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n stiles carmona Apr 2019
(No puedo hablar la lengua.)
I cannot speak my father's native tongue.
(No puedo hablar suficiente...)
At least, not enough of it to get by.
(...no entiendo, lo siento.)
The body I inhabit feels like foreign territory.
(No lo se.)
My grasp of it ends here.

I. OTRA VIDA

Dia de san valentin, 2000: mi padre aprendió inglés por amor; voló a través del mar Mediterráneo. Él tiene miedo de los sonidos cuando trata de hablar. Pero él lo intenta. Él habla casi perfectamente -- mientras, estoy teniendo una conversación uno-a-uno con Google. Es vergonzoso.

I recall two or three trips, max. There's a blend of urban and natural that's a haven for the eye -- the buildings themselves are seduced by the sun; divine blends of amber, tawny, white. Classically Romantic. That nighttime humidity fogs up your lungs and makes it feel like a hug. There was a time when we were poised to move back there - and in Dad's case, another, nearly leaving without any desire to take me with him.

My makeshift home is built upon stereotypes: orange trees, olive oil, generous glasses of vino. Pienso qué un otra vida where I'm stood on the beach at dusk, with heavy-lidded eyes and ears attuned to cicadas and rolling waves. This is narcissistic lust for the woman I could've been - she is all smiles, bilingual, peace embodied. Those are the nights when I'm not careful: she leaves my bed by morning.

II. ESTA VIDA

To mourn the "what ifs" shows a lack of gratitude for what is, and god, what luck! For inglés to be the second most-spoken language, de-facto "centre of the universe"! To migrate most anywhere and get by; for the Western world to be coerced into Anglophonic bliss since tourism makes their ends meet!

On a holiday, I clam up ordering "una batista fresa" and get a taste of how my father feels. José Francisco: his colleagues call him Frank, in the same way I shun my legal surname because a Spanish 'LL' is too hard for others to grasp. I reek of privilege - post-post-Franco, white European, playing with my non-language behind closed doors. There's private delight in a rolled 'r': momentarily, I'm local, not a mere faux-foreigner appropriating my own heritage. Ironic - he tries to be "less immigrant" whilst I've got the fortune of trying to be more.

I was born into a universe of possibilities. A million options feel like fate -- screenwriter, Oxford grad, Spanish barmaid-or-waitress-or-I'll-take-whatever -- each unchased path is a reminder that, somehow, I'm choosing wrong. I've never perceived myself as small (ex-tall child, "ex"-chubby kid with a head outstretching the clouds, first of the eleven-year-olds to grow **** and got gawped at like I'd grown an extra nostril). Outside this hall of mirrors, I am tiny -- too small to have this many dreams -- manifesting as terror-borne paralysis because I want to do more than I'm built for. Solution: aim smaller or grow up.
half-whiny, half-dreaming. i don't normally rely on google translate - i'm trying to self-teach with duolingo (occasionally enlisting grammatical help via dad).
I don’t suppose
you remember
that day one December
when I scored a hat-trick
in the mouthwash-smeared hall
and thought I was Messi
for a couple of seconds

or when we went to the Tate
in about year eight
for a rare school-trip
with a gang of teachers
and we gawped at the art
like the cat next door
stalking a bird

or when my Dad said
that my uncle had expired
and I was on stage one night
with Joe’s coat of many colours
and wet veins on my face
for some reason
I didn’t get
Written: February 2014.
Explanation: A poem written for my third-year university poetry class, and as such there are likely to be slight changes to the piece in the next few weeks. Previously titled 'Then.'
Ariel Taverner Sep 2013
She looked at me and smiled
I looked at her and gawped
For what had beset my eyes
Was beauty that completely stunned me
Suddenly life made sense
Something so stunning
Made everything better
No
Not better
Perfect
I was filled with total love and reverence at her beauty
My mind and heart felt at peace
Something that has never happened
And then she stopped
And I stared
She smiled again
And it all started again
Except this time
I felt like I knew her
Like we were always there for each other
We could tell each other everything
So that's what I did
As she sat down
I cried
Cried and spoke
I told her everything
All my lies
All my secrets
All my desires
All my losses
All of me
She then said in a voice like silken honey
"I WOULD CONDEMN YOU WERE IT NOT FOR LOVE"
And she was gone
And with that all I knew
Was an emptiness
An emptiness beyond all I have known
An emptiness beyond even her beauty
"I'M SORRY"
I cried to the sky
To my condemned soul
And to the monsters she left with me

IN MY HEAD
Julie Grenness Feb 2017
Years ago, I wed a mechanic,
A token marriage, quite symbolic,
Saturday arvos, really shambolic,
I gawped at him, gazing at his dipstick,
Still working on who was  the dipstick,
Checking under the hood,
was supposed to be good,
So, that is what is really symbolic,
Dipstick gazing at a dipstick, gazing at his dipstick,
Yah! Symbolism of the futile past symbolic............
Feedback welcome.
Terry Collett Apr 2013
She was one of the vaudeville dancers
he supposed. He had drawn back the
curtain and she was sitting there on
the stall one leg crossed over the other,
in that skimpy dress, white lace up shoes.

He had apologised, blushed, was about
to draw back the curtain when she said:
Oh, no leave it be. And he had and stood
there, slightly open mouthed, mind ticking
over, eyes stuck on her fine legs crossed.

They were nice legs he thought. Her dark
hair, parted in the middle was not well
brushed; it seemed as if she’d just got up
from a bed. Maybe she had. She gazed at
him, her eyes looked foreign. Odd to think
that, he thought. He wanted to drink her in.

Take in each aspect of her just sitting there.
I’m on soon, she said. Yes, definitely an
accent, he thought nodding. I’m a dancer,
she said. O right, he said. He thought as
much; the dress and shoes, the way she
had about her. White ankle shoes. Lace ups.

Not the sort to wear out in the street, he
supposed. Are you to watch the show?
She asked. Yes, I am, he said, looking at
her lips, the way they spread under her
nose, held in place by her cheeks, he
thought. What would his mother say about
her short dress? Far too short, shows her
backside almost, she’d have said scornfully.

Yet he still gawped at her. Her ankles, knees,
thighs. What a feast for the eyes, he mused,
trying to look away, but held bound, fixed
as if by some glue. The tassels on the end of
the short dress moved as she stood up. She
stretched her arms. Shook her legs back into
life as if they had died. Must be ready, she said.

Warm ups. Yes, of course, he murmured, and
turned away, walking off, carrying the image
of her and her shoes and dress and her dark
hair into his mind. Fixed there. Captured each
aspect of her being, placed in some room of
memory, for later viewing, in his secret seeing.
Julie Grenness Sep 2019
I bought a coffee the other day,
Gawped at society on the way,
Coffee shop like the undertakers,
Here no conversation makers,
"The  crowd" sitting in total silence,
Gazing at phones, is it sense?
So much for that coffee shop,
The solitude of worshiping Microsoft,
Alone together, where does it stop?
Solitary silence in the coffee shop!
Feedback welcome.
Scott Gunnion Oct 2018
Such nerve
To have hurled headfirst
From Alaskan obscurity
And hitherto unheard

This fickle instrument
With dough like ambition
Sought to scratch at an original
And remake it in his image

Pausing
With embryonic futility
You sought to **** at the sun for a soliloquy
Supposing to index yourself to infamy

Thick with insistence
You plunged into significance
Readied for incision
And even wore cufflinks

I’m not averse to diamonds or pearls
But you’ll not wear me as fur

My muddled assassin
Suddenly you came
Puncturing me in one brief spurt

But the world continued to turn

Barely wounded by your graceless aim
Yours was a curious delusion
And your awe cushioned me
Kept you human

I never dimmed
Just pondered
As my reflection unravelled to watercolour
And the acrylic peeled off the roof of my chapel

Suddenly clarity

The ogling Quasimodos gawped in their multiples
But this was no Kennedy or Lennon
You didn’t gift us another Yoko

You lunged with malice
Only to cradle my corpse
Like a lifeboat
Or a lifeline
Adoring me
Like Simba
Trying to absorb my greatness

I’d never felt so loved

That was us wed in pen and ink
Blood and blade
Same hymn book same hymn sheet

In came you with a sitar rapping to acid house
And suddenly I was alive
A whole body of work retouched
Master reborn

I clung to nostalgia
Till your blade came and cut my record
Put the needle on my vinyl
And spat magnificent clarity my way

Hiroshima blew up around us
But who are they to say what real love is?
I visited you in prison
Brought you books and gave you a home on parole

You gave me life
Now featherweight and heavyweight live in sweet harmony
Nothing like ebony and ivory

In prison you wrote poems
You gave me one and I turned it into a number one

Blood stained the sidewalk for months
But they abandoned the vigil
When word got out about us

It doesn’t matter
That you’re not a woman
Or that you’re 19 years old
Love is love

The wedding sheets were beige with age
By the time the crowds gave way
The flowers were dandelions wrapped in yesterday’s chip paper

Hungry for fame, they’d say
But for years I’d been fading
When we crossed on the street that day
And you blew me away

Whatever possessed you?
You’ll never say
The children won’t speak to me
But I guess they’re just at that age

End
Scott Gunnion Oct 2018
13 stroke 14
Or some time in between
An evil angel- having bided its time
Thrusts a pound into an apple

The world grinds to silence

In the brunt of dusk
Lightning struck four chambers
That one by one did turn to mush
And for months to come
There was little else of which they talked

Red run dry overnight
Awash in the moonlight
Though your name peeled slowly
Like a toffee apple painted with gold

And in the smudge of dusk
Infinite eulogies did erupt
Embalming you
Sweeping away all wrong

Enlightened
They carved their condolences into toilet doors
And gawped through stained glass windows
As your shadow did spasms  

An **** of taxidermists
Painted you peach with modesty and
Stuffed you with hindsight
Before blue light ignited

Making you shapeless

They made you a martyr
Your funeral a coronation
- In Technicolor
Though you only ever wore black  

Now history fills you with fiction
Fills you with colour


End
John Vass Feb 2020
It glided into the bay

The locals gawped

They said they had never seen one so large.

‘It must have cost a million dollars’

It was like a naval boat.

Not gray but white as a gull floating with a huge white egg on high.

Why was it here in such a simple place?

We will soon find out. A dingy is purring our way.

I go down to welcome them. A tall well fed guy from South Africa he says. And a little lady from Thailand

He has an urgent need. He has run out of cigarettes!

I cannot help and I watch him approach locals along the beach for what he and they do not have.

— The End —