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Nat Lipstadt Jun 2019
strangely, I think that this
ought be, must be, responsibly,
be the best poem I’ve ever writ,
(though unlikely, as the best will always be the next)
that mine own eyes commissioned,
better be,
just got to be,
this holy-moly notion jeepers weepers,
conceptual rocks me deepest,
an awesome responsibility
to find away of saying
that this beyond conceptual,
coring, especially special sample

If there was to be a but one,
a singularity, a distinguishing feature
of what the human definition
innate contains,
how choice that we animals,
elevate ourselves to being human beings,
the only ones capable of wonderfully weeping

the implications are an astounding!

what a glorious burden,
what a wonderful decision,
the designer slipped in this microscopic checkmark,
somewhere in our cellular DNA perma-dynasty,
runs a common thread, these saltwater fears,
a residual global amniotic fluid hint,
from where we humans out-of-crawled

that empathy,
the signal of an elongated journey of eons,
the marker that says
show the caring,
a trait-ed statement,
us, unique

so often do I weep,
sometimes visible - in my poems listed, oft indicated -
so you could know its sharing was an absolution
that I granted myself,
that that particular  poem was a costly one,

womb bloomed, tongue taken, eye written

sometimes invisible  - even more, do they,
(nobody knows, nobody sees)
just well up, eye cornered kept, secreted,
only skin-staining the underneath-my-eyes
one more shade darker,
a reminder to all, to mirrored me,
that to forgive myself doesn’t
forgive forgetting

is this then my best?

sufficient to breech your
reserves of pseudo-cool,
that correct boundary pretense that keeps us as
mismatched separates?

you be the judge, you be the jury,
you be the prosecutor and the defender,
for it is all of us
standing in the dock,
on trial,

for in our lifetime
guilty of the inhuman crime,
of not crying enough
https://www.abc.net.au/radionational/programs/archived/bodysphere/features/4837824
star of infant light within my chest:
shriek not as you do, shear not the rope
that wound me round this stake at self's behest
and lit the flame and poured the oil, alone.
for coring out the essence of the fruit -
that which by none is truly named -
will ruin it, tamed and mild the beast then broods,
never to recognise its place nor Wild retain.
cruelty impassable? no: taste of Truth,
like glistening auburn leaves, the chapel glass,
chopin breathing in your room, sunrise from roofs,
a boon from chance, air pregnant ere the fact.
deprive me, flickering star, of mystery fire
and watch the world compress (and i expire).
Del Maximo Jul 2014
I was allowed to visit back home
whenever he wanted me to
adoption’s only condition
agreed to by Mama Julia

when I was about seven years old
Father and my older sister Coring
arrived unannounced
traveling in a boat he made himself
bringing gifts of large dried fish
small salted fish
green edible seaweed called, “latu”
and ceramic pots made by Mother

Father had never been to Carigara
but found the house with no trouble
everyone knew the Tranis
they directed him to the big house
called, “Tiha”
three stories
a tiled terracotta roof
coconut trees
sweet, fragrant yellow bananas
Mama Julia was away in Manila
old folks hesitated in her absence
fearing Father might keep me
they asked that he leave my older sister
to ensure my return
Father agreed

a very old friend accompanied Father
to sell her handmade pottery
very friendly
with messy white hair
and only one front tooth
her name was Reyang
they spent the night at Tiha
planning to leave early with me
but Apoy Reyang got drunk
from the tuba* Father brought
she went out into the street
walking and talking to herself
my friends told me later they liked the old lady
speaking wildly like a witch
we feared stories of bad witches
who snatched little kids
but no one ever actually saw one
so they were glad to see
a real live old witch
who wasn’t scary at all
they thought she was my grandma
actually envying me
for the nice witch in my family

Father built a mast in the middle of his banca
outriggers on both sides
were made of bamboo poles
lashed together with rope
sailing back to Guintarcan
he brought food to snack on
when wind stirred
Father raised sail
to make the boat go faster
when it was calm
he wrapped the sail on the mast
and used the paddle
I liked it when Father asked me
to hold something for him
but he spoke in a Samar dialect
when he realized I couldn’t understand him
he rephrased it the Carigara way

a perfect day
sea was calm
sky cloudless
I reached down to feel the cool, clear water
rush against my open hand
when the boat was moving faster
increased pressure on my palm was pleasing
I was happy and excited for the chance
to visit with family
but this adventure’s biggest thrill was simply:
my Father came for me


*coconut wine
© July 4, 2014
Onoma Oct 2015
Clanging friction on a steel ocean...
tale telling graffiti rooftopping.
Moment face-offs, superimposition
on a mind-screen.
Lampposts and steel beams cutting
sunlight, as it swims through surly
silver subway cars.
Drum roll shadows blowing blue
smoke brick.
Wearing and tearing all knowingness'
superstring hair...willing what wills.
Too many times here, rapacity lives
its death...you can see toes bust
through sheikh shoes, and curl.
Too many times here...too many ways
here, the next stop forgets itself.
As straphangers rock in the Eternal
Now...and those seated uncomfortably
on juxtaposed rows, play eyeless tag.
Playing down a pitless ground,
coring out their reserved space.
As panhandlers jingle change, irking
noise sensitive, sensitivities.
X-ed out by perfect attention to the isle
floor, staring at the colored bits and
pieces--****...to ride on anonymity's
most crowning achievement, in the
most populous American city.
Force feeds one the fullness in emptiness...
as a street musician steps on, waiting to
strike a guitar string.
(Unstruck Sound)
VHE RedWolf Nov 2015
I did this for you , but you're ignoring me
this chase for attention is really boring me
I feel like an apple because you're coring me
and i want to cry out my eyes as if you're goring me
I wanna step away but optimism's reassuring me
I wanna give my all to you until theirs nothing more in me
I  just wan't to love you but it seems your not adoring me
can we please converse so at least i feel your exploring me
your psyche is hypnotic and i feel as if your luring me
your eyes are so replenishing I feel like your restoring me
I really want to fly with you, your actions steady flooring me
you're bringing out the beast holy sheesh now look at roaring me
I hope one day that im the catch an soon you will be scoring me
my mind is liquidation the sensation's like your pouring me
man on everything i love i swear i hate these feelings
my torso on the ground my eyes & hope are facing ceilings
i wish i never met you why must u be so appealing
i act like i don't feel the pain the only way i'm dealing
and your a ******* thief because my heart you know your stealing
and then you shattered it like glass, emotions i'm concealing
an if you date me long enough you know that ill be kneeling
I have several layers like an union and I'm always peeling
baby if you stay with me then every part ill be revealing
i just prey and hope that i can cope and i feel faith's healing
because this pain's a mental strain and this **** is just unappealing.

SO **** THIS
Onoma Apr 2020
a Buddha

is only a core

that has connected

too deeply to see

a way out of it.
Onoma Dec 2019
foisting abandonment issues--

coring out all that hurt to gain

another's trust as you'd want

to be loved.

all the gravely wounded animal's

learnt about love's security ripped

away.

all that  you were denied, so

you deny another that love to gain

some measure of power.

going through those helpless motions

with the fiendish wish to leave

another helpless.

wearing the ill-fitting look of cruelty

amid the privatest of quarters.

though in the end-- such an act is

suicidal.
Dawnstar Jul 2019
Wer not i were the fir trees shake and wail
    In tracts ov sleep amung sum aking vale,
    Their somber snores, sir, preventing
    The yonder moor's circumventing,
        Then cross i woud,
        And make this good
    Complainant flud relenting.

Thank God we'v gotten rid of "phantasies",
God noes we'r not quite thru with "fotografs".
In lite of "ache", a mustache quaches!
So let's not mache the same mistache,
I'll spell it "ake"; now that is set,
And we ar free from dout and det.
Yet don't forget: be moderat!
(Or not, its ritely up tu yu.)
It needn't be rad or frenetic,
If only a tad mor fonetic.

Take, for sake of example,
How "hemorage" and "flem" are ample
Enuff, then shrug off "cough" and "though",
And "dough" as well can go.
E'en "sleigh" and "neigh" and "weigh"
Have nay a place today.
Why cling to things immutable?
A modern "frute" is sutable!

Do not indite me, dauters and sisters,
For offering change to a cumbersom sistem;
The anser is plain, my frends, not hidden!
Nor do ye shun me, ye tuff men o' wor,
For casseling "castle" and coring the "corps";
Som rules a poet can surely ignor.

Shall we then masque the musque of a maskerade,
Put on by men in mosks at prayerthyme?
Or asque for Coronel's victuals—
Orderves; or, just a bictual—
Let's change our lang a lictual, like Sam's *Rime
!
(In case you're unaware, "victuals", in standard English, is pronounced like "vittles".) 
Evan Stephens Jan 2019
Hold a name in the air
with the mouth’s moving shadow,
blotting hush clotted there.
Hold a name in the air
it unravels like prayer,
coring the marrow.
Hold a name in the air,
with the mouth’s moving shadow.
written 2008
Onoma Jan 31
moons know of no

reluctancy...

while phasing in full.

coring out the cream

of a lone crater.

with staling fortune

cookies.

no fortune

in

their wrap.

nor space for soup

noodles.

dispatching an oculus

seeing fit.

as red dragons decompress~

— The End —