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judy smith Apr 2015
The Pakistan Fashion Design Council in collaboration with Sunsilk presented the fourth and final day of the eighth PFDC Sunsilk Fashion Week. Indeed the 8th PFDC Sunsilk Fashion Week marked the twelfth fashion week platform initiated by the Pakistan Fashion Design Council [with eight weeks of prêt-à-porter and four of bridal fashion] and was a direct manifestation of the Council’s commitment to sustainability and discipline within the business of fashion and the facilitation of Pakistan’s retail industry. Indeed #PSFW15 endeavoured to define and present trends for 2015, focusing specifically on fashion for the regions’ long hot summer months. Day-4 featured High-Street Fashion shows by the House of Arsalan Iqbal, Erum Khan, Chinyere and Hassan Riaz and designer prêt-à-porter shows by Sana Safinaz, Republic by Omar Farooq, Syeda Amera, Huma & Amir Adnan, Sania Maskatiya and HSY.

Speaking about the PFDC Sunsilk Fashion Week platform, Chairperson of the PFDC, Sehyr Saigol said: “With the 12th iteration of our critically acclaimed fashion weeks, the PFDC is always working to streamline our prêt-à-porter platform to make the PSFW experience more beneficial for all stakeholders in terms of show experience, exposure and ultimately, retail value. To that end, each year we look inward to find the best possible formats and categories to benefit the very trade and business of fashion. In this vein, we introduced 3 separate categories for Luxury/Prêt, High Street and Textile at PFDC Sunsilk Fashion Week, giving each entirely separate show space, times, audience exposure and viewing power. Our High Street fashion brands had been given a standalone show time on two separate days as early evening shows and Textile brands a separate dedicated day for Voile shows on Day 3 of PSFW 2015, a measured step to further highlight Pakistan’s textile prowess and high street fashion strength which are of significant importance to national and international fashion markets. As per past tradition, we continue to work closely with all our emerging designers and mainstream brands to help hone their collections for the runway through mentorship by senior PFDC Council members and with retail support through the PFDC’s own stores and network. We are grateful for the committed support of our sponsors and partners which provides us the stimulus to further enhance our fashion week platforms and put forth the best face of Pakistani fashion on a consistent basis.”

“The Sunsilk girl is an achiever, with an air of enthusiasm and positivity. Great hair can give her the extra dose of confidence so with Sunsilk by her side, she is empowered to take on life. Fashion is very close to this aspirational Pakistani girl making the PFDC Sunsilk Fashion Week a highly valued platform for us. We recognize PFDC’s efforts to promote the fashion industry and experienced and upcoming talent alike. Sunsilk has been a part of this fantastic journey for 6 consecutive years and continues to shape aspirations, taking contemporary fashion directly to the homes of consumers and encouraging them to script their own stories of success” said Asanga Ranasinghe, VP Home and Personal Care for Unilever Pakistan.

On the concluding day of #PSFW15, the Chairperson of the PFDC Mrs. Sehyr Saigol also made a special announcement on behalf of the Council and its Board Members, where she shared the Council’s plans to establish Pakistan’s first ever craft based Design District, a multi-purpose specialized facility that would assist in developing and enhancing the arts and crafts industries, which are an integral part of Pakistan’s rich cultural legacy. In addition to being a centre for skill improvement and capacity building, the Design District would also house a first of its kind Textile Museum.

The official spokesperson of the PFDC, Sara Shahid of Sublime by Sara also announced the official dates for the Council’s next fashion week, PFDC L’Oréal Paris Bridal Week 2015 which is scheduled to be held from 15th September to 17th September 2015.

Indeed the success of PFDC Sunsilk Fashion Week continued to prompt private sector associates to grow in their engagement of the platform to launch new marketing campaigns and promotional activities. To this end, the PFDC’s evolving partnership with Sunsilk grew exponentially this year whereby in addition to their title patronage; Sunsilk also took over the coveted PFDC Sunsilk Fashion Week red carpet and the Green Room/Backstage, as sponsors. This extension of their support is indeed a manifestation of the brand’s belief in and commitment to the platform. Also in continuation of their support for the platform, Fed Ex – GSP Pakistan Gerry’s International returned to PSFW as the official logistics partner, offering the PFDC a special arrangement for international designer consignments.

PFDC Sunsilk Fashion Week 2015 was styled by the creative teams at Nabila’s and NGENTS. Light design, set design, sound engineering, video packaging, choreography and show production from concept to construction was by HSY Events, front stage management by Maheen Kardar Ali, backstage management by Product 021, Sara Shahid of Sublime by Sara as the official spokesperson for the PFDC, logistics and operations by Eleventh Experience and photography by Faisal Farooqui and the team at Dragonfly, Hum TV/Hum Sitaray as the Official Media Partners, CityFM89 as the Official Radio Partners with all media management by Lotus Client Management & Public Relations.

High-Street Fashion Shows

The House of Arsalan Iqbal

The afternoon High-Street Fashion Shows on the final day of PFDC Sunsilk Fashion Week 2015 were opened by leading fashion brand The House of Arsalan Iqbal, who showcased a collection titled ‘Devolution Chic’. Inspired by street art across the world by various artists, European high-street trends and technique of quilting, Arsalan Iqbal garnered personal portfolios of graffitists from myriad urban cityscapes such as London, New York, Tokyo, Barcelona and Cape Town, juxtaposed with some unique in-house created patterns including those of Pac-man, calligraphic flourishes and aqua and tangerine bands and circlets. Based in chiffon, the ensembles were molded into voluminous structured silhouettes including draped tunics, edgy jumpsuits and wide palazzos dovetailed with off-white and ecru charmeuse silk jackets created with a revolutionary quilting process. Along with menswear pieces, the collection also included in-house footwear and jewellery made in collaboration with pioneering Karachi-based street artist SANKI.

Erum Khan

Designer Erum Khan followed next and made her PFDC Sunsilk Fashion Week debut with ‘The Untainted Shine’. The collection took its inspiration from the sparkle of twinkling stars, a walk on pearl dew in the morning and the enchanted glow which is produced when “a magic wand” is waved around the body, making it glow in a pearlescent white and exhibiting a jewel themed lustre on the body. With neat and straight structured cuts, Erum had used fabrics such as organza combined with silk, 3D flowers, patch work and antique katdanna in a collection which was based in a white colour palette. Trends highlighted in the collection were high waist skirts to button up pants and sheer long dresses. Acclaimed Pakistani musician Goher Mumtaz and his wife Anam Ahmed walked the ramp as the designer’s celebrity showstoppers.

Chinyere

Following Erum Khan, fashion brand Chinyere showcased its Spring/Summer 2015 High-Street collection ‘Mizaj-e-Shahana’ at PFDC Sunsilk Fashion Week 2015. An ode to the era of the Mughal royalty and their imperial aesthetic, the collection comprised of modern silhouettes and traditional embellishments with organza skirts paired with cropped tops, angarkha-peplum tops with embellished cigarette pants, sheer knee-length jackets paired with structured digital printed bustier-jumpsuits, diaphanous wrap-around boot-cuts and embellished boxy sleeves with soft A-line silhouettes. Chinyere also showcased ten menswear pieces comprising of waistcoats, jodhpurs, knee-length sherwanis paired with gossamer sheer kurtas. The colours used had been divided into a collection of distinctive Mughalesque pastels and jewel tones. The pastels included the classic marble ivory-on-ivory, the bold black, saffron, gold and ivory. The colour segments also included metallic gold and grey sections, with accents of bronze and black. The jewel tones included jade, emerald, ruby and sapphire.

Hassan Riaz

The concluding High-Street fashion show of PFDC Sunsilk Fashion Week 2015 was presented by Hassan Riaz who showcased his ‘Contained Shadows’ collection. Inspired by the diverse facets of the human soul that explore both the dark and light sides of human nature, taking into account yearnings, desires, and anxieties that make us distinctly human, Hassan had based the collection in summer twill, organza and summer denim in shades of blue and white with a gold accent to reflect upon his inspirations. ‘Contained Shadows’ made use of structured and drifting silhouettes, cage crinolines with corsets and bustiers with distinct trends featuring cropped tops, nautical accents, experiments with transparency and patchworks of metal mixed & matched with flowers.

Designer Showcases

Sana Safinaz

PFDC Sunsilk Fashion Week 2015’s evening [rêt shows on the fourth and final day was opened by premier designer label Sana Safinaz. Sana Safinaz’s PFDC Sunsilk Fashion Week collection was inspired by monochromatic structured looks with pops of color. The collection was based in luxe fabrics such as kattan, silks, fine silk organza and dutches satin in a colour palette majorly based in black and white with strong vibrant pop infusions.
Key trends being highlighted were the oversized T, constructions-clean lines, simplicity of cuts and effective embellishments.

Republic by Omar Farooq

Following Sana Safinaz, acclaimed menswear brand Republic By Omar Farooqshowcased a collection titled ‘Que Sera, Sera!’ (whatever will be, will be!). Omar Farooq had used a variety of luxe fabrics such as suede, linen, chiffon, cotton, cotton silk and wool silk. A collection for all seasons, the ensembles built upon the label’s signature aesthetics while providing a new take on contemporary menswear. Acclaimed media personality Fawad Khan walked the ramp as the brand’s celebrity showstopper.

Syeda Amera

The third Prêt show of the final day of PFDC Sunsilk Fashion Week 2015 was presented by designer Syeda Amera who made her ramp debut with ‘The World of Sea’. Inspired by love for the enchanting underwater, the collection was based in premium quality organza, jersey, nets and silks with delicate cuts and embellishments consisting of beads, sequins and feathers to reflect the collection’s aquatic theme. ‘The World of Sea’ featured a palette of aqua marine, scupa blue, powder pink, grey blue, tequila sunrise yellow, orange and lagoon green with trends that employed skirt layering, frills and ruffles and flared pants.

Huma & Amir Adnan

Following Syeda Amera, Huma & Amir Adnan showcased a joint collection for the first time at a fashion exhibition. Both Huma and Amir feel that as a couple they share their lives and draw synergies and their collection ‘Symphony’ was an epitome of how two people can revolve around the same concept in harmony, while maintaining their individual distinction. Showcasing both menswear and women’s wear at PSFW 2015, Huma and Amir had used a mix of fabrics, textures and embellishments with a complex collection of weaves, prints and embroideries in silk, linen, cotton and microfiber. The color palette included midnight blue, emerald green, wet earth, aubergine, ivory, old paper, turmeric, leaf and magenta. Key trends highlighted in the collection were long shirts, double layered shirts, printed vests and jackets, textured pants, colored shoes for men and layers of multi-textured fabrics, tighter silhouette, vests and jackets for women.

Sania Maskatiya

Designer Sania Maskatiya showcased the penultimate Luxury/Prêt collection of the evening at PFDC Sunsilk Fashion Week 2015. This S/S ’15, Sania Maskatiya took audiences on a fashion journey to ‘Paristan’ – a place of fairytale whimsy at PFDC Sunsilk Fashion Week. With a colour palette ranging from the softest shades of daybreak to the deepest hues of nightfall, ‘Paristan’ was a collection of playful, dreamlike prêt ensembles. Featuring luxury fabrics like silk, organza, charmeuse and crepe, the pieces followed the brand’s signature silhouettes, both structured and fluid. Beads and sequins embellished varied hemlines and multiple layering, all set against captivating scenes of mirth and magic. Motifs ranged from the sublime to nonsensical; friendly mice and naughty elves, clocks and teapots, flowering fields and star-filled skies, princesses and ponies.

HSY

Day-4’s finale was presented by acclaimed couturier HSY who showcased a collection titled ‘INK’; a collection inspired by Asia and specifically HSY’s journeys to The Land of the Rising Sun. INK represented the essence of Langkawi, Indonesia, Nagasaki, and Yunnan with natural and indigenous yarns, hand-woven to perfection. The collection featured the traditional dyeing techniques of Shibori from Nagasaki, Batik from Indonesia, and Gara from Sierra Leone infused with mackintosh, saffron, aubergine, eggshell, rosette, indigo and ochre. Created with the scorching sub continental summer in mind, INK channelled versatile hemlines to suit a diversity of younger, older, working men, women and homemakers alike.Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-brisbane
(PIANO DI SORRENTO.)

Fortu, Frotu, my beloved one,
Sit here by my side,
On my knees put up both little feet!
I was sure, if I tried,
I could make you laugh spite of Scirocco;
Now, open your eyes—
Let me keep you amused till he vanish
In black from the skies,
With telling my memories over
As you tell your beads;
All the memories plucked at Sorrento
—The flowers, or the weeds,
Time for rain! for your long hot dry Autumn
Had net-worked with brown
The white skin of each grape on the bunches,
Marked like a quail’s crown,
Those creatures you make such account of,
Whose heads,—specked with white
Over brown like a great spider’s back,
As I told you last night,—
Your mother bites off for her supper;
Red-ripe as could be.
Pomegranates were chapping and splitting
In halves on the tree:
And betwixt the loose walls of great flintstone,
Or in the thick dust
On the path, or straight out of the rock side,
Wherever could ******
Some burnt sprig of bold hardy rock-flower
Its yellow face up,
For the prize were great butterflies fighting,
Some five for one cup.
So, I guessed, ere I got up this morning,
What change was in store,
By the quick rustle-down of the quail-nets
Which woke me before
I could open my shutter, made fast
With a bough and a stone,
And look through the twisted dead vine-twigs,
Sole lattice that’s known!
Quick and sharp rang the rings down the net-poles,
While, busy beneath,
Your priest and his brother tugged at them,
The rain in their teeth:
And out upon all the flat house-roofs
Where split figs lay drying,
The girls took the frails under cover:
Nor use seemed in trying
To get out the boats and go fishing,
For, under the cliff,
Fierce the black water frothed o’er the blind-rock
No seeing our skiff
Arrive about noon from Amalfi,
—Our fisher arrive,
And pitch down his basket before us,
All trembling alive
With pink and grey jellies, your sea-fruit,
—You touch the strange lumps,
And mouths gape there, eyes open, all manner
Of horns and of humps.
Which only the fisher looks grave at,
While round him like imps
Cling screaming the children as naked
And brown as his shrimps;
Himself too as bare to the middle—
—You see round his neck
The string and its brass coin suspended,
That saves him from wreck.
But today not a boat reached Salerno,
So back to a man
Came our friends, with whose help in the vineyards
Grape-harvest began:
In the vat, half-way up in our house-side,
Like blood the juice spins,
While your brother all bare-legged is dancing
Till breathless he grins
Dead-beaten, in effort on effort
To keep the grapes under,
Since still when he seems all but master,
In pours the fresh plunder
From girls who keep coming and going
With basket on shoulder,
And eyes shut against the rain’s driving,
Your girls that are older,—
For under the hedges of aloe,
And where, on its bed
Of the orchard’s black mould, the love-apple
Lies pulpy and red,
All the young ones are kneeling and filling
Their laps with the snails
Tempted out by this first rainy weather,—
Your best of regales,
As tonight will be proved to my sorrow,
When, supping in state,
We shall feast our grape-gleaners (two dozen,
Three over one plate)
With lasagne so tempting to swallow
In slippery ropes,
And gourds fried in great purple slices,
That colour of popes.
Meantime, see the grape-bunch they’ve brought you,—
The rain-water slips
O’er the heavy blue bloom on each globe
Which the wasp to your lips
Still follows with fretful persistence—
Nay, taste, while awake,
This half of a curd-white smooth cheese-ball,
That peels, flake by flake,
Like an onion’s, each smoother and whiter;
Next, sip this weak wine
From the thin green glass flask, with its stopper,
A leaf of the vine,—
And end with the prickly-pear’s red flesh
That leaves through its juice
The stony black seeds on your pearl-teeth
…Scirocco is loose!
Hark! the quick, whistling pelt of the olives
Which, thick in one’s track,
Tempt the stranger to pick up and bite them,
Though not yet half black!
How the old twisted olive trunks shudder!
The medlars let fall
Their hard fruit, and the brittle great fig-trees
Snap off, figs and all,—
For here comes the whole of the tempest
No refuge, but creep
Back again to my side and my shoulder,
And listen or sleep.

O how will your country show next week
When all the vine-boughs
Have been stripped of their foliage to pasture
The mules and the cows?
Last eve, I rode over the mountains;
Your brother, my guide,
Soon left me, to feast on the myrtles
That offered, each side,
Their fruit-*****, black, glossy and luscious,—
Or strip from the sorbs
A treasure, so rosy and wondrous,
Of hairy gold orbs!
But my mule picked his sure, sober path out,
Just stopping to neigh
When he recognized down in the valley
His mates on their way
With the *******, and barrels of water;
And soon we emerged
From the plain, where the woods could scarce follow
And still as we urged
Our way, the woods wondered, and left us,
As up still we trudged
Though the wild path grew wilder each instant,
And place was e’en grudged
’Mid the rock-chasms, and piles of loose stones
(Like the loose broken teeth
Of some monster, which climbed there to die
From the ocean beneath)
Place was grudged to the silver-grey fume-****
That clung to the path,
And dark rosemary, ever a-dying,
That, ’spite the wind’s wrath,
So loves the salt rock’s face to seaward,—
And lentisks as staunch
To the stone where they root and bear berries,—
And… what shows a branch
Coral-coloured, transparent, with circlets
Of pale seagreen leaves—
Over all trod my mule with the caution
Of gleaners o’er sheaves,
Still, foot after foot like a lady—
So, round after round,
He climbed to the top of Calvano,
And God’s own profound
Was above me, and round me the mountains,
And under, the sea,
And within me, my heart to bear witness
What was and shall be!
Oh Heaven, and the terrible crystal!
No rampart excludes
Your eye from the life to be lived
In the blue solitudes!
Oh, those mountains, their infinite movement!
Still moving with you—
For, ever some new head and breast of them
Thrusts into view
To observe the intruder—you see it
If quickly you turn
And, before they escape you, surprise them—
They grudge you should learn
How the soft plains they look on, lean over,
And love (they pretend)
-Cower beneath them; the flat sea-pine crouches
The wild fruit-trees bend,
E’en the myrtle-leaves curl, shrink and shut—
All is silent and grave—
’Tis a sensual and timorous beauty—
How fair, but a slave!
So, I turned to the sea,—and there slumbered
As greenly as ever
Those isles of the siren, your Galli;
No ages can sever
The Three, nor enable their sister
To join them,—half-way
On the voyage, she looked at Ulysses—
No farther today;
Though the small one, just launched in the wave,
Watches breast-high and steady
From under the rock, her bold sister
Swum half-way already.
Fortu, shall we sail there together
And see from the sides
Quite new rocks show their faces—new haunts
Where the siren abides?
Shall we sail round and round them, close over
The rocks, though unseen,
That ruffle the grey glassy water
To glorious green?
Then scramble from splinter to splinter,
Reach land and explore,
On the largest, the strange square black turret
With never a door,
Just a loop to admit the quick lizards;
Then, stand there and hear
The birds’ quiet singing, that tells us
What life is, so clear!
The secret they sang to Ulysses,
When, ages ago,
He heard and he knew this life’s secret,
I hear and I know!

Ah, see! The sun breaks o’er Calvano—
He strikes the great gloom
And flutters it o’er the mount’s summit
In airy gold fume!
All is over! Look out, see the gipsy,
Our tinker and smith,
Has arrived, set up bellows and forge,
And down-squatted forthwith
To his hammering, under the wall there;
One eye keeps aloof
The urchins that itch to be putting
His jews’-harps to proof,
While the other, through locks of curled wire,
Is watching how sleek
Shines the hog, come to share in the windfalls
—An abbot’s own cheek!
All is over! Wake up and come out now,
And down let us go,
And see the fine things got in order
At Church for the show
Of the Sacrament, set forth this evening;
Tomorrow’s the Feast
Of the Rosary’s ******, by no means
Of Virgins the least—
As you’ll hear in the off-hand discourse
Which (all nature, no art)
The Dominican brother, these three weeks,
Was getting by heart.
Not a post nor a pillar but’s dizened
With red and blue papers;
All the roof waves with ribbons, each altar
A-blaze with long tapers;
But the great masterpiece is the scaffold
Rigged glorious to hold
All the fiddlers and fifers and drummers
And trumpeters bold,
Not afraid of Bellini nor Auber,
Who, when the priest’s hoarse,
Will strike us up something that’s brisk
For the feast’s second course.
And then will the flaxen-wigged Image
Be carried in pomp
Through the plain, while in gallant procession
The priests mean to stomp.
And all round the glad church lie old bottles
With gunpowder stopped,
Which will be, when the Image re-enters,
Religiously popped.
And at night from the crest of Calvano
Great bonfires will hang,
On the plain will the trumpets join chorus,
And more poppers bang!
At all events, come—to the garden,
As far as the wall,
See me tap with a *** on the plaster
Till out there shall fall
A scorpion with wide angry nippers!

…”Such trifles”—you say?
Fortu, in my England at home,
Men meet gravely today
And debate, if abolishing Corn-laws
Is righteous and wise
—If ’tis proper, Scirocco should vanish
In black from the skies!
She gives him his eyes, she found them
Among some rubble, among some beetles

He gives her her skin
He just seemed to pull it down out of the air and lay it over her
She weeps with fearfulness and astonishment

She has found his hands for him, and fitted them freshly at the wrists
They are amazed at themselves, they go feeling all over her

He has assembled her spine, he cleaned each piece carefully
And sets them in perfect order
A superhuman puzzle but he is inspired
She leans back twisting this way and that, using it and laughing
Incredulous

Now she has brought his feet, she is connecting them
So that his whole body lights up

And he has fashioned her new hips
With all fittings complete and with newly wound coils, all shiningly oiled
He is polishing every part, he himself can hardly believe it

They keep taking each other to the sun, they find they can easily
To test each new thing at each new step

And now she smoothes over him the plates of his skull
So that the joints are invisible

And now he connects her throat, her ******* and the pit of her stomach
With a single wire

She gives him his teeth, tying the the roots to the centrepin of his body

He sets the little circlets on her fingertips

She stiches his body here and there with steely purple silk

He oils the delicate cogs of her mouth

She inlays with deep cut scrolls the nape of his neck

He sinks into place the inside of her thighs

So, gasping with joy, with cries of wonderment
Like two gods of mud
Sprawling in the dirt, but with infinite care
They bring each other to perfection.
Lina Lotus Apr 2017
In wings of Amapola
I'm wrapped...a new seed found

Atop round midnight strands
circlets keep my dreams

I'm drunk, intoxicated
spring has poured right through my veins

I sit on dirt side dreams
The desert calls my name
For now, I sit, I wait
I watch through windowpanes

I watch my crystal world
Where butterflies are dancing
And hummingbirds are diving
They dive into white Lilies
then jump into Camellias
While Zinnias wait their turn

The lilacs look my way and tell me, "soon your turn...
Your turn is coming soon"
I smile...all I do
For now, I sit,
I wait... like Zinnias
wait their turn
Wrote when I had no choice, but to be in bed for daaaays! the longing to go outside, to feel the sun, to touch the soil
When awful darkness and silence reign
Over the great Gromboolian plain,
  Through the long, long wintry nights;--
When the angry breakers roar
As they beat on the rocky shore;--
  When Storm-clouds brood on the towering heights
Of the Hills of the Chankly Bore:--

Then, through the vast and gloomy dark,
There moves what seems a fiery spark,
  A lonely spark with silvery rays
  Piercing the coal-black night,--
  A Meteor strange and bright:--
Hither and thither the vision strays,
  A single lurid light.

Slowly it wanders,--pauses,--creeeps,--
Anon it sparkles,--flashes and leaps;
And ever as onward it gleaming goes
A light on the ****-tree stems it throws.
And those who watch at that midnight hour
From Hall or Terrace, or lofty Tower,
Cry, as the wild light passes along,--
  'The ****!--the ****!
  'The wandering **** through the forest goes!
  'The ****! the ****!
  'The **** with a luminous Nose!'

  Long years ago
  The **** was happy and gay,
Till he fell in love with a Jumbly Girl
  Who came to those shores one day,
For the Jumblies came in a sieve, they did,--
Landing at eve near the Zemmery Fidd
  Where the Oblong Oysters grow,
  And the rocks are smooth and gray.
And all the woods and the valleys rang
With the Chorus they daily and nightly sang,--
    'Far and few, far and few,
    Are the lands where the Jumblies live;
    Their heads are green, and their hands are blue
    And they went to sea in a sieve.'

Happily, happily passed those days!
  While the cheerful Jumblies staid;
  They danced in circlets all night long,
  To the plaintive pipe of the lively ****,
  In moonlight, shine, or shade.
For day and night he was always there
By the side of the Jumbly Girl so fair,
With her sky-blue hands, and her sea-green hair.
Till the morning came of that hateful day
When the Jumblies sailed in their sieve away,
And the **** was left on the cruel shore
Gazing--gazing for evermore,--
Ever keeping his weary eyes on
That pea-green sail on the far horizon,--
Singing the Jumbly Chorus still
As he sate all day on the grassy hill,--
    'Far and few, far and few,
    Are the lands where the Jumblies live;
    Their heads are green, and their hands are blue
    And they went to sea in a sieve.'

But when the sun was low in the West,
  The **** arose and said;--
--'What little sense I once possessed
  'Has quite gone out of my head!'--
And since that day he wanders still
By lake or forest, marsh and hill,
Singing--'O somewhere, in valley or plain
'Might I find my Jumbly Girl again!
'For ever I'll seek by lake and shore
'Till I find my Jumbly Girl once more!'

  Playing a pipe with silvery squeaks,
  Since then his Jumbly Girl he seeks,
  And because by night he could not see,
  He gathered the bark of the Twangum Tree
    On the flowery plain that grows.
    And he wove him a wondrous Nose,--
  A Nose as strange as a Nose could be!
Of vast proportions and painted red,
And tied with cords to the back of his head.
  --In a hollow rounded space it ended
  With a luminous Lamp within suspended,
    All fenced about
    With a bandage stout
    To prevent the wind from blowing it out;--
  And with holes all round to send the light,
  In gleaming rays on the dismal night.

And now each night, and all night long,
Over those plains still roams the ****;
And above the wall of the Chimp and Snipe
You may hear the sqeak of his plaintive pipe
While ever he seeks, but seeks in vain
To meet with his Jumbly Girl again;
Lonely and wild--all night he goes,--
The **** with a luminous Nose!
And all who watch at the midnight hour,
From Hall or Terrace, or lofty Tower,
Cry, as they trace the Meteor bright,
Moving along through the dreary night,--
  'This is the hour when forth he goes,
  'The **** with a luminous Nose!
  'Yonder--over the plain he goes,
    'He goes!
    'He goes;
  'The **** with a luminous Nose!'
Cary Fosback Mar 2013
I will not write you into poetry,
because you are worth more than these few lines deserve.
More than my metaphors could muster.
Beyond my simile.

I will not inscribe your name on my arm,
nor place you as a seal to my heart
lest my gestures be rendered meaningless.

Instead, I will trace my dreams
in circlets around your head.
I will draw upon the back of your hand
my good fortunes and pleasure.

I will seal each moment
                with the softness of your skin
and lay my anchor between the tips of your fingers.

I will mouth non-sense syllables,
and laugh out of turn.

All, in turn, just to see you smile.

Because in a world where everything seems fleeting,

this moment is forever.
Something forgotten in the hustle, bustle of life. In an age of computers and cellphones. Of being everywhere always and your presence visible for the world any time of day. Something essential: to just slow down. To just sit and be. And look. Like human beings used to, at one another. In the eyes.
Exquisite brown waves—long
circlets of silver moving over you!
enough with crumbling ice crusts among you!
The sky has come down to you,
lighter than tiny bubbles, face to
face with you!
                         His spirit is
a white gull with delicate pink feet
and a snowy breast for you to
hold to your lips delicately!
Lotus May 2013
The gush of water over rounded rocks
Elevate to echoes,
Echoes that echo in the space between
Tree and stone.
The sun rays are even and smooth
Wherever you turn.
Go round and round in a full circle,
It’s all even,
Except just before you return to where you started,
In that one split second and space of air.
The evened light from the sun
Will be molded differently here,
It will form tall slender shadows
That fall over the giant rocks.
In the shadows you can see
Two lovers, both ****,
Both having reached complete happiness.
Both their arms are around one another,
Holding the other’s shoulders and back like a conch.
The tops of their heads are crowned with
Fern circlets,
The green of which makes their skin look pale
And the hair on their head look light.
In this embrace, within the echoes between tree and stone,
These two lovers hold their ceremony,
One that belongs solely to them,
A secret from the world outside nature.
The sun rays bind them
And the echoes between tree and stone set them free.
Here they hold their ceremony,
With the fern crowns on their heads
And love within their beating hearts.
D.T. Lethe Jun 2010
I am dead.
Cloven flesh, spirit
hiding shadows, some place, no place, sow
below the flow of thought -
amiable calamity on the part of the
lethargic.
That sense faded west
tasting living sweat and I
can’t even feel the uncaring
caress of ill ideals seeping through
green-blue, all eyes gray through prismatic
roots.
Wheels touch paper wedges,
circlets adorning colored names to
beats and lengths of waves, crystalline
wrists intact but
can’t my legs catch the
drift?
The day fades salty
across my brow, spit up
gentrified goodbyes dancing the fine line
catching boldly to dusk,
webs of light casting Terra’s abortions into
night.
I feel adrift atop
bending winds soaring,
grasping at the sky;
I’m laughing crawling forward, snatching
feelings named in my self-absorbed
ways.
Oh! how it bursts forth!
Explosions off in the distance
tuning eyes to white and back again,
heaving ribs spitting venom,
ideas ***** abominations, I feel at home at
last.
I cry at simplicities
feet, todays imagined forays into
Death again foiled by a common
sense which refuses neglect, wresting
forever rest from out my chest, a wasted
breath.
And what to do with
indulgent Death?  What of
her bright eyes catching mine,
shaken thoughts grow cold
inside, so cold she warms my flesh for
tomorrows.
She gives him his eyes, she found them
Among some rubble, among some beetles

He gives her her skin
He just seemed to pull it down out of the air and lay it over her
She weeps with fearfulness and astonishment

She has found his hands for him, and fitted them freshly at the wrists
They are amazed at themselves, they go feeling all over her

He has assembled her spine, he cleaned each piece carefully
And sets them in perfect order
A superhuman puzzle but he is inspired
She leans back twisting this way and that, using it and laughing
Incredulous

Now she has brought his feet, she is connecting them
So that his whole body lights up

And he has fashioned her new hips
With all fittings complete and with newly wound coils, all shiningly oiled
He is polishing every part, he himself can hardly believe it

They keep taking each other to the sun, they find they can easily
To test each new thing at each new step

And now she smoothes over him the plates of his skull
So that the joints are invisible

And now he connects her throat, her ******* and the pit of her stomach
With a single wire

She gives him his teeth, tying the the roots to the centrepin of his body

He sets the little circlets on her fingertips

She stitches his body here and there with steely purple silk

He oils the delicate cogs of her mouth

She inlays with deep cut scrolls the nape of his neck

He sinks into place the inside of her thighs

So, gasping with joy, with cries of wonderment
Like two gods of mud
Sprawling in the dirt, but with infinite care
They bring each other to perfection.
Brutiful
Alex Jan 2014
We are all forever trapped in a prison of our own making. Hands tied and ankles heavy, there lie circlets where the kiss of our patient executioner's lips have left the skin stained red. It matters little, the poisoned despairing prisoner; it matters not the perilous journey, the illusioned destination or the immeasurable wear. Each and everyone of us is weighed down or tied to something-- a being, a duty or a cause. These, the cells we can never truly escape.

It comes in many forms, our personal Jailguard. Some wear them in metal: iron, gold, or silver. Some choose to be restrained by more delicate materials like a string of pearls, a measure of satin ribbon. The hand that seals the lock and throws the key may sometimes be ours or unbeknownst to the sufferer but it does little to appease the reality of its damnable existence.

No matter the material, the wearer, the cause.. Chains, like God or smoke or most anything supernatural... Are only as real as the faith you invest in its power.
Bohemian Mar 2019
Somewhere in a casket,
Random in my ransacked room,never opened.

I have your silhouettes stored,
Those which I presume a man would never behold.

I imagine your shoulders broad,
Splendid as a bridge across my glee,over which my eyes could be driven.

While I could be soaked in your chest,
For you be so taller.

Your skin being tight and thick,
Such as it already feels to be bugging in.

Your kurta being loose weighed down,
Revealing the sweated collar bones,and much of the rest.

Your complexion could melt upon me,
Wallowing under the sheets.

Your caustics could potentially outshine mine,
Up to the brink, your douchebaggery could shine.

You may sing anything, Ghazals or even hums,
Your baritone could lull me to sleep,with the heft and flatness of it,with some added tunes.

Our towns could be kilometers apart,or the residents even for light years,
Might be the same for our creeds.

Your breath could be a bower,
To the desert of mine.

Your eyes being shrunk crescent moon,
With the lashes too dense,but sight like an arrow piercing.

Your poetry could define,
And for being poet from you I wouldn't envy.

Your resilience could be better than mine,
And your adamant nature,suffice to repeat an act a million times,to achieve the desired.

Unlike me an ergophile,
You could draw a better parallel line.

You were allowed to smoke,
For it, I have an affinity untold.

Your profession be any,
Your passion be vehement,I promise then, to find you in graphite and mullar and heard in Mozart's.

Your hands masculine,with the veins bulged,
And circlets and totem wrapped,red and orange around.

Skies be your preferred roof
Under the rainy sky,the sharing of petrichor shall feel sanctified.

Your gales be a crescendo
Of delight.

Your age could be more to mine,
But things could be divine.
| Preferred but do not care |
James Jarrett Jan 2019
There are only a few more tears
And only for me
For I am gone
And weep no more
Five and maybe six
Fall upon the barren ground
And nothing grows there
Droplets in the dust
Bearing circlets of grey
Like the children
Of dead hope
And despair
Onoma Jun 2018
it's not up to you what
you're going to see,
sight swears by you...
and means it.
there's the well, there's you--
now draw because you're
thirsty.
you can see all the way down--
a cylindrical depth opens
a dark eye.
which opens a darker one--
the water begins to appear.
washing its wobbling face
to present to yours, circlets
of light peaking dualistically.
body languages, words
placed in conversations, and
silences adhere.
a Rembrandtian lighting descends,
leaves an organic trail of
freeze frame shiftiness.
there you are, there he is,
there she is...hit with the queasiness
of being Seen.
Sharon Flynn May 2019
Your eyes speak of clarity
intensity of fragrances
poured into a blue-hazel symmetry
infinity peeks out of your gaze
intense fragility closing
then opening eyes to your Spring
where flowers grow and blossom
irises that hypnotize
count the centuries within
circlets that paint with colors
upon the canvas of stunning hues
create masterpieces
with light and truth
behind the beacons of baby blues
wellsprings of knowledge
smile within a blue smile
frames almond-like
around blue velvet orbs
pictures flash inside
let us know who you are today
and what you might one day become
Contest to write about one of 13 sets of eyes of the hosts of a blog radio show.
Tyler Jun 2023
moon circlets
princess ponds
swimming dancers
encircling vines
brother covenants
knight lightning
asteroid horizons
shooting suns
lucrative lessons
God holes
black stars
Kung-Fu fighting
marital arts
greasy spaghnum
golden blues
silver dafodils
pearly burlesque
inspired inferiority
waltzing Merry-Go-Rounds
lasting laughings
word pairings
candy oysters
gumdrop fairies
***** lustings
tasteful tazers
indulgent ******
cookie *******
memory writes
lemony wipes
oaked A's
soaked reigns
whipped slaves
puram remains
reduced to a name
evasive adjectives
labeling lies
casting lines
keys to the system
dreams of my eyes
years of disguise
Mommy sighs
herald cries
meaningless dribble
poetry is simple.

— The End —