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Andrew T May 2016
Restless in bed, the stir of warmth blossoming in his heart,
the girl he loved has gone,
drifted from his house to the field of vacant stares.
Rainstorms brew in his mind, shifting from one end to the other,
the current forming into a large sheet of distance damp with disconnection.
He thinks of fire. As he rolls out of bed.
Grabbing a cigarette from his ashtray,
he lights up. Old habits stay kept in the roof of his mouth. Fresh air
permeates through his nostrils as he steps out onto the front porch.
He props his elbows on the balustrade,
brushes against the grainy wood
tarnished from the skywater.
The sun droops below the gray cluster of clouds
hanging over a horizon colored with blues, reds, and yellows.
While he smokes on his cigarette he remembers the girl. Her name is a
wrinkled photograph stored in a dusty shoe box.
She has green eyes and curly red hair.
Her body is shaped in an hourglass figure.
She's tall and gaunt, but her
legs are toned from running several miles on her treadmill
each morning before the dark slips away into the fog of light.
He grounds the cigarette out on the porch. He steps onto the driveway. There's a red
Honda CRV parked across from the two-car garage.
He hops in. The key turns.
Booming engine roars out loud.
The wheels churn backwards. He pulls out of the
cul-de-sac. And he drives, drives,
until he can remember the road map, the one
that she stole from him to follow her dreams, and hopes, the aspirations that he had
once shared with her. A thin, white film of mist
belays across the windshield.
And for a short second he wishes that he were dead.
Dead so that he could have the
perspective of an omniscient narrator to oversee everything, and everyone.
But where is his girl? She's not the one who got away,
she's the one who abandoned him, the
night after he ate the sweet nectar,
the fruit, little drops of dew splashing onto the back of his tongue.
The red Honda CR-V careens down the interstate, windows down, subwoofers pumping
with something similar to apprehension,
tense with overwrought poems.
The substance lacking from trying too hard,
for something that wants nothing to do with him.
Andrew T May 2016
A Monday morning in Richmond
     is like waking up with your head
   shaking with commotion.

You pray while you take a dump.
       You end up going across the street to Starbucks,
    with three-sixty left on your credit card.

For some reason unbeknownst to you,
you feel that you're a Renaissance artist,
brought to earth to perform studies on human beings.

Little by little you realize that you're the son of God.
There's a moldy tennis ball in
your pocket labeled: God.

Rap, or is it, Rock music that pumps through your ears?
And you're not afraid anymore.
You start to notice the handwritten facade built around your surroundings.

The State Farm billboards
perched above the scaffolding.
Your nose drizzles with crimson.

Memories of the Christopher Walken Impersonator stains the keyboard.
There is no real difference between the garbage man
and your best friend, the one who supplies you with mescaline.

And the comedown feels like a Indian Monsoon.
Electrocute your senses
until you've turned numb to your baby sister Victoria.

The Toyota Avalon cruising up
the street corner with the yellow high beams
is not the white witch from The Wizard of Oz.

Trip falls.
Inhale smoke.
Speculate more.

Dirigibles in the clear, blue sky plummet down.
You listen to your parents while you're high on *****,
wondering why mom dukes looks like Johnny Depp.

Fingers tremble as you try to type out
a handwritten letter from prison.
You meant to text message your mom, "Happy Mother's Day."

And instead
you typed out to her,
"Happy Birthday Mother!"

Lows and highs permeate through your heart.
Caving in, the walls crush into each other.
That girl was married and you gave her a head start on life.

You stole your best friend's birthday money to buy M. You tell yourself everything
is going to be okay as you swivel in your leather recliner,
A ****** dollar bill jammed up your left nostril.

Long, blue rails dotting the wrinkled notebook paper,
used up from the last owner. You
can't stop coughing.

You throw up on your clothes.
And you start to think that
maybe you are ******* up and you can't stop without an intervention.

Then
you start to think,
maybe this is all in my head.

The cold wind nips at your exposed ankles.
Red sores develop on the back of your elbows.
Local pariah is far away from his hometown.

Your favorite Uncle has stage 4 lung cancer,
and you're chain smoking menthols
to ease the edge that splits your brain in half each morning.

What is struggle without the lost—
without the success on the other side of sanity?
You pop prescriptions to ward off the insects gnawing away at your eyeballs.

Gouge your intestines with a straight edged blade bought
from the dollar store.
Ode to Keroauc.

The unholy manuscript written with pen and needle.
Cool story bro.
But you have nothing, but mistakes to offer to this unjust world.

And earth continues to spin on an uneven axis.
When it comes to a point where fiction and nonfiction
        are void of speculation.

           When it comes to the point where reality and dreams coincide
and you begin to stumble
over your shoelaces that are tied.

When it comes to a point where
               your enemies and friends seem the same that is the point
when you attempt to sleep.

But sleep will always allude you, you Danny Art
          So read your poetry aloud to the unsung.
To the sleepless.

The Walkers dressed in rags approach you,
smoking on black and milds, dark rings
circling their eyelids.  

And the time of night which you so longingly search for
in the face of listening to The Dark Knight soundtrack, gives you a pulse, a sudden click that boosts you into peril.

That bloodstain drenching
the corner of your eye sweats profusely. And that's when you start to wonder:
is everything that I'm doing baked in fallacy and witchcraft?

The comedown.
The comedown.
The comedown.

You are the burden of my fellow constituents, lost in reverie,
gone in madness, forlorn from deeds,
that are too great to imagine.

Your tears mean nothing
in comparison
to the world at large.

And that's okay.
And that's okay.
And that's okay.


You begin to discover,
that you do not write poetry,
but you write greeting cards in a journal.

Or a pen and pad,
ink
and blood.

— The End —