Submit your work, meet writers and drop the ads. Become a member
I
Parting from the golden tinge that tears the azimuth
The red orb descends into the vast blue
Infuses a consortium of colors immaculately blend, an interlude
Between the morn, and the night that has to brew

A stillness engulfs the trees, the night dawns
The last rays sieved by the green leaves, swivel through
Escape from the small pockets, shimmering, marking their finale
Afraid from his embrace, light the path in lieu

Amongst the drowned colors of the night, he moves
Trampling the undergrowth, merging into singleton
And though his destination's vague, for others he carves a path
Follows the constant ire, within his heart that burns

And this began years ago, roots unclear
When fingers hadn't yet gained freedom from flesh
And a luring innocence emanated from within
Cuddled in his mother's ***** he rest

From a bedlam of impetuous thoughts arose
A symphony both bitter and sweet
Ridden with memories, some wounds and falls
An overture of edification he knead

Though the day he learnt to tame
In the dark velvet, white jewels they shined
A servitude of the dreams, trapped awaiting emancipation
He set them free, let them touch the open skies

Taught and steered by the ethereal sun
He embarked on a voyage into the unknown
Trying to steer into the path, nebulous that lay
Though comrades there were, he vanguard all alone

II
The patter on the leaves beseech him from the trance
As the faint drizzle makes its way through
The carved lines on his face that hide deep within
Underneath this hardened countenance, a figure unblemished, raw and ****

And then he sees Nature unleash itself
Her eyes gleaming red with rage
Irked by the persevering being that stands before
She vows to vanquish him failing the riddle she lays

"O fellow-being, I am Nature", she cries
"I have seen a myriad of men come this way
But few could pass, who could answer me correctly
Listen carefully O traveller to what I am about to say

Tales speak of a thing within with mysterious origins
Whose workings be elusive and indiscernible
But O my dear friend, it lays carefully hidden and though we can't see
It vivifies the moment, to make the next turn"

As her hair waves in an eccentric swipe
Like Hades from Hell, she tore
"Tell me what it is, for I forbid thee to go further
Answer wisely, so that I know that thy heart is naught but pure"

As he remains mesmerized, feet transfixed to the ground
The courage and valour he has loomed over so many years
Trickles down with the warmth and the cold sweeps in
As the bells ring, the symphony of the impending doom is loud and clear

The very earth beneath him quivers
With a thunder, as an eerie force pulls mountains apart
And these vestiges of time adorn and reflect
The cursed fire that ensues beneath the two halves

The covetous fires leap, advancing towards their prey
As the tumult above marks its arrival
With a crescendo, the storm imposes its anarchy
The clouds do its bidding, the skies they stifle

The exodus of the falling black rain
A blanket covering the sky, sheds out the light
The Satan's canvas anew, the impenetrable darkness pierces
Awaits the strokes that pervades the crimson into the night

As the mountains rise up, blot out the way
The vultures lay sprawled, their eyes, they shine
And these scavengers of death swoop down, sniffing, awaiting the moment
The hunger glistens in the pupils, today, to their appetite they dine

And he stumbles upon a rock and falls
As the storm vivified by the fire creates havoc
He lays exhausted, a numbed mind, though awake
And he witnesses it though the windows of his eyes that lifts his shock

Amongst the carcasses and the carrion strewn on the bloodied ground
Carrying the dead, the little creatures, ants, unaffected they stride
As they move on, compelled by an unfaltering force
Binding them, as they tread these dark knights

And he realises, what be these, these colossal clouds?
Intangible they may seem, it's the air we breathe, remain just misty shrouds
What be the mountains that stand on our lands?
Boulders they may be, remain just mounds of sand

Darkness never ceases unless one open the eyes
Like the wind only carries those who spread their wings
And the destination is never near until taken the first stride
Just as the tide only sails those who hold on to the mast's strings

Dreams shatter and hard blows we receive
Our eyelids close, wet waters they meet
But we look at the lily, from the depths of the murky waters, it rises
Basking, with a smile, the sun it greets

He speaks "Faith be the elusive power that exists within
Emphasises the goal in the turbulent times
Each human capable of it, umarked by religion or creed
Urges the torment laden heart to beat along", as Nature smiles

And with a single wave of her hand, it all vanishes
He stands before the place that his heart for eons has yearned
And the utopia unfolds as his dreams present themselves before him
And his eyes finally give way, to the tears he has for so long shunned

As he stands captivated, ebullient
Savouring each bit of the magnificent sight
The fresh fragrant air fills his nostrils, as he understands
It hasn't been the destination but the voyage he has prized

As a flock of birds chirrup their way through
And the wind toys with his hair, him they beckon
He smiles and with a lasting glimpse
He starts off again, for sleep has yet to come.
what is this love
for I have beheld it
cast in metamorphosis
a love that makes
transformations on the mind
permissible transformations
improvisations of the self
in ****** intensity
which emphasises the drama
of sometimes, dark, violent
and repressive potentials
vicious energies of hate and ambition
that propel the enactment
of intense and exhausting experience
of vigorous vertiginous chaos
indomitable in its desires
what is this love
is it a registered predicament
made memorable by vivid language
that would butcher in ritual
gratuitous memories and testify
to an urgency of unwisely relinquished emotion
what is this love
does it flourish in flawed
and unreasonable understandings
accumulated upon the mind
in vicarious thrill of sympathy
where traits are highly exaggerated
and eagerly anticipates
the oppressive weight of the past
that functions upon a common collapse
of distinctions
or does it manufacture artificial precepts
pretending in attractive collaboration
to associate fiction rather than fact
what is this love
is it that by treaty or inheritance
with loving ferocity would embalm all tears
and hide all those collaborations
in flared conflagrations of the heart
and yes create a turmoil in the mind
hotter than a thousand summers
and vividly stamp upon a twisted body
a moral viciousness of fathomless malice
that wouldst close its ears
to the admonitions of conscious
and thus through an improbable
incantatory verbal rite
touch the hidden order of all things
in disassembling nature
what is this love
if only it was known
Mateuš Conrad Jun 2016
i always favoured Händel (see the hidden γραφεμη variation of the a diaeresis - some simply sprech Hendel, also not the aesthetic mimic symbiosis with sigma - aesthetically it is written Σσς, so too it should be written Εεη - with the variations of epsilon - η - written conclusively, as with the variation of sigma - ς - the remnant, a last resort - the greeks don't believe the tetragrammaton twins of the symbol H anyway, they already laid new pavements for the road ahead, ridiculing the old testament with fanciful quotation, so that man could imbue a godliness rather than the filth of prophetic warmongering in the desert, sacrificing children to a bear like Elisha, the new testimony and the clean prophet, beware the wolf in sheep clothing, sheep equating itself to Nazarene cleanliness, but the wolf inside that will be worthy a tri-summation of interests - before universal education in the Victorian era, when finally enough horses were used up and machines took over, and people were allowed to be escorted into the cinema of uncovered phonetic encoding - taught literacy - but to no avail, having squandered that on acronym shortenings... multifaceted digressions ensue, as i am true to the purpose of suddenly injecting venomous imagery into this whole crescendo of the new regime, nightwatchman every over day, to save myself the pointless stimulus of drinking - let's leave the realm of italics and regroup with the points already made...

what a glorious night yesterday's was, by me saying,
well, there is still over an hour left to include yesterday's
night as today - the heavy Baroque organs of thunder,
interchanging with brilliance of lightning -
7,000 accounts of lightning flashing in a square mile,
perhaps more - there was me, reminiscing what i missed
about Freddy Kruger in the original version of
a nightmare on Elm's street, the 2010 revamp made it
plain (i thought Freddy was a bit of a loser compared
to the other horror icons, like Jason, Michael, Pinhead),
but then it dawned on me... he, was, a *******!
the former two were mutes, hefty mutes, bodybuilding
mutes, bulls, charging, dragging around them a gravity
of pure animal, a bit like a lion hunting although without
the growling - if only lions had cat eyes,
but lions don't have serpent eyes, their pupils are more
mammalian than cat eyes, bonsai, Asian squint, inverse,
serpents in fur - their pupils dilate proportionately
to small pupil, large pupil, not vertical Asian squint in
leather... anyway... what a night to watch a horror movie...
the big brainstorm before the referendum,
morning's newspaper and the newspaper *the times

in revamp mode of the tabloid the sun with
a Shakespeare quote: i to the world am like a drop of
water (or, whatever, water is precious, Shakespeare
is about as much a schooled sneeze / quotation in
comparison), that in the ocean seeks another drop -
told you, the times is just a revamped tabloid version,
it's under the same umbrella group - the only two
opposition newspapers with credentials in England
are the guardian (the left) and the daily telegraph
(the right) - i can see now why Freddy seems pathetic
but is more frightening - it's the ****** talking,
the nursery rhyme jingle - that's the freaky part -
but in the same night i expressively enjoyed
t.v. caviar of Versailles, no critical essay mind you,
just noticing this strange pair of aristocratic ladies,
fakes, a mother and a daughter, what's revealing
is that the girl has no interest in the king, this
builder is eyeing her up, whistles, and loving it,
she has not desire for aristocratic **** *******
of her cousin who's courting Louis XIV brother
Philippe, the gardener ex-soldier (a Socratic type)
warns him, he's asked by the builder, what the hell you
doing here? oh, i'm trying to see the garden more clearer.
he ain't though, he's questioning the entire hierarchy,
later on the same builder puts a pink rose in a bucket
and lowers it down to the garden promenade
where the same pair mother and daughter are walking,
the girl engages... she isn't aristocratic in the least!
she's more interested in frolicking in the hay with
a builder than some king or prince... the mother is poor,
she knows all the salon politics, she basically wants
her daughter to get herself a pension by ******* the king
and bearing him a *******, but there's a scene where
the daughter asks late at night... what are you doing?
the mother replies... writing letters... now you'd expect
that to mean letters in the style of Voltaire or de Montainge,
but by letters she means A B C, D E F... she's illiterate!
an aristocrat and illiterate? how else to control the
masses so long ago if not keeping them illiterate
content with fables from Plato's shadow puppet metaphors?
later the mother becomes frightened that the motto
Louis XIV emphasises (appearances are power -
deception = poker-hand perception, bluffs the higher up
you go), she's walking alone through the corridors of
Versailles and starts chatting up the court inquisitor etc.,
Fabien Marchal - he ain't exactly the aristocratic type,
she's already seeing the failures of her daughter
and the failures of too much information being passed down
to her about how to catch the eye of the king - god i love
this show, Philippe taking an ancient form of a selfie
looking into a little mirror before charging on his horse,
the power struggle, Louis flicks some porridge
onto Philippe, Philippe flicks some back,
Louis shoves a whole bowl of it on Philippe's head,
Philippe ****** on Louis, a wrestling match after:
you might have ****** on a brother's head...
but i ****** on a king's head. so why **** this entire
notion from Detective Comics and Edward (e)Nigma
******* all the brains out from a television set?
the idea of a bulls-eye is still out there - just have to know
what to glue yourself to;
but never mind that, to give closure to this whole
random escapade -
vote leave, reason? three houses of parliament in Brussels,
not a single member is elected by the public,
they're all self-appointed or appointed by connections.
vote remain, reason? cheap cigarettes from Romania,
Bulgaria and Poland - under new regulations they might
not be so cheap, i might have to resort to e-cigarettes.
probable outcome? Europe is already failing, it seems
that the idea of the free-movement of people doesn't
really apply to member states, but to non-member states,
esp. those outside Europe - the stigma born from
the grand European expansion of ~2005 fuelled the problem,
free movement of post-British Empire peoples, yes,
movement of member states in the political union? no,
no one from California and go to New Mexico,
but Mexicans can go to Washington, what a ****** up
logic - the prophesy of a revived Roman Empire is a bit
daft - and if i really did have an illegitimate child,
at what age does paying child support end? 16 or 18?
i wasn't married, i asked about the contraceptive pills,
but still the hot-bun shoved under my pillow to think about...
i'm positive that's when the buzzing in the left
hemisphere of my brain will end, and a grand L.S.D. trip
will appear in the sky, like a big Christmas mince pie -
ask me then, it's been 9 years in, i might have a break,
but until then i'm contemplating juggling Joyce with
Burroughs, and telling you... you know what i'd really like?
hearing Händel messiah in German... singing opera
is English is so so horrid, i love the opera never mind,
i was inspired by the section:
opernchor - weil von mann kommen tod -
to want to hear it in German - and trying to write German
using English grammar, and translate it, is like
a little-Oedipus fable, not as bad as mother and son,
no gauging of the eyes, more like the standard practice
in Arabia with marriage between 2nd or 3rd cousins -
and D.N.A. quick-tests in Iceland, who i'm praying will
win if the vote is to leave, fairy-tale Leicester City,
a country with the same population, 330,000;
not to mention Gudmundur Benediktsson's ******
that beat any South American gooooooooooo(h)'l /
enlarged spelling of ~gall, and so on and so forth bladder
or blah blah blah blah blah.
Mateuš Conrad May 2016
you know, i can **** before i become homeless; yes? ok... cheerio.

when i experience no intelligence
after being educated, it's
hardly an expectation to
experience any after... desirably hoped for, that
which offers up the antonymous by-product that's
despaired after so freely, and all those more profitable affairs
of a literate nature to engage with: to be
enslaved likewise missing; oh the gravity
as nothing falling, the tears on my cheeks
with *vide cor meum
, ah, but you see,
i can stomach a cage and being caged,
should i be forced into a freedom that's
only homelessness.
oh so many insignias of pause that were never
given a mathematical rubric of allowed deciphering!
that grand pause of arithmetic in the undecided
length of pause between (,) (.) (;) and that italicised
pause of (:) readying (a) list(s) of emphasis; let alone
the hyphenation of all the lost emphasises of Pompeii
(embark tongue tied into the grapheme æ);
or embark asking between the threes that are
direct and indirect articulation of plurality,
given then the anti of pluralism is god, and that's neither
direct or indirect, consolidating the direct as prayer
and the indirect as atheism.
ChristinaS Jan 2014
When you lean in close to my ear and allow me to believe that I can trust you; that the words that will fall from your mouth like a liquid, fast and flowing will be precious and sacred, it is the definition of betrayal.

I pray that when I claim your threats do not scare me, I will cease to be terrified, but they jab at me, as a forked tongue would. I hear the hissing in my ear, which was at first a pleasant change from the persistent drone, but quickly became something much more painful. Where there should be a paternal love, I find a gaping hole. A hole that you and I constantly work to fill, like shady men in the night, hurriedly disposing of the evidence that could rob them of their freedom. Our relationship is a ***** secret.

Whilst I could be a rich girl living off sympathy alone, you have selfishly taken that right from me, in one swift and cunning move. With one forced smile - one ****** movement - that emphasises the creases in your forehead (which, I hear, though I struggle to remember, once kept me entertained for hours), you convince them that all is more than well.

Why pretend that your heart is heavy with pride if the word is not a part of your vocabulary? Why take to grinning if the upwards inching of the corners of your mouth is so unnatural of a feeling to you that it feels like a chore - uncomfortable and laborious?

These people have no care for your state of mind, nor do they care at all about your quality of life. Your time, surely, would be much better spent attending to your sick home than attending to your royal reputation that, when you consider what you have in reality, is worthless.

You bare to me the resemblance of a curious child whose dreamy head is filled with images of faraway lands, glittering treasures and sand. Stop. Perhaps now is the time to awaken from your slumber. The grains are fast slipping through your fingers.

I'm not sorry.
K Jun 2017
today i wear lacy
underwear
but underneath that i am
bare

today i realise that
infatuation
destroys and emphasises on
flirtation

today is the day i learn that
it
obliterates everything and anything with one swift
hit

today i bare my soul to the
abyss
the abyss that steals every last
kiss

today i finally open my
eyes
to the daunts and despair that life
buys

today, i bleed myself
dry
without an
ally

.
kimin May 2018
i could walk to places,
i'd meet a lot of people,
among million faces, my eyes encountered,
yours the best, favourable, preferred.
it consists of uneven lids, and that's okay,
perfection doesn't define,
your beauty, symmetry looks strange to me.
rosy cheeks, lips opened emphasises the sweet sweet smile, one drugged me with happiness.
so i began, one, two,
counting moles littered on you,
prominent one, faded one,
one hugging your nose,
one kissing the side of your lips.
my favourite,
the one holding your soft cheek.
It caresses you always,
I like to pretend its me, holding on to you
so dearly.
Tiny specks of beauty,
enhanced soft angelic physiognomy.
No one can hold on to you stronger,
Than those moles,
Forever rid my somber.

- kimin
This took me lot longer to write. Writing it with the person in mind and choosing the words carefully and correctly makes it more special to me.
Aristotle the Genius of reasoning
The source or cause,
of excitement and complete silence
Set forth by Aristotle of course
Aristotle defines,
a nature as "a source or cause,
of being moved and of being at rest,
in that to which it belongs primarily".
In other words,
a nature is the principle,
within a natural raw material,
that is the source of tendencies,
to change or rest,
in a particular way unless stopped
I disagree Scientifically,
with the resting tendency,
to change
Rest in a particular,
way unless stopped
If you are always vibrating energy,
that never stops,
provided by Einstein,
smaller atoms vibrating,
linking with sound,
eternal rhyme
Then it will never stop
Study of the Physical Universe,
we are the raw material,
the nature
Aristotelian perspective,
Women were of the status of slaves
You advocated,
against their right to Authority,
claiming that women were disfigured men
You put this forth,
little to no role in reproduction
Empirical approach,
which emphasises on observation first,
and abstract reasoning second relation
Abstract the source,
is nature know that
Concepts that are real
Freedom
Vulnerability
Not directly tied to concrete physical,
objects and experiences,
you see
Dr Diviney,
the Genius states,
Reproduction is Biology
Nature not debate
Science no mistake

© 2024 Carol Natasha Diviney, Ph.D.

— The End —