Description: Sam's not at all who people think he is. He might be quiet, he might be shy, but he also was diagnosed with cancer. When Briar moves to town, she catches Sam's eye. What will happen once the two get closer? Will Briar light a spark in Sam's heart?

-

Distant Memory

Dedicated to my cousin, Blake, who is currently fighting a horrific battle of Lymphoma.



You're probably thinking this is just some clichè love story, one about a girl having a crush on her best friend's brother, or how two people fall madly in love, but it's anything but. This is my story, with a twist unlike any other.

~

It all started in our Junior year of high school. You were new to Wakefield High, just moving here the previous year from New York City. On the first day of school, you were so unsure of yourself, not knowing what to do or where to go. I watched as you made your way through the halls, nudging your way through the crowded bodies as students made their way to class. Even though the halls were tremendously over-crowded, you were easy to spot. Your blonde hair and strikingly blue eyes stood out by the school's bland beige walls. You were more radiant, more powerful and glowing, than anything or anyone in the whole school.

Eventually, you made friends in all the clubs you'd joined - culinary club, photography club, and ASL. I don't know what made you stand out from all the other girls at Wakefield High, but whatever it was, it was strong. I felt drawn to you, like we shared a connection deeper than either of us knew. And it was then when I made it my goal to get to know you.

For the first few weeks, I'd tried bulking up the courage to speak to you. I had planned it all out in my mind. I would talk to you at lunch, right as you gathered your food and headed off to the library like you do every day. That was my chance, and I was determined to stick with it.

On that day, I was behind you in the lunch line. Once you got up there, you ordered a chicken empanada, then headed off to the library in the West wing. I quickly grabbed my lunch, a light Cesar salad, and trailed behind you.

You were walking faster than expected, and I was just too weak. I stopped, holding my knees as I gasped for breath. That was my chance to talk to you, to finally hear your beautiful voice, and I blew it.

It wasn't because of what you think. I couldn't keep up because I was lazy or out of shape, because I was neither of those.

I was diagnosed with Leukemia last October, and after tons of treatment, my doctor said I could try going back to school. I decided it would probably be best for me to live a normal life - as much as normal can get for a boy with cancer. Knowing that I was going to die soon - my doctor predicted I would only last for another year, tops - made me want to get to know you more.

After many wasted days of trying - but failing - to get your attention, I gave up. You were too wrapped up in your new life to even acknowledge my existence. Too busy maintaining your new found reputation, too busy dating a new guy every week. I always thought you were a ***** because of it, that you took advantage of different guys and then left them to crumble to pieces, but all of that changed on that faithful day.

I had gotten dropped off late to school because I had to get tests run at the hospital that morning. I tried to get to class on time, running as fast as I could. Only that didn't work because before you knew it, I was out of breath once again.

I headed over to the restroom, hoping a cool splash of water on my face would do the trick, when I heard wailing in the girls bathroom. I looked over my shoulder before entering, just to be safe. As I closed the door, I locked it behind me.

You were leaning against the wall, knees drawn to your chest as you cried. Noticing a presence, you looked up at me, thick black mascara running down your rosy cheeks. Your eyes were puffy, and I could tell you'd been crying for quite a while.

I didn't know what to say or do at that point, so I did what my heart told me I should do. I held you.

I sat next to you and wrapped my arms around you. Your body seemed small and weak, heaving in my arms. You cradled your head into my neck as tears fell from your bright blue eyes. I didn't bother asking what was wrong. Figured I would at a better time.

Just then, you looked up at me, face flushed and blotchy, and grabbed my hand. It seemed to fit perfectly within yours, our frail fingers intertwined in each others.

I tucked a few of your light blonde strands behind your ears as your cries dwindled. Even after you'd finished crying, you sat with me.

"What's your name?" Your eyes shone with curiosity.

"Sam."

"I'm Briar."

Briar. What a beautiful name. I smiled in your tangled hair. I never in a million years thought I would ever talk to you, and even if I had, I never would have expected it to be quite like this.

"You like Ed Sheeran too?" You asked, your eyes widening in delight as you scanned my shirt. I watched a smile creep to your face, lighting up your gorgeous eyes.

"Yeah, he's my favorite singer," I smile shyly. I can feel the heat rushing to my cheeks, and I feel embarrassed for acting this way.

Ever since then, we began talking. The more we talked, the more I knew how wrong I was about you. You weren't a ***** at all; all the guys you've dated broke up with you, but blamed it on you every time. That's how you got the title as biggest ***** of the school. I felt bad because you were one of the sweetest people I'd ever met, portraying someone you weren't.

I felt like that Ed Sheeran shirt brought me luck. It was the start to our budding friendship.

After a while, you completely changed. You stopped hanging out with the populars, claiming they were never into you anyway. And I found you enjoyed yourself more. I ended up joining the photography club later that year. Whenever we would go out on weekends, I was always taking pictures of you, catching the memories within a moment of time.

You always loved my pictures. As we sat in my bedroom, I'd let you pick out your favorites for you to keep, writing little notes on the back of each picture. Your absolute favorite one was that one of the two of us.

We were in a huge field, smiling as I held you in my arms wedding style. Your blonde hair flew around in all different directions and your eyes held happiness and joy. That was my favorite one too.

I had always had feelings for you, ever since that day in the bathroom, but I'd never have the chance to show you how I really feel. Even if I did, why would you love me back? I have no hair anymore since going through chemotherapy. My body's frail and weak, barely able to stand up on my own.

I had went to the doctors two days ago for more tests, and the doctor found that the tumor in my brain was growing more and more rapidly by the second. Therefore, I would be dying sooner than expected. I only had four days left. My mother held me in her arms as she cried, her wet tears staning my t-shirt.

That night, I called you and told you the news. You cried into the phone, and I wish I was there to hold you, tell you that everything would be okay, that I would be better soon. It was a lie, but I didn't want to hear you sad. I felt bad for being the cause of it.

The next day, I was rushed to the hospital after my mother found my collapsed in my room.

It was then I knew my life was coming to a close. I grabbed a pen and piece of paper, and wrote you a letter.

~

Dear Briar,

If you're reading this, I'm probably gone by now. I just woke up to the dimly lit lights flooding into my room, tubes and needles inside of me. My heart monitor is beeping weakly next to me, and I feel very frail. Cold, frail, and in tremendous pain. You're alseep on the couch right next to my bed and I watch you, take in your beauty for the last time. Your blonde hair is flowing around your head like a halo, your lips look like delicate red rosebuds. Even though I am weak, getting skinnier by the second, I make my way over to your side, kissing you lightly on the forehead.

I never told you about my cancer, and I'm sorry for that. I'm sorry for causing you the pain of me leaving you. I never meant for it to be this way. All I wanted was to live a normal life, and you showed me that there's happiness even in the smallest of places.

When you miss me, look at the pictures of us, pinned to a board on your bedrooom wall. Remember the memories we've had together. Remember the way you always made me smile, the dozens of laughs you filled me with. You showed me how to enjoy life, Briar. And I could never ask for anything more.

You filled my gloomy days with so much laughter I could barely contain myself. Remember me like that, Briar. Remember me happy.

I never realized it before, but I've fallen in love with you; your glowing smile, eyes the color of the raging ocean. I'd never known what love felt like, but I found it with you.

I love you so much, Briar. Never forget that. And remember I'll always be with you.

Love forever and always,

Sam

~

Briar's POV

I woke up to Sam's heart monitor, constantly beeping.Looking at the monitor, I noticed his breaths were slowing.

I made my way over to his bedside, rubbing my thumb gently across his cheek. His eyes were closed as his chest rose every so often.

"If only you knew how much I love you, Sam," I whispered, a single tear falling from my eyes. I watched him smile as he dwindled away.

"Sam? Sam?" My eyes filled with panic as I shook him lightly. "Sam?" My voice rose as I looked at the monitor, seeing the thin red line.

"Help! Somebody help!" I cried. As soon as those words escaped my lips, his hospital room flooded with doctors and nurses. They surrounded him, pushing me away to see what had happened. But they didn't need to. I already knew.

A doctor with black curly hair came rushing over to me. "I'm sorry, but he's gone.."

He's gone... He's gone... He's gone...

Those words rung in my ears, filling my head. I ran over to your bedside, crying my eyes out and practically screaming your name, hoping you'd come back to me.

I lay my head on your unmoving chest, letting my tears soak into your shirt. I noticed a small white envelope on the table next to you, To my sweet love, Briar, was written on it in your handwriting. I stuck it in the back pocket of my jeans before heading out of the hospital, feeling numb and empty.

I reread the letter over and over, tears staining the white lined paper.

"I love you, Sammy," I said, looking up at the bright blue sky. Even though the world seemed empty without you, I know I had to be strong. For you.

On days where I feel I can't bear your absence, I look at the pictures you took, just like you'd asked. I never knew you would change my life in such a drastic way.

Cattle**

In the photo
she’s striding across the yard
following Blossom and her procession of cows,
from the stack yard to the Home Field
twice a day
after we fed them from bales of hay
untied and thrown in chunks to the manger.
 
They wheeze and munch,
shuffle and ****,
never to be hurried,
their patience exemplary.

Kings**

As choristers we saw them
Regularly in their black
Limousines, their aides
Carrying gifts for display
In the royal apartments.
 
Kings, whose gait spoke
Of the heavy matters of state,
bent grey heads
To converse with the Majesty,
A small woman in a pale green coat
Carrying a large handbag

Mary**
 
It was her sandelled foot
and bared calf I noticed.
She was kneeling.
 
A strong young woman
convinced in truth,
a plain flawless face
hair spilling out
under the required scarf.
In stone.
Larger than life-size.
Niched in the Chapter House.
 
Now I know her touch,
her attentive gaze,
her restless mind.

Star**

Viewed from the pilgrims’ path  
As it turns inland
Fields of stars cross
The heavens, a roof
above the chequered pasture
from Anelog to Rhiw.
 
Such cloud-depths
of constellations
pulsating into infinity.
 
The eyes wide-open
shut in the biting wind,
fill with tears of wonder.

The Shepherds**
 
There’s a lot of standing about
and shouting at dogs.
Meg and I tried it once
with ****, young and impetuous,
though trained since a puppy.
 
December
in the pale sunshine of
Carrig’s fields,
One shepherd, two dogs,
sort and partition
their multi-coloured flock.
 
**** can’t help himself.
He knows his role
and plays it way back
in the outfield.
Deep extra cover.

Visitors**

Coming together as friends
we usher ourselves into his presence.
He’s waiting there, ready for us
in stillness and silence:
to place our lives, our gloves
our car keys, under the chair
and face him;
a baby,
a child in the temple,
a young adult at the river’s edge,
a thirty-something who cared;
for those who’d failed,
and had been failed.
Failing in our so different ways
we come as visitors to tell him so.

The Family**
 
When we were three
(there was a fourth on the way)
he discovered this summer place
in mid-September.
 
(there were brambles in the hedgerows
and it was windy and cold)
 
Later when we were four
and then (an accident) five,
we returned (regularly)
to remind ourselves
who we were,
who we are.

I catch the rapido train from Milano and edge slowly westward through the stops and starts of frozen points and village stations. The heating fails and an offer of warmer seats in another compartment. I decide to stay here. I put on my coat, scarf, hat and gloves and sit alone. In my grieving time, I feel closer to the cold world outside as it moves past me, intermittently. Falling snow in window-framed landscapes.            

Sky gun metal grey
shot through
with sunset ribbons.
                                                                                                          
Dusk eases into black-cornered night. After Maghera, the train seems to race to the sea. It rumbles onto the Ponte della Ferrovia, stretching out across the Laguna Veneta. Suddenly, a jonquil circle moon pulls the winter clouds back and shines a lemony silver torch across the inky waters. Crazed and cracked sheets of ice lie across the depthless lagoon. The train slows again and slides into Santa Lucia. I walk into the night.                                                                                               
Bleak midwinter      
sea-iced night wind
bites bitter.
                                                                                                      
No. 2 Diretto winding down the Canal Grande.  The foggy night muffles the guttural throb of the engine and turns mundane sounds into mysteries. Through the window of the vaporetto stop, the lights of Piazza San Marco are an empty auditorium of an opera house. Walking to Corte Barozzi, I hear the doleful tolling of midnight bells; the slapping of water and the *****-***** of the gondolas’ mooring chains. Faraway a busker sings Orfeo lamenting his lost Eurydice, left in Hades.
I wake to La Serenissima, bejewelled.                                                                                                                           
Weak winter sunshine
Istrian stone walls
flushed rosy.
                                                                                                          
Rooftops glowing. Sun streaming golden between the neck and wings of the masted Lion. Mist has lifted, the sky cloudless; I look across the sparkling Guidecca canal and beyond to the shimmering horizon.          
Molten mud
bittersweetness demi-tasse
Florian’s hot chocolate                    

I walk the maze of streets, squares and bridges; passing marble well-heads and fountains, places of assignation. I walk on stones sculpted by hands, feet and the breath of the sea. Secrets and melancholy are cast in these stones.                                                                  

At Fondamente Nuove, I take Vaporetto no.41 to Cimitero. We chug across the laguna, arriving at  the western wall of San Michele.  I thread through the dead, along pathways and between gravestones. At the furthest end of the Cemetery island, Vera and Igor Stravinsky lie in parallel graves like two single beds in an hotel room. Names at the head, a simple cross at the foot of the white stone slab. Nearby, his flamboyant mentor Serge Diaghalev. His grave, a gothic birdbath for ravens, has a Russian inscription; straggly pink carnations, a red votive candle and a pair of ragged ballet shoes with flounces of black and aquamarine tulle tied to their the ribbons. So many dead in mausoleums; demure plots; curious walled filing cabinets, marble drawer ossuaries.
                                                                                                      
Bare, whispering Poplars
swaying swirling shadows
graves rest beneath          

I walk to the other end of the island and frame Venezia in the central arch of the Byzantine gateway.  I see that sketchy horizontal strip of rusty brick, with strong verticals of campaniles and domes. It is here, before 4 o’clock closing time, I throw your ashes to the sea and run to catch the last boat.                                                                                          

Beacon light orange
glittering ripples
on the dove grey lagoon.

© M.L.Emmett
First published in New Poets 14: Snatching Time, 2007, Wakefield Press, Kent Town SA.
To view with Images: Poems for Poodles https://magicpoet01.wordpress.com

The Child**
 
After five of these miracles
you’d think
you were prepared for that moment
the child greets your waiting arms.
 
For some months
you’ve slept together,
even come
so really close
in the act of love.
 
Now her eyes look up for food
you cannot give.
You place her next the gentle curve
of the waiting breast.
 
Her presence dominates your waking self
and now it’s your turn to carry her.
This gift from God,
this wonder of innocence and truth,
she will become everything you are not,
and much more besides.
 
 
©  Nigel Morgan 2010

You are commanding the presence of an audience of children
Who do not, for a couple of hours, feel like children.
They feel like lightning bolts, and lovers,
Congregates of "The Broken Axe Handle",
Even if they hardly show it.
You’re telling them their own story
For which they haven’t yet learned how to form the words.

And after it all,
The crowd moving in a waking dream cloud,
You come into my focus,
And you practically whisper, “Seeing you there, you made me feel
Centered”
And I felt humbled by the honesty.
What a surprise to have such a weighted job!  
How impossible it is to take crumb of credit
For the beauty of your poetry!
I, entirely teenaged with endogenous anonymity,
Someone’s fulcrum!  

In a decade since,
I, (un)entirely grown and still ontologically unknown,
Still live your language,
Still aim to be the rock or
The hook on which to hang a hat.
Even when I don’t think I can
Even when I don’t know I am,
You make me feel daily that
In just receiving someone’s truth,
Eyes up,
I can make the return to be
Someone’s somebody.