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Marsha Singh Jan 2011
I caught my mother crying once,
at the kitchen table, face in one hand
dishtowel in the other,
real crying, out loud crying;

I wanted to be anywhere else,
and would have run
had she not heard me,
had she not pressed the dishtowel to her eyes
and said

“I'm just so tired of walking on eggshells.”
like an eight year old would understand,
but I did,
kind of.
Lucky Queue Nov 2012
In the dark of night, in the middle of a storm
A dish falls, shatters
A shriek tears the relative silence
Pale pink blood blossoms in the water
While rich red blood wells up in the hand
Tears falling like a blinding waterfall
Stabs and throbs of aching stinging searing pain
Blood and pain and tears fill the mind
A flash of white tissue beneath the torrents of red
Panting sobs and hyperventilation
Panicking as victim is rushed to the ER
Mother tries to comfort daughter with story of healed,
Previously lacerated toes
Two words blurted between gasps of pain: NOT HELPING
Arrive to an empty lobby, excepting a nurse and receptionist
Focus on nothing, only the hand
The possible tendon torn, the skin shredded, the blood spilt
Dishtowel now soaking red irony fluid instead of clear soapy
The story repeated 6, 7, 8 times
A nurse asks if I smoke or drink
A radiologist asks if there is any chance for pregnancy
And for a moment I am shocked out of my pain into pondering
The corruption of the modern generations,
Such that I am asked these questions
Any friend of mine would quickly tell that
No, I'm not that kind of teenager... but how many are?
Then I am whisked from the x-ray room
Off for stitches, they say my tendon is cut
That I need stitches
The fingers no longer gush, but that triviality is soon remedied
A doctor probes the wound for shards
Nurse flushes it clean with chlorohexadine
Both renew the flow
Doctor returns, stitches both fingers and chats away
Grand tally of five stitches, a splint, blankets of guaze,
And a roll of medical tape
Prescriptions for pain meds and antibiotics, both given
A scoffing glance, but instructions are followed
Forbidden from any activity with the right hand by my mother
I struggle even to write, simple chores soon a nuisance
First time the splint and stitches are gone,
Doctor number two declares my hand usable
First time the little finger bends, the half healed skin splits
So all for a plate, a hand was rendered more useless
Finally getting around to dealing with my hand injury... also very frustrated by how long it's taking to heal, so this became a bit of a rant...
Tom McCone Mar 2013
the overcast window haze casts shadows over farmlands at distance, past ferns and cottage solemnities out on plains cold and alive; meanwhile, concrete and preservative-laden once-trees cage in the zoo-horde of humanity this lovely city is built upon, through the steep divides between the walls of foreign strangers, still neighbours, calling telephone lines to the lover that makes their heart shrink in the cool sheets at a distance of eight thousand leagues under kitchen sink designs where drips escape onto a blue-grey dishtowel, strategically placed to avoid having to address the issue over farmland holidays when stormclouds gather and sleep 'til the grand show, back over the alps, as the fallabout planes drift under blue over grey with distorted fantasies sandwiched three abreast internally, whispering "you'll be here, I'll be here, seventeen minutes" as the black gown of evening bids its farewells to the long-worn ball of flame we call upon for life's little affirmations, the skin and bone we call home, the constructed caves we wish we didn't, and, letting frost's call begin, the last of the seasons hauls its bulky frame over the horizon and clusters on the fingertips of tree limbs, coercing: "let go, it's late, it's so very late" and so the sidewalks choke with debris under the wearing off of summer feet, and the declination of that peach-pit feeling of sanguinity as the blankets pile up and the distance consumes once again, long after delusion gave up the chase; we all want to be left alone and want someone to pursue us at the same time, we all dream of the grandeur of timeless monuments: the desert road, the glint of illuminated heavens, the mist's rise and fall, the electricity in her eyes.
Jonathan Witte Oct 2016
I

She’s sleepwalking again,
my nine-year-old daughter,
who shares the bedroom
with her sister down the hall.
She’s kicked off the covers
and wandered downstairs,
somnambulant, her bare feet
moving as though in a dream
across the kitchen’s linoleum
floor to the back of the house.
The porch door smacks shut—
a gunshot—and she is gone.

For a time, I watch her from
the open bedroom window.
Her diaphanous nightgown
absorbs August moonlight.
She steps slowly, a pale flame
floating across the back field,
the wiregrass up to her knees,
avoiding a copse of redbuds,
skirting shrubs and stones.

When her small figure succumbs
to shadow at the edge of the trees,
I put on my bathrobe and follow.

II

At first, she is lost to me.
I break into a delirious run,
scratched on my cheek
by a redbud branch.
Reaching the tree line,
I see her standing still,
shoulders stooped,
a luminous cattail
bending down.

She hovers above a sleeping fawn,
the warm bundle curled at her feet.
I contemplate the white spots
scattered on fur, thinking, velvet stars.

But when I place a hand
on my daughter’s shoulder
I see blood flowing fresh
from the doe’s abdomen;
red entrails slipping out,
pooling on pine needles.
Stepping closer, I remember a moment
earlier that evening: a jar of preserves
spilled carelessly on the kitchen’s stone counter,
the soft dishtowel soaking scarlet in my hand.

At the edge of the creek, a second doe
watches us with opaque, joyless eyes.
My daughter puts her finger to her lips;
the doe tenses, blinks, and bolts away.

I lift my daughter and carry her carefully
home, her head buried in my shoulder,
blades of grass clinging to my bare feet.

III

My daughters' room:
holding her in weak arms, poised
to lay her on top bedcovers,
I notice her sister’s empty bed,
neatly made, the blankets smooth
and tight across the mattress.

An anemic moth bangs
against the window pane.

The light flicks on and suddenly
I am awake, remembering all of it:
the dry diagnosis, the slow whir
of hospital machines, the smell
of old flowers, and somewhere
in my daughter’s stomach,
the cruel mathematics
of cells metastasizing.

My wife stands in the doorway,
her hand on the light switch.
My arms are empty. I gaze
down and see our daughter
nestled under covers,
breathing softly, asleep.

I see the pale white skin of my clean bare feet.

You’re sleepwalking again, my wife says.
She touches my unsullied cheek, hooks her
fingers through mine, and shuffles me down
the hall to bed. Head sinking into the pillow,
I gaze out the open bedroom window and weep.

The moonless sky cradles its constellations:
bright grains of salt scattered on soapstone;
my hand trembles, unable to wipe them away.
heather leather Jan 2016
we have become saturated sponges,
soaking up unrequited love as if it were water
but we are running out of air and chasing nostalgia
like a blind man would his cane has to stop someday.
candy lovers all taste the same, sweet and sour
at the same time and bitter too. he told me he was tired
of just ******* around tired to coming in second place
tired of not being able to breathe because he was
a crumpled up dishtowel on that floor than cannot dry
because he was tired of absorbing my tears on his shoulder
and becoming a monsoon too big to live but too small
to make a difference. i said stay he said no i said i'll
change he said he didn't think i could i said i was sorry and
he said there was no reason to apologize for the truth.
but how can i not apologize when i have made you a trophy
story to tell my friends when i am drunk and moody
because you are no longer by my side. how can the words i'm
sorry not be carved into the cave of my mouth, tattooed
across my bottom lip with jet black ink when i still
call you, just to prove to myself that i am good enough for
someone at least how can i not be unyieldingly grateful
when you put me back together after i was a broken glass vase
and planted flowers in the deepest embers of my imagination.
i am sorry. i am sorry that i am too big of a mess to
acknowledge that i need help. i am sorry that i am so scared
of failure i hide behind big t shirts and razor sharp knives.
i am sorry that i lie through my teeth like a magician and
get angry when you don't tell me the truth, as if i have a right
to deserve it. but most of all, i am sorry that you cannot help
but grow flowers in a place where only weeds grow. my body
is an abandoned graveyard too beaten down to function
and you tried to make it a home and for that, for that
most of all i am truly sorry, from the deepest trench at the
smallest hole in my skeleton.

(h.l.)
"stop trying to grow flowers in a place where only weeds grow," -nr.poems on instagram. thoughts?

the title is a reference to the beginning of Marvin's Room by Drake, one of my all time favorite songs.
Molly Westfall Jan 2015
My children will have a childhood.
I will make sure of it.
They will swim in ponds littered with Lilly pads
Dive down to muddy depths like fearless fish.
Sink tiny toes into slick black mud.
They will thrash strong tanned legs
Toward the gleaming surface above.
And **** deep breaths of country air.

They will slumber beneath the stars
To the sounds of bullfrogs and singing crickets
And the frenzy of flickering fairies of the night.
They will use glass wands of glitter
Just as a magician might
To hammer
All at once the warm dry earth
Sending grasshoppers springing
In startled unison-
Like magic
To escape the alien vibrations.

They will run barefoot through fields.
Drag behind them a ******* beast named
Ballou or Bear- or something like it.
He who leaps on four legs
And licks with pink tongue.

They will dance to songs
They do not understand.
And fashion forts from fallen brushwood.
They will swing from high up branches
Only climbers of trees can reach.

They will discover an island of trees
Some sweltering summer day
As they wade through waist high
Green grass that breathes along
With the erratic waving of the wind.
They will claim it as their own.
They will name it Sail Away or- something like it.
And ***** a flapping flag of dishtowel and twig.

They will pull from backpacks
Granola bars and beef jerky
And gulp water from their base camp.
And return only when it is too dark
And they are too weary
To embark on any more adventures.
My children will have a childhood.
They will have one because I did.
Alexandria Hope Feb 2016
My dreams are drying out by the salty shore
I may build sandcastles and rocky bridges until
The waves wash them out again, laughing as the surf
Swallows my ankles,
Forgetting the cuts and the burns and the tattoos
Sand between my toes and sun pink cheeks I may,
Forget I'm trying to hold on so tight, to dreams that easily
Slip away in the morning fog, I might catch them,
In a butterfly net, through the lamp of a lighthouse,
I might catch them like crawdads and lizards and keep them in jars,
To keep me company through lonely nights, like fireflies,
I might just make them stay, but for now they are dying
As short lived as mayflies and as easy to pass as a summer's cold,
Like music in the witching hour, hidden among the hills
Impossible to pinpoint, like thunder, rolling as ancient wars
Sitting here, letting tears seep from my eyes like steam from a kettle,
I wipe them off with a ***** dishtowel and wait
For my dreams to come home, like teenage runaways,
Or selkies upon the moor,
If I make it through tonight, if I make it through high tide,
If I make it through tonight.
Boaz Priestly Feb 29
I. “i’ll let you know
when i get home,”
i say into the space between
us as the only man i’ve
ever truly loved embraces me
like i’m something, someone
to be cherished

i turn and wave one
last time before the trees block
the view of the little cabin,
then i take four buses back to
my empty apartment and
ache just that much more

II. we go out, or i come
over, and when you drive me
back home you wait until
i’m inside before driving away

even when i fumble with
my keys, your love is
still patient with me

III. “text me when you
get home,” i say,
and you do every time

even if you forget once
or twice, you apologize
twice as much, and i
love you all the
more for that

IV. i cry into the
sink full of dishes that
i’m washing my way through,
hands too soapy to wipe away
the tears

but i grab a threadbare dishtowel
to see what you’ve got to say,
when my phone goes off

V. and i’ll dry my hands,
and my tears,
to text you back:
‘i love you, too’

— The End —