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Carl Halling Jul 2015
my paris begins with
those early days
as a conscious flaneur
i recall the couple
seated opposite me
on the metro
when i was still innocent
of its labyrinthine complexity
slim pretty white girl
clad head to toe in denim
smiling wistfully
while her muscular black beau
stared through me
with fathomless orbs
and one of them spoke
almost in a whisper
qu'est-ce-que t'en pense
and it dawned on me
yes the young parisienne
with the distant desirous eyes
was no less male than me

dismal movies
in the forum des halles
being screamed at in pigalle
and then howled at again
by some kind of madman
or vagrant who told me
to go to the bois de boulogne
to meet what he saw
as my destiny
menaced
by a sinister skinhead
for trying on tessa's
wide-brimmed hat
getting ****** in les halles
with sara
who'd just seen
dillon as rusty james
and was walking in a daze
sara again with jade
at the caveau
de la huchette jazz cellar

cash squandered
on a gold tootbrush
two tone shoes
from close by
to the place d'italie
portrait sketched
at the place du tertre
paperback books
by symbolist poets
but second hand volumes
by trakl and deleve
and a leather jacket
from the marche aux puces
porte de clignancourt
losing gary's address
scrawled on a page
of musset's confession
walking the length
and breadth of the rue st denis,
what an artist's paradise
(as juliette once wrote me).
ghost queen Jul 2020
Séraphine, Vignette nº 7, Le Cercueil

I was on the phone talking to the museum. Ground-penetrating radar had found what looked like a coffin at the Lutetian layer, and they were in the process of digging down to it. I was telling Sylvain to use the new 4K video cameras to record every detail when the doorbell rang. I’d left the door ajar, knowing Madame Pinard, the concierge was bringing by an adjuster to inspect and cut a check for the repair of the leak in the ceiling that had washed away chunks of plaster, now laying on the hardwood floor in the bedroom, exposing the wooden rafters of the attic.

“May we come in Monsieur,” she shouted from down the hall in the foyer. “Yes, Madame, please come in,” I shouted back, with more exasperation in my voice than I wanted to express. “I am on the phone with the musee Madame, please show him to the bedroom.”

I saw Madame and the adjuster come in out of the corner of my eye and turned my head to see them as they walked the stairs to the bedrooms. The adjuster was not a man, but a woman, which was surprising in France. The first thing I noticed about her, was her wide round birthing hips, what the kids, called thick. She wore a long-sleeve white silk blouse, black pencil skirt, and the traditional, obligatory Parisian back seamed stockings. I didn’t make out her face but caught sight of her red hair tied in a tight bun on the back of her head, and the milky white skin of her neck.

“Damien, are you listening,” said Sylvain, the dig manager on the other end of the line. “Yes, I replied, “l was distracted by my landlady bringing an adjuster into the apartment. Yes, I’ll come down as soon as they leave.”

After a few minutes, Madame and the adjuster came back down. The adjuster walked into the foyer to wait. Madame came into the living room and said she’d have a crew out tomorrow to start repairs. As madame turned and walked down the hall, I got a better look at the adjuster. She was pure Celt, with red hair, white skin, dark brown doe eyes that looked black, high cheekbones, and the sharp straight nose of a Greek statute.

Besides her stunning beauty, I noticed her necklace, a traditional golden Celtic torc, which signified the wearer as a person of high rank. I’d never seen a person wearing one. I’d only seen one on a statue, The Dying Gaul in Le Louvres. How so very interesting I thought to myself.  

As she was talking to Madame and turning to leave, she made eye contact. She tilted in acknowledgment and goodbye. I nodded back and she was gone. I wished I could have gotten a chance to talk to her, maybe even ask her for an aperitif at the corner bistro. Oh well, c’est la vie.

-------

I went to the dig at the La Crypt at 12:30-ish talked to Sylvain for a bit and went down to the lower levels to see it for myself. The area was gridded out and several cameras on tripods were recording. The team was within centimeters front the top, and so put down their trowels and used a high-pressure water and suction hoses to remove the rest of the topsoil. The top came into view, the excess water was ****** away. Sponges were used to clear and clean away the mud.

The stone was obviously Lutetian limestone, finely sanded and polished. The lid was craved, which first glance, looked like Norse runes and one Celtic knot. “Take pics and send them to religious studies,” I said half to myself, half to Sylvain. How strange to have Norse and Celt iconography together I thought to myself.

It was late when I exited the metro station. The air was bitterly cold, my breath appearing and disappearing around me like a mystic cloud.

I was tired, exhausted from digging, and was seeing things in the corner of my eye that I chalked up to aberrations of a fatigued mind. That is until I walked past the Boise de Boulogne. In a dark recess, along the tree line, I saw what looked like a faintly glowing woman in a white dress. My first reaction was horror, remembering all the monster movies I’d seen as a child. Then quickly, my adult mind kicked in and rationalized it away as an artsy late night photography session, which is common around Paris. The sting of the cold refocused my attention and I hurriedly resumed my walk home.

I was tired, muddy, and had to take a shower before throwing myself into bed. I showered, dried off, and pulled back the new, thick duvet I’d bought for winter. The moon was full, beaming softly, barely illuminating the dark bedroom, as I cracked opened a window to let a small amount of fresh cold air into the humid stale room.

I slid under the duvet. I liked the cold, it reminded me of camping in the mountains with my old man and being snug in our down sleeping bags as we talked half the night away. I quickly fell asleep.

I half awoke, sensing a presence. I opened my eyes and saw a woman, ****, standing at the end of my bed, enveloped in a faint blue luminescence. She looked at me with big doe eyes. I watched her watching me, trying to figure out if I was dreaming or not.

She crawled on to the bed. I couldn’t feel her as she made her up the bed. She straddled me. I saw glint around her neck and saw she was wearing a torc, and realized who she was.

Her face was centimeters from mine. Her eyes burned with ferocity, intensity, and anger. I looked back up at her, fear welling up inside of me. She looked down at me. Her penetrating eyes, looking into my soul. I could feel her in my head, my mind.

She felt my fear, and without a word, just the look in her eyes, reassured me, calmed me, and my body and mind relaxed as if a nurse had given me a shot of morphine.

She touched her lips to mine, and felt the heat of her beath, smelled her dewy scent. I didn’t move. I knew I was prey. I knew what she wanted, and let her take it.

She slid her tongue into my mouth, and I gently ****** on it. She ****** up my lower lip, biting it playfully. She tasted sweet, fresh, like spring water. I couldn’t get enough of her. I wanted more. I kissed her harder, deeper, and felt myself slide to the edge of sleep, no longer sure what was a dream, or what was real.

She pulled back the duvet, grabbed my ****, and stroked it till it was painfully hard. She kissed it, put it in her mouth, and ****** it. Her head bobbing up and down. She’d stop, bite the head, and use her teeth to scrape up and down the shaft till I winched and yelled out in pain.

I started to moan, my body tightening, and arched, thrusting deeper into her mouth, coming as she raked her nails hard down the side of my chest. To my surprise, she didn’t spit out but swallowed my ***, licking excess from around her lips.

--------

I opened my eyes and was blinded by sunlight streaming in through the open windows and curtains. What the ****, I thought to myself, I never sleep this late. It was always dark when I wake. And the birds, chirping in the trees outside my window, were loud, and grating on my nerves.  

I slowly got out of bed. My body ached, my lower lip hurt, and my **** was sore. I grabbed my **** and immediately released it in pain. It was raw as if I’d had ***. I was definitely confused. My eyes darted from side to side as I tried to make sense and remember last night. I left the dig, came home, showered, and went to bed.

I trudged to the kitchen and made coffee, all the while, racking my brain for some clue as to why I felt like ****. I poured a cup, leaned back on the counter, and sip the coffee. I shook my head, placing my hand on my hip, and felt a sharp burning. I looked down and saw blood on my hand and side. I went to the bathroom mirror and saw fingernail marks down both sides of my chest. I just stared.

I had no idea, no clues as to how these happened. I jumped into the shower and washed off, bandaged up the bleeding scratches with paper towels and tape, dressed, and went to the cafe at the corner.

Despite the cold, I sat on the terrace, ordered coffee, bread, butter, and jam. I looked at my phone. It was 8:08. I looked at my text messages and emails for some clue as to what happened last night.

Breakfast came, and I sipped the coffee, staring out into the street. The waiter walked past me. “Oui madame, what would you like this morning,” he said. “Cafe et croissant,” she said. The waiter turned and walked back inside. I turned my head to the side for a quick look and blinked twice. It was the redheaded adjuster from yesterday.

“Bonjour M. Delacroix,” she said. “Bonjour Madame,” I instinctively replied. There was an awkward pause.  “I am Brigitte, Brigitte Dieudonné,” she said softly.

We small talked over breakfast and when I tab came, paid, and said, “I headed to the office.” “It is the weekend monsieur. “Yes,” I replied, “I work at an archeological dig on Ile de la Cite. The crypte.” “I am headed that way myself, do you mind if I walk with you,” she asked.

We walked to the metro station, down the stairs, through the turnstile, and onto the quay. The train came, the doors hissed open, and we strode in. The train was full of Chinese tourists and it was standing room only. I grab a pole and Brigitte did the same as she squeezed up beside me.

The train jolted forward and Brigitte bumped into me. As the train smoothed out, she kept leaning into me. Her derriere in my crouch. I could feel her body through her coat. I was getting turned on. As the trained curved around a curve, it rocked back and forth. Her *** bumping and grinding against my now hard ****. Could she feel my hard-on through the coats? She half-turned her head a gave me a coquettish smile. She knew I thought to myself.

We exited La Cité metro station, on to Place Louis Lépine. Before I could say anything, she said she’d like to see the dig. “Sure,” I said, and we walked to the La Crypt. We walked down the stairs to glass doors and pass the touristy exhibits and displays, to the back, behind the green painted plywood wall. Sylvain and several grad students were standing over and around the coffin. Two of them were in the pit setting up a portable x-ray machine, one with a still camera, another with a video camcorder, and the rest looking down at their tablets.

Brigitte and I walked to the edge. The coffin’s lid had been clean. The runes and Celtic knot were clearly visible. “Danger, death, mother,” Brigitte said. Sylvain turned his head, and said, “she is right, danger, death, mother according to the religious studies guys.” “How do you know that,” I asked. “It’s in all the teenage vampire movies,” she replied grinning.

“The top one is an inverse Thurisaz, which is means danger. The second one is an inverse Algiz, which means death. The knot is Celtic for mother, and the dot in the heart means she had one daughter,” Brigitte said trailing off.

“It looks you’ve got it under control Sylvain. I have an appointment. Brigitte can I walk you back to la place,” I said.

We walked to la place and stopped at the metro entrance. “Can I have your number,” I asked? “Yes, you may, if you promise to call monsieur Delacroix,” she said smiling girlishly. She took my phone from my hand and typed in her number and dialed. Her phone rang. “I have your monsieur, Delacroix. A bientot,” she said. We did la bise and she was off.
Carl Halling Jul 2015
Early days as a flaneur;
I recall the couple
On the Metro
When I was still innocent
Of its labyrinthine complexities;
Slim pretty white girl,
Clad head to toe
In new blue denim,
Wistfully smiling
While her muscular black beau
Stared straight through me
With fathomless, fulgorous orbs;
And one of them spoke
(Almost in a whisper):
"Qu'est-ce que t'en pense?"
Then it dawned on me...
The slender young Parisienne
With the distant desirous eyes
Was no less male than I.

Being screamed at in Pigalle,
And then howled at again
By some kind of wild-eyed
Drifter who told me to go
To the Bois de Boulogne to seek
What he clearly saw as my destiny;
Getting ****** in Les Halles
With Sara
Who'd just seen Dillon as
Rusty James,
And was walking around in a daze;
Sara again with Jade
At the Caveau de la Huchette.
                                                                    
Cash squandered
On a cheap gold-plated toothbrush,
Portrait sketched at the Place du Tertre,
Paperback books
By Symbolist poets,
Second hand volumes
By Trakl and Deleve,
And a leather jacket from
The flea market
At the Porte de Clignancourt.
                                                                    
Metro taken to Montparnasse,
Where I slowly sipped
A demi blonde
In one of those brasseries
(Perhaps)
Immortalised by Brassai;
Bewhiskered old man
In a naval officer's cap,
His table bestrewn
With empty wine bottles
And cigarette butts,
Repeatedly screeched the name
"Phillippe!" until a bartender
With patent leather hair,
Filled his wineglass to the brim,
With a mock-obsequious:
"Voila, mon Captaine!"
                                                                    
I cut into the Rue du Bac,
Traversed the Pont Royal,
Briefly beheld
Saint-Germain-l'Auxerrois,
With its gothic tower,
Constructed only latterly,
In order that
The 6th Century church
Might complement
The style of the remainder
Of the 1er Arrondissement,
Before steering for the
Place du Chatelet,
And onwards...Les Halles!
"Tales of a Paris Flaneur" is a relatively new work in its present form, having been based partly on a story written in about 1987 (and subsequently destroyed), and partly on material written specifically for what became the autobiographical novel, "Rescue of a Rock and Roll Child".
Edna Sweetlove Dec 2014
A lovely Barry Hodges poem

People think that Calais is just a charming port on the flat French coast
Replete with exquisite restaurants patronised by English visitors
Who have crossed the Channel to get a decent meal for once,
And who want to take advantage of the wondrous *savoire vivre francais
,
Even though they will get wittily insulted for their English accents.
There is more: the town has some of the finest late 40s architecture
To be found anywhere in the western world, spontaneously thrown up
After la ville ancienne was 95% flattened by the gallant but clumsy Brits
In what is still patriotically referred to as "La Libération".
But there is yet more to this gourmands' and cheap ***** buyers' mecca:
Believe me, I know, I have suffered a grievous and terrible loss there
When I blundered into a cheese shop on the Rue Royale one summer's day.

My companion that day was my dear fifth wife,  Winifred
(a four foot high but stoutly built ***** with a major speech impediment),
And, being attracted from five streets away to Maison Le Merde,
The world-famous fromagerie, by its unearthly overpowering pong,
My dear one, my lovely ****** spouse, dragged me through the door.
Choking back a desire to gag, she started stammering away to M. Le Merde,
Trying to order a couple of hundred grams of Carré de Mort Absolue,
When Mr L.M lost his rag totally and assumed wifey was trying to mock him
(How could one have known Monsieur was the French stuttering champion?)
And so he took out the cleaver he habitually kept behind the counter
To deter English tourists from stealing his cheesy comestibles,
And severed Winny's darling head in a single fell coup de grace
Which left her dramatically shorter than she previously was.

I managed to escape a similar dire fate by running like the clappers
And hiding in a nice toilette publique (femmes) while he stampeded by,
His mighty chopper in his cheese-impregnated Gallic paw.
And when I reported the matter to the gendarmerie, were they sympa?
They were no more helpful than seins sur un taureau fou
And insisted I should pay for the funeral there and then in advance,
Threatening me with a real good thumping dans mes **** should I decline.
Dear God, I shall have to use a different entry port to France next time
(although sur le grapevine I hear Boulogne is a bit of a dump),
But at least there aren't so many ******* would-be refugees.
Ryan O'Leary Jan 2019
432
432 was the amount
of a crushing defeat
for 202 Toe Rags.

432 is a symbolic figure
for Ireland and not a
poetic metaphor either,
it was the date St Patrick
arrived here from Boulogne
Sur Mer in Northern France,
where it was a tradition of the
local mariners to paint a shamrock
on their fishing boats.

432 has often been associated with
the 4 provinces and 32 counties.

John B. Keane's "Field" was 3 Acres
1 Rood and 32 Perches, a classic
representation of Ireland.

202, or TOT will become iconic also,
not as a number, more the word!

               <>

TOT  |tɒt|
verb (tots, totting, totted) [ no obj. ] (usu. as nountotting) Brit. informal
salvage saleable items from dustbins or ******* heaps. local authorities frown on totting.
Al que extraño es al viejo león del zoo,
siempre tomábamos café en el Bois de Boulogne,
me contaba sus aventuras en Rhodesia del Sur
pero mentía, era evidente que nunca se había movido del Sahara.

De todos modos me encantaba su elegancia,
su manera de encogerse de hombros ante las pequeñeces de la vida, miraba a
los franceses por la ventana del café y decía «los idiotas hacen hijos».

Los dos o tres cazadores ingleses que se había comido le
provocaban malos recuerdos y aún melancolía, «las cosas que
uno hace para vivir» reflexionaba mirándose la melena en el
espejo del café.

Sí, lo extraño mucho,
nunca pagaba la consumición,
pero indicaba la propina a dejar
y los mozos lo saludaban con especial deferencia.

Nos despedíamos a la orilla del crepúsculo,
él regresaba a son bureau, como decía,
no sin antes advertirme con una pata en mi hombro
«ten cuidado, hijo mío, con el París nocturno».
Lo extraño mucho verdaderamente, sus ojos se llenaban a veces de desierto
pero sabía callar como un hermano cuando emocionado, emocionado, yo le
hablaba de Carlitos Gardel.
ranveer joshua Dec 2019
“Dear Uncle David, I want to thank you again, and Wallis, for having me at your home in the Bois de Boulogne. It’s a rare thing that fate should allow a former king and a king-in-waiting to meet. To tell the truth, it opened my eyes to a few things. To the nature of kingship… the nature of love… and all the difficulties that go both… I’m sure you know the family would have preferred me not to visit you. Afraid, perhaps, I might recognize myself in you, sympathize with you. Well, let me confess that I do recognize myself in you. Your progressiveness and flair. Your individuality and imagination. What a king you would have made in a kinder world. What a king we were denied. It makes me so sad to see you living in exile, when all you did was take a stand for principle, and love one woman completely. You were cruelly denied your right to reign alongside the woman that you wanted by your side. But I give you my word I will not be denied what you have been denied.  The Crown is not a static thing resting on one head. It is moving. Alive. Divine. The changing face of changing times. And if, God willing, it has been ordained that I should wear it… then I shall do so on my own terms… and hopefully, make you proud.” - Prince Charles
The Crown - S3 E8
Onoma Jun 12
Jeane-Baptiste Grenouille,

hypocritizes nostrils--till not.

a trifecta of le parfum:

Vieux Boulogne, dispensed by

Halitosis over a stony low tide

at eleven-hundred degrees.

a la corps (ego doner).

— The End —