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VD Lee Jul 2017
Baby why you hit me up
At three am?
Greet me with a lazy sup
And break my heart

Oh
Darling did you think this through
Darling didn't you know I'd miss you

And for all this time
I thought we'd still be in love
All this time
I thought we'd never be done

But life carries on

And now I can do things
I couldn't do before
I can pick my nose
And slam the door
You may not be here
But I still can breathe
You may not be near
But I am still me

So I'm dancin' on my own!
(Foxtrot, jive, samba)
And I know more than I've ever known
(Charleston, swing, salsa)
See me dancin' on my own
(Foxtrot, jive, samba)
My heartbreak has made me grown
(Charleston, swing, salsa)

And baby!
I'm puttin' you in a corner
And baby!
I ain't gonna be a mourner
When sunrise come knockin' on my door
Baby, you won't be on my mind anymore

Got my mind on an electric buzz
Got me drunk on a dizzyin' high
I'm spinning dusk to dawn
And I'll forget we'd ever said hi

So I'm dancin' on my own!
(Foxtrot, jive, samba)
And I know more than I've ever known
(Charleston, swing, salsa)
See me dancin' on my own
(Foxtrot, jive, samba)
My heartbreak has made me grown
(Charleston, swing, salsa)

And baby!
I'm puttin' you in a corner
And baby!
I ain't gonna be a mourner
When sunrise come knockin' on my door
Baby, you won't be on my mind anymore

Oh, anymore

Baby you took my heart
Ripped it apart
And I'm just pickin' up the parts
Part of me wishin' that we'll be together
Another part knowing that we shall never speak again

But now you can do things
That you want to do
Hit up that girl
You'd always talk to
Hope she eat you well
Like I use to
Hope she is just as good
As I was to you

Still, I'm dancin' on my own!
(Foxtrot, jive, samba)
And I know more than I've ever known
(Charleston, swing, salsa)
See me dancin' on my own
(Foxtrot, jive, samba)
My heartbreak has made me grown
(Charleston, swing, salsa)

And baby!
I'm puttin' you in a corner
And baby!
I ain't gonna be a mourner
When sunrise come knockin' on my door
Baby, you won't be on my mind anymore
judy smith May 2015
Charleston Fashion Week added $3.5 million to the local economy this year, an increase of 20 percent over 2014.

Organizers of the event, sponsored by Baker Motor Company in the spring, announced Thursday attendance grew to more than 7,500, a new record.

The five-day event also boosted the local economy, according to Wayne Smith of the College of Charleston.

According to the college’s findings, total expenditure per out-of-town attendee averaged $1,900; the event drew more than 275 million media impressions including TV, print, radio and online; its social media reach was more than 6.5 million; and 85 percent of those sampled said they would return next year.

Since the event in March, eight of the participating models have signed with national model agencies, including Directions USA, Elite Direct, Elite NYC and Wilhelmina Miami.

“We are thrilled with the continued success of Baker Motor Company Charleston Fashion Week and the recent survey results reinforce the growing economic impact of the event,” said Jed Drew, president of Gulfstream Communications, which owns and produces Charleston Fashion Week.

Dates for the 2016 event will be announced later this summer.Read more here:www.marieaustralia.com/pink-formal-dresses | www.marieaustralia.com/blue-formal-dresses
Nat Lipstadt Nov 2013
Road Trip: Thinking it's about time (find yourself within II)

This particular poem was born as a one line response to a message.  But in many other forms, half written, it exists still, un, unfinished, waiting for the next burst energy, the next holiday time, to reach a new finish line.

This is a different but similar to a poem posted on June 2nd, "Poetry Round (find your self within)"

Any error of omission is unintentional, but know that this took many hours, until fatigue won. If you never told or revealed to me your location, know that you will be called out, to and unto me, in another poem, called "your banner is my flag."


Fact about me:  You design me.
-------------------------------------------------------

th­inking it's about time for a road trip.

create an excuse
(reasons, I got a plenty)
to stop by,
to show you another side of me,
for a drink, a meal,
and some kind
of exchange, of
form and fluids,
manner to be determined.

to come to Minneapolis,
watch you create a heated sensuality,
verbally, from melted snowdrifts,
a hot time to be had
by all the poets
of the mini-apple,
I want to meet
and celebrate ann victory.

travel to Thiruvananthapuram,
tour the treasures
of gold and diamonds,
from whence come
the bejeweled poems,
that have earned visits from
thousands upon thousands,
pilgrims, devotees, followers,
to partake at that, his,
special temple.

Gomer, Gomer,  & MJJ,
I am in your Florida,
no, sorry, not in Ocala,
near to your homer,
and I feel you springer
ten times in the
November sun rays,
that have me locked
in a full Nelson,
your productivity,
endless,
a sea of orange sunburnt words,

Tennessee,
The Carolinas,
Georgia,
The South,

I rise with it,
now, again,
that I will need a slow
sunny all lazy summer long to
learn y'alls ways,
see the wolves,
in your forests,
helm the riverboats,
navigate the quaint tides
of Charleston,
the special places
where they heal, le ville,
where the ashes of
burnt children,
retuned to be whole.

learn y'alls ways,
walk in your boots,
of seeing poems
using your special
southern saber words.

missed the original
Thrilla-in-Manila,
but rest easy, assured,
that hotbed of creativity,
where I check the
PH of the mc waters
to comprehend its
wisdom and now, it's sadness,
will be an illustrious destination
on my itinerant itinerary,
stopping by Makati City,
after all,
it is writ in the good book,
this island,
the PhilippineS,
is the birthplace
of the letter S,
Samples: samson, sally,
and So many others?

in Nevada City,
which is of course in
krazy California,
wager philosophy, romance,
be available for
succinctly seeing
works in progress,
from which I
will imbibe,
so **** deeply,
may have to
stay awhile for...

while I am there,
will need to do
a search and
Hug Mission,
to find a special man,
his unkempt prose,
his mortal rhymes
disguise not his holy worth,
even to the grassy
cal-stratosphere,
to the mesosphere,
will I high fly,
to find his sweetest spot,
then and thereafter
going looking
further on to
Humboldt County.

in Leeds, in West Yorkshire,
(Hamphshirians, Northamptontonians,
patience please)
built foundries and factories
over the magical forest of Loidis,
near to the river Aire,
yet still hides a
magical sorceress of words,
casting spells over
men and beast.
no one has seen full
her half-turned away face,
but when she summons,
do I have a choix
other than obey?
even if I get lost,
my sorceress,
you know,
I am on way too.

to get there,
will fly I must,
to Heathrow hell,
will do it,
just for you,
faithful friend,
a man da gotta do, what
a man gotta do...for you,
but first a stop off at the
London School of Economics,
Hampstead as well,
for a tutorial about sonnets,
or sams in wells,
even if I come
in my bare feet.

even in New York Upstate,
a man da gotta do,
what he mulls over in his heart,
be not surprised at a knock upon
your door, to make comparative notes,
about each other's tattoos.

in the South African veld,
hid in the highland grasses,
crouches the poetesses and tigresses,
waiting to ambush you
with words that must be seen
to be heard, to be well understood.
perhaps I'll come at ester time,
under blue indigo skies over,
a golden landscape,
seizing all the gems
that can be seen
only at 3:00am

leeward,
north to Canada,
must I, transgress,
country of my momma's birth,
fly from Montreal to Toronto, Calgary
then over to Vancouver.
Canada,
a dangerous place for me,
cause there are beautiful
souls up there,
and maybe even a
warrant to
repossess mine,
they want their
poets back.

double down by ferry,
me to Seattle,
to see a man about river,
in the Pacific Northwest,
where I have happily
drowned so many times,
that The Lord is complaining,
am hogging all the baptismal waters,
but when reminded that
nothing lasts forever,
here tomorrow,
gone today, walk on,
I add my tears
to that river,
before hitting the road.

on that river,
gonna drive me a kayak,
down Daytonway,
on the Yamill River,
see a gyreene marine,
watching me do a beach landing,
in Willamette Wine Park.
he will teach me to salute,
I will teach him how to
shake hands,
and learn from him,
it's ok,
to stand down.

man o' man
there are a lots of poets,
in these here parts,
this grand
Pacific North West,
looking for one in particular,
who will be quite easy to spot,
as he is my very own
soul brother.

will be easy to find,
though we have never met,
he will be on his kayak,
I on mine,
tho when he paddles,
somehow he manages
to hold
never letting go
of, his lovely bride,
his best half's hands.

this will a problem,
for I must teach him how to
shake two handed souls,
while hugging and paddling,
even bailing,
with an old dented pail
simultaneous.
but you can teach old dogs
new tricks, even the ones,
that can't spell
rhymers.

have mercie on me Ohio,
like a mother has to her daughter,
done a three year sentence in Cleveland,
but no jail can hold an NYC boy,
but if requested, yes I will return
to set fire to the *
Cuyahoga,
again! he he he...
but do not s mock me!
(now you know why the FBI loves
my poetry, my biggest institutional fan).

souls in torment,
where you be,
where you hide,
matters not where
you physical reside,
for we have found
each other
in each other words.

You, who live in
your very own
personal hell,
I think we met there,
because
yours was
mine too,
tho not found
on any map.

maybe I will meet the
Empress Josephine Maria,
rowing on the canals of
the Netherlands,
no longer will she be
alone.

but then again, some
very special things,
like
the purest of love
are on no map,
they are everywhere.

while in India,
will seek the many musings of many lips
of aged rhyme men
and complicated charmers
so I may kiss them
with spiced humors
to pour and pour,
more and more,
upon this western soul,
mysteries of the east,
to Kashmir, Bangalore,
wherever I must,
even take a praDip in the Ganges,
I will go, find you,
un-hide you,
among the
teeming millions,
millions of
jokes and rhymes,
that make the
world spin brighter.

in Germany,
all the university students
speak English,
in Wiesbaden, they know
poetic beauty is not in the format,
some in Bamberg,
with a peculiar
Missouri accent,
which is nicht gut Englisch,
so study hard the real way,
speak the language
the new yorka way,
which will require
study abroad,
which is quite funny,
now that I think about it.

but in Mo.,
the native drums roll,
long and slow,
making words
I know
better, different,
in a way never saw before,
leaves me asking for,
mo', mo', please?

to get there, to Allemagne,
land of my forefathers,
a ship I will take,
from Southampton
across the Kiel Canal,
before I depart,
will have my hair cut,
my words reworked,
by her Ladyship,
whose keen eyes and
maternal instincts,
see the joy of life in every
Livvi little thing.

Watt am I going to do if
I need to find a Tecumseh,
taker of my naked poems,
and enlarger of them,
so truth by her,
all revealed,
we are all naked
at least,
twice a day?

In Nepal I will purr at the words
gleaned from the markets and
train stations where
voyages from Lalitpur to Katmandu,
start and end,
where there is a miracle almost
sixteen years young,
where they call their schools
future stars and little angels,
so why should poetic miracles not be
as common as its subtropical clime?

though I despise the
Dallas Cowboys,
not my  America's team,
nonetheless there is a young woman,
a true rose of Texas,
who waits and writes
so lovingly of her airman,
in Afghanistan, I have placed
their names first,
in my nighttime prayers,
hoping to be there,
schedule my visit,
to witness his safe return
and their
joyous reunification.

there are no Mayans in Maine,
but poets of similar name,
kould be, mae be,
Julia's in Jersey, new,
in Auckland,
there are poets
who don't know it,
and Down Under, too,
where getting high is easy,
getting high at
and on words
well marshaled ,
but **** sure I will be
peering and prring,
all the way.

Oregon,
don't be gone,
those wide eyes shut,
when I come by,
who knows when I
will pass this way again...
on my way to Phoenix,
where sunrayes bend to the
desires of dessert breezes.

Kentucky to Korea,
one long road to travel,
but middle son,
if you can do it,
so can I, and,
I will follow.

in a beautiful city,
unsurprisingly called
Belleville,
the leader of the band,
still leads us in belle 'noise'
and when he finishes
fall leafing us in song, he still,
rises up in the mid of dark,
prayerful haikus to write.

off to Rogers, Arkansas
to meet an Italian from Mexico
who specializes in skinny poems,
something one day I will be too.

maybe I will go to
places it snows,
there are so many,
but your photo,
and tattoo trail,
clues, will follow,
no matter how hard
you make it a mystery.

you, who live in just
the world,
don't even think,
that crazy dotted lines,
unstraight,
or huge plains,
are sufficient,
to hide your
moody dust trail
from me!

somewhere in the USA,
roses grow in ground
that needs the
watering of tears,
though this place
is hard to find,
ha, turn around,
that is me,
tapping you,
on the shoulder!

will find you,
as I am searching for
a lovely pair
of stockinged ankles,
each with a heart tattoo,
but I sure could use
a clue,
before this hobbit searches
all the shire,
derby hatted,
to find your
heart real, and the real you...

my mode of time travel?
why I am just
a dude on a rocket ship.

Wisconsin,
look for my ruby message
in the snow,
in the dust,
in the sand, the skies, the sea,
but will you answer me?

Pittsburgh,
patient, you've been,
you thought I forgot
all about you,
chimera  at the intersection
of three rivers,
all you need wonder,
upon which one
will my ship arrive
and why you still disbelieve
you are not a poetess!

ME oh my,
you too, a hidey hole got,
but, we are strange, we humans,
we would gladly bleed to please,
If we could but find
a combination of
new words that
would your heart gladden,
your eyes tear,
your lips wear,
a smile of pleasure
at our offerings poetic!
but still I know not,
the where!

Lagos,
where
I shall climb the tallest skyscraper,
calling out in Yoruba,
where is my Temitope?
where is mine,
worthy of thanksgiving
so I may carry my Popoola,
my pole of her of
written wealth?


Mombasa, Singapore,
Maryland, Rhode Island, Kentucky,
Huddersfield, Connecticut Joe, Ireland,
South Dakota,

where the merry elders
well ken somethings
about a moon and tattered clouds,
something about children and dogs,
and something about letting
tomorrow's wait.

Milwaukee, Atlanta,
chuck, in *PA.,
friend to all,
to all those scattered across these
United States of America.

can we dare not mention
"The Shaq" of Malaysia,
South Sudan, Pakistan,

of course not!

Suburbia,
beautiful, black San Diego, Detroit;

The BBB's -

British Columbia, Brazil, Breendonk, and
B'kara!
the goodness of *
Boston,
flipping out in Flipadelphia,

did you think I would forget ya?

those of you hiding among 64 stars,
the groves of L.A',
on the lanes,
the special land of I-sia-Bella,
fellow citizens of Neverland,
those of you 'at home,'
in the land of nightmares,
concrete boxes,
those who post without a doubt,
and in the box,
this who think your birth year
is an identifying mark, not,
you never fooled me,
will visit each and everyone.


even and especially,
the grays of crosstown
NYC,
the red writers of my hood,
the tylers too.

I am exhausted,
forgive me well,
if thy locale,
I did not explicate,
for the hour is very late.

yet thru subtle fissures
in the clouds,
look for a tired old man
on the wings of a
chariot drawn by angels,
bringing you a dictionary
full of new words,
a present for you,
but truly,
a present to himself
for from it,
your future poems
will come.

*but the sun has come up,
so now I sleep.
1.  What makes this poem special, if anything, is the trust and confidences we share with each other, that allowed me to perhaps catch just little bit something special of each of you, where I could.

2. Can anyone explain to me why the site labels this poem explicit?
"An evening of cool air surrounded by stars, evil
strolled the streets, and found himself in black folks arms.
They took him in as all believers would do.
Not knowing of his intentions, never knowing the Devils due.
He praised the Lord as the scriptures were being read.
His insides were of fire, as he thought of them being dead.
The hour had passed. It was all he could take.
Pulling out his weapon. It was a big mistake.
For the damage was done, nine laid in their blood.
Evil footsteps of blood running like a raging flood.
600 miles later he was stopped in flight.
Charleston in it's pain would not give up this fight.
Blacks and Whites have gathered to mourn hand and hand.
The Devil brought them together thinking they would leave
God's Promised Land.
All Good will come out of Evil. Something The Devil
will never know.
Yet, Charleston has it's believers with God's Love... It
will always show."
God Bless the people of Charleston. God Bless The United States Of America!!!
As reviewed by NY Times best selling author
Ellen Tanner Marsh


Any Christian surveying the current state of modern poetry could easily become discouraged, given that much of that poetry can only be categorized as nihilistic. At worst, such poems seemingly promote despair and violence-against society, the church, or even against oneself. At best, they consist of self-centered whining and overdramatic emotionalism, completely devoid of spiritual muscle and ethical backbone.

New author Joseph J. Breunig 3rd, in his fine debut collection Reaching Towards His Unbounded Glory, takes a fresh stride in the opposite direction, in a poetic compilation that should delight anyone who enjoys reading Christian literature as well as poetry. The book comprises over 100 poems of various lengths, although they generally do not exceed one page. In a slight concession to modern poetic style, some of the stanzas are unrhymed, yet all of them speak to Christian themes, such as faith and its testing, seeking a higher road, the state of grace, error and sin, biblical people and events, and personal redemption through God's word.

A common thread that runs throughout the majority of the poems is that individuals- regardless of any mistakes they may have made in the past-can still turn to Christ as their Savior and begin the slow, sometimes painful, but always positive process of redeeming themselves, in developing a new life filled with abundance and spiritual serenity. By reaching for this new and uplifting collection of Christian poems, readers can indeed begin reaching towards God's glory.


For more information, please visit this link:
http://www.squidoo.com/book-isbn-1419650513/



About Ellen Tanner Marsh

Ellen Tanner Marsh was born in Cologne, Germany, in 1956. At the age of three, her family came to the United States for a two-year stay which has since lengthened to thirty-five.Ellen grew up in New Jersey and moved to Charleston, SC, with her family when she was sixteen. She graduated from Clemson University with a Bachelor's degree in Animal Science. While debating whether or not to apply to veterinary school, she published her first historical romance novel, Reap the Savage Wind. When Reap became a New York Times' bestseller, there was no question of continuing with her studies, and Ellen began writing full time. Two further New York Times' bestsellers have followed: Wrap Me in Splendour, and its enormously popular sequel, Sable.With a total of eleven published novels, Ellen has garnered numerous awards, including a Romantic Times Lifetime Achievement Award, as well as appearing on the B. Dalton, Walden, Publishers Weekly, and other bestseller lists. She has over four million books in print and her work has been translated into four languages. They are extremely popular in her native Germany, where several have been included in special edition.Ellen still resides in Charleston, SC. She is married to her high school sweetheart and has two young sons.
M&Ms; and 7up
Hershey's bar
Reese's Peanut Butter Cup
Snickers and a drink of Mountain Dew
There are three flavors of Charleston Chew
Twix; Twin Bing
Salted Nut Roll is king
I really could eat them after / with anything
Breakfast, lunch, dinner and  in between
I bought me a candy bar
It was made with carmel nougat and cream
I'm gonna eat it
Oh yeah, my tummy will scream
My little obsession
It's a bit obscene
There is no tummy ache that could come between
SUGAR!!!
And this chocolate fiend
Nigel Morgan Mar 2013
January Colours

In the winter garden
of the Villa del Parma
by the artist’s studio
green
grass turns vert de terre
and the stone walls
a wet mouse’s back
grounding neutral – but calm,
soothing like calamine
in today’s mizzle,
a permanent dimpsey,
fine drenching drizzle,
almost invisible, yet
saturating skylights
with evidence of rain.

February Colours

In the kitchen’s borrowed light,
dear Grace makes bread  
on the mahogany table,
her palma gray dress
bringing the outside in.

Whilst next door, inside
Vanessa’s garden room
the French windows
firmly shut out this
season’s bitter weather.

There, in the stone jar
beside her desk,
branches of heather;
Erica for winter’s retreat,
Calluna for spring’s expectation.

Tea awaits in Duncan’s domain.
Set amongst the books and murals,
Spode’s best bone china  
turning a porcelain pink
as the hearth’s fire burns bright..

Today
in this house
a very Bloomsbury tone,
a truly Charleston Gray.

March Colours

Not quite daffodil
Not yet spring
Lancaster Yellow
Was Nancy’s shade

For the drawing room
Walls of Kelmarsh Hall
And its high plastered ceiling
Of blue ground blue.

Playing cat’s paw
Like the monkey she was
Two drab husbands paid
For the gardens she made,
For haphazard luxuriance.

Society decorator, partner
In paper and paint,
She’d walk the grounds
Of her Palladian gem
Conjuring for the catalogue
Such ingenious labels:

Brassica and Cooking Apple
Green
to be seen
In gardens and orchards
Grown to be greens.

April Colours

It would be churlish
to expect, a folly to believe,
that green leaves would  
cover the trees just yet.

But blossom will:
clusters of flowers,
Damson white,
Cherry red,
Middleton pink,

And at the fields’ edge
Primroses dayroom yellow,
a convalescent colour
healing the hedgerows
of winter’s afflictions.

Clouds storm Salisbury Plain,
and as a skimming stone
on water, touch, rise, touch
and fall behind horizon’s rim.
Where it goes - no one knows.

Far (far) from the Madding Crowd
Hardy’s concordant cove at Lulworth
blue
by the cold sea, clear in the crystal air,
still taut with spring.

May Colours

A spring day
In Suffield Green,
The sky is cook’s blue,
The clouds pointing white.

In this village near Norwich
Lives Marcel Manouna
Thawbed and babouched
With lemurs and llamas,
Leopards and duck,
And more . . .

This small menagerie
Is Marcel’s only luxury
A curious curiosity
In a Norfolk village
Near to Norwich.

So, on this
Blossoming
Spring day
Marcel’s blue grey
Parrot James
Perched on a gate
Squawks the refrain

Sumer is icumen in
Lhude sing cuccu!
Groweþ sed and bloweþ med
And springþ þe wde nu,
Sing cuccu!

June

Thrownware
earth red
thrown off the ****
the Japanese way.
Inside hand does the work,
keeps it alive.
Outside hand holds the clay
and critically tweaks.
Touch, press, hold, release
Scooting, patting, spin!
Centering: the act
precedes all others
on the potter’s wheel.
Centering: the day
the sun climbs highest
in our hemisphere.
And then affix the glaze
in colours of summer:
Stone blue
Cabbage white
Print-room yellow
Saxon green
Rectory red

And fire!

July Colours

I see you
by the dix blue
asters in the Grey Walk
via the Pear Pond,
a circuit of surprises
past the Witches House,
the Radicchio View,
to the beautifully manicured
Orangery lawns, then the
East and West Rills of
Gertrude’s Great Plat.

And under that pea green hat
you wear, my mistress dear,
though your face may be April
there’s July in your eyes of such grace.

I see you wander at will
down the cinder rose path
‘neath the drawing-room blue sky.

August Colours

Out on the wet sand
Mark and Sarah
take their morning stroll.
He, barefoot in a blazer,
She, linen-light in a wide-brimmed straw,
Together they survey
their (very) elegant home,
Colonial British,
Classic traditional,
a retreat in Olive County, Florida:
white sandy beaches,
playful porpoises,
gentle manatees.

It’s an everfine August day
humid and hot
in the hurricane season.
But later they’ll picnic on
Brinjal Baigan Bharta
in the Chinese Blue sea-view
dining room fashioned
by doyen designer
Leta Austin Foster
who ‘loves to bring the ocean inside.
I adore the colour blue,’ she says,
‘though gray is my favourite.’

September

A perfect day
at the Castle of Mey
beckons.
Watching the rising sun
disperse the morning mists,
the Duchess sits
by the window
in the Breakfast Room.
Green
leaves have yet to give way
to autumn colours but the air
is seasonably cool, September fresh.

William is fishing the Warriner’s Pool,
curling casts with a Highlander fly.
She waits; dressed in Power Blue
silk, Citron tights,
a shawl of India Yellow
draped over her shoulders.
But there he is, crossing the home beat,
Lucy, her pale hound at his heels,
a dead salmon in his bag.

October Colours

At Berrington
blue
, clear skies,
chill mornings
before the first frosts
and the apples ripe for picking
(place a cupped hand under the fruit
and gently ‘clunch’).

Henry Holland’s hall -
just ‘the perfect place to live’.
From the Picture Gallery
red
olent in portraits
and naval scenes,
the view looks beyond
Capability’s parkland
to Brecon’s Beacons.

At the fourteen-acre pool
trees, cane and reed
mirror in the still water
where Common Kingfishers,
blue green with fowler pink feet
vie with Grey Herons,
funereal grey,
to ruffle this autumn scene.

November Colours

In pigeon light
this damp day
settles itself
into lamp-room grey.

The trees intone
farewell farewell:
An autumnal valedictory
to reluctant leaves.

Yet a few remain
bold coloured

Porphry Pink
Fox Red
Fowler
Sudbury Yellow


hanging by a thread
they turn in the stillest air.

Then fall
Then fall

December Colours*

Green smoke* from damp leaves
float from gardens’ bonfires,
rise in the silver Blackened sky.

Close by the tall railings,
fast to lichened walls
we walk cold winter streets

to the warm world of home, where
shadows thrown by the parlour fire
dance on the wainscot, flicker from the hearth.

Hanging from our welcome door
see how incarnadine the berries are
on this hollyed wreath of polished leaves.
Steve D'Beard Dec 2012
Inspired by a vintage ****** postcard from the 1920s - 30s:

The Muse sits resplendent
caressed in sepia tones and pastel cream
gilded with the glaze of a bygone era
her silk Charleston negligee
worn proud like a vintage ornament
perched on an aesthetically pleasing
shapely pert insolent *****
blossomed with tiny beads of sweat
the heat of such anticipation
entices the pearls of the ******
to pamper and pleasure their perversions

etched as if in a radiance of candlelight
the flickering limbs pulse their bloom
nimble fingers of dancing shadows
cupping the feline curves of a chaise longue
the purposefully out of place set piece
the fantasy of a gentleman's reading room
caked in casked sherry
and Nat Sherman cigar infused aromas

her elegant pose sumptuous reclining
elbow length satin gloves
sensually wrapped in wanton desire
******* clasp a Sorbranie Black Russian
smoked like a sultry gypsy
with a fervent demeanour
from a silver opera cigarette holder
beckoning with the cats eyes of mischief
over Pinced nez eyeglasses
with a fascination imbibed
in the praxis of passion

the peach skin of refulgent youth
directs the viewer downwards, slowly
survey each contour of olive skin
and stroke every hidden cleft of fabric
to glimpse the nubile thighs of grace
leading the eye to the arch of an ankle
slipped like a fitted glove
nestled in the cleavage of her calf
and the chastity of future wonderment

the forgotten photograph
captures a period in time
the memories of the muse
now in motionless existence
a demure allure forever frozen
once lost, but now
never forgotten
Inspired by a vintage ****** postcard from the 1920s - 30s
Jas  Apr 2017
Charleston
Jas Apr 2017
Welcome to the city of bridges, shellfish and pearls!
Culture surrounds
the Tree of lives and smiles
Tortured souls foraging for a taste of
Perky life in the abandoned jail -
An aesthetic image on a postcard that cut my hand.

My spirit of childhood, the feeling of desperation
Soils the ink of perfection -
If man can create paradise
My sins are forgotten and I am a witness, I have made it;
I am in Charleston.

Welcome to the home of dissension and limitation
Where people like me have yet to be set free
Though brothers and sisters, mothers and fathers marry on the field of ancestry
Where the punishers and gapers intrude on the homes of ghosts, tasteful photography
Take your shoes off before you step through the glamour
Welcome to Charleston!
Inspired by Marcus Amaker
Don Bouchard Jun 2015
Father's Day 2015 in Charleston, SC

When the murderer goes numb,
Thinks actions imply no consequence,
No need for forethought,
No heaven to approve nor disapprove,
No yearning hell to shun,
The act of killing becomes amusement,
A way to unsettle the ennui.

Drape a twisted mind in a Confederate flag,
Lace every thought in outrageous racism,
Give time and means and venue...
Turn the other way as percolating HATE
Photographs himself burning the Nation's flag,
Cradling symbolic rebel colors,
Proudly displays the vestiges of apartheid,
Rants villainy on the web,
Mind sick, and gifted with a gun...
The perfect recipe is prepared
For hellish fun.

Indoctrinate
This weakened mind,
Stir in a diatribe or two,
Look the other way,
Avoid the warning signs...
And wait...
Hope for the best,
Don't intervene...
We'll see results again
That we have seen....

The pastor greeted him at the door,
Invited him to join the Bible study.

Sitting through the heart-deep prayer,
Embraced by kindness as a stranger,
He chose to follow through,
A snake in the house of innocence...
Firing and reloading...
A coward's calculated act
To incite rage,
To challenge Haters everywhere
Race war to engage....

Looking into the killer's eyes,
Survivors speak of deadness:
No emotion, no elation, no remorse....

And so on Father's Day,
I weep and pray
For brothers and sisters
I have not met,
Mourning the dead (in Christ),
Who died at Mother Emmanuel.


(On Father's Day, 2015)
Prayers for the families, and for my African American brothers and sisters.  Racism is EVIL. God bless and comfort and protect each and every one. We all are made in the image of God. No one is less precious than nor more valuable than another. Don
Torin  Aug 2018
xspacexpotatox
Torin Aug 2018
xspacexpotatox 1h
Racism is a lie, your people hate us naturally lol just look at the way you’re responding................ and us “black people” are supposed to be the ignorant ones.... whew
xspacexpotatox  1h
Look at the affliction and persecution. There’s a reason why your ancestors put chains around our necks. It’s because the Bible said it would happen ****
xspacexpotatox  1h
So do me a favor, go learn a bit more. I’m not even gonna laugh at your ignorance, I’ll pray for you. Have a nice one.
Torin Galleshaw  1h
oh so your jewish friend is the authority on this? what does he know about zionism? seems you got your mind made up man. good for you
xspacexpotatox  1h
I want to know why you feel so threatened lol
xspacexpotatox  1h
I won’t let the hate reach me man
Torin Galleshaw  1h
wow, racism is a lie then u stereotype all white people IMMEDIATELY after you say that. ignent? i really wanted to give you a chance bro. but you have been very abrasive this whole time, immature and incredibly offensive. i dont know where in the bible it says that. or, if as i remember when i went to ce williams middle school as a young kid in a poor part of charleston south carolina where i also learned a test can be racist because the only person that did well on it was me, the white kid. ive felt black racism towards me all my life. do you know the history of the celtic people. yeah, slaves were given food to eat, my people died in gutters in the cold because of no mc hiring practices. ever heard of britain, do you know who irelands neighbor is. have you heard of the potato famine, do you know why it happened? william wallace?
systematic opression for over 800 years.

most important part and key difference between us, besides the fact thta your better than me because you are black, but. you claim im so ignorant im not worth your time, essentially. i think your so misguided i would love to show you the actual way to god and heaven. brother, you need it.
xspacexpotatox  1h
Bro you lose don’t message me anymore
Torin Galleshaw  1h
and dont claim im acting like im threatened, first thing, you dont know me. youre acting nearly militaristic on this ****. young malcom X wanna be. im cool tho, you robably never knew someone as chill as me.
maybe we could talk without resorting to personal attacks tho. thats a good sign you are losing an argument.
xspacexpotatox  1h
What’s your point? Mines is simple. I get what I learned from college text books and the Bible, the knowledge coincides and that indicates who my people are.
Torin Galleshaw  1h
do you know of the talmud?
do you know what it is?
do you realize that it contains the only visual description for jesus?
do me a favor, before you try to come at me with some more weak **** why dont you go and see what the talmud has to say about it
thank you brother
xspacexpotatox  1h
Was the visual description a white man? If so I’m not interested
xspacexpotatox  1h
I’m a young black man that’s been taught all his life, all I know is truth.
xspacexpotatox  1h
I’m not that arrogant, I offered you edification and once I edified you rejected. lol I’m not supposed to be nice and open to you.... I know who my oppressors are.
xspacexpotatox  1h
“GOD” said “and I know the blasphemies of those that say they are Jews and are not” you’re disrespecting my ancestors
Torin Galleshaw  1h
thats the thing only a truly awoken spiritual person will ever recognize. in a past life you were a tiny asian woman bro, you were a fat white guy, you were a cat fucj it. so rn your black. soul dont got color. recognize bro. i dont wanna big boy you on this, but i can. and i will if i have to. or maybe you would either A. apologize for your offensive and rude behavior, or B. and my preferred choice we could ACTUALLY converse. you say you got proof, cite it priest boy
xspacexpotatox  1h
Bro, my ancestors were beaten, *****, hung, fed to alligators, shot in the streets, literally broken. Imagine having your family heritage stripped from you, your language and books taken from you.. You’re not hearing me out, you’re trying to prove yourself to be what I am and I can’t let you think that’s okay. I’m OG. I teach people. So far I’ve learned nothing from this conversation. I’m proud of the beatings my people took to get here, and I definitely don’t agree with the whole “you were a white or Asian person in the past life” because that makes no sense. My family is “BLACK”, besides that my moms great grandmother was mixed, and were STILL predominantly “BLACK”. I come from “BLACK” people, therefore I am a HEBREW ISRAELITE, and I know this for a FACT!
Torin Galleshaw  49m
Bro, my ancestors were beaten, *****, hung, starved for hundreds of years, shot in the streets, forced to fight in the civil war after arriving here form ireland starving, (one of the most effective brigades, you see many of the soldiers had to fight in wars against the british already)literally broken. Imagine having your family heritage stripped from you, my last name is not the last name my great great great granparents had. it was too ethnic, it was changed, your language and books taken from you. do they speak celtic in ireland?.. You’re not hearing ME out, you’re trying to prove yourself to be what I am and I can’t let you think that’s okay
xspacexpotatox  42m
Oh you guys are actually mention in the battles you fought?! **** there’s no documentation of anything “African Americans” did in the wars we helped win! Atleast you guys got decent credit
Torin Galleshaw  37m
bible told me you just have to accept his love, jesus's love, but even buddahs love, and john the baptists love, and all of gods great prophets. bible taught me that without their love i can never really love any one.
xspacexpotatox  35m
If you believe in the most high, fine with me. That’s all I have to say.
Torin Galleshaw
Torin Galleshaw  33m
yes, there is documentation of both slaves ad freed black men fighting on both sides actually, believe it or not
Torin Galleshaw  32m
https://www.archives.gov/education/lessons/blacks-civil-war

"Once let the black man get upon his person the brass letter, U.S., let him get an eagle on his button, and a musket on his shoulder and bullets in his pocket, there is no power on earth that can deny that he has earned the right to citizenship."

Frederick Douglass

xspacexpotatox  28m
I never once believed the history teachers in school, I always challenged them because I know that American History is *******. Just like whatever filth you’re trying to show me will only bore me like the teachers bored me in school. I served in the US Army. I did my time for white america and I refuse to go back lol

he blocked me not long after that, final thoughts

Matthew 6:10-14 thy kingdom come, thy will be done on earth as it is in heaven, give us this day our daily bread, And forgive us our debts, as we also have forgiven our debtors,And lead us not into temptation, but deliver us from the evil one.
a truly fascinating case study in hypocrisy.  when he is sending me videos of white people asking for blaack people to treat them kindly when they become enslaved.  nah.  if your gonna block me instead of being able to have an actual conversation im gonna put you on blast.

anyone who believes this is a *****

https://www.youtube.com/watch?v=ZvZSxSkTZOM&feature=youtu.be
.charleston farmhouse screen .


criticize , critique, where is the difference?  read  google. read wikipedia and you will

see that eventually it becomes too much.                                                     that fateful day.



some say you have lost your memory,                                            think of the wrong name.



there are others remain the same.                                                  it may only be one sentence

yet is still part of the story.



an unfortunate phrase.



his name was             duncan grant.

two panels. there is no photograph.



sbm.

— The End —