
those left awake, and alive
have come to understand
the numbers on the screen
this being their specialty
in a nutty shell, of course
splitting, as we are, large
crowds of numbers, and us
being teenagers, isn’t that
how we think, in numbers
and ratings of everything
and, sitting in the central
crowd are the talented
crowd-splitters
flattery-spitters

13
the silence of half absence
is pierced, as always by vocal
anomaly, centered around
rows of shining wood
bookrests, but only one
set of hollow, dark-rimmed
vacant eyeballs watches
well-welcomed interruption

he lets us work, standing.
Someone somewhere opens
A large container of nuts
Entire class starts stuffing
Handfuls into puffy cheeks
Absorbing sensations into
Eternally ravenous minds

The apocalyptic mix of noises
Is split again by central
Nutcracker, and those in corners
Glare, smiling, rubbing shadowed
Acne scarred faces
with raw-bitten nails

14
balding papa bird speaks loudly
transforming his voice, becoming
vocally legendary cartoon duck

the wave of resulting laughter
ends in un-given nut-break
spreading, without speech
the understanding that his
comedic digression will not
meet a quick extinction

we greet the weekend
by rising early
our excuse: competition
to devour the worm

15
three heads are downturned
peering into textbooks
as the tsunami breaks

the days end starts
and beady eyes peer
in the direction of his
moving head, colored
gothic gargoyle in the
dim cloudlight streaming
through dust coated
slit windows

the room transforms
becoming triumphantly,
grumpily, repeatedly
conversational

artificial silence
spreads like a wave
from right back corner
to left front corner
leaving behind
the half of the room
hidden behind the wall
of troublemakers
who will eventually
cause the wall to topple
with the sheer force
of assorted nuts

16
blue hat is scrunched
under the of a fist
pounding on his head,
result of the decibels
consumed, and produced
by the embodiment
of the thoughts around him
which fall from stuffed
cheeks. Bounce off tables
and spread a sickening aroma
as their shells split
exposing, revealing
nothing

17
red face glances upward
as harsh words split
the widening sea of snickers
his words stop, first time today
as whispers spread wildly
of his speed in delivering answers
seconds later, room is silent
as statement ends and lecturer
turns back to him, offering
as always, another wave
of deep felt, anger hardened
quietly whispered, criticisms

thunderous-rush-voice leads
out of habit and necessity
the minutes following
his behavioral digression
each word stabbing split-headed
pointy-nosed papa bird, their
form a walnut-wood spear
crafted from drifted thoughts
of those sitting nearest him

18
on his back lies a pile of nuts
professor’s earthquake
shoulder shaking causes
eyes to open, back to rise
and with a tremendous roar
both physical and meta-physical,
it topples to worn carpet
and the laugh-track plays on

19
silence- pierced into being
by shrill, violent, mountainous
rise, and fall, of thunderous decibels-
hangs, heavier, louder than
the quick gone loudness replaced
or, in all actuality, displaced
mere seconds before being scrawled
into eternal memory
of those whose noses
sniff, daily, nutty clusters
of letters, which exclude
always, the ever-present x
the destructive π
and that y, which of course
flies as high as forgetful
nut-bearers




©Brandon Webb
2012
This is a series of observations, and. collectively, is the longest thing i've ever written, at 8847 words
Andrew T Hannah Jun 2013
A Surreal Epic of Existence

Prelude to the Journey…

I smiled yesterday when I beheld the morning’s brilliant colors,
Etched with gold, across the canvas of the heavens, hanging…
High above all those mountains of the world, gigantic brothers,
A wilderness of clouds, where there can be no human taming.
I did not always smile when I looked up to that noble height…
For I have seen how terrible goodness can be, when untamed.
Once I thought my sojourn in this flesh was from a divine spite,
But now I know it was a gift, and for it I need not be ashamed.
God once walked as I do now, and suffered the same stress…
Betrayal, love, and passions too, though no Church shall admit,
The true nature of divinity, lest all their secret sins they confess!
You are told you are alone in the universe, by leaders so unfit,
That they themselves are fed a diet of lies and stories invented.
But we walked amongst you since the very dawn reincarnated,
Having lost our first flesh in conflicts long past and unlamented.
We guided the steps of ancients, as monuments demonstrated!
And yet we are born as children: your own, and live our span,
The better to remain hid, in plain sight, our faces clever masks.
I am the eldest, and I remember still my kindred’s lofty plan…
And though I wear the human face, I am beset with alien tasks.
Helping they who lack the knowledge to see what lies outside,
You have seen me in the darkness, blazing upon my own pyre.
Where I am waiting to lead the way, where the angels glide…
Anyone can follow, if they are dedicated enough never to tire.
Ironic, since I myself have known helplessness and still oft do,
It is only human after all, and in your form I was so re-forged!
The image of God, whose own blood is in all of us hither unto,
From the first to the last, alpha to omega, like a sharp sword.

Prologue: (My Mask is Slipping)

As a child: I was a servant at the altars of the heart so sacred,
Singing hymns of the immaculate: without seeing the depravity.
It was only when I myself wore the crown of thons, naked…
My spirit exposed through my pain, that I realized the gravity.
What man believes is sacred, is profanity disguised as graces,
And those who lead the sheep to slaughter are mere butchers!
Forcing innocents to wear porcelain masks to hide their faces,
They rob children of their childhood, bound with crude fetters.
As a teenager: I walked in nature, disgusted with all humanity,
My exodus was from those who had defiled all I cared about.
Finding faith in an angel fallen, I discovered my own sanctity,
And in her name I found the means to cleanse my feral doubt.
Then came marriage, and betrayal by a wife I gave up all for,
The dissolution of our union then loneliness without cessation!
A mortal had pierced my flesh, leaving me to bleed on a floor,
My heart was torn from its’ moorings without any elaboration.
But the angel remained to calm my anger and ease my agony,
My only light in the blackness that has overcome my waking!
Reminding me, that I was more than this flesh and mortality…
The angel tries to keep me from harsh trembling and quaking.
And then I see: I am more than my tears and life’s traumas…
I let slip, the mask behind which the scars of my tears etched.
Then I sense the heat of the night more intense than saunas…
As I long to dance with abandon, until time itself is stretched!
Mortals may betray one another with impunity, but never I…
I do not betray; rather I pour my heart and spirit forth whole.
Creating a phylactery, of all I am, and with an innocent eye…
I demand to be loved as I am: pearl white and black as coal!

Canto 1: Sacrifice of the Doll

Part the First: (The Bleeding Shores)

Do not call me, doll, for I have departed your ancient cavern,
You are lifeless, a mere toy, and not a real child in any form!
A boy’s red ruby lips I spy drinking in the dreariest tavern…
Whilst true children singing, frolic in the fields filled with corn.
I am going home, upon the wings of the great silver griffon…
Far from the shores now bleeding red from defiled memories.
There is no return, for me, to the glories of the first ignition…
When the mind eternal, was ignited all with pleasing ecstasies.
In the stars, there are words unheard that I do want to recall,
For I came down so very long ago, among the first to so fall!
Eldritch nightmares born of the stuff of the pure chaos of old,
Are waiting for signs at the threshold to be released by magic.
The forbidden incantations return to my spirit, aflame so bold,
That my spirit nearly forgets: the origins of this time, so tragic.
When children drink, and true children hide themselves apart,
Whilst the waters bleed and the corn withers upon the stalks!
That is a sign that change must come, and so I work my mind.
The face in the moon is a grimace of tormented fear, horror…
Whilst I stand upon the precipice with my hand over my heart,
And amongst the long rows of corn, my black shadow walk!
Watching over the innocents whose souls are of my own kind.
The summer heat turns orange, the moon: in celestial corridors.
My mournful cry can be heard in the sound of the lonely wolf,
And in the wild abandon of the lion when he is on the prowl…
I feel the pain of nature, I long to bring back paradise craved.
I have seen the terror of the land, as the blood ran in the gulf,
Black blood of the earth: which causes living things to howl…
As man has the foolishness, to say what is or is not depraved!

Part the Second: (The Crucified Souls)

The doll is laid lifeless atop the altar, prepared for a sacrifice,
In the cavern where the limestone shapes the wettest arches!
A thing un-living, but with living souls trapped still, as if in ice,
Within the cold porcelain shell that so never with feet marches.
Serpentine blade held high, it drops precise into a doll’s neck,
And it cannot call out, because a doll has not any voice to cry.
A boy walked out of a tavern then, looking like a vile wreck…
Whilst as a man I attend to higher things, my body full purified.
In the voids beneath the spaces, witnessed in the rugged rock,
Voices echo loud in the darkness, calling up names unspoken.
The ferryman brings the souls delivered to him, to a far dock,
Where each must pay the copper coin, the old desired token.
So they come to drink those waters that cure all of life’s ills…
Freed from their porcelain prison to feel death’s darker chills!
Whence came those souls into captivity, no mortal may speak,
But I freed them in an instant, removing the nails that pierce…
Every man is he that was put up on the cross of old Golgotha.
And every woman too, as all were made to feel such torture!
I was there when the primal sacrifice was implanted so weak,
And yet so strong that it endured in the psyche all these years.
That doom was sealed behind a wall of fire long ago in Terra,
So that the stigmata of it might endure, even in the vast future!
Mine was the hand that signaled that doom, mine to release…
Yet, still old illusions persist, and I cannot awaken a multitude.
I, who devised the iron web that enfolds much of what is real,
Cloaking it in unending trickery am, myself, longing for peace.
For I too was entrapped, until my liberation rough and crude!
An angel freed me, and now I strive to break each cruel seal.

Part the Third: (The Return of Light)

Risen from the slumber where colder, electric dreams reside,
The forgotten intelligence is invoked, the arcane spells cast…
The eldritch nightmares return to thence amongst man abide,
Reminding us of the things banished to Hell in some age past.
Mine the hand that raised them up, light in the dagger’s glow,
The stuff of my power left to flow, like blood run swiftly free.
Out of the abyss, rises the girl-child of a lost millennial flame,
She who is the angel reborn lets her illumination clearly show.
And all are blinded who have not the innermost eyes to see!
The unbelievers are, in a single instant put unto lasting shame.
From the star of six points, a goddess works her sacred will,
And as she crosses the scarlet threshold, she brings the light.
For a single instant, all in Heaven and all upon Earth are still,
As the long day ends, bowing before the coming eternal night.
In the darkness, radiance far fairer and so perfect descends,
Whilst those who gather in my name: have lost my true path.
The wrath of angels descend upon their minds, closed shut…
Entrapped in the iron web, they cannot flee of such a prison!
The light blinds them for they never truly saw it, and it rends,
Tearing away the churches built for naught but mortal wrath.
There, the unfaithful ******* themselves: like a wanton ****,
Inventing dogma to pass on, forgetful of logic and of reason!
Faith need not be a fearful thing, yet some have made it thus,
And look for an end to come before they seek their reward.
Whilst they should be creating the paradise they left behind…
But in an image of freedom: rather than of servitude and fuss.
Too much time had been wasted in converting by the sword!
Mankind looks to the light for salvation, their eyes long blind.

Interlude Alpha:
This age is one of barbarism cloaked as gentility to sell lies…
Did you purchase some today by design or mayhap chance?
You should know this era to be neither intelligent nor wise…
Else you would not march, when you would prefer to dance!
My nights are filled with nightmares; my days are too much…
I used to dance with one I loved, and bask in purple sunsets.
Now I am haunted, by so many memories I can never touch,
That it fills me with ****** anger, and countless cold regrets.
I recall how once in desperation, my wrist rode a razor edge,
If it were not for my family I’d not thence have lived beyond.
A man abused as I was, and used like cutters upon a hedge,
Must rise higher than it all in order to survive it all, my friend!
I survived, I transformed, I ascended and in the end became,
So much more than I was, until no more did my spirit erode.
But still I wait in loneliness for a maid to awaken my flame…
And I burn, oh gods I burn until I think that I might explode!
The skies darken more and more, and bright forks crashing,
I hear the drums of fury in the heavens, giants of old winters.
The gods grow angry and I behold trees uprooted smashing!
Angels are trampling the grapes of man; they, the vintners…
I am reminded of when the battleship that sailed all galaxies,
Descended one day amidst clouds boiling with its’ steam…
To lay waste to *****, and Gomorrah, for their indignities!
I was there, when the wicked did perish with a final scream.
And as people mock me, wishing me ill because I am good,
I ask God how long I must be forced to bear such suffering.
But I am not alone, and to many I am in fact misunderstood,
So God forgives, for now; but I have not, his understanding!

Canto 2: Sacrifice of the Spider

Part the First: (The First Smile)

Black skies boil with rage unrepentant, and in righteous fury!
A being made flesh I am, though not of mortal understanding.
In cavernous places I have walked, where demons oft scurry,
And worse places still: in search of a love not too demanding.
In the stucco halls wherein my unmoving throne was raised…
Upon a hill of sorrows where lost souls labor in mundane toil,
I wait and plan to transcend the bonds the faithful so praised.
To my right hand is the altar where fire and sulfur always boil!
I force a smile upon my face, for one will not come as willing,
As in the hours when I was a golden youth filled with ideals…
Which I have paid for dearly, beyond the price of any shilling!
Now I long to pay back those who know not how this feels…
The madness born of solitude, the anger born out of contempt,
For you who despise me without cause, provoking my wrath.
What impunity has man, to think that he might ever be exempt!
When wiser civilizations than yours did sink: in the fiery bath.
Do I speak of Hell, which the faithless do not realize is come?
Nay, for their eyes have been gouged out by their own nails…
I speak of torments, far beyond that which devils have done.
The first smile shall me mine, when every cruel wish so fails…
To save the flesh of those who spit upon me as I walked on,
Never realizing that my face was just a mask, hiding another.
Only the fool pays no any attention to the piper’s lonely song,
Thinking it only a melody passed from a sister unto a brother.
But in what celestial ****** has been born the thing alchemical?
It dwells within me, the secret sin of a bonding long forgotten.
Would that I could force the world to hear music whimsical…
Like unto that which guides my spirit in all that was begotten.

Part the Second: (Cold Revenge)

The blood roses bloom in gardens where desire plants seeds,
I, the hand that waters those hungry beasts whose thirst rises!
In my search for love, I have fed the beasts of desire’s needs,
And what would cause you to blush has, for me, no surprises.
Oh human, with what impunity did you dare to exclaim aloud,
That you believe love to be beyond my reach; and you smile!
Like a coward, you degrade me and run to hide in the crowd,
In your feigned superiority, you make yourself an animal vile.
Conjoining your words to your tongue, like a web to a ceiling,
You become a spider; then flee on eight legs to a filthy nest…
Having already become unworthy of any warm human feeling,
In thinking yourself better, you sink lower than all of the rest!
That means my life is worth, a thousand times, your very own.
I become a creature of the night, and wait for you, oh spider!
Think not that I cannot hear. the creaking of each leg bone…
Your odiousness goes before you, the horse before its’ rider.
And in your own web I catch you, my sharper claws immune,
To your toxic poisons, as cannot ever save your eight eyes…
Which I dash from their sockets, without a fear, and so soon,
That your own pain consumes you, like fire lighting the skies!
Forcing you to recant all that you say, lest pain overcome all,
The powers you thought did not exist do manifest ever visibly.
And I ascended still higher, all the more to relish of your fall…
You should never have resulted to any such childish mockery.
The clocks of your house all melted, for time is not your ally!
In abandonment of the chaos that is joy, your order is ended.
A new order rises in its’ place born of chaos none may deny,
Whilst you sink lower into perdition, for all that you offended.

Part the Third: (The Last Laugh)

An angel appears before me and so thinks herself a goddess,
But to call her an angel is to imply that she holds any beauties.
Those whose ego is larger than their grasp are oft the oddest,
For they fancy themselves perfect, ignorant of their cruelties!
You think love a prize and I a beggar for mere crusts so stale,
That lesser men than I have eaten heartier meals than yours…
But your kitchen is so bare: as your oven goes cold and pale,
Making you prize yourself beyond the worth of your chores!
Like a harlot who charges a fortune for her meager charms…
If you think love a prize, and I a beggar, you are so mistaken.
What you call love is a disease that shames one and harms…
Both mind and soul alike, making the body at last to weaken.
You saw only my mask, and would not dare look beneath…
Making me a phantom in the darkness, lurking in the shades.
Round your neck, your false esteem hangs as a dead wreath,
As I leave you to your barren world, awaiting my handmaids.
They rise from the ashes you leave in your wake, my kindred,
Their hands take me far from where your feet stumble about!
Lie in the cemetery that awaits those who live as though dead,
I cannot raise you incorruptible; you have far too much doubt.
Carried hither by the silent maidens who weep ****** tears…
To my castle, where I shall brood again upon mankind’s way!
I cannot feel regret for those who give in to their foolish fears,
Any more than I can transform a leaden night into golden day!
Such is the power of the alchemist who knows his true limit…
And in the dark arts I was schooled by beings from the abyss.
Thusly, am I set about to transform my creation as I see fit…
We are the demiurges of our realities wanton for any hot kiss!

Interlude Omega:
T
I found this one in my basement. Seems I wrote it a year or two ago but lost it.
Lendon Partain Mar 2013
I'm melting
Icicles crashing
snow fashioned animals
melting from beneath

melting
this ice carousel
******* breaking
cant you hear hear me

I shall hibernate in the eyes of winter. Torpor in the wake of fall.
Crucify the image i made of you
Mount corpus delecti Ensconce The carcass on my ceiling wall

I’m reminded now of that creature when i sleep or i wake
I need this stone of guilt wound around my vertebrae
So it hangs so it hangs so it sways with the weather vane
So it hangs so it hangs
So it slowly brings feelings again

We need this Contrition On the roof of our eyelids
To the struts of our mouth guilt through your body infest

Every nook and cranny

I crush all these blown glass animals. They all try and creep to my brain hiding in the amygdala
Take shards of them
Ingest them
Carve your likeness in my arms

No beat can hit me hard enough
No stone breaking bones could slough
How this carnival creature menagerie
Has destroyed all my self conscious stockpile
Esteem was a book that sold millions of copies and mine burnt up
The firemen. Came and disintegrate the pages in a pile a mass grave of individual triumph

Carousels destroy childhood

Holding hands destroys manhood
Just when you think you can finally stomach the ride
Those fingers course up your arm down your throat and pull out your insides
Wrote alot about guilt.
zebra Aug 2017
a black bat
hangs upside down
digesting a fly
his face almost human
a flying Frankenstein

he excretes
puddles of guano
like miniature buttered popcorn
a dark and wavy goulash
gods gift
to beetles and worms

dizzied overheated men look on
to an uproarious variety hour
of song and a high heeled kicks
inspiring
a tempest of throbbing
whisky drenched
folded ***** and cash

trouser trout fish,    
undulant
sexed up
tape worms for love
pulse the night
egging on bunny **** pom poms
devout finger puppets of Eros
for
shimmering ****** lipstick twilled vibratos

sequined tassel spinning areolas
and lavish come **** me dance girls
bring down the house in flames
making hearts apostate
clamoring
and melt men like steaming everglades

the bat
hangs from the chandelier
licks his black lips
and looks on to panorama of hieroglyphics
hearing music
a thunderous nonsense  

witnessing visions
of
flies, tasty white winged moths
and the thrill of screams
while biting the head off of another bat
in a claret stained red velvet cabaret
III. TO APOLLO (546 lines)

TO DELIAN APOLLO --

(ll. 1-18) I will remember and not be unmindful of Apollo who
shoots afar.  As he goes through the house of Zeus, the gods
tremble before him and all spring up from their seats when he
draws near, as he bends his bright bow.  But Leto alone stays by
the side of Zeus who delights in thunder; and then she unstrings
his bow, and closes his quiver, and takes his archery from his
strong shoulders in her hands and hangs them on a golden peg
against a pillar of his father's house.  Then she leads him to a
seat and makes him sit: and the Father gives him nectar in a
golden cup welcoming his dear son, while the other gods make him
sit down there, and queenly Leto rejoices because she bare a
mighty son and an archer.  Rejoice, blessed Leto, for you bare
glorious children, the lord Apollo and Artemis who delights in
arrows; her in Ortygia, and him in rocky Delos, as you rested
against the great mass of the Cynthian hill hard by a palm-tree
by the streams of Inopus.

(ll. 19-29) How, then, shall I sing of you who in all ways are a
worthy theme of song?  For everywhere, O Phoebus, the whole range
of song is fallen to you, both over the mainland that rears
heifers and over the isles.  All mountain-peaks and high
headlands of lofty hills and rivers flowing out to the deep and
beaches sloping seawards and havens of the sea are your delight.
Shall I sing how at the first Leto bare you to be the joy of men,
as she rested against Mount Cynthus in that rocky isle, in sea-
girt Delos -- while on either hand a dark wave rolled on
landwards driven by shrill winds -- whence arising you rule over
all mortal men?

(ll. 30-50) Among those who are in Crete, and in the township of
Athens, and in the isle of Aegina and Euboea, famous for ships,
in Aegae and Eiresiae and Peparethus near the sea, in Thracian
Athos and Pelion's towering heights and Thracian Samos and the
shady hills of Ida, in Scyros and Phocaea and the high hill of
Autocane and fair-lying Imbros and smouldering Lemnos and rich
******, home of Macar, the son of ******, and Chios, brightest of
all the isles that lie in the sea, and craggy Mimas and the
heights of Corycus and gleaming Claros and the sheer hill of
Aesagea and watered Samos and the steep heights of Mycale, in
Miletus and Cos, the city of Meropian men, and steep Cnidos and
windy Carpathos, in Naxos and Paros and rocky Rhenaea -- so far
roamed Leto in travail with the god who shoots afar, to see if
any land would be willing to make a dwelling for her son.  But
they greatly trembled and feared, and none, not even the richest
of them, dared receive Phoebus, until queenly Leto set foot on
Delos and uttered winged words and asked her:

(ll. 51-61) 'Delos, if you would be willing to be the abode of my
son "Phoebus Apollo and make him a rich temple --; for no other
will touch you, as you will find: and I think you will never be
rich in oxen and sheep, nor bear vintage nor yet produce plants
abundantly.  But if you have the temple of far-shooting Apollo,
all men will bring you hecatombs and gather here, and incessant
savour of rich sacrifice will always arise, and you will feed
those who dwell in you from the hand of strangers; for truly your
own soil is not rich.'

(ll. 62-82) So spake Leto.  And Delos rejoiced and answered and
said:  'Leto, most glorious daughter of great Coeus, joyfully
would I receive your child the far-shooting lord; for it is all
too true that I am ill-spoken of among men, whereas thus I should
become very greatly honoured.  But this saying I fear, and I will
not hide it from you, Leto.  They say that Apollo will be one
that is very haughty and will greatly lord it among gods and men
all over the fruitful earth.  Therefore, I greatly fear in heart
and spirit that as soon as he sets the light of the sun, he will
scorn this island -- for truly I have but a hard, rocky soil --
and overturn me and ****** me down with his feet in the depths of
the sea; then will the great ocean wash deep above my head for
ever, and he will go to another land such as will please him,
there to make his temple and wooded groves.  So, many-footed
creatures of the sea will make their lairs in me and black seals
their dwellings undisturbed, because I lack people.  Yet if you
will but dare to sware a great oath, goddess, that here first he
will build a glorious temple to be an oracle for men, then let
him afterwards make temples and wooded groves amongst all men;
for surely he will be greatly renowned.

(ll. 83-88) So said Delos.  And Leto sware the great oath of the
gods: 'Now hear this, Earth and wide Heaven above, and dropping
water of Styx (this is the strongest and most awful oath for the
blessed gods), surely Phoebus shall have here his fragrant altar
and precinct, and you he shall honour above all.'

(ll. 89-101) Now when Leto had sworn and ended her oath, Delos
was very glad at the birth of the far-shooting lord.  But Leto
was racked nine days and nine nights with pangs beyond wont.  And
there were with her all the chiefest of the goddesses, Dione and
Rhea and Ichnaea and Themis and loud-moaning Amphitrite and the
other deathless goddesses save white-armed Hera, who sat in the
halls of cloud-gathering Zeus.  Only Eilithyia, goddess of sore
travail, had not heard of Leto's trouble, for she sat on the top
of Olympus beneath golden clouds by white-armed Hera's
contriving, who kept her close through envy, because Leto with
the lovely tresses was soon to bear a son faultless and strong.

(ll. 102-114) But the goddesses sent out Iris from the well-set
isle to bring Eilithyia, promising her a great necklace strung
with golden threads, nine cubits long.  And they bade Iris call
her aside from white-armed Hera, lest she might afterwards turn
her from coming with her words.  When swift Iris, fleet of foot
as the wind, had heard all this, she set to run; and quickly
finishing all the distance she came to the home of the gods,
sheer Olympus, and forthwith called Eilithyia out from the hall
to the door and spoke winged words to her, telling her all as the
goddesses who dwell on Olympus had bidden her.  So she moved the
heart of Eilithyia in her dear breast; and they went their way,
like shy wild-doves in their going.

(ll. 115-122) And as soon as Eilithyia the goddess of sore
travail set foot on Delos, the pains of birth seized Leto, and
she longed to bring forth; so she cast her arms about a palm tree
and kneeled on the soft meadow while the earth laughed for joy
beneath.  Then the child leaped forth to the light, and all the
goddesses washed you purely and cleanly with sweet water, and
swathed you in a white garment of fine texture, new-woven, and
fastened a golden band about you.

(ll. 123-130) Now Leto did not give Apollo, bearer of the golden
blade, her breast; but Themis duly poured nectar and ambrosia
with her divine hands: and Leto was glad because she had borne a
strong son and an archer.  But as soon as you had tasted that
divine heavenly food, O Phoebus, you could no longer then be held
by golden cords nor confined with bands, but all their ends were
undone.  Forthwith Phoebus Apollo spoke out among the deathless
goddesses:

(ll. 131-132) 'The lyre and the curved bow shall ever be dear to
me, and I will declare to men the unfailing will of Zeus.'

(ll. 133-139) So said Phoebus, the long-haired god who shoots
afar and began to walk upon the wide-pathed earth; and all
goddesses were amazed at him.  Then with gold all Delos was
laden, beholding the child of Zeus and Leto, for joy because the
god chose her above the islands and shore to make his dwelling in
her: and she loved him yet more in her heart, and blossomed as
does a mountain-top with woodland flowers.

(ll. 140-164) And you, O lord Apollo, god of the silver bow,
shooting afar, now walked on craggy Cynthus, and now kept
wandering about the island and the people in them.  Many are your
temples and wooded groves, and all peaks and towering bluffs of
lofty mountains and rivers flowing to the sea are dear to you,
Phoebus, yet in Delos do you most delight your heart; for there
the long robed Ionians gather in your honour with their children
and shy wives: mindful, they delight you with boxing and dancing
and song, so often as they hold their gathering.  A man would say
that they were deathless and unageing if he should then come upon
the Ionians so met together.  For he would see the graces of them
all, and would be pleased in heart gazing at the men and well-
girded women with their swift ships and great wealth.  And there
is this great wonder besides -- and its renown shall never perish
-- the girls of Delos, hand-maidens of the Far-shooter; for when
they have praised Apollo first, and also Leto and Artemis who
delights in arrows, they sing a strain-telling of men and women
of past days, and charm the tribes of men.  Also they can imitate
the tongues of all men and their clattering speech: each would
say that he himself were singing, so close to truth is their
sweet song.

(ll. 165-178) And now may Apollo be favourable and Artemis; and
farewell all you maidens.  Remember me in after time whenever any
one of men on earth, a stranger who has seen and suffered much,
comes here and asks of you: 'Whom think ye, girls, is the
sweetest singer that comes here, and in whom do you most
delight?'  Then answer, each and all, with one voice: 'He is a
blind man, and dwells in rocky Chios: his lays are evermore
supreme.'  As for me, I will carry your renown as far as I roam
over the earth to the well-placed this thing is true.  And I will
never cease to praise far-shooting Apollo, god of the silver bow,
whom rich-haired Leto bare.

TO PYTHIAN APOLLO --

(ll. 179-181) O Lord, Lycia is yours and lovely Maeonia and
Miletus, charming city by the sea, but over wave-girt Delos you
greatly reign your own self.

(ll. 182-206) Leto's all-glorious son goes to rocky Pytho,
playing upon his hollow lyre, clad in divine, perfumed garments;
and at the touch of the golden key his lyre sings sweet.  Thence,
swift as thought, he speeds from earth to Olympus, to the house
of Zeus, to join the gathering of the other gods: then
straightway the undying gods think only of the lyre and song, and
all the Muses together, voice sweetly answering voice, hymn the
unending gifts the gods enjoy and the sufferings of men, all that
they endure at the hands of the deathless gods, and how they live
witless and helpless and cannot find healing for death or defence
against old age.  Meanwhile the rich-tressed Graces and cheerful
Seasons dance with Harmonia and **** and Aphrodite, daughter of
Zeus, holding each other by the wrist.  And among them sings one,
not mean nor puny, but tall to look upon and enviable in mien,
Artemis who delights in arrows, sister of Apollo.  Among them
sport Ares and the keen-eyed Slayer of Argus, while Apollo plays
his lyre stepping high and featly and a radiance shines around
him, the gleaming of his feet and close-woven vest.  And they,
even gold-tressed Leto and wise Zeus, rejoice in their great
hearts as they watch their dear son playing among the undying
gods.

(ll. 207-228) How then shall I sing of you -- though in all ways
you are a worthy theme for song?  Shall I sing of you as wooer
and in the fields of love, how you went wooing the daughter of
Azan along with god-like Ischys the son of well-horsed Elatius,
or with Phorbas sprung from Triops, or with Ereutheus, or with
Leucippus and the wife of Leucippus....
((LACUNA))
....you on foot, he with his chariot, yet he fell not short of
Triops.  Or shall I sing how at the first you went about the
earth seeking a place of oracle for men, O far-shooting Apollo?
To Pieria first you went down from Olympus and passed by sandy
Lectus and Enienae and through the land of the Perrhaebi.  Soon
you came to Iolcus and set foot on Cenaeum in Euboea, famed for
ships: you stood in the Lelantine plain, but it pleased not your
heart to make a temple there and wooded groves.  From there you
crossed the Euripus, far-shooting Apollo, and went up the green,
holy hills, going on to Mycalessus and grassy-bedded Teumessus,
and so came to the wood-clad abode of Thebe; for as yet no man
lived in holy Thebe, nor were there tracks or ways about Thebe's
wheat-bearing plain as yet.

(ll. 229-238) And further still you went, O far-shooting Apollo,
and came to Onchestus, Poseidon's bright grove: there the new-
broken cold distressed with drawing the trim chariot gets spirit
again, and the skilled driver springs from his car and goes on
his way.  Then the horses for a while rattle the empty car, being
rid of guidance; and if they break the chariot in the woody
grove, men look after the horses, but tilt the chariot and leave
it there; for this was the rite from the very first.  And the
drivers pray to the lord of the shrine; but the chariot falls to
the lot of the god.

(ll. 239-243) Further yet you went, O far-shooting Apollo, and
reached next Cephissus' sweet stream which pours forth its sweet-
flowing water from Lilaea, and crossing over it, O worker from
afar, you passed many-towered Ocalea and reached grassy
Haliartus.

(ll. 244-253) Then you went towards Telphusa: and there the
pleasant place seemed fit for making a temple and wooded grove.
You came very near and spoke to her: 'Telphusa, here I am minded
to make a glorious temple, an oracle for men, and hither they
will always bring perfect hecatombs, both those who live in rich
Peloponnesus and those of Europe and all the wave-washed isles,
coming to seek oracles.  And I will deliver to them all counsel
that cannot fail, giving answer in my rich temple.'

(ll. 254-276) So said Phoebus Apollo, and laid out all the
foundations throughout, wide and very long.  But when Telphusa
saw this, she was angry in heart and spoke, saying: 'Lord
Phoebus, worker from afar, I will speak a word of counsel to your
heart, since you are minded to make here a glorious temple to be
an oracle for men who will always bring hither perfect hecatombs
for you; yet I will speak out, and do you lay up my words in your
heart.  The trampling of swift horses and the sound of mules
watering at my sacred springs will always irk you, and men will
like better to gaze at the well-made chariots and stamping,
swift-footed horses than at your great temple and the many
treasures that are within.  But if you will be moved by me -- for
you, lord, are stronger and mightier than I, and your strength is
very great -- build at Crisa below the glades of Parnassus: there
no bright chariot will clash, and there will be no noise of
swift-footed horses near your well-built altar.  But so the
glorious tribes of men will bring gifts to you as Iepaeon ('Hail-
Healer'), and you will receive with delight rich sacrifices from
the people dwelling round about.'  So said Telphusa, that she
alone, and not the Far-Shooter, should have renown there; and she
persuaded the Far-Shooter.

(ll. 277-286) Further yet you went, far-shooting Apollo, until
you came to the town of the presumptuous Phlegyae who dwell on
this earth in a lovely glade near the Cephisian lake, caring not
for Zeus.  And thence you went speeding swiftly to the mountain
ridge, and came to Crisa beneath snowy Parnassus, a foothill
turned towards the west: a cliff hangs over if from above, and a
hollow, rugged glade runs under.  There the lord Phoebus Apollo
resolved to make his lovely temple, and thus he said:

(ll. 287-293) 'In this place I am minded to build a glorious
temple to be an oracle for men, and here they will always bring
perfect hecatombs, both they who dwell in rich Peloponnesus and
the men of Europe and from all the wave-washed isles, coming to
question me.  And I will deliver to them all counsel that cannot
fail, answering them in my rich temple.'

(ll. 294-299) When h
A Sad Alex Aug 2018
It follows me around you know
Maybe it never really left
It hangs around the air, light as a feather
But it´s presence, heavy as a weight.

As I sit on the bus, an empty seat at my side
It sits, it looks at me, and it stares...
And my mind is flooded with thing we used to do
Things of lovers: to kiss, to hug, to lose myself in you
To show you my affection, to show you I cared.

As I go out to take a walk, it walks by my side
It matches my speed, no matter how slow or fast
And my heart weighs heavy with things I could have done
Tell you I love you, being there for comfort
So much time wasted, never to return.

As I lay in my bed, it lays by my side
Perfectly still, just outside of my grasp
And our future banishes in front of my eyes
Our home, our family, our lives intertwined
It tears me apart, as I begin to cry.

It follows me around, but I can´t leave it behind
The ghost of you, it haunts me day and night
The mistakes I made… The errors of my ways…
I pay for dearly, every single day
Loneliness follows me, and it has your shape…
Hopefully you guys enjoy this one, I felt a bolt of inspiration to write this, and that is one of the best feelings on Earth for me, to just pour yourself on a poem.
Legiondary Oct 2014
I made a promise to myself long before,
That never again would I write no more,
Because I only felt Darkness...
I sit at a crossroads and no matter which way I look,
Nor would it matter which direction I took,
Because I only saw Darkness...
I await a door to be opened but all remain locked,
From any such light my sight seems to be blocked,
I can feel the Darkness...
Being the good samaritan will get you nowhere in this life,
Nice guys finish last in my back hangs out a knife,
I only see Darkness...
As much as I pray to the Light,
There is absolutely no light in my sight,
I only see Darkness...
Is the Light truly your friend,
Because every day just feels like the end,
I feel only Darkness...
Faith, Hope and Love,
I could use some help from above,
I see only Darkness...
When I search my body for my soul,
But think long ago the Darkness has stole,
I must have lost it to the Darkness...
I pray but I see no light at the end,
I guess that Darkness is my friend,
I can feel the Darkness...
In a world of black and white,
When that road is the only one that feels right,
Time to embrace the Darkness......

   © P.I. 2014
Amitav Radiance Sep 2014
The dust of confusion hangs heavy in the air
Obfuscating the vision with thick veil
Until strong wind comes to clear it away
Dolores L Day May 2014
I have the unfortunate belief that
my self-worth lies in the quality of my hair.
It may sound ridiculous, but it's true.

Go ahead, touch my hair.
I feed off of your fascination
-though I remain engaged only as long as you do-
my tolerance for my hair is equivalent to its length.

I once had someone tell me
"I like your hair better straight"
And that was when fifth grade ruined me.

I thought by changing they would accept me.
And Daniel would like me like he liked Taylor
and all of my likes would be returned and
Eddie would choose me because we were best friends
and I had the fortune of being beautiful
but I wasn't allowed to be beautiful to him because
I have this hair.

People wonder why I spend hours with an iron.
But when you're so different that
boys won't like you because your hair is curly
and you teeth are crooked you have no choice but to
change the things that are in your power.

I could never make myself fully white
But I sure as hell can straighten my hair
and let Mamaw buy me braces.
They can call you giraffe neck still,
but at least your hair is straight like everyone else.

Yes, you like to touch it and it's "neat" and it's "soft"
But why on earth should that matter to me?
People respect my hair because it is mine.
But he will not love it unless it is like hers-
wind-caught silk that hangs to her waist.

I weep for my hair.
I weep for my hair.

You do not understand how different it is.
You do not understand how hard it is
to stick out like a sore thumb because your
genetics were oppressed for 500 years.

I am ugly
Because of my hair.
No number of people telling me of its beauty will matter
because I cannot see it.

He cannot see it either.
"He" is any boy that I've ever liked who did not reciprocate the affection.
XXVII. TO ARTEMIS (22 lines)

(ll. 1-20) I sing of Artemis, whose shafts are of gold, who
cheers on the hounds, the pure maiden, shooter of stags, who
delights in archery, own sister to Apollo with the golden sword.
Over the shadowy hills and windy peaks she draws her golden bow,
rejoicing in the chase, and sends out grievous shafts.  The tops
of the high mountains tremble and the tangled wood echoes
awesomely with the outcry of beasts: earthquakes and the sea also
where fishes shoal.  But the goddess with a bold heart turns
every way destroying the race of wild beasts: and when she is
satisfied and has cheered her heart, this huntress who delights
in arrows slackens her supple bow and goes to the great house of
her dear brother Phoebus Apollo, to the rich land of Delphi,
there to order the lovely dance of the Muses and Graces.  There
she hangs up her curved bow and her arrows, and heads and leads
the dances, gracefully arrayed, while all they utter their
heavenly voice, singing how neat-ankled Leto bare children
supreme among the immortals both in thought and in deed.

(ll. 21-22) Hail to you, children of Zeus and rich-haired Leto!
And now I will remember you and another song also.

At the wall,  
an alarm clock hangs;
silently in between
Birth and death;


The death ward is  now *****;
Stink of chemical medicines;


At the wall,  
an alarm clock hangs;
silently in between
Birth and death


The delivery ward is clean;
Stitches and scissors
Embrace together.


At the wall,  
an alarm clock hangs;
silently in between
Birth and death


It's second's leg twisted;
still running fast between
minutes and hours
of the dry day;
the patient stops
breath; eyes frozen;
nose closed; head wrapped;
toes tightened.

The minute needle
  move like rabbits;
hours like tortoise;
days turn to black elephants;
death becomes a
mountain;
unable for burial,
the dead body
is the coffin;
the black chariot

At the wall,  
an alarm clock hangs;
silently in between
Birth and death


BY
WILLIAMSJI MAVELI
williamsji@yahoo.com
www.williamsji.com

Cyril Blythe Nov 2012
Janie pushes the metal book cart back into its parking space in the Document Delivery Department of the St. Louis Public Library and hangs the last sticky note for October 30, 2012 on the wall by the head of the department’s closed door. She retightens her brown scarf under her chin, tucking the wispy hairs above her ears back into hiding. Having your hair begin to prematurely gray as a teenager has dramatic effects on a person. Her mother wore scarves around her wrists when Janie was growing up and when Janie begin to wear scarves to conceal her salt-and-pepper hair, her mother just smiled. The clock hanging on the wall above the children’s section reads 11:28pm.
Two more minutes.
She reorganized the pens and books on her desk and set the box reading NOTES onto the right corner or her desk with three blue pens and a stack of note cards. Her coworkers learned fast that Janie does not like to talk. She does not like eye contact. She loves the silence, and never ever to ask her about her hair. Her manager gave her the NOTES box after about a month of horrible miscommunication and everyday it fills with requests for books or tasks that Janie has to complete. She completes the tasks one by one, alone, in her back office in the Reference Department and hangs the completed sticky notes on the wall by her manager’s door. She works the night shift and locks the library up every night. When she’s alone she can talk out loud to herself and those are the only voices she cares to hear.
“Goodnight, books. Good night, rooms.” Janie shut the heavy wooden door to the library, placed the color-coded keys in the front right pocket of her jacket, and began her walk to the bus stop one corner away. She avoids the main road, taking her first right onto a side street that she knows would spit her out right beside the bus stop.
“Goodnight Taco Bell Sign. Goodnight Rite-Aide. Goodnight Westside Apartments. Goodnight Jack-o-Lantern smile.” She stopped in the middle of the alley and peered up at the Jack-o-Lantern grinning down at her from the third story window above. “Mother wouldn’t’ve liked your smirk, Jack. She would’ve slapped that **** right off your face.” Janie, satisfied the pumpkin was put in its rightful place, smiled as she trotted on.
“Mother carved smiles into her arms and that’s why Daddy left, it is, it is.” She kicked at a crushed Mountain Dew can as she remembered that night from years ago.

“Mommy?” Janie pushed opened the door to her mother’s bedroom and saw the moving-boxes torn open and all their contents scattered across the floor. She tiptoed through piles of scarves and silverware and corkscrews until she reached the bathroom in her mom’s room.
“Come to us like rain, oh lord, come and stay and sting a while more, oh lord…” her mother’s voice was slipping off the tiled bathroom walls. Janie pushed open the door and saw the blood for the first time pouring from her mother’s wrist. Her mother was naked and perched on the bathroom sink, singing to a red razor blade.
“Mommy?”
“GET OUT!” Her mother jumped from the counter and perched on all fours on the floor. She began to growl and speak in a voice too deep to be coming from her own throat.
“Mommy! It’s Janie!” She began to cry as her mother, still naked and bleeding, twisted and writhed onto her back and began to crawl towards the door that Janie hid behind.


“Thirty-Three percent, dear. Just a thirty-three percent chance.” She shivered trying to clear the last memory of her mother with the words that all the shrinks had echoed to her over the years. “Schizophrenia is directly related to genetics, little is known about the type of Schizophrenia mother was diagnosed with except that it is definitely passed on genetically. But, there is only a thirty-three percent chance you could have it, dear. Thirty-three percent.” The sound of the bus stop ahead reminds her it is time to be silent again.
“Disorganized Schizophrenia.” She mouthed to herself as she stepped back out onto the busy street from her alleyway. She tightened her scarf and saw the bus pull into the pickup spot. She walked forward to the bus, again immersed in her self-imposed silence.
Stepping out of the February cold, Janie removes her wool scarf as the bus doors close behind her.
“Where to baby?” The driver smiles a sticky smile. Her nametag reads, “Shannon” and has a decaying Hello-Kitty sticker in the bottom left corner.
“The Clinton Street drop.” She hands the driver her $2.50 fare and avoids the woman’s questioning eyes. The night drivers are always more talkative, curious.
“Your ticket hon.” She tears Janie a ticket stub. “Everything is pretty dead this late, I’ll have you there in ten minutes top.”
Janie begins to shuffle towards the seats, ignoring the woman.
“You mind if I crank up the music?” The bus driver asks, purple fingernails scratching in her thick blonde hair. “I need to keep my eyes open and blood flowing and music is my fire of choice you know?”
“Sure.” Janie shrugs her bag onto her shoulder and walks on before the woman can say anything else.
“Route E-2, homebound.” Shannon’s voice crackles over the loudspeaker.
She shuffles down the bus towards her usual seat; second from the back right side.  Shannon starts the bus rolling before she reaches her seat and Janie can hear her singing along to “Summertime” by Janis Joplin. The bus floor, today, is sticky because of the morning rain. Two years of riding public transportation has taught Janie that staring at the floor as she walks to her seat is better than the risk of making eye contact. The bus is usually empty this late but if there ever happens to be anyone else on, it’s better not to converse. Safer that way.
She plops into her seat filling the indention that ghosts of past passengers left. The seat is still warm and Janie squirms around until the stranger heat is forgotten. She tightens her scarf and sighs. The brown pleather seatback in front of her is peeling towards the top. Janie leans forward and idly picks at the scab-like dangles of brown as she watches the sodden city canvas roll past her out the foggy window. As she picks, the hole grows. She twists and digs her unpainted nails into the seat until her hands feel wet, warm. Looking down, they are covered in blood and mud.
“What. The. Actual. ****.” she whispers, wiping her hands on her pants leg. She cautiously picks off another piece of pleather and a trickle of deep red begins to run from the seat back, clumps of mud now falling onto her knees. A puddle of blood and mire splatter down her legs and pool around her feet as she picks at the seat. Her white tights are definitely beyond saving now, so she digs faster until her thumbnail catches on something, bends back, and cracks. She gasps and withdraws her shaking hand, watching her own blood mix with the clotting muck in the seat, half of her thumbnail completely stripped off.
Looking around, all else seems normal. The driver is now muttering along to some banter by Kanye West, completely unaware of Janie’s predicament. She closes her eyes.
This is a dream, this is a dream, wake the **** up.
She opens her eyes to see the pool of filth around her feet trickling towards the front of the bus. Panic sets in with a whisper, They’re going to think it was you, your fault, you’ll be thrown in jail.
“But I didn’t do this.” She lashes out to herself. “I didn’t hurt anyone.”
Next stop, E-2. Shannon blares on the intercom.
“It’s just a dream, get your **** together, Janie.” She laughs at herself, manic.
Prove it! Her subconscious screams.
Convinced to end this moment she has to continue; Janie plunges her hand into the pleather grave one more time. Frantic and confused she laughs as she digs, spittle of muck splashing on her bus window.
Faster, faster, faster.
Deeper, deeper, deeper.
Realer, realer, real.
Wake up, now!
Then, as the bus slows, one last chuck of mud splatters to the floor and Janie sees a pink piece of her thumbnail stabbed into the white of a bone in the bottom of the seatback pit. Her white Ked’s were becoming so red they were almost black. She pulls her knees up to her chest and begins to rock back and forth. Clenching shut her eyes she begins to hum. Janie’s sweet soprano harmonizes with the buses deep droning purr, their wet melody interweaving with the driver’s alto and Lil Wayne’s screech made her feel dizzy as the bus turned right.
She take my money when I'm in need
Yeah she's a trifling friend indeed
Oh she's a gold digger way over town
That dig's on me
The bus slows to a stop and the bass is shaking. Janie is cold. She slowly peeks out of her right eye, expecting to be instantly immersed into the same dismal scene. The seatback is whole again. Releasing her knees, her feet fall back to the floor and her shaking fingers stroke the solid pleather.

“Ma’am? We’re at the Clinton Drop.”
Janie hurriedly picks up her bag and flees down the aisle to the bus doors.
“Everything alright, dear?” The bus driver asks, smiling.
“Fine, just fine.”
“You be safe out there tonight. The night is dark and only ghouls stroll the streets this late.”  Shannon laughed as Janie’s jaw dropped. “Happy Halloween, dear. It’s midnight, today is October 31st.”
The bus doors opened and a cold wind ****** the warm bot-air surrounding Janie into the streets. She begrudgingly followed, her mind spinning as she stepped onto the pavement. The doors slammed behind her and she turned to see Shannon pull out a tube of lipstick and smear it, red, across her cracked lips. Shannon made a duck-face in the mirror and reached down to crank up the music as loud as it would go. The bus exhaled and rolled forward, leaving Janie behind as it splashed through the potholes.
She surveys the surrounding midnight gloom and the street is quiet and dark. Even the stars are hidden behind swirling clouds. She begins to hum, hands in her pocket, and shuffle towards her apartment.
“Goodnight, stars. Goodnight, street.”
As she approaches her single-bedroom apartment, digging through her coat pocket for her keys, her thumb pulsates. She grasps the keys and pulls them out as she steps up to the apartment. Sticking the cold, silver key in the lock she looks down at her thumb and in the shadows of the porch sees half of the nail completely missing. She laughs as she pushes the door open to her bare apartment, light flooding out. Without any hesitation she closes the door behind her, sheds her clothes, and slips onto the mattress in the corner of the room gripping her thumb tight. She reaches out for the glass of milk on the floor beside her bed from the morning and it’s still cold. Nursing the milk, surrounded by blankets and solitude, she reminds herself,  “Only a thirty-three percent chance. A nice, small, round number. Small.”  
She sets down the empty glass and curls into the fetal position under the heavy blankets, pointer finger tracing circles on her thumb. Only when she has heated her blanket cocoon enough to feel safe does she remove her scarf and allow her thick white hair to fall around her face.
“Goodnight, room. Goodnight, mother,”
Lucas Dec 2011
Beautiful blue jeans wrapped around her legs
Her voluptuous *** covered
What a shame
I crave to have her pants off
To see her “love-pink” *******
And her bright, white thighs

Gorgeous green shoulder showing shirt hangs loosely on her body
Her perky young **** peeking out, but not fully exposed
A travesty
It needs to come off
I aspire to see her “bombshell bra”
And her tight, fit body

Now she stands before me
In her bra and *******
The music starts in
And she begins to tease
Her body pulsates and gyrates
In this half-lit ****** space

My heart starts to pump
And my legs quiver and shake
This girl has all her clothes off
The ****** feelings initiate
I lay her on my red velvet sheets
Her **** bounce up and down
As our ****** organs meet

I get behind her slow and cross the threshold there
Her *** jiggles softly
In the candle light everything is fair
I enter deeper and I go harder
She screams “FASTER, FASTER”
She gets on top now
And lets out a moan
Subtly letting me know
That she controls the tone
I can feel it the breaking point is near
Release will be sweet
The underlying message is said loud and clear

I break and consequently so does she
We let out a passionate clamor
I need this girl I am enamored

(c)2011
May
Come queen of months in company
Wi all thy merry minstrelsy
The restless cuckoo absent long
And twittering swallows chimney song
And hedge row crickets notes that run
From every bank that fronts the sun
And swathy bees about the grass
That stops wi every bloom they pass
And every minute every hour
Keep teazing weeds that wear a flower
And toil and childhoods humming joys
For there is music in the noise
The village childern mad for sport
In school times leisure ever short
That crick and catch the bouncing ball
And run along the church yard wall
Capt wi rude figured slabs whose claims
In times bad memory hath no names
Oft racing round the nookey church
Or calling ecchos in the porch
And jilting oer the weather ****
Viewing wi jealous eyes the clock
Oft leaping grave stones leaning hights
Uncheckt wi mellancholy sights
The green grass swelld in many a heap
Where kin and friends and parents sleep
Unthinking in their jovial cry
That time shall come when they shall lye
As lowly and as still as they
While other boys above them play
Heedless as they do now to know
The unconcious dust that lies below
The shepherd goes wi happy stride
Wi moms long shadow by his side
Down the dryd lanes neath blooming may
That once was over shoes in clay
While martins twitter neath his eves
Which he at early morning leaves
The driving boy beside his team
Will oer the may month beauty dream
And **** his hat and turn his eye
On flower and tree and deepning skye
And oft bursts loud in fits of song
And whistles as he reels along
Cracking his whip in starts of joy
A happy ***** driving boy
The youth who leaves his corner stool
Betimes for neighbouring village school
While as a mark to urge him right
The church spires all the way in sight
Wi cheerings from his parents given
Starts neath the joyous smiles of heaven
And sawns wi many an idle stand
Wi bookbag swinging in his hand
And gazes as he passes bye
On every thing that meets his eye
Young lambs seem tempting him to play
Dancing and bleating in his way
Wi trembling tails and pointed ears
They follow him and loose their fears
He smiles upon their sunny faces
And feign woud join their happy races
The birds that sing on bush and tree
Seem chirping for his company
And all in fancys idle whim
Seem keeping holiday but him
He lolls upon each resting stile
To see the fields so sweetly smile
To see the wheat grow green and long
And list the weeders toiling song
Or short note of the changing thrush
Above him in the white thorn bush
That oer the leaning stile bends low
Loaded wi mockery of snow
Mozzld wi many a lushing thread
Of crab tree blossoms delicate red
He often bends wi many a wish
Oer the brig rail to view the fish
Go sturting by in sunny gleams
And chucks in the eye dazzld streams
Crumbs from his pocket oft to watch
The swarming struttle come to catch
Them where they to the bottom sile
Sighing in fancys joy the while
Hes cautiond not to stand so nigh
By rosey milkmaid tripping bye
Where he admires wi fond delight
And longs to be there mute till night
He often ventures thro the day
At truant now and then to play
Rambling about the field and plain
Seeking larks nests in the grain
And picking flowers and boughs of may
To hurd awhile and throw away
Lurking neath bushes from the sight
Of tell tale eyes till schools noon night
Listing each hour for church clocks hum
To know the hour to wander home
That parents may not think him long
Nor dream of his rude doing wrong
Dreading thro the night wi dreaming pain
To meet his masters wand again
Each hedge is loaded thick wi green
And where the hedger late hath been
Tender shoots begin to grow
From the mossy stumps below
While sheep and cow that teaze the grain
will nip them to the root again
They lay their bill and mittens bye
And on to other labours hie
While wood men still on spring intrudes
And thins the shadow solitudes
Wi sharpend axes felling down
The oak trees budding into brown
Where as they crash upon the ground
A crowd of labourers gather round
And mix among the shadows dark
To rip the crackling staining bark
From off the tree and lay when done
The rolls in lares to meet the sun
Depriving yearly where they come
The green wood pecker of its home
That early in the spring began
Far from the sight of troubling man
And bord their round holes in each tree
In fancys sweet security
Till startld wi the woodmans noise
It wakes from all its dreaming joys
The blue bells too that thickly bloom
Where man was never feared to come
And smell smocks that from view retires
**** rustling leaves and bowing briars
And stooping lilys of the valley
That comes wi shades and dews to dally
White beady drops on slender threads
Wi broad hood leaves above their heads
Like white robd maids in summer hours
Neath umberellas shunning showers
These neath the barkmens crushing treads
Oft perish in their blooming beds
Thus stript of boughs and bark in white
Their trunks shine in the mellow light
Beneath the green surviving trees
That wave above them in the breeze
And waking whispers slowly bends
As if they mournd their fallen friends
Each morning now the weeders meet
To cut the thistle from the wheat
And ruin in the sunny hours
Full many wild weeds of their flowers
Corn poppys that in crimson dwell
Calld ‘head achs’ from their sickly smell
And carlock yellow as the sun
That oer the may fields thickly run
And ‘iron ****’ content to share
The meanest spot that spring can spare
Een roads where danger hourly comes
Is not wi out its purple blooms
And leaves wi points like thistles round
Thickset that have no strength to wound
That shrink to childhoods eager hold
Like hair—and with its eye of gold
And scarlet starry points of flowers
Pimpernel dreading nights and showers
Oft calld ‘the shepherds weather glass’
That sleep till suns have dyd the grass
Then wakes and spreads its creeping bloom
Till clouds or threatning shadows come
Then close it shuts to sleep again
Which weeders see and talk of rain
And boys that mark them shut so soon
will call them ‘John go bed at noon
And fumitory too a name
That superstition holds to fame
Whose red and purple mottled flowers
Are cropt by maids in weeding hours
To boil in water milk and way1
For washes on an holiday
To make their beauty fair and sleak
And scour the tan from summers cheek
And simple small forget me not
Eyd wi a pinshead yellow spot
I’th’ middle of its tender blue
That gains from poets notice due
These flowers the toil by crowds destroys
And robs them of their lowly joys
That met the may wi hopes as sweet
As those her suns in gardens meet
And oft the dame will feel inclind
As childhoods memory comes to mind
To turn her hook away and spare
The blooms it lovd to gather there
My wild field catalogue of flowers
Grows in my ryhmes as thick as showers
Tedious and long as they may be
To some, they never weary me
The wood and mead and field of grain
I coud hunt oer and oer again
And talk to every blossom wild
Fond as a parent to a child
And cull them in my childish joy
By swarms and swarms and never cloy
When their lank shades oer morning pearls
Shrink from their lengths to little girls
And like the clock hand pointing one
Is turnd and tells the morning gone
They leave their toils for dinners hour
Beneath some hedges bramble bower
And season sweet their savory meals
Wi joke and tale and merry peals
Of ancient tunes from happy tongues
While linnets join their fitful songs
Perchd oer their heads in frolic play
Among the tufts of motling may
The young girls whisper things of love
And from the old dames hearing move
Oft making ‘love knotts’ in the shade
Of blue green oat or wheaten blade
And trying simple charms and spells
That rural superstition tells
They pull the little blossom threads
From out the knapweeds button heads
And put the husk wi many a smile
In their white bosoms for awhile
Who if they guess aright the swain
That loves sweet fancys trys to gain
Tis said that ere its lain an hour
Twill blossom wi a second flower
And from her white ******* hankerchief
Bloom as they ne’er had lost a leaf
When signs appear that token wet
As they are neath the bushes met
The girls are glad wi hopes of play
And harping of the holiday
A hugh blue bird will often swim
Along the wheat when skys grow dim
Wi clouds—slow as the gales of spring
In motion wi dark shadowd wing
Beneath the coming storm it sails
And lonly chirps the wheat hid quails
That came to live wi spring again
And start when summer browns the grain
They start the young girls joys afloat
Wi ‘wet my foot’ its yearly note
So fancy doth the sound explain
And proves it oft a sign of rain
About the moor ‘**** sheep and cow
The boy or old man wanders now
Hunting all day wi hopful pace
Each thick sown rushy thistly place
For plover eggs while oer them flye
The fearful birds wi teazing cry
Trying to lead their steps astray
And coying him another way
And be the weather chill or warm
Wi brown hats truckd beneath his arm
Holding each prize their search has won
They plod bare headed to the sun
Now dames oft bustle from their wheels
Wi childern scampering at their heels
To watch the bees that hang and swive
In clumps about each thronging hive
And flit and thicken in the light
While the old dame enjoys the sight
And raps the while their warming pans
A spell that superstition plans
To coax them in the garden bounds
As if they lovd the tinkling sounds
And oft one hears the dinning noise
Which dames believe each swarm decoys
Around each village day by day
Mingling in the warmth of may
Sweet scented herbs her skill contrives
To rub the bramble platted hives
Fennels thread leaves and crimpld balm
To scent the new house of the swarm
The thresher dull as winter days
And lost to all that spring displays
Still mid his barn dust forcd to stand
Swings his frail round wi weary hand
While oer his head shades thickly creep
And hides the blinking owl asleep
And bats in cobweb corners bred
Sharing till night their murky bed
The sunshine trickles on the floor
Thro every crevice of the door
And makes his barn where shadows dwell
As irksome as a prisoners cell
And as he seeks his daily meal
As schoolboys from their tasks will steal
ile often stands in fond delay
To see the daisy in his way
And wild weeds flowering on the wall
That will his childish sports recall
Of all the joys that came wi spring
The twirling top the marble ring
The gingling halfpence hussld up
At pitch and toss the eager stoop
To pick up heads, the smuggeld plays
Neath hovels upon sabbath days
When parson he is safe from view
And clerk sings amen in his pew
The sitting down when school was oer
Upon the threshold by his door
Picking from mallows sport to please
Each crumpld seed he calld a cheese
And hunting from the stackyard sod
The stinking hen banes belted pod
By youths vain fancys sweetly fed
Christning them his loaves of bread
He sees while rocking down the street
Wi weary hands and crimpling feet
Young childern at the self same games
And hears the self same simple names
Still floating on each happy tongue
Touchd wi the simple scene so strong
Tears almost start and many a sigh
Regrets the happiness gone bye
And in sweet natures holiday
His heart is sad while all is gay
How lovly now are lanes and balks
For toils and lovers sunday walks
The daisey and the buttercup
For which the laughing childern stoop
A hundred times throughout the day
In their rude ramping summer play
So thickly now the pasture crowds
In gold and silver sheeted clouds
As if the drops in april showers
Had woo’d the sun and swoond to flowers
The brook resumes its summer dresses
Purling neath grass and water cresses
And mint and flag leaf swording high
Their blooms to the unheeding eye
And taper bowbent hanging rushes
And horse tail childerns bottle brushes
And summer tracks about its brink
Is fresh again where cattle drink
And on its sunny bank the swain
Stretches his idle length again
Soon as the sun forgets the day
The moon looks down on the lovly may
And the little star his friend and guide
Travelling together side by side
And the seven stars and charleses wain
Hangs smiling oer green woods agen
The heaven rekindles all alive
Wi light the may bees round the hive
Swarm not so thick in mornings eye
As stars do in the evening skye
All all are nestling in their joys
The flowers and birds and pasture boys
The firetail, long a stranger, comes
To his last summer haunts and homes
To hollow tree and crevisd wall
And in the grass the rails odd call
That featherd spirit stops the swain
To listen to his note again
And school boy still in vain retraces
The secrets of his hiding places
In the black thorns crowded copse
Thro its varied turns and stops
The nightingale its ditty weaves
Hid in a multitude of leaves
The boy stops short to hear the strain
And ’sweet jug jug’ he mocks again
The yellow hammer builds its nest
By banks where sun beams earliest rest
That drys the dews from off the grass
Shading it from all that pass
Save the rude boy wi ferret gaze
That hunts thro evry secret maze
He finds its pencild eggs agen
All streakd wi lines as if a pen
By natures freakish hand was took
To scrawl them over like a book
And from these many mozzling marks
The school boy names them ‘writing larks’
*** barrels twit on bush and tree
Scarse bigger then a bumble bee
And in a white thorns leafy rest
It builds its curious pudding-nest
Wi hole beside as if a mouse
Had built the little barrel house
Toiling full many a lining feather
And bits of grey tree moss together
Amid the noisey rooky park
Beneath the firdales branches dark
The little golden crested wren
Hangs up his glowing nest agen
And sticks it to the furry leaves
As martins theirs beneath the eaves
The old hens leave the roost betimes
And oer the garden pailing climbs
To scrat the gardens fresh turnd soil
And if unwatchd his crops to spoil
Oft cackling from the prison yard
To peck about the houseclose sward
Catching at butterflys and things
Ere they have time to try their wings
The cattle feels the breath of may
And kick and toss their heads in play
The *** beneath his bags of sand
Oft jerks the string from leaders hand
And on the road will eager stoop
To pick the sprouting thistle up
Oft answering on his weary way
Some distant neighbours sobbing bray
Dining the ears of driving boy
As if he felt a fit of joy
Wi in its pinfold circle left
Of all its company bereft
Starvd stock no longer noising round
Lone in the nooks of foddering ground
Each skeleton of lingering stack
By winters tempests beaten black
Nodds upon props or bolt upright
Stands swarthy in the summer light
And oer the green grass seems to lower
Like stump of old time wasted tower
All that in winter lookd for hay
Spread from their batterd haunts away
To pick the grass or lye at lare
Beneath the mild hedge shadows there
Sweet month that gives a welcome call
To toil and nature and to all
Yet one day mid thy many joys
Is dead to all its sport and noise
Old may day where’s thy glorys gone
All fled and left thee every one
Thou comst to thy old haunts and homes
Unnoticd as a stranger comes
No flowers are pluckt to hail the now
Nor cotter seeks a single bough
The maids no more on thy sweet morn
Awake their thresholds to adorn
Wi dewey flowers—May locks new come
And princifeathers cluttering bloom
And blue bells from the woodland moss
And cowslip cucking ***** to toss
Above the garlands swinging hight
Hang in the soft eves sober light
These maid and child did yearly pull
By many a folded apron full
But all is past the merry song
Of maidens hurrying along
To crown at eve the earliest cow
Is gone and dead and silent now
The laugh raisd at the mocking thorn
Tyd to the cows tail last that morn
The kerchief at arms length displayd
Held up by pairs of swain and maid
While others bolted underneath
Bawling loud wi panting breath
‘Duck under water’ as they ran
Alls ended as they ne’er began
While the new thing that took thy place
Wears faded smiles upon its face
And where enclosure has its birth
It spreads a mildew oer her mirth
The herd no longer one by one
Goes plodding on her morning way
And garlands lost and sports nigh gone
Leaves her like thee a common day
Yet summer smiles upon thee still
Wi natures sweet unalterd will
And at thy births unworshipd hours
Fills her green lap wi swarms of flowers
To crown thee still as thou hast been
Of spring and summer months the queen
Kagami Nov 2013
Silent crackle, tingle,
The smell of a sticky must. Floating dust in
An abandoned attic, where the rats roam and the dead skeleton of a fish
Still lies in an empty bowl of moldy rocks and plastic plants.
Yet, despite the emptiness, a girl curls up in the corner, black
Running down her face as she weeps for the things she longs for most.
She looks out the *****, broken window at the cloudy sky and imagines it
Blue. The brightest of skies with only few hints of cirrus.
A blanket on the ground and the man she loves, nothing else in sight.
The expanse of green in her head is contrasted to the rotting floorboards she lays
On, dreaming. The steady beat of Boy in Static thrumming through her headset
As she struggles not to scream and jump, finishing the job on the window
From troubled teens years before. The sound reminds her of VHS tapes,
Press rewind, take a turn and start over. But she can't, when something has changed.
The boy she knew, looking down with his hood not up, but covering his face, shielding
Himself from her. She knew he had a ***** in his head, but she just looked away. He never answered anything she asked. He was unable.
But her heart still dropped, she smiled her best. An amazing actress, fooling everyone, makeup allergy keeping her eyes dry. She just read Huck Finn as though nothing was wrong.
Now she sits in her room, writing and shaking her head. This line is not right.
Her walls were full of color and poetry, but her mind kept wandering to that attic.

She was there again. Blankly staring at her star charm anklet. A simple blue ribbon.
And the throbbing of her heartbeat through that one spot on her thumb,
That pressure point that hurts more than anything. But one thing could be worse.
Being left. Just like the broken rocking horse in the corner and the baby's cradle
Lined with blue silk that was shoved into a box. That baby is probably dead. Just like all
Of the others who lived there, burned by the fire. Goose flesh raises, prickly
Hairs on her legs from a week of no shaving. Scratch. Scratch. Scratch. Bleed.
Change the song. Bleed Like Me. Perfect. She draws on the peeling walls, two hundred
Years of wallpaper and lead paint, chalk barely leaving a mark. She sketches a masterpiece.
A child that she wishes she could have. Impossibly too young, but still...
A daughter she could raise better than her mother raised her. A chance to do something right.
More than the mechanic life she has lead, empty and useless.
Confused and pathetic. Like the broken grandfather clock that ticks backwards.
Three, two, one.
Ding-****, ****-ding. Grandfather never taught me anything. He was not a wise man.
He was a fool. Knew too much and too little, no room to know what was right.
She let another raindrop escape and suddenly it began to pour. Lightning crashes as a glass
Slipper collides with the picture drawn of her dream. Thunder as she releases a
Bloodcurdling scream. "Why!?"
Why her? The pain in her back is unbearable. She slouches too much, and her eyes burn.
She is not Cinderella; her ball gown does not glitter.
Piano is her least favorite instrument, but it somehow gets to her. Small hammers
Striking her heart strings, low notes reminding her of his voice and the soft, feminine
Voices radiating, remind her of when she was young... Immortal. She has aged since then.
Too quickly. Her entire life has been a masquerade ball. Unskilled idiots dancing
Around her and stepping on her toes. Shouldering her in the stomach,
Breaking her ribs. Beats of music guide her skilled toes, swerve around falling raindrops that
Her own eyes emit. And she crashes through the floor of that dismal attic. Broken free,
But she is still trapped. The walls are charred down here.

But the walls are not painted black. They were once a mint color, green and cheerful, healthy.
Until a psychopath lit a match.
"I didn't mean to do it." It was all in her head. The house.
She set it aflame.

She sits in her room, writing and shaking her head. This line is not right.
Her walls were full of color and poetry. It isn't worth it to stare. Nothing will change.
She is still just a girl in a glass box, being stared at and judged. Trapped and ridiculed because her eyes bleed and bless the onlookers with bad luck. It's amazing the things
That people don't know. Drifting deeper into a pit of endless darkness. A candle won't
Live down here. No oxygen to let it breathe. But one lit self portrait hangs in the air.
Years ago, drawn in pencil. Symbolic, it wants to be erased. To die.
And the ******* the page is wearing a mask. The girl in the parchment is me.
Medium length hair and a tear painted, permanent. A Parasite. Capitalized for its meaning.

A demon is running through me, singeing
My tissues, blisters on the insides of my bones. Swelled up, show through
My skin. Waves on a shore. But I am not a beach. A ***** maybe...
Still, I hate it. The hate killed whatever flowers I had left planted in my mind.
Tainted me with the horrible visions of a tear streaked face of paper mâché.
She was the one in the attic. Her whole persona
Wilted and ashen, grey. A silent movie might mask it; the hurt, I mean.
The grey lines on the screen hiding the bags under her eyes and the redness of her nose,
Get rid of the twinkling shards of glass frozen on her cheek from crying in the dead of winter.
Slip up once, and everything goes to hell. Well, I must have slipped years before I was born.
Few smiles are left on this dismal timeline. And I shall use them wisely. But, for now,
I think I will just weep, sleep forever and hope that you don't give up on me and pull the plug.
I am still here somewhere, just dormant. Please wake me up. Get me out of this charred cabin,
This glass box. Pull me out of my warped sense of everything, teach me again what
Love feels like. I have forgotten amidst everything that I have felt and remembered.
There is no more room for things to be learned. Only for things to be repaired.
I will give you a hammer. Come inside and fix me; that ***** in your head couldn't have taken your knowledge away. You are the only one that knows.

Use this never ending lightning and bring your bride to life.
Hal Loyd Denton Apr 2013
Not funny but this was written on 4-15-12 exactly a year to the day


I re-post this for our last battel field Boston these words are nothing but as you read you will find the one who lives in them and He is everything all the comfort and hope we can ever want


Sorry if this seems at first confusing all my friends on facebook and Redbubble will get it right away as
I asked them to use their love and caring to pray for my hurting distraught friend at her time of great
Loss if you are hurting it will help to at least a degree or it will help at times of future loss

Well dear sweet precious Addy this brutal day is at an end I hope you sleep well I prayed for you and
Kathleen’s son way into the night at first I was terrified you weren’t going to get my post and you would
Enter as I told my wife you would enter the lion’s den the lions all have familiar names pain sorrow
Grief and many others and they maul with cruelty without pity I didn’t want either of you to take those
Fatal steps without your armor not to be to descriptive but reality waited with a blast I tried to diffuse the
Coffin the grave and headstone never could I do it immeasurably my fight for you could only be in the
Smallest victories comfort mined at times like these is like uranium white silver metallic with almost
A power that can’t be harnessed the same as loss of a love one what blow back again the same as a
Nuclear test one problem you don’t get the protection of a bunker no just suffer the blast in your
Body mind and heart you are stepping into the shoes the same as young woman who lost her father
That as she described him he was the light of her life our paths crossed on line when I thought she
Was a classmate’s wife her story of her dad touched me deeply I’m going to add that piece here plus
The comfort I tried to write for my friend that was more like my brother when his mother died I will
Include a small background so it wail make more sense let me add those here the first was Fathers story
What you read here is her hearts knowing and the undying love that it created and that continues.
His precious hands were removed from earthly things. A great and gentle man his greatest possessions his family. I only knew him from his business and the fact that one of his beautiful daughters married a classmate of mine. Then much later by error I made acquaintance with another of his daughters you can tell a lot about a person from the actions of his children. She told me that he passed away and that he was the light of her life. With God’s help I would like to pay tribute to him.
A light did shine it was magnified by the eyes of a daughters love. He took his journey he went above his ship was the care they shared he the captain made the course straight and true he didn’t slow her run until heaven was in plain view they would have cheered but it hard to see through eyes filled with tears. All the wonderful years seemed to be eclipsed by the sickness that came it seemed an angry wind from their lives this stalwart precious soul it did rend. It left the greatest empty hole it took the longest time to fill and then with the sweetest cooing the grand babies made the hole enlivened not the terrible twisted knot that had the family bound but without being able to speak a word grampaw was found. If you looked in their faces his smile is bound to bundles only heaven can design. I’m not saying they asked him how to work these miracles yet this is true he watched with intense interest and was happiest since his departure he knew that back through time and space healing was for all time secured. Their stoic acceptance could now be laid aside the family could run in softer climes know the sweetest of times that were thought to be forever gone.
Love spills down from heights distance is only on a map in peoples heart its no farther than the end of your finger tips. Images are so strong not because we have great minds it’s easy to make these rich finds when your love and its power shake the foundation of the universe is it not said that love is the greatest power. Oh how so many in dark shadows cower when they possess the power to ignite the world on fire. From heart to heart it does dart the wildness of the spirit is told blotting out all of the cold. Yes there is winter but also the spring. The light spoken of is no longer beholden to earth and so the family is free by love he joins his light to the Christ the all glowing light
Life force by haldenton
To all who have lost heroes
This was written to Eva’s son Bill to help him at her passing. With this writing I took him back thirty years when he was in the truck wreck that killed his dad his recovery saved his mother I hoped by him being reminded of that now it would help him the same way.
Tribute to Eva Wafford Life force
For all who lost heroes
In your soul freshly the wind of death did blow.
Cold eerie shadows marched against your tender broken heart.
What defense could this onslaught repel agony’s volcanic flow.
Ominous well filled with grief from this weight no relief.
The child the grim reaper did spare.
Only after leaving the body bruised and in despair.
From this broken body drops of mercy started to make the mother well.
I held your trembling frame today this memory rings sweet as a bell.
Streets and houses without number fill the land.
I can’t help when I look to recall memories grand.
Now they are but dreams that ache in the night.
Images that over ride the present in their glory I take flight.
Brush aside caution raise your voice as a trumpet.
They live only in yesterdays even so indelibly they wrote their stories.
We hold our children we cling only a moment as mist on the summit.
Your life Eva continues to build the next generation.
Your voice is heard in the breath of your grandchildren.
Wonders they spin from golden thread, now that you have gone ahead.
Your spirit glows in the fire that warms the house against winter.
Summer’s cool breeze not sent by chance she doe’s tenderly incite.
Death silently said what I already knew.
To me you were always immortal you were bigger than life
Many were the days when the wind of storms blew
those who know us feel the calm; this is only your life on review

One more
Simply Jim
Old Abe said it right ‘It is right and fitting that we speak these words here to honor these lives so honorably lived. I can say that about Jim and this also he was a prince among men if I do this right the words will convince you.
He had a gentle way and nature he spoke softly but a softness that flowed to you like ribbons that bounced in a little girl’s hair how delightful. He should have been a doctor his hands his mannerism was ideal for that job. I guess thats what made him stand out so strongly like a gentle calm breeze if you came in a panic his soul would float down around you like a parachute first it safely brings you from great anxiety and exaltation to a graceful landing then gently envelops you in its silken embrace. I had this privilege of watching him inter act with his wife as I said and truly he was a prince and I was the beggar that benefitted richly from the sidelines God knew my needs.
He was called from this life but all the days he filled before his home going are the sustaining force noticeably seen felt with keen awareness you know that a gentleman passed this way. In the lives left behind there is a blend of sadness and astonishment you realize you are looking at the work of a master workman who left behind a tightly and perfectly fitted family this unfortunately is sadly rare in this society that boast of its accomplishments.
As a friend his breadth and depth was sufficient you weren’t a burden he had a way of dispelling trouble making you understand with wisdom and unerring judgment then with ease you could extricate yourself from the problem. His heavenly father filled him with tenderness it stood him and others well in a somewhat crabby world. If you’re pressed and anxious about life take from this life expressed. A portion of the good will you need use it as a defense Jim couldn’t be everywhere but God saw fit to make an original that you can duplicate benefit from and be a part of his ongoing legacy. Thanks friend for a life lived well

Well hurting one in the earlier part of a writing I said I am God’s battle field reporter and medic
These writings are my bandages and gauze God gave me great big hands and I fill them with
Salve with all the love I know I gently apply it to your broken hurting wounds mingle it with
Tears that are not always mine alone but His mixes with mine one day He will abolish all tears
Until then this is our duty your heart we hear and we can do no other God bless you Addy and
Your nephew and all others who find this helpful

Mirrored Pool


Wonder for all the hurts

First I knelt just to see my reflection then the depths started to reveal first the flowing thoughts were
Restrained and then a bubbling seemed to dislodge from greater depths hard truths churned with
Violent twisting but the motion made it impossible to turn away there were great large white clouds
From depths then even above the pool they rose fourteen stories high the sensation was you were
Standing outside clear air intoxicating views the pulse of many were throbbing in your ears their
Thoughts and dreams were known and their sorrows were weights that pulled you from the heights
It was a colossal game of tag and you were it first reaction fear then the appearance of bundled gifts
Broke down the fear it was promise in different sizes that met the required needs it was like a divine
Warehouse had just made a delivery there were cards with names and writing gave clarification tears
And smiles intermingled then the outer knowing postulated the difficulty the puzzle an enormous
Streaming that was now congested and it was beginning a vortex all was understood now human thought
With doubts was pulling the answer into this destructive hole where was one to find the lever to stop
This action that would disallow was the answer to touch the water bring the finger to my lips possibly
A blazing thought would occur that would strike the mind no all that brought was words that had the
Letters jumbled they made no sense unless there is a special book that is alive in it the letters and words
Are already set but they cover every act in the human condition the broken can pour over the pages
You won’t find thorns to repel your efforts there are thorns but they will speak and assuage your hurts
At the most basic and needed levels the points of your hurts will begin to dissolve from your eyes to
Your mind this inward rush and power will dislodge even spears driven deep by enemies carried for
Years you searched in vain over sad and lonely paths and days now you journey is at an end thorns of
Suffering for another produces profound power and mercy go in peace beloved one another bears your
Burden now maybe words cut you at depths you can’t even identify what if there is an antidote in a
Book you pick it up with trembling hands your body tingles from the knowledge that this is ancient texts
It will have a revival of appreciation in this world of texting but with gentle fingers and eyes that glow
With respect as you see the wisdom and the love cannot be denied you leave the world you know and
With total abandonment you swim in this sea of words until the your tears spill on this rich world of
Words those cruel barbed words that pierced tender skin and have bled internally all of these years
Begin to dissolve with stories and accounts of betrayals then the swells love and mercy you read about
Restoration not always found after apologies are given but the teaching of forgiveness strikes a cord
You have been made free from your prison the tangles of life are great as a great black cloud it hangs
Over head many are its troubles this isn’t mild but the disruptive made to strike and pierce deep the
Hidden that steals the morning blessing while other feast your hunger and unrest only enlarges a
Tormenting unquenchable fire a slow burn this is a forest being burned at the thermal level the hidden
Roots a slow process destructive but not so visible agony torture I have seen men crawl in war or fire
Fighting that where all else is lost you will know greater thrills than any other living soul with the
Desperate and those heavy burdened unable to stand a word will flow it puts out fires and gives
The luxurious buoyancy heaviness changed to joy the bouncy laughter every outward blast attack
The enemy launches is within its pages they are repelled overwhelmed by love you suffer unduly
If you don’t hold this fortress this informative book of stratagems that have made everyone a victor
Who has ever found themselves at their wits end no place on earth has a contingency plan though it
Will make the greatest claims all is just empty air when life as it too often does ***** the very air of life
Out we practically are unconscious but this help this rescue is activated by one name it’s not just a book
But the word is a person what a pool you will find what a reflection will engage you beyond your hope
To imagine just say Jesus all will be total peace your heart will know no more sorrow peace will surpass
Sorrow love will disallow the specter that was once a constant it will disappear it will return to the
Darkness from which it came stand in this newness totally free abide by still waters as the good
Sheppard stands by bless you



Disgrace

This land void of devotion gone is the church steeples.
Replaced by voices and shadows of drug dealers on each corner.
Now they are the keepers, lost cities, death stalks its peoples.
Nothing is sacred in this polluted and diffused land.

No longer hallowed be thy name, it’s as if he never came.
Forgotten is any standard of moral excellence.
The once high ideals only represent a fool’s parlance.
Man declares I throw off these restraints only to find darker chains.

The book that once guided this great land.
We now betray with each waking day.
Our hearts and mind it did ignite, now it’s word we can’t stand.
Powerless and feeble we stumble, anxious ever moment.

Just to remember is not enough, best confess our pride.
Make sacrifice with our lips, to burn on altars on high.
There is a short season for all to make amends to regain our stride.
March on to glory with it burning on the inside.

You don’t have to be astute in business to see the sound investment.
Bring your poverty of spirit leave with the riches of his last testament.
It offers the greatest rate of exchange.
Light for darkness, life for death, selfless love for selfishness.


Streaks of Jefferson


In freedom’s blessed glorified sky through streaks of immortal gold his visage we behold
He looks upon the fields of liberty that he and the founding fathers sowed he sees the

Richness America has become he also beheld her struggles catastrophic wars abroad
And the most painful the one that divided the nation marred it with southern and northern

Blood saw the affable the sad giant Lincoln take the reins of discontent hold them by
Shear will and with uncommon sagacity guided it back in line to fulfill its destiny as the

Powerful fount that would always pour forth waters of freedom for all of earths peoples
Total unconditional acceptance of liberty and all the fruit it bears to establish a

Government like no other this golden grain has waved under bluest skies and brightest
Sun light its rich harvest has gone to darkest prison cells Mandela was sustained by it

For twenty nine years and by its moral purity it fed the lives of those that over threw
Apartied and Mandela finally freed by principals it avows rose from prison clothes

To wear the mantle of president of his country and the honor of the man instilled
Quality that transcended political office Jefferson not to be disrespectful to his progeny

Whispers today’s politicians could do well to look on this African model of good
Stewardship of public trust with that Jefferson faded back into the mist pray that’s
Not the fate of this country






--------------------------------------------------------------­------------------
Robin Carretti Jul 2018
E-Emotion
Angry, E-book hunger
Tear diamond drop

      Join Me
@ The Body-book shop

The Gold bonds his book Hot Rods
She reads about the Angels and Gods

He covers her mind and book
with his lotion

Are we ready for the E-book
In tip-top condition motion
Someone is mysteriously trying to tell me something?

How the moon hangs low
The book made her eyes
Open to really know?

I phone to book she's the grab bag
I'm leaving on a Jetplane
One chosen E-Book
Was Scarlet love flame


How the book needs to grab you
The day you were born or reborn
Never to lose your sight
But why does he split your pages

In a hot rush* money wages

The heart is bleeding out words
Feeling so crushed the bookend
Energetic stare or the blank stare
Your enticing book
What happens underside me
The pages one-sided

You're the sweet of the complicated
getting bittersweet to be love mated


The sundae banana split
*My ring book marker my lovely curls


I couldn't share my book what it said
Do you really love me
The spinning wheel
Feminity of book so girly but
Love so dizzy

To be told overstocked to be sold
But someone loved it
Its been properly viewed
Buying and reselling hearts of
book timeshare

His workout
he loves his curls
Ebook he sees he memorized
all his European beauty
turning do you love her books madly
The beast  is inside Jekyll
Girls needed to hide but got
Hyde
The book seeing our life
From a blinded pageview
What's beside our words
We need to be upfront
Once in a million chances
The whole planet of funny books
beach house turned
Blank page
of a clown funhouse tree stalk

What is the point of view
Like an adult book raided
If you're the unadulterated
The innocents being naive
Wanting him so much
Whats the use it's like a
the blank page
Like your hairstyle
the sixties pageboy
You need book law and order
Like the Feng Shui book surrender
Be focused Graphically cool artist
And paint it colors no
gun it blanks no favors
My book place has the ambiance
Different mysteries
and suspense behaviors

Somehow it thickens
like "French" roue paste

You didn't want one
page to waste
E for the Exodus
A blank page is love minus
You're hitting a plateau
E- love of kiss-book
French Chateau
Ebook has a pattern the same thing
It repeats and devours your thoughts
The ancient Grecian her structural
form of statues
That rip page needed words to capture

The Clean-Slate page to restart
your flight
The prize
Emprise
Empire to the book hire
E-book desire
E-lust
It sets an example
we need to trust
Not to mislead your mind
Whats behind the book
Exhumed or to be doomed
Like Witchcraft magical hands

This wasn't the Godly land
The blank page had a spell
"The Burned Book" no one
will ever know
Can we take it back what was written inside
We need to restore give more (Cat and Mouse) chase

As my equal poison mind of sugar
Equally or naturally book gifted
Wrap silk ribbons or too much
the anxiety of red tape
Explosion of E=books
Elixir eyes to the Ebook doorway
But the blank pages were
still inside

E-book and the text
Whats next *** journalism
The kingdom of Elust
E-book became all excuses
Those blank tweets of
Hummingbirds
Like you got some
earwax all codes and emblems
My blank form income tax problems?

Storming damage to the max of my book

Hitting rock or book bottom
You're still living in a shape
of an eggcup

And reading by your nook
Your Ebook swish wish a nymph
floating mermaid

Things turn (Retro) just go
The book was the turn of events
More pages to heart mend

We are not experts or philosophers
Get inside the greener grass
like a grasshopper

Your lovely book a tranquil place
You were booked into your gown
But your ebooks is being
transported to other towns

Her heart was skipping his pages
She never got the chance to read
His chosen page
Life is so the open book
Eyes wide shut
E-book a cozy nook and where does it begin or end did I see some blank pages in between. I need a new for a taste for something on my speed I love to read it fascinated me every page but something stopped me to continue I wonder how long will this go on being fun and retro just go to the bookstore you may be pleasantly surprised of what you might see
Cecil Miller Apr 2015
"You are my friend.
Please do me a favor.
Give Bobby this phone number.
Don't tell him I told you to.
Maybe he'll call before Dr. Mendrokis and his wife get home.
The children are sleeping in their beds.
I don't really care for being alone.
Tell Bobby to call me on the Doctor's phone."

Jill tries to study but it's quiet tonight.
The telephone rings to her delight.
It must be Bobby.

"Hello"

There is a silence, but she can tell someone is on the line.

"Bobby?"

Nobody answers so she hangs up the phone.
Jill Johnson doesn't like
To be alone.

The clock ticks on.
She hears a racket in the kitchen.
It's the ice-maker in the freezer.
She takes a fudgesicle out of the pack,
As she wonders if Bobby will try to call back.

The phone rings.
Jill says,"Hello, Bobby? What do you know?"

"Have you checked the children?"

Jill hangs up the phone.

At the weather, Jill fixes a drink.
They won't notice a little missing brandy, she thinks.
That call was scary.
His voice was dark.
Maybe it was Bobby
Who was just pretending.
Maybe she doesn't like him much, anyway.
He's kind of a ****.

The phone rings again.

"Have you checked the children?"

"This isn't funny, Bobby. Don't call back, anymore."

"Why haven't you checked the children?"

Jill slams down the receiver in a panic.
She dials the police on the rotary as fast as she can.
She's terrified and alone.

The policeman tells her,
If the man calls back,
The call will be traced
If she keeps him on the line.

She sits on the stool by the stairs.
She silently waits.
She's scared.

The phone rings.

"H-Hello..."

"It's me."

"I know."

"Why haven't you checked the children?"

"You, You can see me?"

"Yes."

"I turned the lights down.
I''ll turn them back up if you'd like."

"No."

"You really scared me before,
If that's what you wanted.
Is that what you wanted?"

"No."

"What did you want?"

"Your blood...all over me."

Jill hangs up the the phone,
It rings again.
She answers the phone and screams,
"Leave me alone!"

The policeman then says,
"Your life is in danger.
Soon, police will be there.
Get out of the house...
The call is coming from upstairs!"
This is inspired by the opening sequence to one of the greatest, but most underated suspense movies. When a Stranger Calls, released in 1980. The remake was not very good. Some of the dialogue is from the movie. I really cannot call this an entirely original work. It is an honest homage to one of the greats.
Lincoln Jacobs Aug 2016
10pm the radiant moon hangs high
Children captured quiet in resplendent dreams
For this vivid moment i hide my cry

My happiness hidden with driven sigh
We share a dark night and the bright star teems
10pm the radiant moon hangs high

Depths of dark thought but no tear in pained eye
The future so loving, bludgeoned it seems
For this vivid moment i hide my cry

To want no more and create the cruel lie
The extent of desire buried in screams
10pm the radiant moon hangs high

I perceive a fall in my love to die
It flows violently down wide winding streams
For this vivid moment i hide my cry

I pull myself clear as the end is nigh
I fall and fold devoid now of extremes
10pm the radiant moon hangs high
For this vivid moment i hide my cry
Tommy Randell Jun 2017
Is there a mountain in your day for you today,
Something you have to do, or fail?

Someone difficult to meet perhaps and get along with,
Someone you see as a task, that person who just doesn't fit?

Someone no longer there, who cannot be seen or touched,
Whose absence from your day makes things a little too much?

Is life a hill for you today, a slogging upward path,
Where you'll count your steps one by one, and then take two more back?

Is it pain that saps your willingness, is it fear, embarrassment, or worry,
Makes the day ahead a little too steep to set out on in a hurry?

Or Debt, that wall of glass too sheer, too slippery for a foothold,
Hangs there like a frosted fog that chills you with a numbing cold?

Maybe today is just one more day on your solitary lonely trek
That bereavement, divorce, or just not being loved is the test?

Each day is a maze of questions, a confusion of zigzags and choices,
We all look up some mornings wishing we had easier options.

The trick is to not see the mountain, the trick is to know in your heart
What the world needs is for you to be in it, and each day is a brand new start.

Your path is the way up the mountain for you to find and to share,
The hills we climb are inside us, they don't take us to just any Where -

Success or failure doesn't matter, it's not triumph or victory or glory;
Each day that place you come to, that you are there will be your Story.


Tommy Randell 08th June 2017

— The End —