Two Bulgarian poets entered “The Second Genesis” – Anthology of Contemporary World Poetry – India’2014
Poems of the Bulgarian poets Bozhidar Pangelov and Mira Dushkova are included in the Indian project “The Second Genesis: An Anthology of Contemporary World Poetry”. Bozhidar Pangelov’s poems are: “Time is an Idea” and “…I hear” translated by Vessislava Savova; as for Mira Dushkova’s poems – “Beyond”, “Sozopolis” and “The Girl”, they were translated by Petar Kadiyski.


For the authors:
Bozhidar Pangelov was born in the soft month of October in the city of the chestnut trees, Sofia, Bulgaria, where he lives and works. He likes joking that the only authorship which he acknowledges are his three children and the job-hobby in the sphere of the business services. His first book Four Cycles (2005) written entirely with an unknown author but in a complete synchronous on motifs of the Hellenic legends and mythos. The coauthor (Vanja Konstantinova) is an editor of his next book Delta (2005) and she is the woman whom “The Girl Who…” (2008) is dedicated to. His last (so far) book is “The Man Who…” (2009). In June 2013 a bi lingual poetry book A Feather of Fujiama is being published in Amazon.com as a Kindle edition. Some of his poems are translated in Italian, German, Polish, Russian, Chinese and English languages and are published on poetry sites as well as in anthologies and some periodicals all over the world. Bozhidar Pangelov is on of the German project Europe takes Europa ein Gedicht. “Castrop Rauxel ein Gedicht RUHR 2010” and the project “SPRING POETRY RAIN 2012”, Cyprus.
Mira Dushkova (1974) was born in in Veliko Tarnovo, the medieval capital of Bulgaria. She earned a MA degree from the University of Veliko Tarnovo, and later on a PhD in Modern Bulgarian Literature, from Ruse University Angel Kanchev, in 2010, where she is currently teaching literature courses.
Her writing includes poetry, essays, literary criticism and short stories. She has published several poetry books in Bulgarian: “I Try Histories As Clothes“ (1998), „Exercise On The Scarecrow” (2000), „Scents and Sights“ (2004), literary monograph “Semper Idem : Konstantin Konstantinov. Poetics of the late stories“ (2012, 2013) and the story collection „Invisible Things“ (2014).
Her poems have been published in literary editions in Bulgaria, USA, Sweden, Hungary, Croatia, Romania, Turkey and India. Some of her poems and essays have been first prize winners of different Bulgarian contests for literature.
She has attended poetry festivals in Bulgaria, Croatia (Zagreb) and Turkey (Istanbul and Ordu).
She lives in Ruse – Bulgaria.

For the Antology “The Second Genesis”:
In the anthology titled „The Second Genesis“ are published the poems of 150 poets from 57 countries. All poems are in English. The Antology consists of 546 pages. “The Second Genesis” includes authors’ and editors’ biographies and three indexes: of the authors; of the poem titles and an index based on the first verses. It is issued by “A.R.A.W.LII” (Academy of ‘raitɘ(s) And Word Literati) – an academy, which encourages literature and creative writing and realizes cultural connections between India and the other countries. Four times a year ARAWLII publishes in India the international magazine for poetry and creative writing „Prosopisia“. Its Chief Editor and President of A.R.A.W.LII is Prof. Anuraag Sharma. He is also author of Antology’s Introduction.
Participating Countries:
Albania, Argentina, Armenia, Australia, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Albania, Great Britain, Germany, Greece, Denmark, Egypt, Estonia, India, Iran, Iraq, Ireland, Israel, Spain, Italy, Jordan, Canada, Cyprus, China, Kosovo, Cuba, Macao, Macedonia, Niger, Norway, Pakistan, Palestine, Poland, Puerto Rico, Romania, Russia, Saudi Arabia, USA, Singapore, Syria, Serbia, Taiwan, Tunis, Turkey, Fiji, Philippines, Finland, France, Holland, Croatia, Montenegro, Czech Republic, Chile, Sweden, Switzerland, Scotland, South Africa, Japan
For the editors:
Anuraag Sharma – editor and president of A.R.A.W.LII
Poet, critic, author of short stories, translator and playwrighter, Anuraag has to his credit the following publications: “Kiske Liye?”, “Punarbhava”, “Audhava”, Dimensions of the Angel: A Study of the poetry of Les Murray’s Poetry “Iswaswillbe” – a collection of short stories, “Setu” (“The Bridges”). He has also co-editor the volume of conference papers: ”Caring Cultures: Sharing Imaginations. Some of his recent publications include: “A Trilogy of plays”, “Mehraab” (“The Arch”) – translations of selected poems of four Canberra Poets, “Papa and Other Poems”, “Sau Baras Ka Sitara Eik” – translation of Andrew Parkin’s “A Star of Hundred Years”, “As if a wooden house I am”- translations of Surendra Chaturverdi, “Satish Verma: The Poet” and “Tere Jaane ke Baad Tere Aane as Pehle”. He is also editor-in-chief of two international journals – “Lemuria” and “Prosopisia”. Currently he is working as a Professor in English at Govt. College “Kekri” Ajmer, India.

Moizur Rehman Khan – co-redactor, project manager, secretary of A.R.A.W.LII
He studied Urdo and Persian Literature in college and later on competed his master degree in English literature from “Dayanand” College, Ajmer, India. He completed his research dissertation under the supervision of Anuraag Sharma on “Major themes in the poetry of Chris Wallas-Crabbe”. He is a creative writer. His poems and articles have been published in various magazines and journals. Currently he is teaching English at DMS, RIE, Ajmer, India.
References for the Antology:
“No middle no end, the poems in The Second Genesis have been speaking to you long before the beginning and will continue without you…don’t worry, its binding has long since unglued, its pages, worn and disheveled, will always be speaking to you, they’ve been compiled this way, to be read out of order, backwards, shelved or scattered in an attic between the coffee and greasy finger stains…The Second Genesis is the history of the Book where you become its words, ink and pulp.”
Craig Czury

“The Second Genesis is at the crossroads of a new poetic becoming. a poetry claiming its second beginning not only for art but the heart pulsating and feeding the entire body. This anthology is a successful fusion of unique, inimitable and polyphonic poetry, a well-organized improvisation with a solid and flexible structure.”

Dalia Staponkute

“The Second Genesis, a compendium of world poetry which is also a poetry of the world, suggests so much a new beginning as it does a recognition of the ongoing creation that continues to animate our collective existence. Our precarious era requires a global affirmation that we are all in this together. Poetry has always said as much, and here it says it again, in the idioms of our time.”
Paul Kane
**
“Visionary and international, The Second Genesis, introduced and edited by Anuraag Sharma, sparkles with poetry of insight, intelligence and feeling and is an indispensable reminder of our human aspirations and experience in the early 21st century. Poets from nearly sixty countries rub shoulders in this ambitious and wide-ranging collection, and their poems resonate and mingle in a multi-layered voice. It is the voice of our humanity.
In his Introduction, Dr. Sharma points to the invaluable importance of poetry in what he calls our destructive Lear era:
Beyond the Lear Century, across the 21st Century lies the island of Prospero and Ariel and Miranda and Ferdinand – the region of faith, hope and innocence, the land of virtue, and all forgiveness sans grievances, sans regrets, sans curses. The doleful shades lead to pastures new.
We must weigh our hopes. The Second Genesis is at hand….”
Diana Sampey

~for r, just because~


put her in my mouth and she became my
mouth.

put myself inside her and she became my
insides out.

spill good words on her belly, licked & laced us together, then came my 
poetry.

on elbow, she claimed coauthor-ship, demanded her name above        
          mine.


I smiled, answering most matter-of-factly,
surely they’re your creations, you-a-ruler, procreator, foremost, first,

the ABCedarian

the muse goddess of alphabets, all that is poetic divine mistress to
thousands

I’m mortal,
your transcriber, copyist, alphabetically seconded, merest mere,

the ABEcedarian

I’m rudimentary without you, lost midst the masses o’poets nameless.

She snorted, said
“sounds like poetic ******* to me”*
but returned to her sleepy heaven,
mumbling most contentedly.

1
"New Latin, from Greek boulimia great hunger, from bou-, augmentative prefix (from bous head of cattle) + limoshunger

First Known Use: 14th century”

when i first got to california i would study the way ocean waves crashed upon the shores of beaches, it’s was bone crushing, pulp softening kind of tides. packs of tides keep rushing to the beach and throwing themselves down into it’s stand, as the beach absorbs each one.
it does not recoil.
i want to learn the earth’s secrets
i am attracted to water, tides of brevity, yet unrelenting to the sand
and the shells and sand they make regenerate, breaking down continuously
then hardening and heaving their particles back to the ocean
trusting it will be brought to some shore
the waves of the pacific quiet the waves inside my skull.

a constant pounding, a wave of bulls crashing through
uncharted territories even now.

i am coauthor of too many mistold memoirs
someone else wrote about me from afar.

2
it’s funny, no, i shouldn’t say that
it’s strange, how quickly one becomes commodity
how the pall of your skin has a scent
but your eyes are lassos
how, without your consent, your body can be bent
cut, *******, and transformed into an unanswerable question
drawing whole packs to your lone presence
dryly plucking the last drops of milk from a straw
you look up as they circle, giggling
and hunker into their places, surrounding

they’re the classic eclecticism of boys looking for fast entertainment
sure, let me be your dancing bull, wave the red cloth and dare me
because i am not the bull and i won’t let you have this one.
mr big ****, his homie in your face laughing at you
shy guy, and sarcastic dude who’s ******* bored
they say you don’t look like you grew up here
you think, “what, in this in-n-out?”
you say, “no, i’m from the east coast.”
whenever these things happen,
your words become bitten off at the ends

you hold onto your empty cup a bit too long as serious mr big **** talks at you
your head swimming with frustration and mistrust
homie who laughs jabs his finger into your face
pointing to the special sauce leaking from your burger
"aren’t you gonna eat that?"
you smile at him and you don’t know why but you just smile
you take a bite and chew with your mouth open
you haven’t got an appetite

you begin to cajole and retort casually with them,
seeing how long the game will last before it gets dumb
as if your harassers are friends
until the words “*******” enter your periphery
and in a fit of disgust you stuff the last bite down
and exit the pathetic scene
as you walk out to ringing laughter you find yourself
un-panicked but fatigued by the run in
thinking, when will i learn how to handle this ****?
and why should i have to learn to regularly handle harassment?
i never asked for this attention
never asked.

my body is not a question.


3
a slow burn of metaphors accompanies every bout of insanity
this week i’m convinced that i’m drowning from the inside out
when he comes over it’s hard to look at him, with his sweet eyes and adoration
after rushing around picking up the little pieces of myself off the carpet
hissing in disgust “stupid *****, stupid ******* ****”
and putting it all back together before he got here
because i feel less than nothing
far from beautiful

4
i would often imagine what people would do
after i died, if it would be
a mess of bad jokes about entitled white girls
with selfish insecurities
or a mess of bad sentiments about how i was a modest hard working girl who
who
who am i most days, except for someone
who ******* tried her hardest
i don’t like the idea of dying young, giving other people
control of how i’m remembered
i want to establish that image for myself
what a dream, what a dream.

who should get my trinkets, my instruments,
who got the glass collection, the tea cupboard
the patterned hats, the quartz stones and golden tooth
i thought about how the funeral would go
how my mother would cope
if my father could stand it
i have been making sand castles
and cooking messy cakes with frosting dripping jimmies
i have been reading books and
writing essays and working every run of the mill job
to keep my mother from crying
and my father from falling asleep in the stillness at night
regretting his regrets because i fall asleep in the stillness at night
regretting myself and thinking of him
regretting his regrets as his life stands behind him
and he drifts into a dream land where we do not exist but clouds

and i wonder, now, if i could still let this happen
if i could stand it, how much time i have to turn it around
i have been told you must invest
twice the time it took to dig the hole
in order to get out
if i start now, i can see the light by the time i’m roughly
37

i give my untouched binge food to homeless people
because watching them receive it
feels a lot more satisfying than the pain of eating it
fighting the weight of nausea
i hold back and return my wallet to my purse
as i whip around the burger king drive thru
and opt for dollar store cheese crackers in their little 16 cent per meal packages instead
that is to say, the package is the meal
i cannot fill my stomach these days,
with frozen organs and weeping ulcers
sweating and puking on the side of the road
i cannot sweat and puke on the side of the road these days
because i do not want to die, and must get better by 37
and these days, thesedays i have nightmares of men
with wild eyes and yellow teeth, bodying the window of my car
their hands groping for my face through the cracked window
pressing a gaping maw spittled against the glass
as i scream the deep scream of terror that comes from inside one’s stomach
when no one can hear or when a wild animal
is slaughtered by a larger feral creature, death drifting through the forest
home owners turning away with cold pressed spines
and wonder what died

i hear them talking about me from the hallway
more often than i speak of it myself
my bones crack, my muscles moan
i have no time left for sleep
the waves keep crashing down
i spend 12 hours in a day worrying about others
and try to take another 12 for myself but never quite
end up having that many
i wonder if you still think after hearing this poem
that this is a selfish insecurity
it is blurry childhood,
stab wounds from a series of sadness,
an insatiable wish to fill
the spaces of unmet need with small animals like me
wrapped up in unassuming parcels
forgotten under a christmas trees
eaten by maggots.

5
dear body,

they tell me we could have a heart attack
but i laugh at them
ask if i think I’m invincible and i laugh at them
i am far from it, because if i am anything i am a sponge
which doesn’t cause me to feel any less
just soak up the mess when there’s a spill
and continue to expand, adjust to the pressure, and then expand again
invincible is a generous word to use
for what i think i am
because i am weak, helpless, but angry

like a feral child biting doctors and snarling
or a person who lifts a car off an infant when the body gives you no choice
but to respond to the adrenaline of fear
pass the boundaries of what you believed to be true to save a life

i am simply adaptable, good at surviving
i have trained my body to be strong even when I am weak
my mind to stay sharp when my teeth have eroded
because the doctor doesn’t love you, and your mother
she’s sort of lying. like the government or dr jekyll.
you know not to trust people with empty eyes or bitter hearts
you will fight if it gets you out of this cell and closer to sunlight.
endurance is the only pride i cling to.

6
he picks up the book my mother was reading
"what’s this?" he skims the page looks at the block lettered heading "SUFFERING"
"suffering…" he looks up for a second,
then at me, and i wonder
if he knows, so i smile at him

when I was younger I didn’t get it
but now I fully understand how people
can keep secrets from their husbands and wives for years
some **** is too deep to allow
those you love
to wade in it

7
she swallowed me whole and after
clawing my way out of her stomach
I am still picking my fingernails
out of her teeth

8
i am paying for my grubby child hands
the baby bird bones in the backyard
of my childhood home
are singing warning bells to me from across a continent
they pierce my dreams when i finally sleep
the corn acres cresting golden hills in the dawn are gone
another night alone in a city far way from home
and my wings are still just feather and bone
muscle dead below, still holding the hilltops on her shoulders

you fall to the waves crashing down or
you pump the sore tendons of your weak wings
and you fly
there’s no other choice
your body is not a question
it is an answer
-

A tale of love
Brian Odongo.

Countable times in history
Two separate lives become one story
Such as was between Jacob and Rachel
A tale more beautiful than a fable

A tale not as a result of fate
But a plan in divine date
A tale of two hearts
That cannot be torn to parts

Even by ink it can only be faintly described
But in their hearts it is masterfully inscribed
A tale that lives for generations
And defies all common expectations

Such is my tale with this fair Lady
Fairest than the beautiful daisy
The only beloved daughter of her father
And the joy of the family when they gather

She is of rare charm and mind
“A virtuous woman who can find? "
Her heart is most pure
Her smile every pain cure

Seasons before us seem so long
But each day will be filled with a love song
Then all the rounds and bends of time
Will be far much worth than countless dimes

Not every step forward will be simple
But happenstances will not our love dwindle
For our tale of love  is not just a normal  ritual
But this tale that we coauthor is forever habitual

And if life be long and youth turn to old age
We will make more beautiful every page
And this by divine grace shall be our tale
That even time will not turn stale