Elégie poue notre ami Roland

Oh, mon ami, Roland Tu n’es plus désormais, Et il nous manque tant Ton regard colère Ta gouaille malicieuse Le feu de te propos De « pionnier » écolos
Que tu fus bien avant Que la mode s’en mêle. Cher Roland nous parlions Nous refaisions le Monde A torts et à travers. Mais puissants et fâcheux Etaient parmi les cibles Préférés de nos traits insolents De nos hardis propos. Roland, tu n’es plus là Et, ils ont prospéré, Les moutons, les dociles Qui suivent les bergers par trop intéressés. Cher Roland, reviens nous ! Pour les piquer encore, Ces satisfaits de peu, Ces traitres à leurs rêves. Reviens, Roland, Reviens ! Car nous avons besoin De l’esprit ironique De ta verve d’antan Et de tes polémiques Qui nous élèvent un peu De la médiocrité.

Paul Arrighi  – Toulouse

Finally, [4] "security" and "mainstream," and the images
captured by the television. Italy first song, Roland,
works in red and black roses with anemia.
How do I build good so you can change the color.
Roland it. Oh, life on earth, followers it does not follow,
ultimately [1 c], ||
1'm amazing.        The second type of Gunoda is safe.
How do you get to play good and support?
Unfortunately, there is a problem. A woman will read
and hear. As bishops and pastors in the second group.
1 possibility with French [Persian Gulf, green,
black and green] is better than the Korean robot.
The file was created by an American friend
ignored. The state is not good.   The researcher
wants to keep the first page of butter and salad.
[Bay and white TV] Others - the first generation robot!
1C, the city council 1 - Yes, 'Healthy' and 'Cabaret "(TV)".
[[End] [end]]. The traffic of red. But since it is his name.
But this is oil. How do you like your pet? that this man
should not supply for them, and there shall be 1, the scribe,
to the number, a point is one of the Speculum in a mirror
of these two effects. and to give his life of Christ,
it is important that he was too indolent, as well as justice
and the work of the freedom and responsibility
of the great things eliminate the personality. the price per liter. Unfortunately, they had problems.         1. I have heard many young women
and girls. it is a young woman who was above all cattle and sheep.
[Sirius, black, green, green, TV History] Go to the front
D's it is good to the Italian home.
1 fingers on the table state system. [Baron] and [Baron]
can even fly. in fact, [4] "security" and "mainstream"
the images caught by a television. Italy first song
of Roland
which effectually worketh also in the pink of anemia
in black and red.
What are you doing? You can even change the color.
This Roland Didymus the Blind Oh life on earth.
If he does not follow followers, ultimately [1 c],
1'm amazing.
The new generation, another of the safe Gunoda.
How do you get to play good and support?
Unfortunately, there is a problem.                    A woman will read and hear.
Bishops, priests and groups of others. 1 can occur,
such as France,                                 with the (Farsi, green, black and green)
is better than a robot Korean. An American friend
about creating a file to be ignored. Cities
do not have this function, too.
The researcher wants to keep the first page
of butter and salads. [Bay and white TV] Others -
the first generation robot! 1C, the city council 1 -
Yes, 'Healthy' and 'Cabaret "(TV). [[End] [end]].
The traffic of red. But since it is his name.
But this is oil. How do you like your pet?
this can not help the supply of 1 serve in number,
point one. mirror to mirror these two effects.
I give my Christ, it is important that suffering,
justice, and work freedom, which belongs
to remove
the burden of the big a. the price per liter.
Unfortunately, they had problems. 1. I have heard
many young women and girls. the girl, sheep, and sheep,
all the facts. [Sirius, black, green, green, TV History]
DSL front position;
more evident in Italian home. 1 fingers
on the table state system. [Baron] and [Baron] can even fly.
Finally, [4] "security" and "mainstream" captured images
from television. The first song in Italy is Roland,
which is effective
in the case of red, black, pink and anemia.    How to make
a good building, you can change the color. This is Roland.
Or, life on earth If your followers do not follow ultimately
[1, c], 1'm amazing. The second generation of Gunoda
is safe.
How do you play and get good support? Unfortunately,
there is a problem. I read and listen to a woman.
I use bishops, pastors and groups in second place.
1 can be done when he says that French [Persian, Green,
Black and Green] is better than a Korean robot.
A file created by an American friend is ignored.
The city is not good. The researcher wants to save
the salad and butter on the first page. [Gulf and white
TV] Others - Robot of the first generation!
City plan 1C 1 - Yes, "Healthy" and "Stop E" (TV).
[[End] [end]]. The tasks are red. But I know
it's his name. But this is oil. How do you like
your pet? The store is not here 1 and I cannot be
a secretary, number one point. Glass with glass
with these two effects.
To give life to Christ, it is important that laziness,
justice and independence work well and eliminate
the responsibility of the great personality. Price per liter.
Unfortunately, they had problems. 1. I have heard many
young women and girls. She is a ******, she is sheep
and sheep above all facts. [Gulf, Black, Green,
Blue Green,
TV Stories] Put the DS in front, it's better to sit in an Italian home.
1 inch status of the tablet system. [Baron] and [Baron] can still fly.
Finally, [4] "security" and "mainstream" captured images
on television. The first song in Italy is Roland, which is effective
in the case of red, black and pink and anemia.    How do you do?
You can change the color. This is Roland Didy Oh, life on earth.
If your followers do not follow, ultimately [1, c], 1'm is amazing.
The next generation of Gunoda's generation is safe.
How do you play and get good support?
Unfortunately, there is a problem. I read and listen to a woman.
Bishops, priests and groups instead of the other. 1t can be done
when he says that France (Farsi, Green, Black and Green)
is a better Korean robot. The file about creating
an American friend is ignored. Cities
do not have this function well. The researcher
wants to save the salads and butter
on the first page. [Gulf and white TV]
Others - Robot of the first generation! City plan 1C 1 -
Yes, "Healthy" and "Stop E" (TV). [[End] [end]].
The tasks are red.
But I know it's his name. But this is oil. How do you like your pet?
Here is store 1 and I can not minister, number, one point.
Glass with glass with these two effects.         To give life to Christ,
it is important that suffering, justice and independence work well,
as this eliminates the burden of the responsibility on the great man.
Price per liter. Unfortunately, they had problems. 1.
I have heard
many young women and girls. He is a ******,
a sheep, and a sheep above all facts. [Gulf, Black, Green,
Blue Green, TV Stories] DSL (Digital Subscriber Line)
is technology for bringing high- bandwidth information
to homes and small businesses over ordinary copper
telephone lines. xDSL refers to different variations
of DSL, such as ADSL, HDSL, and RADSL. placed
at the front, more striking
in an Italian home. 1 inch status of the tablet system. [Baron]
and [Baron] can still fly.

I sprang to the stirrup, and Joris, and he;
I galloped, Dirck galloped, we galloped all three;
“Good speed!” cried the watch, as the gate-bolts undrew;
“Speed!” echoed the wall to us galloping through;
Behind shut the postern, the lights sank to rest,
And into the midnight we galloped abreast.

Not a word to each other; we kept the great pace
Neck by neck, stride by stride, never changing our place;
I turned in my saddle and made its girths tight,
Then shortened each stirrup, and set the pique right,
Rebuckled the cheek-strap, chained slacker the bit,
Nor galloped less steadily Roland a whit.

’Twas moonset at starting; but while we drew near
Lokeren, the ***** crew and twilight dawned clear;
At Boom, a great yellow star came out to see;
At Duffeld, ’twas morning as plain as could be;
And from Mecheln church-steeple we heard the half-chime,
So Joris broke silence with, “Yet there is time!”

At Aerschot, up leaped of a sudden the sun,
And against him the cattle stood black every one,
To stare through the mist at us galloping past,
And I saw my stout galloper Roland at last,
With resolute shoulders, each butting away
The haze, as some bluff river headland its spray:

And his low head and crest, just one sharp ear bent back
For my voice, and the other pricked out on his track;
And one eye’s black intelligence,—ever that glance
O’er its white edge at me, his own master, askance!
And the thick heavy spume-flakes which aye and anon
His fierce lips shook upwards in galloping on.

By Hasselt, Dirck groaned; and cried Joris, “Stay spur!
Your Roos galloped bravely, the fault’s not in her,
We’ll remember at Aix”—for one heard the quick wheeze
Of her chest, saw the stretched neck and staggering knees,
And sunk tail, and horrible heave of the flank,
As down on her haunches she shuddered and sank.

So, we were left galloping, Joris and I,
Past Looz and past Tongres, no cloud in the sky;
The broad sun above laughed a pitiless laugh,
’Neath our feet broke the brittle bright stubble like chaff;
Till over by Dalhem a dome-spire sprang white,
And “Gallop,” gasped Joris, “for Aix is in sight!”

“How they’ll greet us!”—and all in a moment his roan
Rolled neck and croup over, lay dead as a stone;
And there was my Roland to bear the whole weight
Of the news which alone could save Aix from her fate,
With his nostrils like pits full of blood to the brim,
And with circles of red for his eye-socket’s rim.

Then I cast loose my buffcoat, each holster let fall,
Shook off both my jack-boots, let go belt and all,
Stood up in the stirrup, leaned, patted his ear,
Called my Roland his pet-name, my horse without peer;
Clapped my hands, laughed and sang, any noise, bad or good,
Till at length into Aix Roland galloped and stood.

And all I remember is—friends flocking round
As I sat with his head ‘twixt my knees on the ground;
And no voice but was praising this Roland of mine,
As I poured down his throat our last measure of wine,
Which (the burgesses voted by common consent)
Was no more than his due who brought good news from Ghent.

Elle ne connaissait ni l'orgueil ni la haine ;
Elle aimait ; elle était pauvre, simple et sereine ;
Souvent le pain qui manque abrégeait son repas.
Elle avait trois enfants, ce qui n'empêchait pas
Qu'elle ne se sentît mère de ceux qui souffrent.
Les noirs événements qui dans la nuit s'engouffrent,
Les flux et les reflux, les abîmes béants,
Les nains, sapant sans bruit l'ouvrage des géants,
Et tous nos malfaiteurs inconnus ou célèbres,
Ne l'épouvantaient point ; derrière ces ténèbres,
Elle apercevait Dieu construisant l'avenir.
Elle sentait sa foi sans cesse rajeunir
De la liberté sainte elle attisait les flammes
Elle s'inquiétait des enfants et des femmes ;
Elle disait, tendant la main aux travailleurs :
La vie est dure ici, mais sera bonne ailleurs.
Avançons ! - Elle allait, portant de l'un à l'autre
L'espérance ; c'était une espèce d'apôtre
Que Dieu, sur cette terre où nous gémissons tous,
Avait fait mère et femme afin qu'il fût plus doux ;
L'esprit le plus farouche aimait sa voix sincère.
Tendre, elle visitait, sous leur toit de misère,
Tous ceux que la famine ou la douleur abat,
Les malades pensifs, gisant sur leur grabat,
La mansarde où languit l'indigence morose ;
Quand, par hasard moins pauvre, elle avait quelque chose,
Elle le partageait à tous comme une sœur ;
Quand elle n'avait rien, elle donnait son cœur.
Calme et grande, elle aimait comme le soleil brille.
Le genre humain pour elle était une famille
Comme ses trois enfants étaient l'humanité.
Elle criait : progrès ! amour ! fraternité !
Elle ouvrait aux souffrants des horizons sublimes.

Quand Pauline Roland eut commis tous ces crimes,
Le sauveur de l'église et de l'ordre la prit
Et la mit en prison. Tranquille, elle sourit,
Car l'éponge de fiel plaît à ces lèvres pures.
Cinq mois, elle subit le contact des souillures,
L'oubli, le rire affreux du vice, les bourreaux,
Et le pain noir qu'on jette à travers les barreaux,
Edifiant la geôle au mal habituée,
Enseignant la voleuse et la prostituée.
Ces cinq mois écoulés, un soldat, un bandit,
Dont le nom souillerait ces vers, vint et lui dit
- Soumettez-vous sur l'heure au règne qui commence,
Reniez votre foi ; sinon, pas de clémence,
Lambessa ! choisissez. - Elle dit : Lambessa.
Le lendemain la grille en frémissant grinça,
Et l'on vit arriver un fourgon cellulaire.
- Ah ! voici Lambessa, dit-elle sans colère.
Elles étaient plusieurs qui souffraient pour le droit
Dans la même prison. Le fourgon trop étroit
Ne put les recevoir dans ses cloisons infâmes
Et l'on fit traverser tout Paris à ces femmes
Bras dessus bras dessous avec les argousins.
Ainsi que des voleurs et que des assassins,
Les sbires les frappaient de paroles bourrues.
S'il arrivait parfois que les passants des rues,
Surpris de voir mener ces femmes en troupeau,
S'approchaient et mettaient la main à leur chapeau,
L'argousin leur jetait des sourires obliques,
Et les passants fuyaient, disant : filles publiques !
Et Pauline Roland disait : courage, sœurs !
L'océan au bruit rauque, aux sombres épaisseurs,
Les emporta. Durant la rude traversée,
L'horizon était noir, la bise était glacée,
Sans l'ami qui soutient, sans la voix qui répond,
Elles tremblaient. La nuit, il pleuvait sur le pont
Pas de lit pour dormir, pas d'abri sous l'orage,
Et Pauline Roland criait : mes soeurs, courage !
Et les durs matelots pleuraient en les voyant.
On atteignit l'Afrique au rivage effrayant,
Les sables, les déserts qu'un ciel d'airain calcine,
Les rocs sans une source et sans une racine ;
L'Afrique, lieu d'horreur pour les plus résolus,
Terre au visage étrange où l'on ne se sent plus
Regardé par les yeux de la douce patrie.
Et Pauline Roland, souriante et meurtrie,
Dit aux femmes en pleurs : courage, c'est ici.
Et quand elle était seule, elle pleurait aussi.
Ses trois enfants ! **** d'elle ! Oh ! quelle angoisse amère !
Un jour, un des geôliers dit à la pauvre mère
Dans la casbah de Bône aux cachots étouffants :
Voulez-vous être libre et revoir vos enfants ?
Demandez grâce au prince. - Et cette femme forte
Dit : - J'irai les revoir lorsque je serai morte.
Alors sur la martyre, humble cœur indompté,
On épuisa la haine et la férocité.
Bagnes d'Afrique ! enfers qu'a sondés Ribeyrolles !
Oh ! la pitié sanglote et manque de paroles.
Une femme, une mère, un esprit ! ce fut là
Que malade, accablée et seule, on l'exila.
Le lit de camp, le froid et le chaud, la famine,
Le jour l'affreux soleil et la nuit la vermine,
Les verrous, le travail sans repos, les affronts,
Rien ne plia son âme ; elle disait : - Souffrons.
Souffrons comme Jésus, souffrons comme Socrate. -
Captive, on la traîna sur cette terre ingrate ;
Et, lasse, et quoiqu'un ciel torride l'écrasât,
On la faisait marcher à pied comme un forçat.
La fièvre la rongeait ; sombre, pâle, amaigrie,
Le soir elle tombait sur la paille pourrie,
Et de la France aux fers murmurait le doux nom.
On jeta cette femme au fond d'un cabanon.
Le mal brisait sa vie et grandissait son âme.
Grave, elle répétait : « Il est bon qu'une femme,
Dans cette servitude et cette lâcheté,
Meure pour la justice et pour la liberté. »
Voyant qu'elle râlait, sachant qu'ils rendront compte,
Les bourreaux eurent peur, ne pouvant avoir honte
Et l'homme de décembre abrégea son exil.
« Puisque c'est pour mourir, qu'elle rentre ! » dit-il.
Elle ne savait plus ce que l'on faisait d'elle.
L'agonie à Lyon la saisit. Sa prunelle,
Comme la nuit se fait quand baisse le flambeau,
Devint obscure et vague, et l'ombre du tombeau
Se leva lentement sur son visage blême.
Son fils, pour recueillir à cette heure suprême
Du moins son dernier souffle et son dernier regard,
Accourut. Pauvre mère ! Il arriva trop ****.
Elle était morte ; morte à force de souffrance,
Morte sans avoir su qu'elle voyait la France
Et le doux ciel natal aux rayons réchauffants
Morte dans le délire en criant : mes enfants !
On n'a pas même osé pleurer à ses obsèques ;
Elle dort sous la terre. - Et maintenant, évêques,
Debout, la mitre au front, dans l'ombre du saint lieu,
Crachez vos Te Deum à la face de Dieu !

Jersey, le 12 mars 1853.

.                              Songs of wonderful Roland di Dino.                            .

Finally, [4] for "Safety" the "Mainstream" has acquired girly images
from television. The first song in Italy is Roland's, which is effective
for red, black and pink damage and anemia. And butter. How are you?
Good building? You can change the color. that's. Roland Diddy.
Oh, life on earth. If you do not follow her followers. Finally, [1, c],
1'm great. Another safe Gunoda fourth generation. How do you play
and give good support? Unfortunately, there is a problem. I read and
listened to a woman, Bishops, priests and other groups
rather than the latter. 1t can be done when she says.
French & [Persian TV, Green, Black and Green] Korea's better robots
create a file. American friends are neglected.
Cities This feature is not good. It's faster.
The researcher wants to save the house salad
and butter on the first page. [Persian Gulf and White TV]
Others - 1st generation robot! City program.
1C. 1 - Yes, "healthy" and "paused E" (TV).
[[End] [End]]. Homework is red. But I know this is his name.
But this oil. How do you like your pet? Shop here.
1 and I can not. Secretary, number, one point.
Glass With Glass. These two effects. To give life to Christ.
But what is important is that laziness, fairness,
and independence work well, relieving the burden
of great character. Price per liter. Unfortunately,
they had problems. 1. I had many young women and girls.
She is a ******, she is a sheep, and sheep
are the highest of all truths. [Persian Gulf, black,
green, blue green, TV story]  Put the DS in front,
more punch is the best in Italian house.
1-inch tablet system status. [Baron] and [Baron]
can still fly.
Finally, [4] "Safety" and "Mainstream" have acquired images of televisions. Italy's first song is good for Roland, red, black and pink damage
and anemia for the project. And butter. How are you doing? Good building? You may change the color. that is. Roland Didi. Oh, life on earth.
If you do not follow her followers. Finally, [1, c], 1'm is awesome.
Another safe Gunoda fourth generation. How do you play
and have good support? Unfortunately there is a problem.
I read and listened to a woman. Bishops, priests and groups
rather than the latter. 1 can be done. When she says. French
[Persian TV, green, black and green] Korean better robot. Create a file. American friends are neglected. City This feature is not good.
It's faster. The researcher tries to store house salad and butter
on page one. [Persian Gulf and White TV] Others -
The first generation of robots! City program. 1C. 1 -
Yes, "healthy" and "paused E" (TV). [[End] [End]].
Homework is red. But I know this is his name. But this oil.
How do you like your pet? Shop here. 1 and I cannot.
Minister, number, one point. Glassy glassy glass.
These two effects. To give life to Christ.
But the important thing is - lazy, fair and independent work
done well and relieves the burden of big character. Price per liter. Unfortunately, they had problems. 1. I have heard
a lot of young women and girls. She herself is a ******,
and it is, and the sheep are the highest of the truths.
[Persian Gulf, black, green, blue green, TV story]
Leave the DSL on the front porch of the Italian house
is the best. number 1. Status 1 inch tablet system. [Baron] and [Baron]
can still be blown. Finally, [4] "safe" and "main stream",
which acquired
the images
from the television.   Italian first song is good,
awesome Roland about the project, red, black
and pink damage and anemia.     And butter.
How do you do? Good building?
Sometimes change color.
it is. Roland di Dino.          Oh, life on the earth.
If you do not, but that her followers. Finally,
[1, c], where 1'm great. Other safety Gunoda
fourth generation. How do you play the game,
good support. Unfortunately, we have a problem.
1 read and heard a woman. Bishops, priests
and groups rather than the latter. 1 can do it.
If she says French [and Persian TV, green,
black and green] Korean a robot that's better
than yours. Create a file. US friends are neglected.
City This capability is not good. What is faster.
Researchers are trying to save a house salad
and butter for 1 put on the page. [Persian Gulf
and white TV] Other - in the first generation of robots!
cities program. 1C. 1 - yes, "healthy" and "Suspended E" (TV).
[[End] [End]]. Homework is red. But do we know
that this is his name? But this oil. How do you like your pet?
Shop here. 1 and I cannot. Chancellor, who is able, 1 points.
Glass Glass glass. These two effects.
to give life to Christ. But the main thing - - lazy, impartial
and independent work
well you do to ease the burden of great character:
1 Price per 1 liter. Unfortunately, they had a problem.
1. 1 heard many young women and girls.
herself is a ******, which is as it were, the amount
is among the highest of the truth.
[Persian Gulf, black, green, blue green, the TV story]
on the front and leaves the DS More Italian home
rather punch is the most suitable. 1 no. The state 1-inch tablet system. [Baron] and [Baron] who can still burn.
Finally, [4] "safe" and "main stream"
if the image is acquired on television.
Italian gods of good songs in his first
awesome Roland project, red, black
and pink damages and anemia. And butter.
How are you? Building well? Sometimes change color.
It is a. Roland di Dino. Oh, it's a heavier soul, land.
If it is not, but its followers. Finally, [1, c],
where 1'm very important. Football Safety Gunoda's
Fourth Generation. How do you play the game?
Good support.
Unfortunately, we have a problem.
I read and heard a woman. Bishops, priests ||
and a group more than this. 1 I do not know
how this could be done. Then have a girl.
French [and Persian TV, Green, Black and Green]
a Korean robot that's better than yours. Create a file.
SOCCER friends are neglected. City, this ability
is not good. It may be faster. Researchers
are trying to save the home salad. Well, like 1st butter,
place it on the main page. [Persian Gulf and Black Sports TV]
Green - First Generation of Robots! Development of cities.
1C. Salad - yes, "healthy" and "massage" (TV).
[[End] [End]]. Homework is red. But do we know his name?
But there is no breathing oil. How do you like your pet?
Shop here. 1 and I cannot. The Chancellor was able
to 1 show. Glass mirror glass. These are two effects.
Christ also gives light to life. But the main thing - - lazy,
indifferent and packed luggage 1 Price independent
and good work Branding with a high load per 1 liter.
Unfortunately, it had a problem. 1'm. 1 he heard
many young women and girls. Mary is the ******
who has the highest instruction. [Persian Gulf, black,
green, green play on TV] is at the forefront and leads;
A more prominent Italian house is the most suitable for punch.
1 no one. The file system is a 1-inch city control.
[Baron] and [Baron] can still burn.

LAST night a January wind was ripping at the shingles
over our house and whistling a wolf song under the
eaves.

I sat in a leather rocker and read to a six-year-old girl
the Browning poem, Childe Roland to the Dark
Tower Came.

And her eyes had the haze of autumn hills and it was
beautiful to her and she could not understand.

A man is crossing. a big prairie, says the poem, and
nothing happens--and he goes on and on--and it's
all lonesome and empty and nobody home.

And he goes on and on--and nothing happens--and he
comes on a horse's skull, dry bones of a dead horse--
and you know more than ever it's all lonesome and
empty and nobody home.

And the man raises a horn to his lips and blows--he
fixes a proud neck and forehead toward the empty
sky and the empty land--and blows one last wonder-
cry.

And as the shuttling automatic memory of man clicks
off its results *****-nilly and inevitable as the snick
of a mouse-trap or the trajectory of a 42-centimetre
projectile,

I flash to the form of a man to his hips in snow drifts
of Manitoba and Minnesota--in the sled derby run
from Winnipeg to Minneapolis.

He is beaten in the race the first day out of Winnipeg--
the lead dog is eaten by four team mates--and the
man goes on and on--running while the other racers
ride, running while the other racers sleep--

Lost in a blizzard twenty-four hours, repeating a circle
of travel hour after hour--fighting the dogs who
dig holes in the snow and whimper for sleep--
pushing on--running and walking five hundred
miles to the end of the race--almost a winner--one
toe frozen, feet blistered and frost-bitten.

And I know why a thousand young men of the North-
west meet him in the finishing miles and yell cheers
--I know why judges of the race call him a winner
and give him a special prize even though he is a
loser.

I know he kept under his shirt and around his thudding
heart amid the blizzards of five hundred miles that
one last wonder-cry of Childe Roland--and I told
the six year old girl about it.

And while the January wind was ripping at the shingles
and whistling a wolf song under the eaves, her eyes
had the haze of autumn hills and it was beautiful
to her and she could not understand.

PART THE FIRST

Samuel Taylor Coleridge (1772–1834)


’TIS the middle of night by the castle clock,
And the owls have awakened the crowing ****;
Tu—whit!—Tu—whoo!
And hark, again! the crowing ****,
How drowsily it crew!         5
Sir Leoline, the Baron rich,
Hath a toothless mastiff *****;
From her kennel beneath the rock
Maketh answer to the clock,
Four for the quarters, and twelve for the hour;         10
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady’s shroud.

Is the night chilly and dark?
The night is chilly, but not dark.         15
The thin gray cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full;
And yet she looks both small and dull.
The night is chill, the cloud is gray:         20
’Tis a month before the month of May,
And the Spring comes slowly up this way.

The lovely lady, Christabel,
Whom her father loves so well,
What makes her in the wood so late,         25
A furlong from the castle gate?
She had dreams all yesternight—
Of her own betrothed knight;
And she in the midnight wood will pray
For the weal of her lover that’s far away.         30

   .........................

The night is chill; the forest bare;
Is it the wind that moaneth bleak?
There is not wind enough in the air         45
To move away the ringlet curl
From the lovely lady’s cheek—
There is not wind enough to twirl
The one red leaf, the last of its clan,
That dances as often as dance it can,         50
Hanging so light, and hanging so high,
On the topmost twig that looks up at the sky.

Hush, beating heart of Christabel!
Jesu, Maria, shield her well!
She folded her arms beneath her cloak,         55
And stole to the other side of the oak.
  What sees she there?

There she sees a damsel bright
Drest in a silken robe of white,
That shadowy in the moonlight shone:         60
The neck that made that white robe wan,
Her stately neck, and arms were bare;
Her blue-veined feet unsandalled were,
And wildly glittered here and there
The gems entangled in her hair.         65
I guess, ’twas frightful there to see—
A lady so richly clad as she—
  Beautiful exceedingly!

Mary mother, save me now!
(Said Christabel,) And who art thou?         70

The lady strange made answer meet,
And her voice was faint and sweet:—
Have pity on my sore distress,
I scarce can speak for weariness:
Stretch forth thy hand, and have no fear!         75
Said Christabel, How camest thou here?
And the lady, whose voice was faint and sweet,
Did thus pursue her answer meet:—
My sire is of a noble line,
And my name is Geraldine:         80
Five warriors seized me yestermorn,
Me, even me, a maid forlorn:
They choked my cries with force and fright,
And tied me on a palfrey white.
The palfrey was as fleet as wind,         85
And they rode furiously behind.
They spurred amain, their steeds were white:
And once we crossed the shade of night.

As sure as Heaven shall rescue me,
I have no thought what men they be;         90
Nor do I know how long it is
(For I have lain entranced I wis)
Since one, the tallest of the five,
Took me from the palfrey’s back,
A weary woman, scarce alive.         95
Some muttered words his comrades spoke:
He placed me underneath this oak;
He swore they would return with haste;
Whither they went I cannot tell—
I thought I heard, some minutes past,         100
Sounds as of a castle bell.
Stretch forth thy hand (thus ended she),
And help a wretched maid to flee.

Then Christabel stretched forth her hand,
And comforted fair Geraldine:         105
O well, bright dame! may you command
The service of Sir Leoline;
And gladly our stout chivalry
Will he send forth and friends withal
To guide and guard you safe and free         110
Home to your noble father’s hall.

She rose: and forth with steps they passed
That strove to be, and were not, fast.

   ................................................

They crossed the moat, and Christabel
Took the key that fitted well;
A little door she opened straight,         125
All in the middle of the gate,
The gate that was ironed within and without,
Where an army in battle array had marched out,
The lady sank, belike through pain,
And Christabel with might and main         130
Lifted her up, a weary weight,
Over the threshold of the gate:
Then the lady rose again,
And moved, as she were not in pain.

   ..................................................

Outside her kennel, the mastiff old         145
Lay fast asleep, in moonshine cold.
The mastiff old did not awake,
Yet she an angry moan did make!
And what can ail the mastiff *****?
Never till now she uttered yell         150
Beneath the eye of Christabel.
Perhaps it is the owlet’s scritch:
For what can ail the mastiff *****?

They passed the hall, that echoes still,
Pass as lightly as you will!         155
The brands were flat, the brands were dying,
Amid their own white ashes lying;
But when the lady passed, there came
A tongue of light, a fit of flame;
And Christabel saw the lady’s eye,         160
And nothing else saw she thereby,
Save the boss of the shield of Sir Leoline tall,
Which hung in a murky old niche in the wall.
O softly tread, said Christabel,
My father seldom sleepeth well.         165

Sweet Christabel her feet doth bare,
And jealous of the listening air
They steal their way from stair to stair,
Now in the glimmer, and now in gloom,
And now they pass the Baron’s room,         170
As still as death, with stifled breath!
And now have reached her chamber door;
And now doth Geraldine press down
The rushes of the chamber floor.

The moon shines dim in the open air,         175
And not a moonbeam enters there.
But they without its light can see
The chamber carved so curiously,
Carved with figures strange and sweet,
All made out of the carver’s brain,         180
For a lady’s chamber meet:
The lamp with twofold silver chain
Is fastened to an angel’s feet.

The silver lamp burns dead and dim;
But Christabel the lamp will trim.         185
She trimmed the lamp, and made it bright,
And left it swinging to and fro,
While Geraldine, in wretched plight,
Sank down upon the floor below.

O weary lady, Geraldine,         190
I pray you, drink this cordial wine!
It is a wine of virtuous powers;
My mother made it of wild flowers.

         .........................................

Again the wild-flower wine she drank:         220
Her fair large eyes ’gan glitter bright,
And from the floor whereon she sank,
The lofty lady stood upright:
She was most beautiful to see,
Like a lady of a far countrée.         225

And thus the lofty lady spake—
‘All they who live in the upper sky,
Do love you, holy Christabel!

          ..............................

Beneath the lamp the lady bowed,         245
And slowly rolled her eyes around;
Then drawing in her breath aloud,
Like one that shuddered, she unbound
The cincture from beneath her breast:
Her silken robe, and inner vest,         250
Dropt to her feet, and full in view,
Behold! her ***** and half her side—
A sight to dream of, not to tell!
O shield her! shield sweet Christabel!


THE CONCLUSION TO PART THE FIRST


A star hath set, a star hath risen,
O Geraldine! since arms of thine
Have been the lovely lady’s prison.
O Geraldine! one hour was thine—         305
Thou’st had thy will! By tairn and rill,
The night-birds all that hour were still.
But now they are jubilant anew,
From cliff and tower, tu—whoo! tu—whoo!
Tu—whoo! tu—whoo! from wood and fell!         310

And see! the lady Christabel!
Gathers herself from out her trance;
Her limbs relax, her countenance
Grows sad and soft; the smooth thin lids
Close o’er her eyes; and tears she sheds—         315
Large tears that leave the lashes bright!
And oft the while she seems to smile
As infants at a sudden light!

Yea, she doth smile, and she doth weep,
Like a youthful hermitess,         320
Beauteous in a wilderness,
Who, praying always, prays in sleep,
And, if she move unquietly,
Perchance, ’tis but the blood so free
Comes back and tingles in her feet.         325
No doubt, she hath a vision sweet.
What if her guardian spirit ’twere,
What if she knew her mother near?
But this she knows, in joys and woes,
That saints will aid if men will call:         330
For the blue sky bends over all!

PART THE SECOND

Each matin bell, the Baron saith,
Knells us back to a world of death.
These words Sir Leoline first said,
When he rose and found his lady dead;         335
These words Sir Leoline will say
Many a morn to his dying day!

          ..................................


‘Sleep you, sweet lady Christabel?
I trust that you have rested well?’

And Christabel awoke and spied         370
The same who lay down by her side—
O rather say, the same whom she
Raised up beneath the old oak tree!
Nay, fairer yet! and yet more fair!
For she belike hath drunken deep         375
Of all the blessedness of sleep!
      
.......................

The Baron rose, and while he prest
His gentle daughter to his breast,
With cheerful wonder in his eyes
The lady Geraldine espies,         400
And gave such welcome to the same,
As might beseem so bright a dame!
But when he heard the lady’s tale,
And when she told her father’s name,
Why waxed Sir Leoline so pale,         405
Murmuring o’er the name again,
Lord Roland de Vaux of Tryermaine?

Alas! they had been friends in youth;
But whispering tongues can poison truth;
And constancy lives in realms above;         410
And life is thorny; and youth is vain;
And to be wroth with one we love
Doth work like madness in the brain.
And thus it chanced, as I divine,
With Roland and Sir Leoline.         415
Each spake words of high disdain
And insult to his heart’s best brother:
They parted—ne’er to meet again!
But never either found another
To free the hollow heart from paining—         420
They stood aloof, the scars remaining,
Like cliffs which had been rent asunder;
A dreary sea now flows between.
But neither heat, nor frost, nor thunder,
Shall wholly do away, I ween,         425
The marks of that which once hath been.

Sir Leoline, a moment’s space,
Stood gazing on the damsel’s face:
And the youthful Lord of Tryermaine
Came back upon his heart again.         430
O then the Baron forgot his age,
His noble heart swelled high with rage;
He swore by the wounds in Jesu’s side
He would proclaim it far and wide,
With trump and solemn heraldry,         435
That they, who thus had wronged the dame
Were base as spotted infamy!
‘And if they dare deny the same,
My herald shall appoint a week,
And let the recreant traitors seek         440
My tourney court—that there and then
I may dislodge their reptile souls
From the bodies and forms of men!’
He spake: his eye in lightning rolls!
For the lady was ruthlessly seized; and he kenned         445
In the beautiful lady the child of his friend!

          ..................................................

        ‘Nay!
Nay, by my soul!’ said Leoline.         485
‘**! Bracy the bard, the charge be thine!
Go thou, with music sweet and loud,
And take two steeds with trappings proud,
And take the youth whom thou lov’st best
To bear thy harp, and learn thy song,         490
And clothe you both in solemn vest,
And over the mountains haste along,
Lest wandering folk, that are abroad
Detain you on the valley road.
‘And when he has crossed the Irthing flood,         495
My merry bard! he hastes, he hastes
Up Knorren Moor, through Halegarth Wood,
And reaches soon that castle good
Which stands and threatens Scotland’s wastes.

‘Bard Bracy! bard Bracy! your horses are fleet,         500
Ye must ride up the hall, your music so sweet,
More loud than your horses’ echoing feet!
And loud and loud to Lord Roland call,
Thy daughter is safe in Langdale hall!
Thy beautiful daughter is safe and free—         505
Sir Leoline greets thee thus through me.
He bids thee come without delay
With all thy numerous array;
And take thy lovely daughter home;
And he will meet thee on the way         510
With all his numerous array
White with their panting palfreys’ foam:
And, by mine honour! I will say,
That I repent me of the day
When I spake words of fierce disdain         515
To Roland de Vaux of Tryermaine!—
—For since that evil hour hath flown,
Many a summer’s sun hath shone;
Yet ne’er found I a friend again
Like Roland de Vaux of Tryermaine.’         520

         .............................................


And thus she stood, in dizzy trance,
Still picturing that look askance         610
With forced unconscious sympathy
Full before her father’s view—
As far as such a look could be
In eyes so innocent and blue!
And when the trance was o’er, the maid         615
Paused awhile, and inly prayed:
Then falling at the Baron’s feet,
‘By my mother’s soul do I entreat
That thou this woman send away!’
She said: and more she could not say:         620
For what she knew she could not tell,
O’er-mastered by the mighty spell.

Why is thy cheek so wan and wild,
Sir Leoline? Thy only child
Lies at thy feet, thy joy, thy pride.         625
So fair, so innocent, so mild;

troilet
by Roland Leighton
1895 ... December.1915

There's a sob on the sea

*There's a sob on the sea
And the Old Year is dying.
Borne on night wings to me
There's a sob on the sea,
And for what could not be
The great world-heart is sighing.
There's a sob on the sea
And the Old Year is dying.

A decade on from creating the hit Galaxy dress that became a defining look of the noughties, Roland Mouret has celebrated the 20th anniversary of his label by bringing his catwalk show home from Paris to London for fashion week.

And that dress was back, too – in spirit, at least. “When I think about the Galaxy dress now, I see that it was all about the women who wanted to wear it,” Mouret said backstage after the show at the National Theatre on Sunday, referring to the curvy, back-zipped dresses that made him a star.

“It wasn’t the dress that said anything, it was the women who wore that dress who had something to say. It was a dress for a woman who knows her body. A woman who is in a relationship with a man but who also goes out into the world and has a life outside of that relationship, too. That inner woman is the icon, not the dress.”

The anniversary show – his first in London after 10 years of showing his collections in Paris – was a celebratory affair, with the foyer of the National Theatre turned into a catwalk. It provided a suitably theatrical atmosphere for the wearing of high-voltage dresses on a grey Sunday morning, and an appropriate setting for a designer who rivals Stella McCartney as one of Britain’s foremost names in red-carpet fashion. At last week’s Bafta awards, the author JK Rowling and the Star Wars actor Daisy Ridley both wore Roland Mouret.

The Galaxy elements on this catwalk were updated for 2017. The cleavage that was an essential part of the dress when it was worn a decade ago by everyone from Cameron Diaz to Carol Vorderman is now out of fashion, so the distinctive origami folds of the neckline were raised several inches higher and instead of framing a balcony-hoisted decollete, they accentuated bare shoulders.

The full-length back zip was present and correct, made even more steamy by being emphasised with a small keyhole of cut-out fabric in the small of the back. The fabric has also moved with the times, from stretch crepe to wool knit and velvet, which give the shape of the body a less stark frame.

Mouret was born in Lourdes, south-west France, where his father was a butcher, but now lives between London and Suffolk. His UK-based company employs 75 people, and has been a champion of British manufacturing.

Sunday’s show, which was attended by about 100 of Mouret’s best customers, as well as editors and retailers, was set to a ***** soundtrack that began with Burt Bacharach’s The Look of Love and ended with Leonard Cohen’s I’m Your Man. It was followed by a champagne trunk show at which orders were being taken for delivery in a few months’ time.

The only archive design Mouret resurrected faithfully was a dress from his pre-Galaxy days, of which no pattern existed because “in those days, I just draped and sewed the dresses on to the girls”.Read more at:http://www.marieaustralia.com/evening-dresses | www.marieaustralia.com/formal-dresses-2017

i

i think why not to let
but proved the query set
a double somersault-twist
or kiss your sweet lips..

can  end in cold death-
still the birds in the trees
go cheep or not at all..
i have reason to not question..

ii

i have memories return from the crib
it is all just part of the aging process
we beetle by saying that can´t be right
the lights´ get bright and bright..!

birds talk to us but i don´t hear voices
we become preoccupied with prices..
i recall four blackjacks  a penny
dying has a long curious way..

i am pretty sure i am someone else
absolute and completely and yet
these early feelings as blithe pictures
remain constant..



iii


more work less ******* about
but creation is just living
some absolute and indistinct
(it is tough being a poet..)..

iv

lily says,for it is her,
you don´t play no more,
only i say in mind
the years don´t lie
content´ s fragile store..
repetition dulls the brightest
core..eventually a silent purr ask´ s why
not why not..

v

why write poetry says lily
because it is a futile act
of achieving something perfectly..
we like that..


or like stubbing one´ s little toe
a rabbit from a dream hat
in a vain effort to retain what
remains of my memory..

lily why not or why bother..
lily red diamond from her
eyes sparking like a star is
just a ******* star baby..

she half nelson bottle wine
why do anything..a sign
a metaphor an hieroglyph
love and hate lily..

or the little bird in the agaves
i would like to shoot that one
hate and love lily
porquoi-pas..

vi

i read o twenty years before actually commiting to paper
not much but i knew the stuff i loved and kept there
i know it was charles bukowski i loved his funky gear
thank you norwegion liz for lending me his books dear..

ham on rye and factotum you say don´t lose them mf
i swore i would not lose them i would not lose them kf
kind friend..but i lost them i lost them..df..
dumb ******..


i leant them to someone that swore the same
they suffered an horrendous head..crang..
on and the books lost the books got lost..
there was scant satisfaction in plaster form..

maybe they went to a happy home
so not my fault that his drunk poems
god is he fun liz i hear your laugh then
such a wild sound ..generous so!

you said i should write and thank you
only human to encourage me true
and always a good drinking companion
you bought decent wine..

i adored cognac o..that was my poison
you always attracted van gelis errant tounge
unpleasant but one had to watch him..
that was his fun..

and then backgammon
goes a bit faint then..
i would like to say i won
you told me roland was cheating..

i think it was fun to play him anyway
esspicially on cement truck day..
not that he ever bought me a drink
not that i liked cement..

i lived with roland actually
this stopped any conversation
i met him by accident in eilat
that place was a laugh..

i think i enjoyed the second time
first loads of day jobs though i
played in the streets..and living with
the russians..

that a blast lily..my immediate neighbor
we never spoke..and the police pulled his hair
and yet not a squeak..a match box of grass cheap
i went to silently get a light..

he did say never run boy..
i thought alright for you
alright,
who was playing late night
in the soft quiet night..

so i was nosy
within the deepest hush
a glass and bottle jungle
impossible this silence

and i could hear him swallow
once the army ran through
i was tucked up in bead reading
by hopeless candle light..

i met roland in the peace cafe
a misnomer if ever there was
he picked me up and tossed me
around..

hey mike we got ****** and under
the landing planes roaring down
aint had hash like that in so many
years..

there was the red lion and at seven
free food and a drink and a movie
i read miguel cervantes..they
play the eye of the tiger later..

then the hard rock cafe with killer
egg and chips
i worked with an architect and made
a few shekals.

vii

i got out of there man i went south
dhab a quiet hut and goats..
that is the life right there..
o the corral beauties..

the stars as glimpsed through the palm..
pretty carpet and soften-songs of balm
brain blown and fly blown
and then back to town..

which came as a shock then
i had a drink and a very nice mention
for the cafe at the bus station..
i salut the the patience of the librarians..

The body that I am incarnated in was born in the middle of the very rainy summer of 1939.
My vehicle for life.
All seeing-all smelling --all tasting--all touching--all speaking--all hearing --all sensing --perambulating -singing-dancing-cooking--drinking --painting--******* etc etc vehicle.
Born a few months before the Second World War,with all its nonsensical religiously patriotic and democratically oligarchic and liberally fascistic evil nonsense, started.
Makes me a Rider of the Storm eh?.
Eat yer heart out Jim Morrison!.
Slid out of my mothers womb in the upper room of a brand new house.
Situated on a new street somewhere on a new development on the edge of a 3000 years old walled city in 'gods' own country'--that's what they called it.
Yorkshire!.
First smell I remember,clearly,was rain soaked Lilac and Earth mixed together.
Their scent coming hrough the open bedroom window.
AAAAH rain soaked Lilac.
Second smell was Tobacco from downstairs where my father was anxiously chain smoking.
Then came my first taste.
He,my father,dipped the tip of his little finger into his glass of celebratory Whiskey and poked it into my mouth as I lay there,wrapped in swaddling clothes.
Irresponsibility!!.
Second taste was her warm rich creamy breast milk.
And so my days and nights started.
They told me the name that I was to answer to--as if it was the whole of me.
They told me my beliefs and attitudes and desires and limitations and skills etc etc.
They told me that what I have come to know was my conditioned identity was the real me---but it isn't!..
The lied to me --in innocent ignorance.
My sister taught me to read and write by the time I was 3 years old.
I grew up knowing,deep down, that I was something else.
Not the 'Something Else' that Ornette Coleman played,on his magnificent disc,either.
War raged elsewhere throughout my childhood--mainly across the seas far away.
I watched flight after flight of four engine bombers roar overhead every day ,on their way to drop bombs on children I would never meet.
There was a busy air base 2 miles away from the house I was born in.
Once an injured bomber,coming back from a raid,crashed in flames on two houses at the top of the street I lived in.
I found war to be a hellish and frightening experience.
And along the way I discovered that I couldnt explain to 'myself' who I was, exactly,either.
That my parenters gift of identity was misleading.
I asked 'myself' who or rather what was I?.
By the time I was 3 years I was a ******* from 'Osteomylitis'--or so they told me.
I couldn't walk with massive  left hip joint pain I suffered.
I spent the years from 3 to 6 in a traction bed in a couple of hospitals.
Gobbling down Cod liver oil and Malt for the vitamins--and it worked!!!.
At 6 I learned to walk--YES!!!.
All that pain was left behind.
Thank you Gautama.
My life was suffering but as you supposedly said.
Suffering can be overcome.
And I overcame it.
And I ran and jumped across streams and climbed trees and walked for miles and miles and danced the dance of life.
I foraged for blackberries and wild mushrooms and crabapples and horseradish roots and rosehips and other fruits of nature.
I fell in love with the song of the Yellowbeak--Blackbird to you.
Became enraptured by the smell of wild Roses in the hedgerows.
And I sang and sang and sang and danced and danced and danced.
And all the while I just knew that I wasn't the body that I was incarnated in.
Even though my parenters kept on insisting that I was that body.
And I knew that I wasn't who they had told me I was either.
I knew that I wasn't the conditioned identity of the body that they insisted I was..
At 9 years I passed an exam and won a free scholarship place at a fee paying 'public' school.
My education started in earnest.
Lain and French andAlgebra and Geometry and  expectations of University.
I fell in love for my very first time at around 12 years old.
Raymond was his name.
He taught me how bisexual I was.
I swallowed litres of his body fluids.
Oh how I loved him.
Then after 2 ecstatic years he rejected me because I was a different class to him.
AAAAARGH!.
Then around 14 years the monthly seizures started.
A regular dark descent into unconsciousness.
I experienced the small death of Julius Ceasar and Leonardo Da Vinci.
Back to waking consciousness after an hours out of the body trip into the Astral realms.
Waking with total total amnesia.
With no mind or conditioned identity but both came back within one hour of waking and took over again.
Along with a helluva headache.
But I woke as me--who or whatever that was.
I wasn't who they said I was.
I was me!.
Whatever that was.
Where did I come from?
My purpose in life became to find out what I was and what the source of my existence was.
Teenage life as a rock n roller started beckoned and I embraced party life.
I won cups of silver for dancing very energetically to Bill Haley and Chuck Berry.
I discovered the other half of my bisexuality.
I found girls.
Oh girls how I love you.
and love you and love you.
I started to play trombone at 18 years.
Then trumpet and drums then into my life walked MISS SAXOPHONE and I melted!!!!.
Alto alto wobbly lines of sound poured out from the bell of my alto sax.
I was 23 and toying with buddhism and social alcoholism and playing saxophone jazz(probably badly).
26 and I got married for the first time.
I was playing Free Jazz rather amateurishly by now.
In 1967 I moved to London--became a longhaired hippy--started my own band called BrainBloodVolume--took many doses(literally 1000s) of pure LSD and Mescaline and Psyllocybin and DMT--embraced diet reform--became ordained as a buddhist monk in 1966--played with Jimi Hendrix and John Lennon and the pink Floyd--went to live in the Balearic Islands--Mallorca,Ibiza,Formentera--started to do oil paintings--had a Master Class in Concert Flute playing from Roland Kirk in the dressing room at Ronnie Scotts Jazz Club in London.Became addicted to Macrobiotic Food and Spring Water and puffing Waccy Baccy(always through a Water Pipe..



Its been seventy seven years in this incarnation that I have been wandering the face of this big ball in space seeking the answer to the eternal questions of life.

What am I and where do I come from and what is my purpose?.

And here  is the answer--!!.

I am an individual isness formed solely from a small but equal independent and autonomous portion of the isness of the universe.

Each individual isness is an eternal, small but equal, independent, autonomous,nameless, formless,genderless,classless,casteless,non physical and unconditionally  loving portion of the isness of the universe.

The isness of the universe is the whole of the nature of reality and is the sole source of all existence and is eternal,nameless,formless, genderless,beingless and autonomous and unconditionally loving and is not a 'god' or a 'goddess' or any kind of being.

I live in the joyousness of shared unconditionally loving union with the isness of the universe.

PART I

’Tis the middle of night by the castle clock
And the owls have awakened the crowing ****;
Tu-whit!—Tu-whoo!
And hark, again! the crowing ****,
How drowsily it crew.
Sir Leoline, the Baron rich,
Hath a toothless mastiff, which
From her kennel beneath the rock
Maketh answer to the clock,
Four for the quarters, and twelve for the hour;
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady’s shroud.

Is the night chilly and dark?
The night is chilly, but not dark.
The thin gray cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full;
And yet she looks both small and dull.
The night is chill, the cloud is gray:
‘T is a month before the month of May,
And the Spring comes slowly up this way.
The lovely lady, Christabel,
Whom her father loves so well,
What makes her in the wood so late,
A furlong from the castle gate?
She had dreams all yesternight
Of her own betrothed knight;
And she in the midnight wood will pray
For the weal of her lover that’s far away.

She stole along, she nothing spoke,
The sighs she heaved were soft and low,
And naught was green upon the oak,
But moss and rarest mistletoe:
She kneels beneath the huge oak tree,
And in silence prayeth she.

The lady sprang up suddenly,
The lovely lady, Christabel!
It moaned as near, as near can be,
But what it is she cannot tell.—
On the other side it seems to be,
Of the huge, broad-breasted, old oak tree.
The night is chill; the forest bare;
Is it the wind that moaneth bleak?
There is not wind enough in the air
To move away the ringlet curl
From the lovely lady’s cheek—
There is not wind enough to twirl
The one red leaf, the last of its clan,
That dances as often as dance it can,
Hanging so light, and hanging so high,
On the topmost twig that looks up at the sky.

Hush, beating heart of Christabel!
Jesu, Maria, shield her well!
She folded her arms beneath her cloak,
And stole to the other side of the oak.
What sees she there?

There she sees a damsel bright,
Dressed in a silken robe of white,
That shadowy in the moonlight shone:
The neck that made that white robe wan,
Her stately neck, and arms were bare;
Her blue-veined feet unsandaled were;
And wildly glittered here and there
The gems entangled in her hair.
I guess, ‘t was frightful there to see
A lady so richly clad as she—
Beautiful exceedingly!

‘Mary mother, save me now!’
Said Christabel, ‘and who art thou?’

The lady strange made answer meet,
And her voice was faint and sweet:—
‘Have pity on my sore distress,
I scarce can speak for weariness:
Stretch forth thy hand, and have no fear!’
Said Christabel, ‘How camest thou here?’
And the lady, whose voice was faint and sweet,
Did thus pursue her answer meet:—
‘My sire is of a noble line,
And my name is Geraldine:
Five warriors seized me yestermorn,
Me, even me, a maid forlorn:
They choked my cries with force and fright,
And tied me on a palfrey white.
The palfrey was as fleet as wind,
And they rode furiously behind.
They spurred amain, their steeds were white:
And once we crossed the shade of night.
As sure as Heaven shall rescue me,
I have no thought what men they be;
Nor do I know how long it is
(For I have lain entranced, I wis)
Since one, the tallest of the five,
Took me from the palfrey’s back,
A weary woman, scarce alive.
Some muttered words his comrades spoke:
He placed me underneath this oak;
He swore they would return with haste;
Whither they went I cannot tell—
I thought I heard, some minutes past,
Sounds as of a castle bell.
Stretch forth thy hand,’ thus ended she,
‘And help a wretched maid to flee.’

Then Christabel stretched forth her hand,
And comforted fair Geraldine:
‘O well, bright dame, may you command
The service of Sir Leoline;
And gladly our stout chivalry
Will he send forth, and friends withal,
To guide and guard you safe and free
Home to your noble father’s hall.’

She rose: and forth with steps they passed
That strove to be, and were not, fast.
Her gracious stars the lady blest,
And thus spake on sweet Christabel:
‘All our household are at rest,
The hall is silent as the cell;
Sir Leoline is weak in health,
And may not well awakened be,
But we will move as if in stealth;
And I beseech your courtesy,
This night, to share your couch with me.’

They crossed the moat, and Christabel
Took the key that fitted well;
A little door she opened straight,
All in the middle of the gate;
The gate that was ironed within and without,
Where an army in battle array had marched out.
The lady sank, belike through pain,
And Christabel with might and main
Lifted her up, a weary weight,
Over the threshold of the gate:
Then the lady rose again,
And moved, as she were not in pain.

So, free from danger, free from fear,
They crossed the court: right glad they were.
And Christabel devoutly cried
To the Lady by her side;
‘Praise we the ****** all divine,
Who hath rescued thee from thy distress!’
‘Alas, alas!’ said Geraldine,
‘I cannot speak for weariness.’
So, free from danger, free from fear,
They crossed the court: right glad they were.

Outside her kennel the mastiff old
Lay fast asleep, in moonshine cold.
The mastiff old did not awake,
Yet she an angry moan did make.
And what can ail the mastiff *****?
Never till now she uttered yell
Beneath the eye of Christabel.
Perhaps it is the owlet’s scritch:
For what can aid the mastiff *****?

They passed the hall, that echoes still,
Pass as lightly as you will.
The brands were flat, the brands were dying,
Amid their own white ashes lying;
But when the lady passed, there came
A tongue of light, a fit of flame;
And Christabel saw the lady’s eye,
And nothing else saw she thereby,
Save the boss of the shield of Sir Leoline tall,
Which hung in a murky old niche in the wall.
‘O softly tread,’ said Christabel,
‘My father seldom sleepeth well.’
Sweet Christabel her feet doth bare,
And, jealous of the listening air,
They steal their way from stair to stair,
Now in glimmer, and now in gloom,
And now they pass the Baron’s room,
As still as death, with stifled breath!
And now have reached her chamber door;
And now doth Geraldine press down
The rushes of the chamber floor.

The moon shines dim in the open air,
And not a moonbeam enters here.
But they without its light can see
The chamber carved so curiously,
Carved with figures strange and sweet,
All made out of the carver’s brain,
For a lady’s chamber meet:
The lamp with twofold silver chain
Is fastened to an angel’s feet.
The silver lamp burns dead and dim;
But Christabel the lamp will trim.
She trimmed the lamp, and made it bright,
And left it swinging to and fro,
While Geraldine, in wretched plight,
Sank down upon the floor below.
‘O weary lady, Geraldine,
I pray you, drink this cordial wine!
It is a wine of virtuous powers;
My mother made it of wild flowers.’

‘And will your mother pity me,
Who am a maiden most forlorn?’
Christabel answered—’Woe is me!
She died the hour that I was born.
I have heard the gray-haired friar tell,
How on her death-bed she did say,
That she should hear the castle-bell
Strike twelve upon my wedding-day.
O mother dear! that thou wert here!’
‘I would,’ said Geraldine, ’she were!’

But soon, with altered voice, said she—
‘Off, wandering mother! Peak and pine!
I have power to bid thee flee.’
Alas! what ails poor Geraldine?
Why stares she with unsettled eye?
Can she the bodiless dead espy?
And why with hollow voice cries she,
‘Off, woman, off! this hour is mine—
Though thou her guardian spirit be,
Off, woman. off! ‘t is given to me.’

Then Christabel knelt by the lady’s side,
And raised to heaven her eyes so blue—
‘Alas!’ said she, ‘this ghastly ride—
Dear lady! it hath wildered you!’
The lady wiped her moist cold brow,
And faintly said, ‘’T is over now!’
Again the wild-flower wine she drank:
Her fair large eyes ‘gan glitter bright,
And from the floor, whereon she sank,
The lofty lady stood upright:
She was most beautiful to see,
Like a lady of a far countree.

And thus the lofty lady spake—
‘All they, who live in the upper sky,
Do love you, holy Christabel!
And you love them, and for their sake,
And for the good which me befell,
Even I in my degree will try,
Fair maiden, to requite you well.
But now unrobe yourself; for I
Must pray, ere yet in bed I lie.’

Quoth Christabel, ‘So let it be!’
And as the lady bade, did she.
Her gentle limbs did she undress
And lay down in her loveliness.

But through her brain, of weal and woe,
So many thoughts moved to and fro,
That vain it were her lids to close;
So half-way from the bed she rose,
And on her elbow did recline.
To look at the lady Geraldine.
Beneath the lamp the lady bowed,
And slowly rolled her eyes around;
Then drawing in her breath aloud,
Like one that shuddered, she unbound
The cincture from beneath her breast:
Her silken robe, and inner vest,
Dropped to her feet, and full in view,
Behold! her ***** and half her side—
A sight to dream of, not to tell!
O shield her! shield sweet Christabel!

Yet Geraldine nor speaks nor stirs:
Ah! what a stricken look was hers!
Deep from within she seems half-way
To lift some weight with sick assay,
And eyes the maid and seeks delay;
Then suddenly, as one defied,
Collects herself in scorn and pride,
And lay down by the maiden’s side!—
And in her arms the maid she took,
Ah, well-a-day!
And with low voice and doleful look
These words did say:

‘In the touch of this ***** there worketh a spell,
Which is lord of thy utterance, Christabel!
Thou knowest to-night, and wilt know to-morrow,
This mark of my shame, this seal of my sorrow;
But vainly thou warrest,
For this is alone in
Thy power to declare,
That in the dim forest
Thou heard’st a low moaning,
And found’st a bright lady, surpassingly fair:
And didst bring her home with thee, in love and in charity,
To shield her and shelter her from the damp air.’

It was a lovely sight to see
The lady Christabel, when she
Was praying at the old oak tree.
Amid the jagged shadows
Of mossy leafless boughs,
Kneeling in the moonlight,
To make her gentle vows;
Her slender palms together prest,
Heaving sometimes on her breast;
Her face resigned to bliss or bale—
Her face, oh, call it fair not pale,
And both blue eyes more bright than clear.
Each about to have a tear.
With open eyes (ah, woe is me!)
Asleep, and dreaming fearfully,
Fearfully dreaming, yet, I wis,
Dreaming that alone, which is—
O sorrow and shame! Can this be she,
The lady, who knelt at the old oak tree?
And lo! the worker of these harms,
That holds the maiden in her arms,
Seems to slumber still and mild,
As a mother with her child.

A star hath set, a star hath risen,
O Geraldine! since arms of thine
Have been the lovely lady’s prison.
O Geraldine! one hour was thine—
Thou’st had thy will! By tarn and rill,
The night-birds all that hour were still.
But now they are jubilant anew,
From cliff and tower, tu-whoo! tu-whoo!
Tu-whoo! tu-whoo! from wood and fell!

And see! the lady Christabel
Gathers herself from out her trance;
Her limbs relax, her countenance
Grows sad and soft; the smooth thin lids
Close o’er her eyes; and tears she sheds—
Large tears that leave the lashes bright!
And oft the while she seems to smile
As infants at a sudden light!
Yea, she doth smile, and she doth weep,
Like a youthful hermitess,
Beauteous in a wilderness,
Who, praying always, prays in sleep.
And, if she move unquietly,
Perchance, ‘t is but the blood so free
Comes back and tingles in her feet.
No doubt, she hath a vision sweet.
What if her guardian spirit ‘t were,
What if she knew her mother near?
But this she knows, in joys and woes,
That saints will aid if men will call:
For the blue sky bends over all.

PART II

Each matin bell, the Baron saith,
Knells us back to a world of death.
These words Sir Leoline first said,
When he rose and found his lady dead:
These words Sir Leoline will say
Many a morn to his dying day!

And hence the custom and law began
That still at dawn the sacristan,
Who duly pulls the heavy bell,
Five and forty beads must tell
Between each stroke—a warning knell,
Which not a soul can choose but hear
From Bratha Head to Wyndermere.
Saith Bracy the bard, ‘So let it knell!
And let the drowsy sacristan
Still count as slowly as he can!’
There is no lack of such, I ween,
As well fill up the space between.
In Langdale Pike and Witch’s Lair,
And Dungeon-ghyll so foully rent,
With ropes of rock and bells of air
Three sinful sextons’ ghosts are pent,
Who all give back, one after t’ other,
The death-note to their living brother;
And oft too, by the knell offended,
Just as their one! two! three! is ended,
The devil mocks the doleful tale
With a merry peal from Borrowdale.

The air is still! through mist and cloud
That merry peal comes ringing loud;
And Geraldine shakes off her dread,
And rises lightly from the bed;
Puts on her silken vestments white,
And tricks her hair in lovely plight,
And nothing doubting of her spell
Awakens the lady Christabel.
‘Sleep you, sweet lady Christabel?
I trust that you have rested well.’

And Christabel awoke and spied
The same who lay down by her side—
O rather say, the same whom she
Raised up beneath the old oak tree!
Nay, fairer yet! and yet more fair!
For she belike hath drunken deep
Of all the blessedness of sleep!
And while she spake, her looks, her air,
Such gentle thankfulness declare,
That (so it seemed) her girded vests
Grew tight beneath her heaving *******.
‘Sure I have sinned!’ said Christabel,
‘Now heaven be praised if all be well!’
And in low faltering tones, yet sweet,
Did she the lofty lady greet
With such perplexity of mind
As dreams too lively leave behind.

So quickly she rose, and quickly arrayed
Her maiden limbs, and having prayed
That He, who on the cross did groan,
Might wash away her sins unknown,
She forthwith led fair Geraldine
To meet her sire, Sir Leoline.
The lovely maid and the lady tall
Are pacing both into the hall,
And pacing on through page and groom,
Enter the Baron’s presence-room.

The Baron rose, and while he prest
His gentle daughter to his breast,
With cheerful wonder in his eyes
The lady Geraldine espies,
And gave such welcome to the same,
As might beseem so bright a dame!

But when he heard the lady’s tale,
And when she told her father’s name,
Why waxed Sir Leoline so pale,
Murmuring o’er the name again,
Lord Roland de Vaux of Tryermaine?
Alas! they had been friends in youth;
But whispering tongues can poison truth;
And constancy lives in realms above;
And life is thorny; and youth is vain;
And to be wroth with one we love
Doth work like madness in the brain.
And thus it chanced, as I divine,
With Roland and Sir Leoline.
Each spake words of high disdain
And insult to his heart’s best brother:
They parted—ne’er to meet again!
But never either found another
To free the hollow heart from paining—
They stood aloof, the scars remaining,
Like cliffs which had been rent asunder;
A dreary sea now flows between.
But neither heat, nor frost, nor thunder,
Shall wholly do away, I ween,
The marks of that which once hath been.
Sir Leoline, a moment’s space,
Stood gazing on the damsel’s face:
And the youthful Lord of Tryermaine
Came back upon his heart again.

O then the Baron forgot his age,
His noble heart swelled high with rage;
He swore by the wounds in Jesu’s side
He would proclaim it far and wide,
With trump and solemn heraldry,
That they, who thus had wronged the dame
Were base as spotted infamy!
‘And if they dare deny the same,
My herald shall appoint a week,
And let the recreant traitors seek
My tourney court—that there and then
I may dislodge their reptile souls
From the bodies and forms of men!’
He spake: his eye in lightning rolls!
For the lady was ruthlessly seized; and he kenned
In the beautiful lady the child of his friend!

And now the tears were on his face,
And fondly in his arms he took
Fair Geraldine who met the embrace,
Prolonging it with joyous look.
Which when she viewed, a vision fell
Upon the soul of Christabel,
The vision of fear, the touch and pain!
She shrunk and shuddered, and saw again—
(Ah, woe is me! Was it for thee,
Thou gentle maid! such sights to see?)
Again she saw that ***** old,
Again she felt that ***** cold,
And drew in her breath with a hissing sound:
Whereat the Knight turned wildly round,
And nothing saw, but his own sweet maid
With eyes upraised, as one that prayed.

The touch, the sight, had passed away,
And in its stead that vision blest,
Which comfort

Unfoldings
by Michael R. Burch

for Vicki

Time unfolds ...
Your lips were roses.
... petals open, shyly clustering ...
I had dreams
of other seasons.
... ten thousand colors quiver, blossoming.

Night and day ...
Dreams burned within me.
... flowers part themselves, and then they close ...
You were lovely;
I was lonely.
... a ****** yields herself, but no one knows.

Now time goes on ...
I have not seen you.
... within ringed whorls, secrets are exchanged ...
A fire rages;
no one sees it.
... a blossom spreads its flutes to catch the rain.

Seasons flow ...
A dream is dying.
... within parched clusters, life is taking form ...
You were honest;
I was angry.
... petals fling themselves before the storm.

Time is slowing ...
I am older.
... blossoms wither, closing one last time ...
I'd love to see you
and to touch you.
... a flower crumbles, crinkling, worn and dry.

Time contracts ...
I cannot touch you.
... a solitary flower cries for warmth ...
Life goes on as
dreams lose meaning.
... the seeds are scattered, lost within a storm.

Keywords/Tagss: love, roses, petals, unfolding, lips, spring, ******, dreams, time, seasons, storms, summer, drought



Moore or Less
by Michael R. Burch

for Richard Moore

Less is more —
in a dress, I suppose,
and in intimate clothes
like crotchless hose.

But now Moore is less
due to death’s subtraction
and I must confess:
I hate such redaction!



The following translation is the speech of the Sibyl to Aeneas, after he has implored her to help him find his beloved father in the Afterlife, found in the sixth book of the Aeneid ...

The Descent into the Underworld
by Virgil
loose translation/interpretation by Michael R. Burch

The Sibyl began to speak:

“God-blooded Trojan, son of Anchises,
descending into the Underworld’s easy
since Death’s dark door stands eternally unbarred.
But to retrace one’s steps and return to the surface:
that’s the conundrum, that’s the catch!
Godsons have done it, the chosen few
whom welcoming Jupiter favored
and whose virtue merited heaven.
However, even the Blessed find headway’s hard:
immense woods barricade boggy bottomland
where the Cocytus glides with its dark coils.
But if you insist on ferrying the Styx twice
and twice traversing Tartarus,
if Love demands you indulge in such madness,
listen closely to how you must proceed...”



Anna Akhmatova was a great Russian poet, and a personal favorite of mine...

The evening light is broad and yellow
by Anna Akhmatova
loose translation/interpretation by Michael R. Burch

The evening light is broad and yellow;
it glides in on an April rain.
You arrived years late,
yet I’m glad you came.

Please sit down here, beside me,
receive me with welcoming eyes.
Here is my blue notebook
with my childhood poems inside.

Forgive me if I lived in sorrow,
spent too little time rejoicing in the sun.
Forgive, forgive, me, if I mistook
others for you, when you were the One.



Our Sweet Ecologist
by Michael R. Burch

Our sweet ecologist —
what will she do with the ants
and the cockroaches, bedbugs and lice
when they want to live in her pants?



bachelorhoodwinked
by michael r. burch

u
are
charming
& disarming,
but mostly alarming
since all my resolve
dissolved!

u
are
chic
as a sheikh’s
harem girl in the sheets
but my castle’s no longer my own
and my kingdom’s been overthrown!



The Bachelor Spectacular
by Michael R. Burch

One heart? Tossed aside.
The other? A bride’s.
In all his great wisdom, the bachelor decides.

Eeenie, mean-ie, mine-y, mo’,
one gal must stay and one must go.
If she hollers? That’s the show!

No heart can handle such despair!
But hearts get broken, hearts repair.
Next season? The treasoned will rule the air.

Originally published by Light



The Unspectacular Bachelor
by Michael R. Burch

The bachelor is back, he’s black,
and some fair-skinned gals sure want him in the sack!
And, yes, he’s a whole lot smarter
than the previous knights of that peculiar garter.

We can hear the white supremacists stewing:
What the hell are the screenwriters doing?
They know love requires a nice white spark,
and this apprentice is far too dark!



Updated Advice to Amorous Bachelors
by Michael R. Burch

At six-thirty,
feeling flirty,
I put on the hurdy-gurdy ...

But Ms. Purdy,
all alert-y,
kicked me where I’m sore and hurty.

The moral of my story?
To avoid a fate as gory,
flirt with gals a bit more *****-y!



Cut Out the Bachelor Nonsense!
There's a bun in auntie's oven;
now soon you'll have a cousin!
―Michael R. Burch



Time Out
by Michael R. Burch

Time is running out,
no doubt.
Time is running out.

I don’t know what the LORD’s about,
since Time is running out, the Lout!,
and leaving me with gas and gout.

I don’t know what the LORD’s about;
still, it does no good to grouse or pout,
since Time is merely running out,
like quail before a native scout.

’Twill do no good to shout or flout:
Time’s running out,
I have no doubt,
though who knows what the LORD’s about?

No need for faith or even doubt,
since Time is merely running out,
like water from a rusty spout
or mucous from a leaky snout.

Yes, Time is merely running out,
and yet I feel inclined to pout
and truth be told, sometimes to doubt
just what the hell the LORD’s about.



Tr(end)y
by Michael R. Burch

Ain’t it funny how trendy
becomes so dead-endy?
Lava lamps and bell bottoms
soon became “never bought ‘ems.”
While that teenage tattoo
soon’ll have wrinkles too.



This was my first-ever dabble dactyl, my variation of the double dactyl.

Donald Dabble Dactyl #1
by Michael R. Burch

Piggledy-Wiggledy
Ronald McDonald
cursed Donald Trump,
his least favorite clown:

"Why should I try to be
funny as Donald? He
gets all the laughs
claiming upside is down!"

Donald Dabble Dactyls must begin with "Piggledy-Wiggledy" in homage to The Donald's oinkerishness and his 'do. References to clowns, gold-plated toilets and/or diapers are a plus but not required.

Donald Dabble Dactyl #2
by Michael R. Burch

Wond’ringly, blund’ringly
Ronald McDonald
asked, “Who the hell
is this strange orange clown?”

“Why should I try to be
funny as Donnie? He
gets all the laughs
from marks who should frown!”

I see that I violated my prime directive, so "never mind."

Donald Dabble Dactyl #3
by Michael R. Burch

Piggledy-Wiggledy
45th president,
or erstwhile manse resident,
perched on a throne

of gold-plated porcelain
matching his orange “tan,”
bombing Iran
from his twittery phone?



Cowpoke
by Michael R. Burch, circa age 16

Sleep, old man ...
your day has long since passed.
The endless plains,
cool midnight rains
and changeless ragged cows
alone remain
of what once was.

You cannot know
just how the Change
will **** the windswept plains
that you so loved ...
and so sleep now,
O yes, sleep now ...
before you see just how
the Change will come.

Sleep, old man ...
your dreams are not our dreams.
The Rio Grande,
stark silver sand
and every obscure brand
of steed and cow
are sure to pass away
as you do now.

I believe this poem was written around the same time as “Blue Cowboy,” perhaps on the same day. That was probably sometime around 1974, at age 16 or thereabouts.



Blue Cowboy
by Michael R. Burch, circa age 16

He slumps against the pommel,
a lonely, heartsick boy—
his horse his sole companion,
his gun his only toy
—and bitterly regretting
he ever came so far,
forsaking all home's comforts
to sleep beneath the stars,
he sighs.

He thinks about the lover
who awaits his kiss no more
till a tear anoints his lashes,
lit by uncaring stars.
He reaches to his aching breast,
withdraws a golden lock,
and kisses it in silence
as empty as his thoughts
while the wind sighs.

Blue cowboy, ride that lonesome ridge
between the earth and distant stars.
Do not fall; the fiends of hell
would leap to feast upon your heart.

Blue cowboy, sift the burnt-out sand
for a drop of water warm and brown.
Dream of streams like silver seams
even as you gulp it down.

Blue cowboy, sing defiant songs
to hide the weakness in your soul.
Blue cowboy, ride that lonesome ridge
and wish that you were going home
as the stars sigh.



Chixiao (“The Owl”)
by Duke Zhou
loose translation/interpretation by Michael R. Burch

Owl!
You've stolen my offspring,
Don't shatter my nest!
When with labors of love
I nurtured my fledglings.

Before the skies darkened
And the dark rains fell,
I gathered mulberry twigs
To thatch my nest,
Yet scoundrels now dare
Impugn my enterprise.

With fingers chafed rough
By the reeds I plucked
And the straw I threshed,
I now write these words,
Too hoarse to speak:
I am homeless!

My wings are withered,
My tail torn away,
My home toppled
And tossed into the rain,
My cry a distressed peep.



The Song of Roland
by Michael R. Burch, circa age 16

"for spring in retreat"

Rain down,
strange murmurous water...
no, summer is not yet nigh.

Cease your complaining,
for May is,
calling December a lie,
still rocking the high white sky.

Sleep now,
summer hours...
too soon your time shall come.

Softly straining,
the raining
spring begs, "Let me run
one more hour beneath the sun,
for soon I shall be gone."

Lie down,
weary Roland,
for summer is not yet nigh.

Remember a pyre
of stars blazing higher
upon night’s immense dark sky
unsettling as her eyes,
unregretful, even as you died...

Lie down,
weary Roland,
for summer is not yet nigh.

I believe I wrote “The Song of Roland” around age 16.



That Not-So-Mellow Fellow, Othello
by Michael R. Burch

Not sure ’bout that fellow, Othello,
was he a “hero” or merely **** yellow?
He killed his poor wife
over a handkerchief!
Thus Iago proved his heart Jello.



Time Out!
by Michael R. Burch

Time is at war with my body!
am i Time’s most diligent hobby?
for there’s never Time out
from my low-t and gout
and my once-brilliant mind has grown stodgy!



Waiting Game
by Michael R. Burch

Nothing much to live for,
yet no good reason to die:
life became
a waiting game...
Rain from a clear blue sky.



*******' Ripples
by Michael R. Burch

Men are scared of *******:
that’s why they can’t be seen.
For if they were,
we’d go to war
as in the days of Troy, I ween.



Untitled Epigrams

Teach me to love:
to fly beyond sterile Mars
to percolating Venus.
—Michael R. Burch

The LIV is LIVid:
livid with blood,
and full of egos larger
than continents.
—Michael R. Burch

Evil is as evil does.
Evil never needs a cause.
Evil loves amoral “laws,”
laughs and licks its blood-red claws
while kids are patched together with gauze.
— Michael R. Burch

Poets laud Justice’s
high principles.
Trump just gropes
her raw genitals.
—Michael R. Burch



That Mella Fella
by Michael R. Burch

John Mella was the longtime editor of Light Quarterly.

There once was a fella
named Mella,
who, if you weren’t funny,
would tell ya.
But he was cool, clever, nice,
gave some splendid advice,
and if you did well,
he would sell ya.

Shakespeare had his patrons and publishers; John Mella was one of my favorites in the early going, along with Jean Mellichamp Milliken of The Lyric.



Chip Off the Block
by Michael R. Burch

for Jeremy

In the fusion of poetry and drama,
Shakespeare rules! Jeremy’s a ham: a
chip off the block, like his father and mother.
Part poet? Part ham? Better run for cover!
Now he’s Benedick — most comical of lovers!

NOTE: Jeremy’s father is a poet and his mother is an actress; hence the fusion, or confusion, as the case may be.

Keywords/Tags: Shakespeare, poetry, drama, poet, light verse, humor, life, death, love, Mars, Venus, Othello, Iago, Duke Zhou, Owl, homeless, cowboy, bachelor, Richard Moore, Anna Akhmatova