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someday it will be willed (have I told you lately that I love you?)

that the poetry ceases,
no more birthdays notated
calendar closed, the ***’s axed,
kitchen junk drawer, a consignment store,
no longer needed, the futility of saving
knickknacks, maximized, the no lasting
value proposition, realized, eulogized.

pictures of beautiful automobiles,
decorated with beautiful women,
will forever be last year’s models,
one calendar too far, not long enough

no more of

have I told you lately that I love you?

wrote you plenty love poems so, hereafter,
you won’t be bereft, left farklempt,
arranged one-a-day, on a timed delay,
so many more that will appear in your
inbox until you too, no longer choose open it.

no more “sirprising” I love you statements,
taped to the milk carton, it was so willed,
the daily counting, record keeping, who first,
how many, secretly added to a grocery list,
in stuff that was so beloved, exasperating,
making you just right amount of crazy, smiling....
someday it will be willed, so,


here’s the first of many more....
Slow is her progress and high is her climb,
It's measured in arcs that trace my night sky.
I spoke and she answered, but only in rhyme,
Across space and time, the poetess and I.

In my dream we met, and she told me she'd written,
Something dear to her kind heart- a poetic creation.
For Sara herself, I was utterly smitten,
And I urged her to share it, with awkward elation.

I rambled then, foolish, and shy to be near,
Since her words had already reached me before.
In a future that’s past yet, paradoxically, here,
And knowing, not knowing, just what was in store.

“There's a poem that you wrote...”, I had started to say,
“In the Bradbury story, I think that's the one”,
“There's an automated house that's going through it's day...”,
“It recites your piece aloud...?  but the people have all gone...?”

“ ‘There will come soft rains’,dear friend”, her reply,
And her smile said, “thank you.  I'm glad you recall”,
But this one is shorter”, and her voice was a sigh,
It’s a different theme, but encompasses all”.

Then, as you'd expect, in the midst of a dreaming,
She opened her notebook and the next thing I knew,
Four lines of writing appeared, only seeming,
To arrange themselves magical, universal and true.

——————————————————
"Moon's  Ending"  by Sara Teasdale

Moon, worn thin to the width of a quill,
In the dawn clouds flying,
How good to go, light into light, and still
Giving light, dying.

——————————————————

Every step of our lives, we are walking the line,
Fail or succeed, illuminated in the trying,
The moon is just as bright when she's on the decline,
Our light, consolation to the living or dying.

Thank you, poets. You gave everything that you could,
When you’d make something holy from the simplest spark.
Thank you, friend, for understanding. I had hoped that you would.
Thank you, Sara, for writing the light and the dark.
https://soundcloud.com/flowermouth/moons-ending-with-wes-parham

This is for another collaboration with a composer in the Netherlands, Dennis Ramler.   He wrote a composition inspired by a poem that he loves called "Moon's Ending" by Sara Teasdale and asked if I could write something to mix in.  This is what I came up with.    I'll post a soundcloud link once Dennis has mixed and mastered his track.   The idea was a dream-memory in which the speaker meets Sara just as she has written "Moon's Ending" and entreats her to share it.  They ramble awkwardly about another poem of hers that was used in a short story by Ray Bradbury.  The poem is followed by, basically, a paraphrasing of how I interpret "Moon's Ending" and the final stanza is gratitude for poetry, poets, friendship, understanding, and for Sara who wrote so lyrically about beauty, love, life, and death, each in equal measure of respect and gratitude.
I Am Not Yours
Sara Teasdale, 1884 - 1933


I am not yours, not lost in you,
Not lost, although I long to be
Lost as a candle lit at noon,
Lost as a snowflake in the sea.

You love me, and I find you still
A spirit beautiful and bright,
Yet I am I, who long to be
Lost as a light is lost in light.

Oh plunge me deep in love—put out
My senses, leave me deaf and blind,
Swept by the tempest of your love,
A taper in a rushing wind.
And see this poem set to music...
http://www.youtube.com/watch?v=6cUbI8ibYZo


I was fortunate enough to see the New World School of Arts High School Choir perform  it last night...the music led me to the poetry and Ms. Teasdale will make an appearance in my next poem...

On August 8, 1884, Sara Trevor Teasdale was born in St. Louis, Missouri, into an old, established, and devout family. She was home-schooled until she was nine and traveled frequently to Chicago, where she became part of the circle surrounding Poetry magazine and Harriet Monroe. Teasdale published Sonnets to Duse, and Other Poems, her first volume of verse, in 1907. Her second collection, Helen of Troy, and Other Poems, followed in 1911, and her third, Rivers to the Sea, in 1915.

In 1914 Teasdale married Ernst Filsinger; she had previously rejected a number of other suitors, including Vachel Lindsay. She moved with her new husband to New York City in 1916. In 1918, she won the Columbia University Poetry Society Prize (which became the Pulitzer Prize for poetry) and the Poetry Society of America Prize for Love Songs, which had appeared in 1917. She published three more volumes of poetry during her lifetime: Flame and Shadow (1920), Dark of the Moon (1926), and Stars To-night (1930). Teasdale’s work had always been characterized by its simplicity and clarity, her use of classical forms, and her passionate and romantic subject matter. These later books trace her growing finesse and poetic subtlety. She divorced in 1929 and lived the rest of her life as a semi-invalid. Weakened after a difficult bout with pneumonia, Teasdale committed suicide on January 29, 1933, with an overdose of barbiturates. Her final collection, Strange Victory appeared posthumously that same year.
What does this life desire of me,
that it granted and
then removed,
the knowledge of perfection?
leaving me striving,
writhing,
shivering unceasingly,
in my saddened, bursting,
hacking and hackneyed chest
~for John Prine~

she’s eye closed, playing sleepy possum,
so I stealthy stroke her cheek, she, all smiling,
then I nose tickle my sweet-love, now frowning,
till I cease and desist, go back to stroking,
then I’m her good loving man once again

tune comes in my head from out of left field,
start to tap the beat, pic my guitar strings, roaming
all over her smooth features, now she’s all aroused,
cause she knows what I’m about and this strumming,  
why that ain’t allowed, so she knocks my fingers away

later, sneak into the kitchen, she’s fussin’ - could be,
cleaning, could be cooking, but soon she ain’t moving,
cause she’s just listening to the new tune first played
earlier that morn, on her features born, a love song,
calling that song “Playing with My Love’s Face”

now she’s grabbing the biggest knife I ever seen,
waving it to and too close to fro, in my direction general,
waving it like a baton, conducting my song, singing along,
making up her own lyrics, whole stanzas, now it’s her song,
****, if that ain’t “the way the world goes round”
our hips fit,
our hands entwine,
fingers unlockable,
laughing twogether,
“mighty fine”
she’s wearing the Levi’s,
I’m wearing the Strauss,
and it looks like we
been stitched together

her hand slides
easy in,
to my back pocket,
smiling
she announces,
we like, fit,
like a wedding announcement,
we fit like,
like an old country song

we see a movie
with our crew,
lights go up,
everybody loved it,
she secretly, her nose
wrinkly wrinkles,
one too long car chase,
my eyes are grinning
from corner to corner,
knowing she’s knowing
i’m all in, full in her
with agreement total

they took us to a tailor,
suits we required,
made to measure,
fit as perfect, as
perfect we be, as
perfect as we were,
matching customized,
white shirts, black tie,
shiny black shoes,
for matching caskets,
everyone saying
we just fit together,
even now,
crying ‘so long,’
for so long,
see you guys
so soon,
you two
fit,
like an old country song, one that everyone knows, all the words.
my father had a
sense of humor,
and high hopes
for his first born son.

almost named me
Short ‘n Sweet,
cause that is how
most like life.

thot about calling me,
*******,
cause that is what
most deserve to be told.

but he didn’t want
no blowback, so he he
stuck me with this name,
Mark Upright.

all I gotta say is this
and it’s short & sweet:

Dad, take note,

*******,

my *******,

for you, see it,

marked upright.
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