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Terry O'Leary Oct 2013
I’m stealing through a twilit realm, the ancient pale of Whereis,
passing chambers of an Heiress
(though no need to feel embarrassed)
through a magic mystic mirror hanging curtainless.

A glimpse near naked alleyways (denuded by the moon) ex-
poses Ghosts in gauzy tunics
carving symbols, round and runic,
in distended dingy dungeons of uncertainness.

Down misty streets of cobblestone – ancestral avenues –
patchwork paths consume my shoes
(chasing foggy curlicues
twisting, twirling by in twos,
floating anywhere they choose),
leaving footprints that confuse
vagrant wispy retinues
of the threaded wooden sticks that stalk a Puppet wandering.

Condensed in drops of fantasy, distilled in evening dew,
shifting Shadows I pursue
(wearing faces I once knew,
slipping slowly from my view)
turn their backs to bid adieu
leaving stars to tempt me through
Awful Tower residues
mocking treasures time outgrew
in the birth of old from new
framing pageants in review
midst the visions of the painted past I can’t help pondering.

Contorted candelabra claw the skyline’s walled suspension
caught in twilight’s intervention
– still unlit (in stark dissension),
therefore seething with a tension
in the quiet apprehension
of the Watchman’s inattention
to the night-time’s bold pretension
to her power, not to mention,
to her hyperspace extension
(far beyond my comprehension
of the sundown’s bleak dimension) –  
on exhausted beaten boulevards of foolish fretfulness.

Oblivion depletes me, voiding haste and hurried hassles,
me, a simple abject vassal,
trailing moonlit floating castles,
– fickle feet, but fingers facile
grasping straws and pendant tassels –
as I stumble through the rubble of forgetfulness.

I think I must be dreaming as I seem to see these things,
neath a sky alive with wings
(hear the Nightingale, she sings),
midst the whispered murmurings
soughed by Phantoms clad as Kings
pacing palaces in rings,
while their hapless footfall clings
to the sagging sinking sands of midnight’s splintered splattered ruins.

Entangled in the swirling leaves that spin in dizzy flurries,
(while the wind beside me scurries
as an ermined hermit hurries)
lurk my sleepy woes and worries
(glowing faint’ but growing blurry)
which, when plundered by the demon dusk, I’d left behind me strewn.

The forgery of Multitudes between the Silhouettes
(and discarded cigarettes,
neath the haunted parapets)
mock my lonely echoed steps
         – mock my lonely echoed steps –
(struck like clicking castanets
         – struck like clicking castanets –)
as I lace unlabeled lanes, erasing silence’ sullen treason.

The mossy stones condole with me (within the oubliettes
draped in blood and tears and sweat
sometimes dry, more often wet
quite like drops of anisette
sipped in moments one forgets
self-reproach and raw regrets)
midst the midnight minuets
and the purling pirouettes
of the fugitive Grisettes
(flaunting charms and amulets)
who, in flitting shades of arching bridges, linger longer, teasin’.

Along the When I’m drifting, but a stardust castaway,
weaving, threading by cafés
and deserted cabarets,
just a gauzy appliqué
on the river’s rippled spray,
chasing Fools along the way
through the strands of yesterday,
neath the throbbing peal of sobbing bells in spectral cloisters, quaking.

In belfries, high and haughty, alabaster Knights perform,
riding stiff against a storm,
steeped in cloudlike chloroform,
while the raven skies deform
and my shrivelled shovelled form
(rapt, while bats in steeples swarm
close to candles waxing warm)
hangs in hallowed hallways, hiding, shoulders weary, weak and aching.

Around me hover grinning masks, veiled visages of Queens,
feigning fatal final scenes
of demented doomed Dauphines
(against the scarlet sky they lean,
dreary dripping guillotines),
traced in opalescent ballrooms only tattered time remembers.

The hidden hands of Harlequins (while floating free, unseen
disbursing secrets sibylline,
amongst the manes of Halloween),
tap (on tumbrel tambourines
behind abandoned shuttered screens)
a dirge (with tattooed tones pristine)
for me (a heap in ragged jeans
in these crazy cluttered scenes),
trapped interred in toppled stone chateaus that dismal dawn dismembers.

Rogue breezes pierce, benumbing me, my ears and toes a’ freezin’
(in the Cockcrow’s purple season
as when nightmares should be easin’
and the Zephyr winds appeasin’),
so I reach for  rhyme and reason,
which endeavours leave me wheezin’,
caught impaled upon the jagged edge of early morning’s breaking.

The chill evoking silver chimes of Nodomain start knelling
as the searing sun looms swelling,
and their monodies hang dwelling
in the cloud drifts’ care, revelling,
but the Sandman’s too compelling
and my weariness impelling
– since my eyelids risk rebelling,
when they’ll fall, there’s no foretelling
for the starry sky’s past telling –
as I fade beneath the flaming forge while embers tremble, waking.
KD Miller Sep 2015
?
2/24/2015

  The magpies sang up in the rushes– it was the second hottest day of that winter, the gilded winter specific silver sun (for the light seems brass or golden other times) parading through the glass of cars and storefronts and painting people's faces as they looked through.

  This light seems to be extremely influential in visual memory– in fact, I daresay if it were not for the light I would not be writing this.
  Wallace Stevens stated plainly and succinctly once, sweetly ochre, that the origin of love is one often hotly pursued, but its fluttering fashion has so distinct a shade, at its birth, that one can immediately tell.

  And so speaking on the similar topic of distinct fluttering things, Adrienne Rich said herself that love is given much poetic attention- that lust, too, is a jewel. And is it not? It seems more at times that *** removed from love or emotional background is more interesting.

     After all, weren't princedoms in the past running to the brim with more ******* children than actual heirs? Weren't steppe chateaus and inconspicuous inns in the ravine crawling cities put in place for politicians' mistresses?

     Digressing, these were all thoughts sitting on my shelf sitting in the Mitsubishi backseat. "This space is... surprisingly big eh?" I remarked, puffing on a perique, and he'd laughed a little, and I didn't realize what I said, and so then I laughed more.

   Is it possible to separate the after *** phenomenon found in one stemming from casual circumstances from the one in an emotional commitment? The sweet subtleties came to the surface for the very first time since I'd last loved.

    What subtleties? It may sound puerile, but a particular kiss– we were discussing the epitome of innocence in nature and I said that the range is the only place I feel a riveting sense of Puritan complacency. With this he was so struck he kissed me- no more nor less than 3 seconds. It is a very particular kiss that cannot be described- not a ****** one, but one that proves humans are physically social animals.

   It took us both by surprise. This casual sense of security and flushed faces and closure that i hadn't felt with any other casual passive passing people, I felt, was closely tied to a platonic love and admiration.

  Dopamine and oxytocin are released upon ******. It goes back to my Freudian beliefs of human reproduction being exclusive Machiavellian. The reason that oxytocin is released specifically is because it bonds- in fact, it makes the partners want to physically stay together, so in the eyes of biology they can make more children.

  Funny how science works, and funny how that's the way things were programmed to be, however humans as insolent as always found aways around. But the body prevails and so the sense of casual confidence and closeness endured.

   There has never been an instance where I have been more sure that I am not romantically interested in a person, and yet I feel this platonic adoration as strong as my romantic feelings- of course there is something tweaked, if it wasn't, It wouldn't be platonic.
  I have to ask myself if platonic love challenges romantic love, or it is a completely different name all on itself. Or perhaps I  should consider that the reason I am looking at this so hazily was because of the silver winter light.
This is good writing, but a trash concept. Found in my drafts
Stone Fox Feb 2016
Feathers torn from the gaping napes of wind began to dwindle and resist in spite of the gravity crushing tsunami.

Trapped in a facade of  impersonating flowing rain every feather dived to their unplanned descent.

All drowning in the nightmarish truth of actually being smothered in tears of a blue eyed-giant as they fell from the sky of that big blue eye’s, dead decapitated face.
A face severed on a head that hid a heavenly chateaus inside a false impersonated globe forever resting among the stars.

Inside housed all kinds of dimensional beings rarely ever seen but all known to possess legendary archaic features.
They mastered all the realms and lastly rule our skies.
They are cold warriors of combat- handled by their deadly grace, poisonous envy,  blinding halos, and suffocating wings…

Oh such undeniably divine things!

First plucked from you, then stolen from me!


A conscious belief known only by those who wish to remain unseen

as we become the common theory of all your pretty inanities.
Jason Jan 2021
I am not inconstant,
But forever evolving,
Not closed off,
But not always open.
I expose my heart
Only when the sky darkens.

I build toothpick-towers,
Tantalizing torments
Taller than trees.
Chateaus of cards
Whose hallowed halls
Visitors seldom peruse,
And even more rarely see.

Young and foolish and bold,
Thoughts all over the place,
I spoke like a shotgun.
My opinions explosions
Verbal projectiles
Going off in your face.

I lived life by moments,
I existed only then,
Only there.
Motivated by love, yes,
But also by pain
And by fear.
Each memory
Of each moment
Represented
By each fallen tear.

Now older and wiser
-That's either a laugh or a sin
Haunted might be more apt-
I find I write
Too close to the skin.
A subtle blade,
Flirting, teasing,
Razors edge longing to dive in.
Vampiric voracity
Obscured by imperfect opacity,
Seeking the vitality within.

Yet,
What ****** force
To unleash?
What uncouth beast
Would I be?
Devouring
Ravenous,
That which sustains me?

Better to starve,
To choke on dust,
Than to make that first ****.
Dooming myself
To an eternal enmity
Against my own will.

I've heard it said that
Wisdom is the product
Of suffering and time.
But what dear cost,
What dire punishment,
When youth is the crime?
So I'll try to balance the scales
With love and lessons learned,
And relinquish remorse to rhyme.
© 01/26/21, © 02/09/21 Jason R. Michie All Rights Reserved
kj Foster Sep 2014
I spent my whole life trying to escape these old tracks.
Pining for a valley,
Lined with trees,
Cozy little chateaus,
Topped with tilted puffing chimneys.
The bed I dreamed of,
holds my rigid body.
I can't sleep.
I traded "from",
for "going".
Every night,
I still miss the trains.
Sara Brummer Jan 2019
Between the butterfly and time
there is a space for bumblebees
to cultivate the clockwise rhythm
of the sky, applying prose that
might provoke a quantum leap
to patches of baroque.

Between chateaus in Spain,
there’s room to contemplate
debris that might design
a whole new attitude toward
storyline.

Carefree, a poet might create
a category quite apart,
a gratifying rhyme
to warm the heart.
Which culinary genius can combine
the bittersweet of artichoke with wine?

When shall the force of fireflies
unite with world to advertise the value
of an enterprise producing wholesale peace
available for sale or for lease?
dichotomous Sep 2020
the rust on these walls
has begun to beckon and call
me back to a state
of wanting never to look back
so young and obscene

my cold brought by warmth
is stagnant as times shuffles forth
to new chateaus uphill
where the numbers live in safety
on beautiful screens

I'm still there when its storming
listening to the bells and ghosts swarming
as echos in these halls
still alive in the ways of this building
growing old and mean

Our tears have solidified to rust
now far too late for most of us
to reclaim forgotten comforts
cast aside with indifference
in that foolish scene

but those walls still stand in concrete
rotting away in summers heat
still guarding the memories
cast aside for sake of forgetting
ever being thirteen
Mateuš Conrad Apr 2021
22 hours ago LOL! I'm not Asian at all though Asian cultures are so rich and beautiful, their mythology interesting and less convoluted (perhaps?) than Greco-Roman mythology. Norse mythology, though, is interesting as well though just as fickle. And Egyptian! Of course, that stems from the months that I spent reading too much Rick Riordan. Either way, race isn't relevant between us. You're British. I'm American, and definitely not a "bad" person. Plus, not all ****** encounters are worth a moan or a groan.

  11 minutes ago you know: every time i para (i new term i picked up from someone else's comment... para implying paraletic) i have to wonder: what was it that i wrote that wasn't on canvas that might haunt me the next day... but you did say you don't get suntans... i went out with this russian girl once... very tsarist and all who did think that having a suntan implied you being of lower class... lower rank... because the aristocracy were all feeble vampires that hid in chateaus and what not... not exactly screaming vitamin D! just an idea: if you don't get suntans... i presumed... well... perhaps: your skin just doesn't do the copper-serpent trick of trickling through down to auburn / whiskey when the sun has its play with it... unless raw-ish ginger and freckle by freckle: it doesn't matter... you porcelain would be lobster by the end of it... all peeling and... eczemic...but i always have his nagging sensation in the back of my brain like i'm somehow Tony Soprano the narrator having "second thoughts"... sentimentalist through and through... mythologies... you cited a few but it's not like you would cite the Slavic mythologies... then again... what's there to "cite"? Rick Riordan... never heard of him... too much time spent on Heidegger, Knausgaard and Dickens, lately... three books i'm reading simultaneously that i don't seem to "want" to finish since... a little bit of this, a little bit of that: my grandfather having died and me being close to him... blah blah... ponderings VII - XI, my struggle vol. 4 & the Pickwick papers... respectively aligned to the rubric of authors... you're right... race isn't relevant... but saying you don't get a suntan... or can't... sort of enforces me staging a bizarre comment like this... i didn't jump to the logical conclusion of why you don't suntan... you can't? or like i already cited this one Russian exclusivity of: only serfs and farmers have suntans... it's a lower class "thing": we chateau dwellers like ourselves... porcelain skinned... anaemic... you're absolutely right in confessing that race isn't important... antics with a black girl i will not summarise... the self-evident works of piston(s) and lubricant of oysters... but unless you've been living under a rock... what's with all this attack on "abstraction" regarding pronouns and grammar... in general? it's like being attacked on two fronts: it's like the shared invasion of Poland by Germany and the Soviet Union... i fall back on race because it's so... charismatic at times that it becomes unavoidable...  it's like detailing the exclusionary inheritance of a daffodil... or a giraffe... "race" wasn't important until the point of: people having other people telling them "what languge is appropriate" and "what language isn't appropriate"... come on... you're not wed-locked (whim-locked more like) to this pre-suppositional stigma of fearing the tag "bad": i hope you're glad to still allow yourself a tendency to sometimes denote yourself as: person... i recently filled out the census for stats... i was also recently applying for a job as a prison warden... race popped up: or how i'd identify... i had come to encounter a neu-begriff... being American you know of Italian-American compounds... the stereotypes... Irish-h'american... blah blah... British is such a joyous term... god forbid i'd "identify" as English... Anglo-Saxon... so i kept the prefix... Anglo... and attached... well... have a look: Anglo-Slav... i don't see how some people feed the etymological lie that there's somehow an "E" missing... of a collective of a people that competed with "your" tribe during the cold war... bogus points for me as being of a people fudge-packed between the two: of the most... inglorious ******* of events... hell... i sometimes wish i was Croat or one of those Balkan ******* juggled between Rome, Byzantine and the Ottomans... heritage... i best compose myself: last time a Muslim identified me as a ******* ***** at the Reagent Park mosque while selling me prayer matts i was like: i'll let it pass... perhaps i have a more pronounced occipital bone... but i agree: race is not important... let alone in how language is used... a zebra, being a horse... is not exactly stripe material... a leopard doesn't have dots... the tiger doesn't have stripes... they're all cats... how about the grammatical issues concerning: the big cats don't ******* meow? it's not like i was going to make a joke about cushion-*******-lips either... while chalk girls torture themselves with imitation botox: duck... ****'s sake... came the world of chalk and choccie and all the world's masochistic mantras hit a ******* high note for the castratos to sing about! race isn't important: but calling a square a square, an apple an apple... a tiger a tiger: somehow bloodily obvious, is... i can get with the project of abstracting man (woe... +man)... but when the attack comes within the confines of the asylum of ******* grammar & algebra?! what would i otherwise resort to? when i drink to excess & only have a canvas to work with... fine... but when i faced with someone directly: i became doubly drunk on conversation... i'm somehow assured of being race-baiting... like reimagining dragon chasing: down the steeps of "old"...h'america... which part? i always imagine myself living a life of fullest fulfilment living in one of those... fly-over states... in some ******* where i can become my truest taoist...beside the current tongue i've acquired.... the past tongue i want to: less than merely forget... i sometimes thought: bilingualism could be an advantage? isn't mandarin the vogue-"prose": these days? i'm glad, though... i was certainly drunk... but i spelled out the most fathomable discretions...here's to you: and (a) tomorrow!
jughead jones Dec 2020
All of my Merry Men,
Robbed from Barbie and from Ken
Because of their seemingly immense wealth
As fair models of Mattel

But my good men of Sherwood,
Failed to comprehend
That Barbie and Ken spent mounds of money
And hills of cash on designer clothes
Designed chateaus, and designated drivers

In fact Barbie and Ken were in debt
In debt up to their plastic foreheads
If only I had consulted with my Lady Marian
For she understood well the materialistic ways
of these celebrities of American fame

And us Englanders have no need to
Plunder the goods from a doll
Whether in Willows or Wyoming
And thus I set my boys straight

— The End —