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Raj Arumugam Nov 2011
Scene One



...some time in time... bare stage except for a square neon sign on left that reads: “Aged Care Home”...on right is a rectangular neon message display with full title of the play...Urgo and Burgo bring Raj Arumugam out on wheelchair...
*



Urgo: I am attendant 1. Often known as Urgo.



Burgo: I am attendant 2. Always known as Burgo.



Urgo:  You see this creature seated here
            in the wheelchair? 
Can you believe it?

            This creature once wrote poems
            
and its poems still inhabit cyberspace.


Burgo: Oh, this creature did that?


Urgo: Yes, this.


Burgo: I think I’ve read some.

             Not that I can remember any.
             
Not a word, not a title.
 But must have been pretty good, ha?
             
To write all those words, in verse...


Urgo: I don’t know about that.
           
It’s the girls who write. And sissies.
           
And for all that, you know
           
there’s just one word this creature can say.


Burgo: Really? Just one word?


Urgo: Yes.
All right, watch this.
           Come on, Raj-i.

           Hey baby...Burgo here wants to hear you.
           
Just one poem in your one word.
           
Come on, baby - or no soup for you tonight.



Raj: Baa, baa, baa

        Baa, baa, baa

        Baa, baa, baa

       Baa, baa, baa



(Burgo and Urgo clap)



Urgo: Baan-derful, Raj...
Now Burgo,
           let’s wheel the creature back in

           and dump him in
           his corner.



(Urgo and Burgo go out, Urgo pushing wheelchair with Raj in it)





Scene Two



...some time in time... bare stage except for a square neon sign on left that reads: “Aged Care Home”...on right is a rectangular neon message display with full title of the play...Urgo and Burgo bring Raj Arumugam out on wheelchair...






Urgo: Today, Burgo, is Exercise Your Vocal Chords Day.



Burgo: No problem - Ahhhhhhhhrrrrgggggooooaaaaa.....



Urgo: Not your vocal cords, Burgo.
           
It is Exercise Your vocal Cords Day
            
for our distinguished guest currently
            
on this wheelchair.



Burgo: Ahhh...I see...



Urgo: All right, Raj-i baby...
Exercise your vocal chords 

            and entertain us with your delightful voice...



Raj: Baa, baa, baa
        
Baa, baa, baa

        Baa, baa, baa
        
Baa, baa, baa



(Burgo claps)*



Urgo: OK - that’s enough exercise for the day!
           Let’s go






(Urgo and Burgo go out, Urgo pushing wheelchair with Raj in it)






Scene Three

...some time in time... bare stage except for a square neon sign on left that reads: “Aged Care Home”...on right is a rectangular neon message display with full title of the play...Urgo and Burgo bring Raj Arumugam out on wheelchair...


Urgo: Burgo!

Burgo: Sire!

Urgo: Sire? Where in the world
           did you get such a word?

Burgo: Sorry - I thought I was in a *****
             Shakespeare play.

Urgo: Have your head examined, Burgo.
            We’ll never make it there.
            All we have is this 3rd-rate one-act play.

Burgo: I understand. I’m just a little ambitious.

Urgo: Be realistic. Don’t be ambitious.

Burgo: That’s wise, Sire - I mean, Urgo.

Urgo: Well, this creature in the wheelchair,
            for example...It was ambitious...
            and it had a great fall...
            it never knew how to be realistic...
            But more of that, later - first, what Day is it today?

Burgo: It is We Tickle Your Foot Day, today.

Urgo: You learn fast, Burgo.

Burgo: Thank you, Urgo.

(Silence)

Urgo: Well?

Burgo: I’m very well, thank you.

Urgo: You idiot! I mean if you know it is
           We Tickle Your Foot Day, today -
           then what should you do next, you knave!?

Burgo: Oh. Ok.

(Burgo kneels before Raj, takes off Raj’s shoes and with a feather tickles Raj’s feet.)

Raj (laughing): Baa, baa, baa
                              Baa, baa, baa
                              Baa, baa, baa
                             Baa, baa, baa


(Burgo puts Raj’s shoes on again, and his feather back in his pocket and stands up.)



Burgo: You mentioned ambition
              and this creature that sits on the wheelchair.

Urgo: Yes, it is time to exercise my vocal chords.
           This creature forgot, like all creatures,
           we come alone, and we go alone.

Burgo: Ah, at last! - hints of a Shakespearean play
             albeit we’ll never make it into one.
            With ambition, loneliness and all the Lear madness.
            Will we have the lewd parts too
            and rich imagery of body parts?

Urgo: Perhaps...perhaps...but let us stick to the ordinary ...
           This creature was born in 1derLand
           but was washed ashore to foreign shores.


Burgo: Good, good...like Paris, son of Priam and Hecuba?
             O Paris, washed ashore to Sparta
             O so well-loved and nursed by Helen.

Urgo: Yes, except this creature is more akin to the Wanderer
            like Oedipus, or just the indistinct Mendicant,
            the Samurai with no master, a ronin,
             all cursed to wander the face of the earth...

Burgo: Oh - are we in Shakespeare yet?

Urgo: We are in deep ****! That’s where we are!
           We all are.
           Burgo - let us stick to the banal like hamburgers.
          This creature forgot that
          and dreamt of things like poetry, ideals -
          and therein is the moral of the story for you:
          we come alone
          and alone we go
          one at a time we come
          and each we own, and each faculty
          one at a time they go.

Burgo: So let us stick with the banal
             eat our burgers
             and pick our teeth after.
             Do they supply toothpicks at takeaways
             in your country, Urgo?

Urgo: No, we recycle them, Burgo.
           We just pick up discarded ones from the ground.
           Like some nations pick up cigarette butts
           from the bins.
           Waste not; want not.


Burgo: Oh, if this scene goes on any longer
             it might become Shakespearean, Urgo.

Urgo: Ergo - we must go.
          But let us allow Raj to have the last word,
           since this play is entitled
          “ Raj Arumugam, (a one-act tragicomedy)”.
          Idiot of a son! What kind of fool-writer will have a play
          with his own name as the title of his play?!

Burgo: So, Raj-i, you egocentric ******:
             You have the last word in this scene...
             You really put words into my mouth, you ****!

Raj: Baa, baa, ba
        Baa, baa, baa
       Baa, baa, baa
       Baa, baa, baa


Urgo: All right, Let’s go, Burgo.
           Bring him in -
           Let’s drop him in bed
           and may he drop dead!



(Urgo and Burgo go out, Urgo pushing wheelchair with Raj in it)




Scene Four



...some time in time... bare stage except for a square neon sign on left that reads: “Aged Care Home”...on right is a rectangular neon message display with full title of the play...Urgo and Burgo bring Raj Arumugam out on wheelchair...



*


Urgo: Burgo!


Burgo: Urgo!


Urgo: How long has it been since
           you started work here?


Burgo: 3 months, Urgo. Why?


Urgo: Well, show me a game...I’m bored...a new game...


Burgo: Well, have you played wheelie bin?


Urgo: No.
But Oh I love to delve into world culture.

           Show me.


Burgo: Well, let me show you.

             A wheelie bin is a bin with wheels
             and you put ******* in it
             
and you leave it outside on the kerb
             
and the garbage guy in his truck collects your *******.
             
So this is the game.



(Burgo pushes wheelchair round the stage and sings.)



          This is the way we 
wheel out our wheelie bins
           
this is the way we 
wheel out our bins
           
early every Thursday morning


           This is the way we 
leave our bins,
            our wheelie bins

            this is the way we leave our bins
            
out on the sunny kerb

            every Thursday morning



(leaves wheelchair on kerb)



           This is the way we empty our bins

           this is the way we empty our bins
           this is the way empty our bins
           every Thursday morning



(empties the wheelchair; Raj Arumugam  drops onstage)




Urgo
(joining in):
 This is the way we 
pick up our *******

                                  pick up our *******
                                  
this is the way we do it

                                  this is the way 
always we do it

                                  early Thursday morning!



(Urgo picks up Raj Arumugam and drops him in the wheelchair)



(Urgo and Burgo clap, applauding each other.)



Burgo:
And now, Urgo - for the ritual
             of 
Raj Arumugam’s final words in the scene...
Is that right?



(Urgo nods...)



Burgo:
  Sing, you Sir in the Wheelchair.



Raj: Baa, baa, baa
       
Baa, baa, baa

       Baa, baa, baa

       Baa, baa, baa




Burgo: Oh, you spoil the fun! Let’s go.






(Urgo and Burgo go out, Urgo pushing wheelchair with Raj in it)




Scene Five

...some time in time... bare stage except for a square neon sign on left that reads: “Aged Care Home”...on right is a rectangular neon message display with full title of the play...Urgo and Burgo bring Raj Arumugam out on wheelchair...


Urgo:
          Let's leave him here tonight;
         some fresh air might do him good

(Urgo and Burgo leave, leaving Raj on his wheelchair.)

(Long silence.)


Raj: Baa, baa, baa
       Baa, baa, baa
       Baa, baa, baa
      Baa, baa, baa



(Raj has a thought. His thought is broadcast as a message on the rectangular neon light display: “Hey guys, come back...Another word is coming back to me.”)

(Long silence)


Raj:
**** **** ****
**** **** ****
**** **** ****

(Raj has another thought. His thought is broadcast as a message on the rectangular neon light display: “Another one’s coming back...maybe my mind is coming back.”)


Raj:
**** **** ****
**** **** ****
**** **** ****

(Long silence. Lights fade. Darkness. Curtain...)
JeanlBouwer Oct 2010
Met boeke vol helde, soos ek en jy
Potgieter, Trichardt, Smuts, Kruger selfs De LaRey
Almal met die doel, om hul volk te bevry,
Die Afrikaner, uit te brei
Om hul families, van leiding te bevry

Selfs, De LaRey
‘n Lafhart, wou eers nie beklei
Later die held, wat die boere, verder wou lei
Familie man, vader seun broer en gesant

Ja, die mense was ook bang
Maar met passie,
Met drang
Met dit wat slange vang
Het hulle als aangevang

Kyk na jou vriend
Kyk na jou maat
Kyk na die, anderkant die straat
Dis jy, wat hul toekoms baat
Dis jy, wat hul vereen, ou maat

Die Afrikaners, was plesierig
Dit, kan julle glo
Nou gevul, net met gierig
En al hul misnoe
Ja, dit kan julle glo

Waar is ons eendrag
Waar is ons mag
Waar is die dae, toe ons nog lekker kon lag
Waar is ons helde, van vandag

‘n Held, in elkeen wat die taal verstaan
Elkeen, wat n weg vir Afrikaans wil baan
Elk, wat sy man wil staan
vir die taal, wat min verstaan
‘n Kultuur, wat net ons verstaan

‘n Kultuur, so ryk aan helde soos ek en jy
Helde, wat die Afrikaner wil bevry
Helde, wat nie bang is om te baklei
Helde, soos ek en jy!
solEmn oaSis Dec 2015
sa
kaha
baan
ng aking
   *
kasulatan
  
iilan lamang
    
ang may kaiklian
    
sa lapad ng kalawa
     
-kan,,,pananaw ko ay
      
may kakitiran.Sa bawat
        
sagot **** patanong,,sa
      
ibabaw mo ay may kalali-
       
man,,,sa sandaling tutungo
      
ako sa paliparan bago sumapit
        
itong kinabukasan,,pinahintulutan
          
**** masilayan yaong liwanag sa
          
kadiliman,,, kung ano ang ibig sabihin ko
           *
dederetsahin ko na kayo sa aking mga nota.....
=_makinig nga kayong may mga pandinig_=
    HINDI AKO AKTIBISTA.Isa lamang akong
        letratista sa larangan ng hidwaan ng tugmaan.
        Kung ang ibang mga nabiktima nitong sandata
        el patutsada ng mga nasa brigada planta de maleta
         ay Pilipino o Banyaga,wakasan etong laglag-bala.
        " kapwa nakatayo pa sa ating mga bulsa't alaala! "
Nienke Sep 2017
ik ben klaar
er helemaal klaar mee
klaar met deze maatschappij
klaar met het zgn 'vrij'
klaar met mezelf zijn
klaar met de maskers
klaar met andermans pijn
klaar met het 'geluk' van iedereen
klaar met herhalend onbegrip
klaar met de dip na dip
klaar met dit met stress gevulde lichaam
klaar met elke kortdurende traan
klaar met zorgen, de toegevoegde ellende
klaar met hoop bewaren
klaar met niets doen, de boel laten varen
klaar met blij moeten zijn, lachen
klaar met de negatieve spiraal
klaar met het gevoel van abnormaal
klaar met al het verderf op de wereld
klaar met eeuwige eenzaamheid
klaar met depressiviteit
klaar met studeren en regels
klaar met de ontevredenheid
klaar met klaar, moeten komen
klaar met een 'leuke' baan vinden
klaar met vaarwel en weer binden
klaar met deze ruimte, het bed
klaar met denken dat ik het wel red
klaar met de harteloosheid
klaar met boosheid en nijd
klaar met wakker liggen
klaar met deze kou
klaar met jou
klaar met de grauwe luchten
klaar met mijn diepste zuchten
klaar met dierenmishandeling
klaar met angstzaaierij
klaar met de doorzetterij
klaar met alle competitie
klaar met twijfelen, niet weten wat
klaar met vergeten, alles wat ik had
klaar met het wantrouwen
klaar met de zware schouderlast
klaar met elke oversekste gast
klaar met verdoofd zijn
klaar met mensen, egoisten
klaar met narcisten en racisten
klaar met de gevoeligheid
klaar met slimme meid
klaar met de druk(te)
klaar met strijden
klaar met lijden
klaar.
Flexwerken lanceren toegankelijk reserveren ambtenaren een potje tafeltennis.

Initiatief pop-up divers mooie verbindingen en een steuntje in de rug animo concept.

Verzorgt de weetjes beantwoorden vragen.

Mail deze dan in weekenddiensten.

Kunstkenner signeersessie toegang gratis gemakkelijk moeite die kost.

In wezen of excentriekelingen tactieken **** een roeping.

De brug parochies vijf kinderen en een baan honderd mensen kwam hij voor iedereen mijn hoofdpubliek.

Singer-song kers op de taart praktische benadering hedendaags reilen en zeilen.
SANJAN DAY

Misery, humiliation, insults, torture n inhuman behavior, they had to bear.

When they could no longer protect the holy fire; and for it no longer care;

thought they, leave they must, their dearest Motherland, wealth n cattle there.

For living there, undergoing torture was beyond tolerance; poisonous was the air.

Weary, miserable and dead-tired; on the shores of Gujarat, they finally did land.

From Diu-Saurashtra sailed they to Sanjan Bunder, requesting for a helping hand.

To persuade the ruler for shelter; stood they under the scorching hot Sun on sand.

Finally asylum granted was, after many conditions, their weapons they had to disband.

Accepted they were by Bharat (India); and finally settled down at Sanjan

Starting anew, our ancestors rebuilt Iran-shah, away from the Arab “hevaan(s)”

with honesty, integrity, hard-work, reestablished they, their “aan-baan-shaan”

now our pious duty it is, to continue their work with dedication and “imaan”.

Armin Dutia Motashaw.
Daan Jun 2019
Het succes ligt voor de hand,
Is bijna niet meer te ontwijken.
Iedereen lijkt van een andere kant
Steeds hetzelfde te bereiken

Zij heeft een diploma, een huisje
En een baan. Ze viert dat als een luisje,
Lijkt maar half te bestaan.
Als ik klaar ben met studeren,
Kraait dan diezelfde haan?
Zullen anderen mij eren
Of is voldoening slechts een waan.
Ik zal het maar proberen
Anders is er niet veel aan
Je moet ergens voor kunnen leven,
dus kies ik voor elke volgende kus
Die jij mij misschien zou willen geven.
Het is allemaal niet zo vanzelfsprekend als het lijkt
Daan Jul 2019
Voor de vierde maal
de laatste keer.
Ik zou afstampen maar
begin vast morgen weer.

Gedepriveerd strompelen
tussen volk, onder tussen door,
verloren in een menselijke
draaikolk baan ik me een weg naar voor.
Ik voel de bassen trillen in mijn broek.
Mijn vrienden en mijn rem zijn zoek.

Eén stap in de andere richting
kan goed zijn voor een nieuwe lichting
moed.
Sadia Jan 2019
Bari waxaa jiri
Two garments both alike, indignantly
In the shoe closet
Where we lay our seen
Star-crossed lovers can't hold a candle
To Abti Sock and Mamo Sandal

A Bonnie and Clyde of sorts
Fugitives of the fashion police
Not a season anywhere
Can they live together in total peace

Not too hot
Not too cold
Can't get wet
And they're always old

I can not wear them in the Fadhi
I can not wear then on the Salli
I can not wear them eating beer
I can not wear them anywhere

Mamo, Where'd you find this shabby sham
Who lives beneath the sole of man
She answered on demand
“Waxaan daganahay, Habo macaan,
Cag walba oo noo banaan ”
Adna Abti, Where would you say
Did your luck finally come into play
Finger shaking, he proclaimed
“Horta, wax kama galin gabaryahay,
Dacaskaan bass baan ka helay”

250 a.d, the style arose
Egypt claimed to fit the mold
A two pronged slipper hooved their people
To pair in hot climate
They made it legal
Actually it was the first
That Abti came from Mamos birth
I guess you can say they always were
Two of a kind, they naturally occur
Hi there,
Some of this is in Somali, so here's the translation
Forgive me as I might not have the adequate interpretation
Bari waxaa jiri- Once upon a time
Abti- Uncle
Mamo- Generally for older women and a nonspecific relation status but it is inferred that they are a married couple
Fadhi- living room
Salli- prayer mat
beer- liver
Mamo dialogue- I live dear person I am Aunt to, whichever foot we find room together.
Abti dialogue- First of all it's none of your business young lady, I am quite fond of this sandal.
KHORDAD SAAL MUBARAK

"Saal Mubarak" to You, o' Vakshure-e-Vakshuran;

Love I and rever You,  with my dil-o-jaan

From our entire "Kom" today, accept our "pranaam"

But  O' Zarathushtra, I cannot help worrying about our "anjaam".

Forgotten we have our duty real - our actual "karam".

Commercial progress today has become our false "shaan"

And because of this turn disastrous; I am  "heraan".

Bless us  O' pyara Paigambar; grant us faith as  "inaam"

Inspire us to  understand and follow Your  "paigaam"

So that become we, "a Din-Parast insaan."

Also  restore back our lost Zarthosti " aan baan shaan"

Armin Dutia Motashaw

Reduced has our faith n bothered we aren't about the "anjaam"
Daan Nov 2019
Mijlpalen zijn voor mij alen
die me doen verdwalen
op zodanig vele wijzes
dat ik me afvraag
waar blijven ze het halen.

Zeven honderd, wat een ding,
wat was dat, dat in de lucht hing,
een scheefgelopen baan
voor een ver hopende Daan.

Ik was altijd romanticus,
nu soms bitter realist,
naïef zal ik waarschijnlijk altijd blijven,
ik wou waarom dat ik dat wist.

Want zoveel is dat niet, besef ik
en dat valt me soms erg zwaar,
het voelt alsof ik weet wanneer
maar pas na de afspraak waar.
Zullen we dat afspreken?

— The End —