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Veronica Smith Jun 2013
She sat in an empty booth. It was a Tuesday, mild, with a thin veil of cirrus clouds on the horizon. Somewhere a dog barked. Outside, the Commercial Street Flower Market opened for business. A ******* stood on the corner.
        With one the sitting woman opened the menu, scanned it, and dropped it back on the table. A bleach-blond waitress arrived. Before the waitress spoke, the sitting woman cut in.
“I’d like home fries, fruit salad, and a cup of earl grey, please.” The waitress nodded, slightly wary, and scribbled the order on her yellowed order pad. The woman went back to staring at her fingers. The waitress left.
She opened her purse, rummaged around, and grasped a worn paperback of Vonnegut’s Slaughterhouse Five. A small likeness of a snake twirled up her left index. She wore beige eye shadow and a full set of fake lashes. Her nails were lacquered candy apple red. There was a large scar on her neck. Sighing, she settled in to read. The snake ring’s eyes were rubies; as she turned the page, they glistened brightly. The café’s door jangled. Seconds later, a man slid in to the seat opposite her.
“You’re late,” she said. The man smiled. He had lidded Egyptian eyes and a set of straight, white, fluoridated teeth.
“So terribly sorry. Pressing issues.” He tapped a finger on the plastic table. The woman licked a finger and turned a creased page.
“Still reading that blasted book, are we? How many times has it been now, Laura? Twelve?”
“Fifteen, to be exact.” The waitress arrived with plates of bright fruit and steaming potato. She waitress had poorly tattooed eyebrows. They rose.
“Can I get you anything?” she said to the man.
“Strong cup of coffee. Two cubes sugar, slice of lemon on the side. Thanks.” The waitress smiled.
“Certainly. Your tea will be in, miss.” Laura nodded. The waitress sashayed off and the man leaned in, breaking the barrier between them.
“Why are you still reading that godawful book? Wasn’t once in Junior year enough?”
“No, it wasn’t. If you don’t mind, let’s get to the point. What are you doing here, Jack? I know it has nothing to do with harassing me over my literary opinions.” The book closed with a muffled snap. She slid it back in to her large purse and adjusted her dress.
“I got the part.” He said the two words with barely veiled excitement; they sounded unnatural and foreign.
“What in the name of God are you talking about?” she asked. She stabbed a home fry with her fork and sprinkled it with salt.
“I’ve made it in, Laur.” He said. She dragged the fry through a small puddle of ketchup and smiled. She leaned back and drew her hands through her hair, bit her lip.
“Who’s directing?” she asked. The waitress arrived again and they both leaned back, away from each other. He nodded his thanks, blew on his coffee, and drank deeply. She dipped her finger in the cup of tea.
“Some guy by the name of Cranston. Will, I think. He’s good. Directed a film called The Devil in Whitethorn. You might call him an artist.”
“Oh, Christ. You’ve made your big break, have you? With a ****** arthouse director no one’s heard about? I’m impressed, Jack. Real impressed.” She sipped her tea. “What’s your deep, philosophical movie about, Jack?”
“A man dragged wrongfully in to hell who has to prove to the Devil that he is a good man,” Jack said. His chin rose slightly. “he goes through his life as an invisible man, observing all of his human mistakes. Eventually he discovers that Hell is just another version of Heaven and it’s all a test to get him to look at his life as an outsider. I play the college version of the lead. I’m third-highest billed.” He reached over and snatched a strawberry from her plate. She smirked.
“Wow,” she said, “sounds deep. Almost like one of the sappier episodes of The Twilight Zone, twist and all. Tell me, does Shatner play a PTSD-riddled man who sees monsters on an airplane? Is the Devil a fan of billiards? How many aliens are in this movie of yours?” she smiled at him, exposing a line of somewhat crooked teeth. “A movie, huh? Congrats.”
“Many thanks. I thought that someone who appreciated the subtle insanity of Vonnegut might appreciate a good deep film. Are you going to finish those?” he gestured at the fries. Six of them remained. Laura slid them across the table and tucked in to the fruit plate. “No more awful local commercials for me, love.” She scoffed at that.
“You’re a crap commercial actor. How much money are you getting for this little highbrow film of yours? One K or two?” She stabbed a honeydew square and crunched it between red lips.
“Four, doll. More than you make in a month.” Her cheeks reddened.
“I don’t need much, Jack. You of all people should know that.” She coughed lightly in to her napkin. “You’re a tricky *******. How long have you known?” He licked a spot of ketchup off of his  finger.
“Oh… Five weeks? Six? Somewhere around there. We start shooting next month.” He leaned forward, lightly brushing the back of her hand with his fingers. “It’ll premier downtown on the seventh of July. Be prepared, since I’m dragging you out there with me. You’ll need a cocktail dress and modest makeup.”
“How modest is modest?” she asked. He surveyed her face, scanning with his eyes squinted slightly. Her face flushed a touch more.
“Hmm…” he said, “drop the red lipstick, add a few more spots of cover-up, light champagne eye shadow and less blush. Also, ditch the falsies.” She laughed, a light trill.
“I don’t leave the house without them. I suppose I can scour my collection for some more… What was the word you used? Modest pairs.” His fingers stopped rubbing the thin, veined skin on the back of her right hand for a short moment.
“In other words, you’ve said yes.”
“Yes, I have.” He dropped a ten-dollar bill on the table and stood up. “Call me some time. You haven’t forgotten my number, have you?” Laura grinned. He picked up the lemon, separated the meat from the rind, and rubbed the white flesh on his teeth.
“No, I haven’t.” He dropped a single white envelope on the table. She surveyed it, placing it next to the tattered paperback in her purse. He walked away.
“Oh, and Jack?” she called without looking back at him. He stopped mid-step. “I wasn’t wearing blush today.”
He grinned harder, waved his goodbyes to the waitress, and left. The door jangled. She finished the last dregs of her tea, dropped a twenty dollar bill on the table, and stood up. It was a beautiful morning. She walked outside. The bells on the entrance jangled, stilled, and their song died.
Written under the influence of WAY too much Hemingway.
Dreams of Sepia Jun 2015
a love song
by O. A. Unwin

for Joseph Rembrandt Clarke
poet of the Bronte Country


Immanuel Kant
'' We are rich not in what we possess
but in what we can do without''




I.


Midnight hospital rooms flicked eyelashes
off the slow duel of hours

imagine tall lynch mob grass
or Sing a Song of Sixpence or Bye, Bye Miss American Pie forever

Today I remembered my upbringing
spoke of Turner,Ginsberg,human rights,
painted, swore,tore up a newspaper


the Nurse looked at me and said
' Not doing very well now, are we''
Dear Roman Empire, Tribunals


Otherwise this Southern town's
all hills, steeples, clouds
unsteady heartbeat of sandstone swept sideways


occasional channel fog krimi & arthouse
and lives ending whiskey half way to the sky




Welcome,set down your bags
to you I am a stranger in your land
to me you were a visitor in my town

Recently I have learnt that those who love
live life on the wrong side of the looking glass
and are forever being given speeding tickets


I also wander Redcliffe Wharf these days by the swallows' nests knowing that Angels tread the earth in the form of people like you

I have been there.
I have seen the Light.
I have drained my soul
out in tears Absalom oh Absalom
I have known the Wall
of my prodigal body a Tempest
Angel wings clipped by old ladies
on Old Market bus stops
catkin feet rotating the underdressed night
under the Arsenic Wheel of Stars
I have gambled my future
on the mere shout of your name
I have risked my very life

I should be a woman serene as a fish by now in a pond by a mansion house beneath Redwoods

this is not dignified.


Dearest, did I **** up
may I call you this
or shall we be
empty footsteps
Stasi hallways
a disconnected phone

No. Wait.
I am doing this all wrong

Dearest, gentle zeitgeist poet
of Yorkshire and the North
the way your writing
fleets me of your subtle frame
remembered briefly from one night
the inner fire of your face
and eyes mysterious as pagan gods
or lonely hermit huts and bright
as Northern Seafront lights
blinking renegade the dusk
amid the heady din of amusement arcades
the smog lilt of your lovely voice
now I know these things about you
I am a Matryeshka lost
but at least it's easier to write
of imagined boyish swagger to Elvis
or the way you might also sing jazz
I belt out Duke Ellington in the bathtub
oh lets dance lets dance


Turn, turn
Sunset on Sunset
pages, pages back
I am an August rose
in bloom over you
in Welsh view suburbs
A Brothers' Grimm fairytale
that mother cuts down
and I tie it back onto it's stalk
with a vial of water
as if it's calling to me
to say  'thanks for letting me die here'
red, red, Russian red
that's no way to make your bed
but it reminds me of my Grandmother's garden
so it's also English
and then there's the thought of you
so it must be French red,
the color of love
Existentionalism and Rousseau
Elinor and Marianne
hothouse flowers or wild
I was always the latter
wild, wild
a bold freedom of a child.




in Jane Austen's ' Sense and Sensibility'  the heroines, Elinor and Marianne's contrasting characters
are described by their love of flowers. Marianne prefers wild and this
is a tribute to her free, delicate spirit, the stern Elinor prefers hothouse.








I.I


This is bad.
I'm done dancing.
actually I was recently a mermaid
& my legs still hurt on land
I can't write good poetry about this.
It's too serious.
It's all je ne sais quoi
& unknown potential of star signs
I've read of the way you wrote
of a girl all bells and incense
and think now that oh you are Love, love
love itself-fragile and kind
beneath that manner bold
and cheek as a Sunday brass band bright
' Your name's a bit of a mouthful isn't it'
that's what you said,right?
but you can't fool me,Love
are you the all the vibrant flair of gentleness in my Soul

your trance of attention to detail
the way you've loved places and people
the thought that there is such a man
pierces me like Van Gogh's last hours




dearest, dearest
you're my drug
that's just the way that I am,
or used to be
I'm a Romantic.
Neither capitalist
Nor communist?
Me too.
Soulmate.
Yep..
Drastic.

But that's
all the word that's left.
Now I'm just in trouble
and need wine.

To think I'm usually
quite good at Scrabble.
I don't normally do Kitsch.
I promise.Be Kind.
I must remind myself of this:

Love is a house of cards.
could we just be a plane trail
a radio signal
a satellite
forbidden bliss.




I.I.I


You're right
the Southern middle classes are ****** up.
as for me Dad all kindly alcoholism
and Kolobok* frame died
Step-Dad walked out.
All my umbrellas broke.

I've tried

but it was pointless loving my parents
poetry and paleontology
just can't live together.

*
I should have been an heiress
but my mother
lazily lost the place
and kept me poor & this stings
or did till I grew a backbone.
Our landlord's in New York.
Our house
is surrounded by cypress trees

You only live once.

or so I thought.
but I've lived and lost so many times
that I'm simply glad that I just bought a typewriter
for a quid
and am proud.

* Kolobok - a character from a Russian folk tale, made out of dough.

I.I.I

**** this curiosity.
A question.
Arise, arise Atlantic dreamer.
Why are you you
America, Europe and England
and goodness knows what else



By Descartes's* fire
I beseech you
are you a dream
Am I Ariel,
or else
a marvel comic heroine
pick and choose
toss your dice


Lets face it
we are both gamblers
because we're not afraid to feel
& we are both Kafka
when I read you
I'm the Zen
of my transnational dreams
I can't help this.
Where are the boys I used to kiss in my head.
This is maybe just how the Mad are.
I'm mock bubblegum brains.
You are my roman candle


as I said
I'm not a little Bristolian
& Southerner at heart
so I'm a pirate.
that's that.

I am sewing our flag in neon thread
I am eyeing you up
the way Smugglers eye up cargo
the way Kings draw up maps
the way salt melts in water

& the way books looked and felt
has always been important
so you must know
my mother read me Ruskin as a child.



Tell me, friend
could we be Northern lights
by whom & what was the last film you saw
Woody Allen,
Wim Wenders,Gatsby.
lets make a list
have you seen
'Goodbye, Lenin'
it's hilarious.
tell me of yourself

Berlin, Berlin
einz zwei drei
no, this is not the Polizei

or Blitzkrieg grandmothers
just hide and seek
Do you like gingerbread
Why is my neighbor called  Pete.

* Rene Descartes - 1596-1650, french philosopher
* Ariel - Ariel, a magical spirit from Shakespeare's ' The Tempest'
* Ruskin is one of Rembrandt's favorite authors
* I used to live in Berlin
* One, two, three, no this is not the Police
Please be kind. This is a highly personal poem. There is more to it but it's too long to post in one go. It's the true story of my love for a fellow poet & how I wandered 3 days & nights through the town of Bristol in the rain, without sleep, calling his name & later ended up in hospital against my will for what they called psychosis just because for a while I was scared for my life. A diagnosis I hope to overturn someday. The poem starts off talking about the hospital. At about this point I told Rembrandt of my love & of my tragic experience & he rejected me. This was 2 years ago now & I'm still trying to get over it. I hope to publish this poem someday as testimony to my love for R. & this experience.
JB Claywell Dec 2017
I watched my very own
Charles Bukowski
eat a tangerine outside of  
the arthouse  
where we were reading.

His name is not really Bukowski,
but he has told tales in the same  
vein as the Laureate of Drunkards
for longer than I have been alive.

I have listened to that same back alley
patois,
and barroom wisdom for long
enough that I feel a certain level  
of comfort in calling the old gizzard  
this municipality's own  
Charles Bukowski.

The grizzled old poet  
is telling wanton tales  
of love and honeydew.

He goes on and on,
recounting the times  
that he's drunk  
strong potato liquor
with Bengal tigers  
in the backseats  
of roaring taxis
on his way to parties  
hosted by zebras and  
gazelles.

We each light a cigarette,
pausing to smoke for a while.

Seeking to continue  
the conversation with  
my salty comrade,  
yet knowing my own  
stories cannot compete,
I surge onward nonetheless.

His interruptions jam my  
traffic before I can even make  
it onto the onramp of his  
particular, peculiar highway.

His mouth is already working,
though his tangerine consumed.

He's chewing his next story into
digestible, deliverable bits.

And, now he's chewing the rind.

His mouth,
his words,
his life,
and my own for all of it,
is full of  
zest.

*

-JBClaywell
©P&ZPublications 2017
for David, the tiger.
Jack Gladstone Sep 2015
You: a girl in high heels, a black shirt, and a light blue shirt. Your hair dark, your lips Taylor Swift red.

Me: a guy in a monster squad t shirt and a denim jacket. Brown hair, likely tosseled from the rain earlier in the day.

We both looked at the showtimes posted for the local arthouse theater. I crossed the street and you followed. We both entered the mall. I held the door open for you. You said thank you.  You held the next door open for me.  I said thank you and smiled. You smiled back. My heart melted. I sat my things down at a table as you rounded a corner. I decided to follow you to ask if you wanted to sit and have a drink with me. As I walked around the corner you were already gone.
JJ Hutton Oct 2010
Children,
all of me was all for you,
from towers I commended,
from basement I sympathized,
and god,
how I find all of me,
missing all your adoring stares.

I stood by,
I watched your birth in the garden
all those years ago,
and how your cries floated to heaven,
and how heaven answered with meadowlarks,
I handed you the apple,
I kissed your brow,
you would coo and grasp my coat,
I felt love, you felt vital.

I waged war,
with all the saints and arthouse critics.
We drank their blood by the moon
and our temperate speech
did flow from the fount,
under the table we were,
grew we did,
proper adolesence looking for
classical supremacy.

And Children,
I know the darkness was always creeping,
crippling every satellite, every sandy shoreline,
withering us in mirror,
you asked if the tide could claim us,
I patted your shoulder,
kissed your hand,
there is no enemy capable of victory,
oh, how the prophets betrayed me.

When your compliance was absolute,
when our neighbors pledged allegiance,
when I crushed the throats of Solomon, Gilgamesh, and
the sons of Zeus,
leagues made banners,
few made poison.

I gave you slaves,
girls, and sport.

I gave you a voice,
blankets, and victims.

The crowd and chants,
my pride and concubines,
the grass never faded,
nor the flowers wilted.

Children,
why did the publications turn against me?
I erased the existence of all you wanted dead,
I gave you dreams,
I gave plenty to sup,
plenty to remain drunk,
Children,
why did the prophets lie to me?

The priests carried daggers,
preyed upon me,
prayed for my passing-by,
the stares were there,
empty of adoration,
only hungry for my sacred blood.

I watched seas of my own,
pull down every cast,
my form laid to waste
on the streets I built under your feet.

My royal guards
chained my hands,
I could only stare at my blue veins,
my royal guards,
dragged my feet,
and in the senate they made me watch,
as my record was blotted out.

As the sun set,
the streets were lit
by effigy.

As the sun set,
I found myself in
the garden.

I stood straight,
back to a stake,
all eyes on me,
all shouts for me,
all the rage,
effigy, effigy,
they poured pitch at my feet,
they said prayers and incantations,
the flowers were in full bloom,
and the sound of buzzing flies buried
the cries.

I tried to be a friend to everyone.
Now history's vapor,
I tried to be a friend to everyone.
Copyright Oct. 15, 2010 by J.J. Hutton
Carl Velasco Oct 2017
I can’t believe I’m interested in this guy who
Took a selfie. Inside a ******* art gallery. In
The bathroom, because what?
There was nothing to see?

I asked if he wanted to get out of there,
He did. We went out, to some
Uptown clearance shop.
I saw a book by Joan Rivers.

I took a picture of the book;
Just some of the many illusions of rescue.
These days, nobody wants
Joan Rivers in their lives. And Khaki cargo pants,
Or classic momma-did-this braids.

You, a boy the same age as mine,
Might love me. Almost. It matters,
Even if you don’t remember, the words you said
To me, about my specific beauty. I’m a toothpaste
For vegans; an AZERTY keyboard, or an arthouse film
Only three people will see, but I am worth seeing,
Even if I’m niche, boring, and particular.

Because you said, mumbling in
Your sleep, that I had eyes beneath my bangs,
Which were Licorice black, with
A baby blue pool at the center like a still vacuum.
I already loved you, but really,
What I loved was the way you talked about my
Flaws in illusory grandeurs, granting
My oafish, ungraceful heart and body accolades.

Did you just want to have ***? Probably not,
I mean, look at this whole situation – I’m
Not exactly one to feast eyes on. I’m a wreck,
A dumpling mash of chopped cardboard and
Dead skin. So no, it wasn’t feral.

The thing is, though
I have wanted this love all throughout my
Life, which isn’t a long time, considering the universe ends in
What? A few billion years? And I already feel that end.
Tomorrow, we’ll be 25. Then in five years, 30.
Then 10 years more, 40? The rest is just
A blurry jetsam of reduced memories, and looking
At photo albums online, wishing
Your friends were still alive. We are officially
Dead now, thanks.

The thing is, I feel like
It’s never gonna end when I’m with you,
When I’m ensconced in your consciousness.
The truth, with your name included in it,
Is better than my regular truth, which is
Just painfully boring.

I said this to you last week, and yet,
You dismissed it, saying that all I want
– All I want –
Is stimulus and biological response.
But ******* very much; I know my body;
I know what I ******* want.

I don't need you anyway.

There are other people who might want me
Down the line, I just haven’t met them yet.
I just haven’t learned enough social
Jostling, or romantic politics
To get myself served.

Then again, finding the words
“Requirement” and “champion of his own interests,”
As the foremost concepts of my profile
On your personal journal really ****** me up.
Sorry to have broken your privacy, sorry to have
Entered that forbidden dimension. I am just.
So. livid. That you don’t realize I’m a thousand instances
Of constants in the story you’re weaving, leaving me
Out everytime.

And the thing is, I just can’t do it.
You took a selfie, alone, in the bathroom
Of an art gallery, and I just waited, outside,
Super dark (because it was also an art show)
With other people in line.

When you came out, like
A precious, untamed neanderthal looking
For light outside the cave, I was happy
That I was a touchstone in the dark, horrible
Place of cluelessness we share. I am a blanket of comfort
In this closed space outdoors, in public,
Where monsters are more willing
To eat us alive.

When I saw that picture, though,
You, mustache, brows, bags under eyes,
Adorable. I knew you were happy being alone,
And that I was a side quest
That didn’t took much energy, so
It was fine not to ruffle some feathers.

I knew what I want
As we went home, I knew.
True add verse situation,
     whereat me mission
     trans send dint state didst ache
after yours truly nearly
     did nearly break
chassis 'pon took drastic
     over corrective measure,
     not quite August,
     nor jejune piece of cake,
while rounding raised

      curbed contra corner
     suddenly felt wrath of wife quake,
viz passenger rear tire
     gone flat as a pancake
impresario found myself
     hearing Thus Spake,
Zarathustra, when in truth...
     twas ma constricted trach.

* * * * * * * * * * * * * * * * * * * * * * * * * * *

Some weeks back
     acting so cool and chic - bank
king all bravado, machismo
     self importance, and frank
lee babbling like a ******* creek
     off by a black key with Hank
Williams tune imagining
     myself swaggering like a lank

key trump petting Don
     (feigning faw being "Beefy") plank
walking lampoon able
     laughingstock Freaky, thank
less as a lapsed worn eraser head
     pencil necked Geek yank
key doodle dandy hood be
     forced to do penance as cap

     pit dull leotarded asinine
arthouse flop, where nary any words
     (worth their weight in gold)
     described my benign
behavior, NOT even
     smattering of unflattering deign
nig grating hammock colorful expletives,

     that would find an ensign
sailor to blush at my inept
     shameless travesty over the line
utter in apropos totally tubularly
     moronic juvenile mine
ness zero car raze zee antics,
     didst drive my doppelganger nine
tee bajillion miles away in search
     of another auto body – pine

ning for newer model
     then a 2009 Hyundai Sonata sign
ning off contract with this
     stunt driver wannabe
     unimpressively try'n
to act the blithe dare devil,
     while thee spouse didst wine
and scream more'n ****** Mary

     as the gunned axle nearly broke
trying my **** nest to
     "FAKE" dagger a type cloak
his husband resembled a fool,
     where angels fear to tread didst evoke
unsuccessful, unstinting, and unsparing

     unstrung epithets of colorful expletives
     unsuitable for poetic folk
boot urgent prayer went out
     to incredible Hulk
Hogan, and/or even the ghost
     of Andre The Giant, this haint no joke!

— The End —