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Dean Sep 2014
not exactly a poem, sorry.

The turnkey was the fumbling sort, the sort that could be taken advantage of, Carver never thought about it more than a passing fancy. The kind of thought that was dangerous, it wasn’t a ten-year stretch after all. Popping the old guard and making a break could work, would work.  A couple of years is nothing in this joint, they told him, once you get a few connections in the yard, get on a baseball team, two years is a breeze. You might even miss it all. Carver was hesitant to heed the trappings of these old relics, they were just counting the days to nothing. He knew that very well might’ve been their prerogative, but for him there would always be that something. A lonesome post-office box, containing the culmination of his life’s worth. They didn’t know about it, none of them knew, his brother, his slick-*** lawyer, not even those rats, those ******* rats that got him in here. At the time he resolved that he would part with that secret of his post office box for no less than his life. Whatever dissent had marked him as the fall-guy passed him by. Complacence led Carver here but it would never happen again. No more concessions next time.

Cellblock B wasn’t devoid of small charms. The periodic mewing of this crooner or that, with what seemed like a common intonation amongst them, all tapping from a collective unconscious. The window with a view of the yard, although mostly obscured by another cell block, was still something. Lately he had been privy to comparative bliss, his erstwhile roommate having to nurse off in the infirmary the sepsis resulting from a shiv wound after an ill-judged altercation in the mess hall. The daily motions had long since become routine, Carver thought that in many respects, this was not too dissimilar from his army days. Avoiding the unsavoury types was the key to surviving both.    

Conversations which abounded lacked privacy and tended toward the trivial, but listening in did occupy a sizeable chunk of Carver’s day. Someone, Carver was fairly sure it was Fuzzin two cells down was wondering why he was growing more hair in his right underarm compared to the left, and was resolute in uncovering the mystery. Sal in the cell to the left was perpetually reciting his conquests, ****** or otherwise, to anyone that would listen. “I was in Maine for a year and a half. Lobstering up there. I mean, what else is there to do. In Maine....” A collective murmur took the cellblock suddenly, stirring Carver out of his reverie. Sal dutifully motioned and whispered “cell inspection”, Carver did the same for his neighbour. The deputy warden for cellblock B was a short rotund man Williams, who as appearances go, looked like he should be better acquainted with ledgers and stock tickets than prison walls, but was a lax sort, permitting what modest allowances someone in his position had the leeway to do. I have heard harmonicas and guitars chiming after meals regularly, unheard of in any other cellblock. Thomson’s mattress was tossed down the way...of course every now and then a few examples had to be made to appease the warden, Thomson’s codeine addiction not doing him any favours by way of effective concealment. I exhaled a sigh, not so much in condolence as boredom, as even the strewn mattress and its assorted artefacts was becoming as familiar as the yellowed walls and the evening chill.

It was the 14th and Carver was due for a visitation. 9:30a.m. and already in the throes of being worked up, he was sure to be getting worked upon soon enough. Carver cracked his knuckles against the edge of the table in the visitation room, an apparent thick black line bisecting the table with ‘hands behind the line’ mirrored on each side. “Hello Maurice.” Carver winced, knowing that she was purposely diving into ways to put him ill at ease, commencing with the upperhand, by calling him Maurice the name he hates, not Maury. “How’s life treating you?” The smirk barely contained in the pinstriped pencil skirt, her hips less so.  “Yeah okay, it’s okay. Great to see you here.” And he meant it. Not that her presence normally roused anything like that sort of sentiment, their domestic life was a burned out cinder even before he was busted.  But there was a particular warmth in her notes, just an untouched civility foreign in place like this, tending to be drawn out from the inmates one gesture at a time, often for good. Carver thought to 8 months prior, camped at opposite ends of the house, their wares might as well have been labelled ‘his’ and ‘hers’. Evenings were carefully orchestrated, where arcs in their lines of vision only merged for the briefest of instances and only as a measure to avoid any dreaded physical contact. The prospect of *** was a joke, Carver well aware that she was ******* at least the grocer and his broker, but felt better for it. One less unfulfilled expectation he had to relieve. “I’d ask how you’re dealing with the weather, but I guess you’re keeping pretty warm these days.” She half-stifled an involuntary scoff, “You know I don’t need to hear this now, Sam is due for the dentist at 2.30 and I want to get him all washed and ready, I’m not here for your games.” “So who is it today? Talbot? Someone from the club?” Carver questioned without a hint of animosity. She breathed a defeated sigh, “You know I’m not going to talk to you about this here.” Carver jolted, the seat raised an inch or two on the linoleum, “I’m just asking if you’re ******* around, and you don’t give me a straight answer so what do I have to assume huh?” The guard was giving allowance more than he had any obligation to, but Carver’s voice was raised enough to disturb a few of the surrounding groups. He moved his way over, “Hey, what’s the ruckus here Carver, keep it down okay. What’s this box up here, move your hands back, c’mon, you know the rules. Diane piped up, “It’s just a taint, sir.” The guard prodded it with his baton, quizzically. “hmm oh yes? I thought those were seasonal, okay just keep it down.”

Carver motioned to the box, “Why did you need to bring that here? I don’t need you parading my taint around. You know I’m trying to get parole in three months? What have you done with it?” “It’s just a taint.” “Yeah, but what’s with all this purple and green stuff here? All these spiky bits, I don’t remember that.” “Well, two months ago you asked for the taint and I’ve got it here, so what else do you want from me.” Carver listened to her speak but looked passed, to the frosted glass, wishing that a window was all that really kept him between here and there. “Christ, I’ve had enough of this, I come all the way down here, spend fourty minutes caught in that dratted excuse of a highway, and you won’t even thank me for bringing your stinking taint along. AND, just last week you were all taint-this and taint-that, why do I bother.” She flung around just slow enough for Carver to observe her figure it in all its majesty. A drop in his stomach, as she moved off with authority. “Wait!” He flung himself towards her. “Please...I’m sorry....please....just...leave the taint.” “Here just take your **** taint, I hope you’re thinking of it when Sam and Eliza are eating that canned **** and asking what their father is doing so I can be sure that I’m explaining what a worthless **** you are and be accurate about it.” The words fell on heedless ears, Carver and his taint. The taint and Carver.

Fuzzin was moving back to the cellblock alongside Carver, “Buddy, your wife has some ***, you better hope my parole don’t come through before yours.... say...what’s in the box.”
Let’s face it:
Vietnam was a purge.
An undeclared yet official
War on largely Black, Chicano,
Mostly urban, poor White-trash--
Any of that unlucky-cohort--
Coming of age, mid-60s America.
A purge yes, but 'Nam was also an
Intelligence Test:  them that went,
Particularly those who never returned,
Those scoring at least two standard deviations out,
Outside normal, therefore inferior genetic make-up,
Those the country could surely do without.
“Three Generations of Imbeciles Are Enough.”
www.genomicslawreport.com /.../three-generations-of-imbeciles-are-enough... So wrote Justice Oliver Wendell Holmes, Jr. in Buck v. Bell, a 1927 Supreme Court case upholding a Virginia law that authorized the state to...”
I couldn’t have said it better, Justice Holmes!
The Nam: those of us who did survive were
Nonetheless, mangled and traumatized,
In both body & spirit.
We knew right away we’d been duped,
Particularly those gun-friendly southern boys,
Hunting ***** for sport and Country, now contemplating
Remorseful acts of mass homicide 40 years ago.
The real poindexters of our generation, of course:
Got a medical deferment, or
Stayed in college, or
Went north to Canada, or
As I did, joined the Coast Guard, unfortunately,
In addition to my nightmare Indochine,
My personal Disneyland Jungle Cruise,
Based on Joseph Conrad’s
Congo Nightmare Novella--
Heart of Darkness.)
And Józef wrote it in English.
Which was for the native Pollack,
His third language after Polish & French,
Which is probably a good time to
Encourage each & every young punk
On the cellblock to make good use of their time:
Learn a foreign language., e.g.
Why not Spanish?
Given Obama’s farcical, unrestricted border policy.
Soon to be a pervasive lingua Esperanto.

My politics? Sign me up for a little T.A.D.,
Manning a 50-caliber machine gun on Donald’s Wall.
Donald Trump:  A Modern Hadrian?
Don’t get me started on politics.
Take a Spanish class.
Finally, you’ll know what those
Grease-ball Mexican landscapers are
Saying behind your back, right in front of you.

After the Army, & after college on the G.I. Bill,
That’s when I joined the Coast Guard.
OCS in the 1970s was a difficult (read:
Lower Standards) recruiting time for
The Armed Forces of the United States,
Including the U.S. Coast Guard.
OCS: The Oklahoma Cook School we joked.
Officer Candidate School: graduating
Nautically savvy 90-Day Wonders,
Inculcated with conduct becoming &
Other archaic, chivalrous values,
Imprinted with Chain of Command obeisance,
Etched deep an acolyte’s primer on class-consciousness.
Blimey! What a difference after my previous
Two years stint as an Army grunt which leads me to
An overwhelming question: Why do Officers live
Better than enlisted pukes?
The Military: last refuge for scoundrels,
Escape artists & last bastion of medieval feudalism.
Officers! Welcome to the Aristocracy.
Mazel Tov,
Bienvenidos!
It's the Class Structure,
The dominant organizing principle for humanity,
Since the dawn of human history, perhaps longer,
Consider, if you will, “Alley Oop.”
“Alley Oop” Lyrics | MetroLyrics: (www.metrolyrics.com) “There's a man in the funny papers we all know . . . Eats nothin' but bearcat stew, A mean motor scooter & a bad go-getter . . . King of the jungle jive.”
Even longer if we go troglodyte era,
Some mean-mother, some swinging
Foucault’s pendulum set of *****,
Some club-wielding Duke of Earl—
Simply put: some Alpha Male,
Sticking it up whatever polygamous
Multiple Missus *** just happened to be
Bending over within my field of vision at
Any given moment.
I am the block’s biggest, baddest, meanest cat,
Made right by might: physical power &
Will to use it.

Then came Divine Right: Dieu et mon droit.
French for “God and my right.”
Conceived by the shrewd ones,
Those staying out of trouble,
Cringing in the corner of the cave, AKA
The inherently weak, concluding, at last, with
Marx: “The history of all hitherto existing
Society is the history of class struggles.”
Cut to me: tempting his anger with my white-knuckled grip and words so honest they could make a saint scream.

Cut to him: choking on his own twisted tongue and front-door fear.

Cut to me: still holding the reins of the wreckage, still not letting go-

Cut to him: saying sort yourself out, saying he’s broken women far stronger, saying anything he can to turn me against him, saying he’d pay for my own heart to be sealed.

Cut to me: a daisy in my mouth, a blackbird in my hand, a shattered window in my chest. I have this feeling that I'm not supposed to be here, I have this feeling that I’m only half-way through this story.

Cut to him: six feet tall, and each one a cellblock of quiet anguish.

Cut to me: cutting my feet on breaking branches, scraping my fingers on the rough bark of a tree. The poems don’t say anything, the tears never come. The rain falls in the wrong places, the daffodils die for the wrong reasons.

Cut to him: new job, new state, new life. Starting from scratch but still scratching at the itch that looks like me, still licking wounds from the daggers aimed at my hope that ricocheted back to his own. What does he do with his hands when he thinks of me? How does he deal with his guilt when it claws up his throat and he’s afraid to spit it out?

Cut to me: dreaming him with long hair. I don’t know where to imagine him when I imagine him; a topographic map of unknowing in my mind- an uncured landscape and rough terrain. I see him as a question mark in the wilderness; forging his own labyrinth of twisted truths and hop-scotching the minefield he planted.

Cut to him: Not really in the wilderness, probably in a condo in a mid-sized city. I think if he meets a nice girl who tags him in her Facebook posts, I’d have to **** myself.

Cut to me: demolishing the both of us, casting his secrets like seeds in the dirt, watching scandal bloom, and his character rot in the high noon sun.

Cut to me: imagining annihilation, holding his hand while leading us to slaughter, destroying us both, and having a marvelous time doing it. I’d make sure they slit my throat first; he’d have to hold me while I bleed out, stroke my face as it loses color, and tell me it’s going to be okay as I fade away.

Cut to me: doing none of these things. I don’t have it in me; when I told him I’d never hate him, I meant it. Wading through summer defanging the snakes in my belly, hoping he’s declawing the tigers in his mind. I won’t admit that I’m waiting, but the story's just half-told. Our plot is paused, and I’m sitting alone, but what if it’s merely intermission, and he’s just at the bar, getting us drinks?
James M Vines Dec 2016
The sound of keys echo down the cellblock. The footsteps of the officer follow in kind as time passes at a snails pace behind iron bars and stone walls. Looking out of a ***** window you get a sense of the hopelessness as the grey skies pass and the rain falls into a barren and lifeless yard. Nothing grows down there but a few scraggly weeds. It feels like your in a pressure cooker and that something has to boil over sometimes. Yet the days drag on and the bland colors of cement and steel drain the life out of you little by little. You grasp at every thread of sanity you can imagine, but in the end all you hear is the familiar echo of keys and the foot steps of a never ending watch. The pieces on the chess board occasionally change, but the game remains the same. Sitting behind the walls and fences stuck in a lifeless room, waiting on something to change as you die a little each day.
James M Vines Dec 2016
You see the images on the T.V. and you think you know what it's about. Hollywood sells an ideal but none of it is real. The stories cannot relate the way it really feels. When you get caught up in the game, then you hit a brick wall, it is not what you think. One moment you are living a mile a  minuet, the next you come to a dead stop. You wake up one morning and your sitting idle in a cellblock. You have some person walking around with a set of keys. The officer now controls your freedom, your choices are taken away. You look back on how fast the good times went. You see the easy money and wasted time that you spent living on a fast track to no where. The door has closed behind you and now your there. The paint ages along with you as you watch the drab walls and steel bars, you can hear sounds of the outside world when you do get to the yard. Now a decade in, you are frozen in place. You are like a stone just sitting waiting for something to come along. The cracks in the paint remind you of how many coats have been put on since you got into the cell. The truth about doing the time, is that it can be a living hell.

— The End —