(NaPoWriMo Challenge: April 18, 2019)

Let’s just say we are builders of wagons.
Yeah, cowboys building coffee wagons.
Smart cowboys who had good hubs.

Even though the wagons give us plenty
of problems to be solved,
bonnets to be painted with advertisements,
commercials to be played on screens
out the back. But we were the best

wagon building team there ever was.
We liked each other; we laughed a lot;
we kept trying to improve our processes.
We shared life tips and work tips
and hiking tips and campfire tips.
We were grateful for each other.

Ester would visit me every morning
and we’d talk about our mothers
or she would show me how to paint bonnets.
Well, one surprising day
they escorted her out of a wagon
and sent her down the trail
without so much a howdy do,
after 28 years of painting wagon bonnets.
And they expressed no gratitude for all her bonnets.

And for this, the rest of us felt grief.
Elmwood picked up painting her bonnets
but he never wanted to work on bonnets.
Gwendolyn moved to another work team.
Ernie stopped caring about the wagons.

And then Bruce came to tell us
we weren’t even making wagons anymore
and that we would be making something else.
But we never found out what that other thing was
and our systems were disassembled
and all our projects were halted
and no gratitude was expressed
for all we had done.

And we felt grief for missing the wagons
and missing Ester and missing our sessions
of circling the wagons.

Entropy came and some cowboys began to feel
more than grief, they started to feel grievances instead,
grievances that Bruce and Betty and Barbara
from Corporate never visited and never knew
what making wagons was about.
And after a while we couldn’t tell the difference
between grief and grievances.

But maybe Corporate was right
because nobody is selling ******* coffee
out of wagons these days.
Or trains or trolleys either.
The work is nothing, after all that,
but spinning wagon wheels.
And all the wagons are melting right now
in the hot, dry sun.

Work is the moments and nothing else.
You can be grateful for that.
Grievances will get your out the door.
But your grief will never quit.

catch the last wave and i'll be there
combing the beachhead of our misery
swollen with big love, choking on the theory of our negative heavens
you and i,
we marvel at the heresy of our wisdom
and cherish no giant over divine
we david the furies that are nephelim
but conjure no gods where the plastic can't be useful
we dunder in the bluff of innocent cupids
we -
the idiots on the cliff -
dancing
when the glockenspiel itches !
clock faced and *** up
i'll be there with black honey, " With You "
no doubt
pondering the wrinkles in your sleep breath.
the sweet killing of tomcats and mackerels
the plain fact that our noses
are numb from eskimo kissing
in the igloo of our perpetual alaska
the arctic furnace of our wild fires of pure illusion
to trod stunning over hell's paradise
and catch a glimpse of snarky
stark Silence...

You
catch the last wave -
and i'll be nothing but the singing bones of the wind
in the throes of an ****** of  " need you "  and only you.
a chosen cyclone from heaven
i'll be just a little boy
in the clutches of a dead teddy
where the poppies sing
hallelujah !
and our hearts blight the orchid of our accord.
and down -
comes, what ?
what do we do ? what could we possibly ?
we hopscotch the bonnets
and glue ravenous bumblebees
to a blanket
of snow.

cause we have the technology -
we can disassemble it...

discretely.

Dedication

Inscribed to a dear Child:
in memory of golden summer hours
and whispers of a summer sea.

Girt with a boyish garb for boyish task,
   Eager she wields her *****; yet loves as well
Rest on a friendly knee, intent to ask
   The tale he loves to tell.

Rude spirits of the seething outer strife,
   Unmeet to read her pure and simple spright,
Deem, if you list, such hours a waste of life,
   Empty of all delight!

Chat on, sweet Maid, and rescue from annoy
   Hearts that by wiser talk are unbeguiled.
Ah, happy he who owns that tenderest joy,
   The heart-love of a child!

Away, fond thoughts, and vex my soul no more!
   Work claims my wakeful nights, my busy days--
Albeit bright memories of that sunlit shore
   Yet haunt my dreaming gaze!

PREFACE

If--and the thing is wildly possible--the charge of writing nonsense were ever brought against the author of this brief but instructive poem, it would be based, I feel convinced, on the line (in p.18)

"Then the bowsprit got mixed with the rudder sometimes."

In view of this painful possibility, I will not (as I might) appeal indignantly to my other writings as a proof that I am incapable of such a deed: I will not (as I might) point to the strong moral purpose of this poem itself, to the arithmetical principles so cautiously inculcated in it, or to its noble teachings in Natural History--I will take the more prosaic course of simply explaining how it happened.

The Bellman, who was almost morbidly sensitive about appearances, used to have the bowsprit unshipped once or twice a week to be revarnished, and it more than once happened, when the time came for replacing it, that no one on board could remember which end of the ship it belonged to. They knew it was not of the slightest use to appeal to the Bellman about it--he would only refer to his Naval Code, and read out in pathetic tones Admiralty Instructions which none of them had ever been able to understand--so it generally ended in its being fastened on, anyhow, across the rudder. The helmsman* used to stand by with tears in his eyes; he knew it was all wrong, but alas! Rule 42 of the Code, "No one shall speak to the Man at the Helm," had been completed by the Bellman himself with the words "and the Man at the Helm shall speak to no one." So remon{-} strance was impossible, and no steering could be done till the next varnishing day. During these bewildering intervals the ship usually sailed backwards.

As this poem is to some extent connected with the lay of the Jabberwock, let me take this opportunity of answering a question that has often been asked me, how to pronounce "slithy toves." The "i" in "slithy" is long, as in "writhe"; and "toves" is pronounced so as to rhyme with "groves." Again, the first "o" in "borogoves" is pronounced like the "o" in "borrow." I have heard people try to give it the sound of the"o" in "worry." Such is Human Perversity. This also seems a fitting occasion to notice the other hard works in that poem. Humpty-Dumpty's theory, of two meanings packed into one word like a port{-} manteau, seems to me the right explanation for all.

For instance, take the two words "fuming" and "furious." Make up your mind that you will say both words, but leave it unsettled which you will say first. Now open your mouth and speak. If your thoughts incline ever so little towards "fuming," you will say "fuming-furious;" if they turn, by even a hair's breadth, towards "furious," you will say "furious-fuming;" but if you have that rarest of gifts, a perfectly balanced mind, you will say "frumious."

Supposing that, when Pistol uttered the well-known
words--

     "Under which king, Bezonian? Speak or die!"

Justice Shallow had felt certain that it was either William or Richard, but had not been able to settle which, so that he could not possibly say either name before the other, can it be doubted that, rather than die, he would have gasped out "Rilchiam!"

CONTENTS

Fit the First. The Landing
Fit the Second. The Bellman's Speech
Fit the Third. The Baker's Tale
Fit the Fourth. The Hunting
Fit the Fifth. The ******'s Lesson
Fit the Sixth. The Barrister's Dream
Fit the Seventh. The Banker's Fate
Fit the Eighth. The Vanishing

Fit the First.

THE LANDING

"Just the place for a Snark!" the Bellman cried,
    As he landed his crew with care;
Supporting each man on the top of the tide
    By a finger entwined in his hair.

"Just the place for a Snark! I have said it twice:
    That alone should encourage the crew.
Just the place for a Snark! I have said it thrice:
    What I tell you three times is true."

  The crew was complete: it included a Boots--
  A maker of Bonnets and Hoods--
A Barrister, brought to arrange their disputes--
  And a Broker, to value their goods.

A Billiard-marker, whose skill was immense,
  Might perhaps have won more than his share--
But a Banker, engaged at enormous expense,
  Had the whole of their cash in his care.

There was also a ******, that paced on the deck,
  Or would sit making lace in the bow:
And had often (the Bellman said) saved them from wreck,
  Though none of the sailors knew how.

There was one who was famed for the number of things
  He forgot when he entered the ship:
His umbrella, his watch, all his jewels and rings,
  And the clothes he had bought for the trip.

He had forty-two boxes, all carefully packed,
  With his name painted clearly on each:
But, since he omitted to mention the fact,
  They were all left behind on the beach.

The loss of his clothes hardly mattered, because
  He had seven coats on when he came,
With three pair of boots--but the worst of it was,
  He had wholly forgotten his name.

He would answer to "Hi!" or to any loud cry,
  Such as "Fry me!" or "Fritter my wig!"
To "What-you-may-call-um!" or "What-was-his-name!"
  But especially "Thing-um-a-jig!"

While, for those who preferred a more forcible word,
  He had different names from these:
His intimate friends called him "Candle-ends,"
  And his enemies "Toasted-cheese."

"His form in ungainly--his intellect small--"
  (So the Bellman would often remark)
"But his courage is perfect! And that, after all,
  Is the thing that one needs with a Snark."

He would joke with hy{ae}nas, returning their stare
  With an impudent wag of the head:
And he once went a walk, paw-in-paw, with a bear,
  "Just to keep up its spirits," he said.

He came as a Baker: but owned, when too late--
  And it drove the poor Bellman half-mad--
He could only bake Bridecake--for which, I may state,
  No materials were to be had.

The last of the crew needs especial remark,
  Though he looked an incredible dunce:
He had just one idea--but, that one being "Snark,"
  The good Bellman engaged him at once.

He came as a Butcher: but gravely declared,
  When the ship had been sailing a week,
He could only **** Beavers. The Bellman looked scared,
  And was almost too frightened to speak:

But at length he explained, in a tremulous tone,
  There was only one ****** on board;
And that was a tame one he had of his own,
  Whose death would be deeply deplored.

The ******, who happened to hear the remark,
  Protested, with tears in its eyes,
That not even the rapture of hunting the Snark
  Could atone for that dismal surprise!

It strongly advised that the Butcher should be
  Conveyed in a separate ship:
But the Bellman declared that would never agree
  With the plans he had made for the trip:

Navigation was always a difficult art,
  Though with only one ship and one bell:
And he feared he must really decline, for his part,
  Undertaking another as well.

The ******'s best course was, no doubt, to procure
  A second-hand dagger-proof coat--
So the Baker advised it-- and next, to insure
  Its life in some Office of note:

This the Banker suggested, and offered for hire
  (On moderate terms), or for sale,
Two excellent Policies, one Against Fire,
  And one Against Damage From Hail.

Yet still, ever after that sorrowful day,
  Whenever the Butcher was by,
The ****** kept looking the opposite way,
  And appeared unaccountably shy.

II.--THE BELLMAN'S SPEECH.

Fit the Second.

THE BELLMAN'S SPEECH.

The Bellman himself they all praised to the skies--
  Such a carriage, such ease and such grace!
Such solemnity, too! One could see he was wise,
  The moment one looked in his face!

He had bought a large map representing the sea,
  Without the least vestige of land:
And the crew were much pleased when they found it to be
  A map they could all understand.

"What's the good of Mercator's North Poles and Equators,
  Tropics, Zones, and Meridian Lines?"
So the Bellman would cry: and the crew would reply
   "They are merely conventional signs!

"Other maps are such shapes, with their islands and capes!
  But we've got our brave Captain to thank
(So the crew would protest) "that he's bought us the best--
  A perfect and absolute blank!"

This was charming, no doubt; but they shortly found out
  That the Captain they trusted so well
Had only one notion for crossing the ocean,
  And that was to tingle his bell.

He was thoughtful and grave--but the orders he gave
  Were enough to bewilder a crew.
When he cried "Steer to starboard, but keep her head larboard!"
  What on earth was the helmsman to do?

Then the bowsprit got mixed with the rudder sometimes:
  A thing, as the Bellman remarked,
That frequently happens in tropical climes,
  When a vessel is, so to speak, "snarked."

But the principal failing occurred in the sailing,
   And the Bellman, perplexed and distressed,
Said he had hoped, at least, when the wind blew due East,
  That the ship would not travel due West!

But the danger was past--they had landed at last,
  With their boxes, portmanteaus, and bags:
Yet at first sight the crew were not pleased with the view,
  Which consisted to chasms and crags.

The Bellman perceived that their spirits were low,
  And repeated in musical tone
Some jokes he had kept for a season of woe--
  But the crew would do nothing but groan.

He served out some grog with a liberal hand,
  And bade them sit down on the beach:
And they could not but own that their Captain looked grand,
  As he stood and delivered his speech.

"Friends, Romans, and countrymen, lend me your ears!"
  (They were all of them fond of quotations:
So they drank to his health, and they gave him three cheers,
  While he served out additional rations).

"We have sailed many months, we have sailed many weeks,
   (Four weeks to the month you may mark),
But never as yet ('tis your Captain who speaks)
  Have we caught the least glimpse of a Snark!

"We have sailed many weeks, we have sailed many days,
  (Seven days to the week I allow),
But a Snark, on the which we might lovingly gaze,
  We have never beheld till now!

"Come, listen, my men, while I tell you again
  The five unmistakable marks
By which you may know, wheresoever you go,
  The warranted genuine Snarks.

"Let us take them in order. The first is the taste,
  Which is meagre and hollow, but crisp:
Like a coat that is rather too tight in the waist,
  With a flavour of Will-o-the-wisp.

"Its habit of getting up late you'll agree
  That it carries too far, when I say
That it frequently breakfasts at five-o'clock tea,
  And dines on the following day.

"The third is its slowness in taking a jest.
  Should you happen to venture on one,
It will sigh like a thing that is deeply distressed:
  And it always looks grave at a pun.

"The fourth is its fondness for bathing-machines,
  Which is constantly carries about,
And believes that they add to the beauty of scenes--
  A sentiment open to doubt.

"The fifth is ambition. It next will be right
  To describe each particular batch:
Distinguishing those that have feathers, and bite,
  From those that have whiskers, and scratch.

"For, although common Snarks do no manner of harm,
  Yet, I feel it my duty to say,
Some are Boojums--" The Bellman broke off in alarm,
  For the Baker had fainted away.

FIT III.--THE BAKER'S TALE.

Fit the Third.

THE BAKER'S TALE.

They roused him with muffins--they roused him with ice--
  They roused him with mustard and cress--
They roused him with jam and judicious advice--
  They set him conundrums to guess.

When at length he sat up and was able to speak,
  His sad story he offered to tell;
And the Bellman cried "Silence! Not even a shriek!"
  And excitedly tingled his bell.

There was silence supreme! Not a shriek, not a scream,
  Scarcely even a howl or a groan,
As the man they called "**!" told his story of woe
  In an antediluvian tone.

"My father and mother were honest, though poor--"
  "Skip all that!" cried the Bellman in haste.
"If it once becomes dark, there's no chance of a Snark--
  We have hardly a minute to waste!"

"I skip forty years," said the Baker, in tears,
  "And proceed without further remark
To the day when you took me aboard of your ship
  To help you in hunting the Snark.

"A dear uncle of mine (after whom I was named)
  Remarked, when I bade him farewell--"
"Oh, skip your dear uncle!" the Bellman exclaimed,
  As he angrily tingled his bell.

"He remarked to me then," said that mildest of men,
  " 'If your Snark be a Snark, that is right:
Fetch it home by all means--you may serve it with greens,
  And it's handy for striking a light.

" 'You may seek it with thimbles--and seek it with care;
  You may hunt it with forks and hope;
You may threaten its life with a railway-share;
  You may charm it with smiles and soap--' "

("That's exactly the method," the Bellman bold
  In a hasty parenthesis cried,
"That's exactly the way I have always been told
  That the capture of Snarks should be tried!")

" 'But oh, beamish nephew, beware of the day,
  If your Snark be a Boojum! For then
You will softly and suddenly vanish away,
  And never be met with again!'

"It is this, it is this that oppresses my soul,
  When I think of my uncle's last words:
And my heart is like nothing so much as a bowl
  Brimming over with quivering curds!

"It is this, it is this--" "We have had that before!"
  The Bellman indignantly said.
And the Baker replied "Let me say it once more.
  It is this, it is this that I dread!

"I engage with the Snark--every night after dark--
  In a dreamy delirious fight:
I serve it with greens in those shadowy scenes,
  And I use it for striking a light:

"But if ever I meet with a Boojum, that day,
  In a moment (of this I am sure),
I shall softly and suddenly vanish away--
  And the notion I cannot endure!"

FIT IV.--THE HUNTING.

Fit the fourth.

THE HUNTING.

The Bellman looked uffish, and wrinkled his brow.
  "If only you'd spoken before!
It's excessively awkward to mention it now,
  With the Snark, so to speak, at the door!

"We should all of us grieve, as you well may believe,
  If you never were met with again--
But surely, my man, when the voyage began,
  You might have suggested it then?

"It's excessively awkward to mention it now--
  As I think I've already remarked."
And the man they called "Hi!" replied, with a sigh,
  "I informed you the day we embar

By A Foreigner

I like Canadians.
They are so unlike Americans.
They go home at night.
Their cigarettes don't smell bad.
Their hats fit.
They really believe that they won the war.
They don't believe in Literature.
They think Art has been exaggerated.
But they are wonderful on ice skates.
A few of them are very rich.
But when they are rich they buy more horses
Than motor cars.
Chicago calls Toronto a puritan town.
But both boxing and horse-racing are illegal
In Chicago.
Nobody works on Sunday.
Nobody.
That doesn't make me mad.
There is only one Woodbine.
But were you ever at Blue Bonnets?
If you **** somebody with a motor car in Ontario
You are liable to go to jail.
So it isn't done.
There have been over 500 people killed by motor cars
In Chicago
So far this year.
It is hard to get rich in Canada.
But it is easy to make money.
There are too many tea rooms.
But, then, there are no cabarets.
If you tip a waiter a quarter
He says "Thank you."
Instead of calling the bouncer.
They let women stand up in the street cars.
Even if they are good-looking.
They are all in a hurry to get home to supper
And their radio sets.
They are a fine people.
I like them.

This will be enough, this time
where the steps summoned storm fronts
like cat-calls
and half-assed apologies into the 3am
abyss.

This will prove the endlessness
of loneliness--
these the toads of your toes
as the tips of your tiny timid feet
kiss.

But I will tell you not to breathe
the heavy shouldered burden burned into your back
because you are more than empty
mason jars and grocery
lists.

And you will not breathe,
you will not breathe--
you will think only of breathing
but you will not breathe in
this.

124

In lands I never saw—they say
Immortal Alps look down—
Whose Bonnets touch the firmament—
Whose Sandals touch the town—

Meek at whose everlasting feet
A Myriad Daisy play—
Which, Sir, are you and which am I
Upon an August day?

318

I’ll tell you how the Sun rose—
A Ribbon at a time—
The Steeples swam in Amethyst—
The news, like Squirrels, ran—
The Hills untied their Bonnets—
The Bobolinks—begun—
Then I said softly to myself—
“That must have been the Sun”!
But how he set—I know not—
There seemed a purple stile
That little Yellow boys and girls
Were climbing all the while—
Till when they reached the other side,
A Dominie in Gray—
Put gently up the evening Bars—
And led the flock away—

Old Deuteronomy’s lived a long time;
He’s a Cat who has lived many lives in succession.
He was famous in proverb and famous in rhyme
A long while before Queen Victoria’s accession.
Old Deuteronomy’s buried nine wives
And more—I am tempted to say, ninety-nine;
And his numerous progeny prospers and thrives
And the village is proud of him in his decline.
At the sight of that placid and bland physiognomy,
When he sits in the sun on the vicarage wall,
The Oldest Inhabitant croaks: “Well, of all …
Things… Can it be … really! … No!… Yes!…
**! hi!
Oh, my eye!
My mind may be wandering, but I confess
I believe it is Old Deuteronomy!”

Old Deuteronomy sits in the street,
He sits in the High Street on market day;
The bullocks may bellow, the sheep they may bleat,
But the dogs and the herdsmen will turn them away.
The cars and the lorries run over the kerb,
And the villagers put up a notice: ROAD CLOSED—
So that nothing untoward may chance to distrub
Deuteronomy’s rest when he feels so disposed
Or when he’s engaged in domestic economy:
And the Oldest Inhabitant croaks: “Well, of all …
Things… Can it be … really! … No!… Yes!…
**! hi!
Oh, my eye!
My sight’s unreliable, but I can guess
That the cause of the trouble is Old Deuteronomy!”

Old Deuteronomy lies on the floor
Of the Fox and French Horn for his afternoon sleep;
And when the men say: “There’s just time for one more,”
Then the landlady from her back parlour will peep
And say: “New then, out you go, by the back door,
For Old Deuteronomy mustn’t be woken—

I’ll have the police if there’s any uproar”—
And out they all shuffle, without a word spoken.
The digestive repose of that feline’s gastronomy
Must never be broken, whatever befall:
And the Oldest Inhabitant croaks: “Well, of all …
Things… Can it be … really! … No!… Yes!…
**! hi!
Oh, my eye!
My legs may be tottery, I must go slow
And be careful of Old Deuteronomy!”

Of the awefull battle of the Pekes and the Pollicles:
together with some account of the participation of the
     Pugs and the Poms, and the intervention of the Great
     Rumpuscat

The Pekes and the Pollicles, everyone knows,
Are proud and implacable passionate foes;
It is always the same, wherever one goes.
And the Pugs and the Poms, although most people say
That they do not like fighting, yet once in a way,
They will now and again join in to the fray
And they
Bark bark bark bark
Bark bark BARK BARK
Until you can hear them all over the Park.

Now on the occasion of which I shall speak
Almost nothing had happened for nearly a week
(And that’s a long time for a Pol or a Peke).
The big Police Dog was away from his beat—
I don’t know the reason, but most people think
He’d slipped into the Wellington Arms for a drink—
And no one at all was about on the street
When a Peke and a Pollicle happened to meet.
They did not advance, or exactly retreat,
But they glared at each other, and scraped their hind
     feet,
And they started to
Bark bark bark bark
Bark bark BARK BARK
Until you can hear them all over the Park.

Now the Peke, although people may say what they please,
Is no British Dog, but a Heathen Chinese.
And so all the Pekes, when they heard the uproar,
Some came to the window, some came to the door;
There were surely a dozen, more likely a score.
And together they started to grumble and wheeze
In their huffery-snuffery Heathen Chinese.
But a terrible din is what Pollicles like,
For your Pollicle Dog is a dour Yorkshire tyke,
And his braw Scottish cousins are snappers and biters,
And every dog-jack of them notable fighters;
And so they stepped out, with their pipers in order,
Playing When the Blue Bonnets Came Over the Border.
Then the Pugs and the Poms held no longer aloof,
But some from the balcony, some from the roof,
Joined in
To the din
With a
Bark bark bark bark
Bark bark BARK BARK
Until you can hear them all over the Park.

Now when these bold heroes together assembled,
That traffic all stopped, and the Underground trembled,
And some of the neighbours were so much afraid
That they started to ring up the Fire Brigade.
When suddenly, up from a small basement flat,
Why who should stalk out but the GREAT RUMPUSCAT.
His eyes were like fireballs fearfully blazing,
He gave a great yawn, and his jaws were amazing;
And when he looked out through the bars of the area,
You never saw anything fiercer or hairier.
And what with the glare of his eyes and his yawning,
The Pekes and the Pollicles quickly took warning.
He looked at the sky and he gave a great leap—
And they every last one of them scattered like sheep.

And when the Police Dog returned to his beat,
There wasn’t a single one left in the street.

~

The Giraffe Cries

Dancing on a thread of silk - taut of pain,
balanced deep within the fear…
Swaying to the side in calculated energy,
breathing as the sweat begins to pour

Toeing the line with blinders on
only to face the evil waiting - miles above my last breath
Shambles become my life’s dreams,
as fifty or so exit the compact car below- all doors ajar

Pointing skyward with gloved fingers and flowered bonnets
they gasp - splashing red paint of severed smiles
and floating eyebrows, merely decorations placed by hand
and contractual obligations

The rings add up to three - yet left alone I find is me,
teetering of lost imagination and breath taking nuances,
blanketing the sawdust creations
of worries portrayed in a gallery of netted promises

It is calling now for my end - free falling with wings to spare,
a calliope whistles its crescendo beneath a tent
pitched and heaved in frustration,
riding the rail lines of someone else’s thoughts

Not worth the price of admission - I wave
as I exit this cotton candy dream world in search of the nightmares slowly unfolding
along platform bridges of age
and destined footpaths

The train departs…the giraffe cries

Dancing on a thread of silk - taut of pain,
balanced deep within the fear…
Swaying to the side in calculated energy,
breathing as the sweat begins to pour


Toeing the line with blinders on
only to face the evil waiting - miles above my last breath
Shambles become my life’s dreams,
as fifty or so exit the compact car below- all doors ajar


Pointing skyward with gloved fingers and flowered bonnets
they gasp - splashing red paint of severed smiles
and floating eyebrows, merely decorations placed by hand
and contractual obligations


The rings add up to three - yet left alone I find is me,
teetering of lost imagination and breath taking nuances,
blanketing the sawdust creations
of worries portrayed in a gallery of netted promises


It is calling now for my end - free falling with wings to spare,
a calliope whistles its crescendo beneath a tent
pitched and heaved in frustration,
riding the rail lines of someone else’s thoughts


Not worth the price of admission - I wave
as I exit this cotton candy dream world in search of the nightmares slowly unfolding
along platform bridges of age
and destined footpaths


The train departs…the giraffe cries

The stately oak stands solemn and quiet
Alongside the bucolic covered bridge
Its branches hanging downward as if tired
Leaves falling slowly into the current
Of the rain swollen Watauga River

The shadow of the tree clinging starkly
Onto the weathered century-old planks
Speaking of a time not so far removed
When bridge and tree was the gathering place
For a day's respite from a hard week's toil

Farmers, merchants, wives and children gathered
With picnic baskets filled with fried chicken
The women chatting in their new bonnets
The children wearing last year's Sunday best
While the men make bets like Roman soldiers

The low mound where the tree's roots are anchored
Bare earth beneath the lowest hanging limb
A crude stool of newly cut pine upright
While waiting for the next unwilling guest
Courthouse clock chimes the hour of Golgotha

r  14Jan14