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Maggie Emmett Jul 2015
PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi
This poem is part of a longer poem called Seasons of Terror. This poem was performed at the University of Adelaide, Bonython Hall as a community event. The poem was read by local poets, broadcasters, personalities and politicians from the South Australia Parliament and a Federal MP & Senator. The State Premier was represented by the Hon. Michael Atkinson, who spoke about the role of the Emergency services in our society. The Chiefs of Police, Fire and Ambulence; all religious and community organisations' senior reprasentatives; the First Secretary of the British High Commission and the general public were present. It was recorded by Radio Adelaide and broadcast live as well as coverage from Channel 7 TV News. The Queen,Tony Blair, Australian Governor General and many other public dignitaries sent messages of support for the work being read. A string quartet and a solo flautist also played at this event.
Vincent Gandsey Feb 2013
On the east end, there's a chamber
where the weak end barely
a cut beyond Ms. Short;
can you blame her?

Vigilant as hawks, there's a scent
that the crowd gawks over
on their way to pay for ******;
here the filthiest repent.

On the pavement, there's a clue
as to another payment made
by loyal patron;
we're left to wonder, who?

In Whitechapel, there's a tale
of crimson gravel split
by thick-skinned knees;
their owner has since gone stale.
A Mareship  Sep 2013
London
A Mareship Sep 2013
(Not a home, I said.
An address.
The badges and the blossoms
Bragged ‘excess’.

Etched into every tree

The word:

S U C C E S S)

I am London
And he is me,
Not ever knowing which London to be,
A button eyed orphan,
A one man band,
A Dickensian madman
Whey-faced and untanned.

I was a Ruby Infant,
(Montpelier)
Via turreted school
(Machiavellian lair)
My conspiracy of ravens
The guardians of lore,
Falling in feathers
To a barbershop floor.

My mind is confetti -
From each Westminster wedding,
Each pill, each stumble,
A little be-heading.
I first kissed a girl in Trafalgar Square
And the memory of her is still there in the air,
In the backdrops of photographs snapped up by tourists,
In the lost eyes of pigeons,
(I know it, I’m sure of it -
because I know London
And he knows me -
We flow into each other
Like the Thames, to the sea).

Gobstopper ******* in Whitechapel lanes,
Knee-deep in the streets, leaving opal-ghost stains,
The bleeding graffiti of Mary Jane Kelly,
Our deaths, our murders,
So many, so many...

Bells,
Chiming,

Dark
Oubliettes,

Cradle me, London,
My bowed silhouette,
Settle me down
in your newspaper bed,
Love me,
Watch over me,
And when I am dead,
Make me a martyr,
Smooth out my head
Swallow me up in your gum studded streets,
Somewhere busy where I can feel millions of feet
Treading into me,
Over and
Over again,
And every so often, now and then,
Play out your bells for my syllables four,
Ding **** ding *****
Four and no more,
To remind yourself, London,
Of silly old me,
Who like you,
Never knew,
Which London to be.
um - unfinished and work in progress
A nice cruise from New York, I thought

From down by Pier two-one

I thought I'd head to England

For a good old spot of fun

An Ocean trip, some nice fresh air

Eleven days at sea

I thought this would perfect to

Help inspire me

I'd never been to Europe

So I did some reading first

The history's insane there

The books did quench my thirst

I couldn't wait to get there

To travel all around

And take all sorts of pictures

To show folks what I'd found

On board, I met a punter

A real hard boiled chap

He told me of  "his England"

Not the funny, tourist crap

He asked where I was going

I said "I've no idea"

He told me that he'd show me things

As long as I bought beer

I asked him what he meant by this

He said "Just wait and see"

"I'll show you things...will curl your hair"

"You watch son, follow me.'

He told me of a werewolf

Running loose in London town

He was killing folks in Soho

And they couldn't bring him down

He said "Two nights from now"

"The moon would be real nice"

"A full moon brings out werewolves son..."

"That's your first bit of advice"

I shuddered then, I wasn't sure

If "this England" would be right

But, I begged off from the table

And I settled for the night

My mind was working overtime

Nightmares and dreams came quick

And with the heaving on the water

I woke up to be sick

I went up on the deck to walk

And grab a little air

But who to my surprise was

by the railing standing there

He said " I thought you'd be here sooner

Isn't it a lovely moon?

Just a few more days to go

The werewolf walks real soon

"Let's go and get a coffee"

"I figured I won't get back to sleep"

"And my nerves are really shaky"

"I know I won't sleep deep"

He said "Don't worry laddie"

"I've lots more tales to speak"

"But their stories for the hearty"

"And you son...seem so weak"

I asked him about Whitechapel

He said ...."Oh, Jack the Ripper"

"He murders girls down that way son"

I then peed in my slippers

He goes around at night you see

And picks up girls in the night gloom

Then he takes them back and guts them

In the comfort of their room"

I thought, I wanted jolly stuff

Like palaces and such

This tour of London ****** sites

Well, it seems a little much

I said "I've heard of Harley Street"

"Can we go there for a ride?'

He said "No problem son..

"We might meet Mr. Hyde"

"Dr. Jekyll drinks this stuff

Thats turns him to a beast

The monster's name is Mr. Hyde

It's in London...to the east."

I thought, this isn't what

I signed on to go see

I didn't want the next victim

To end up being me.

I said "Is there a place that's safe at all?"

He said "I can take you by the palace"

"We can go walk up the mall"

I said "that would be perfect"

"That doesn't sound so hard"

He said "Just watch for Moriarty"

"Sherlock Holmes and Scotland Yard"

At this point I got up and said

"I think I'm off to bed"

"All this talk of horror"

"Caused an aching in my head"

I said " I think, I'll just move on

And travel somewhere like Albania"

He said that I must see His friend

in southern Transylvannia.

He said Mr. Van Helsing

Would take me for a tour

And with what I'd see in Europe

I'd forget the London gore"

I thanked him and I went to bed

And I then asked him his name

"Dracul" he said...but call me "Vlad"

"I'm sure we'll meet again"

I changed my plans, went to my room

And I figured "What the heck"

But I have this one last question"

Why was he staring at my neck?
.
Micheal Wolf Jan 2013
Sounds disappear as if smothered into the shadows
Footsteps make a dull thud lost in a blanket of fear
A fear that is held taught by the night and it's visitor
The cold velvet makes the dark light but impedes sight
All move on edge from doorway to doorway ears acute
Are those footsteps or the mind playing tricks
Working girls, Gin filled amid the stinking streets
Will I be next?? Is he a regular or a new player
The cry goes out followed by whistles
Boots on cobbles, screams! He has returned
No person saw him he morphed into the night
Her body lies torn mutilated to precision
Organs laid out in a rutualistic yet barbaric display
Once again unseen his work done "Jacks back"
Fear grips the streets again the press give him status
The people condemn, the police powerless or forbidden to act?
Only history will reveal the killer in the fog
We gather in Old London town,
the time is getting late.
The fog is slowly coming down,
the year is eighteen eighty eight.

The Leather Apron stalks this eve
ladies of the night beware.
Such things he does you wont believe
and for your welfare he’ll not care.

Hello Mister have a heart,
a girl has got to earn a crust.
A shilling for this fine old ****
for you look like a gent to trust.

In her hand the coin doth shine.
Does she lead this toff astray?
Here’s a quiet place that’s fine,
as she walks up the alley-way.

Face to face and eye to eye.
The victim happy to be plied
with vigour she lifts up her skirt
but now her hands are occupied.

Seizing strongly at her throat
he strangles her till unaware.
Unconscious although not yet broke
he lowers her by head and hair.

Now insentient on the ground
the Ripper sets about his work.
In the dark without a sound
there is no detail he will shirk.

He keeps the body to his left,
her throat is sliced from side to side.
The woman’s family now bereft,
whilst she lies here without her pride.

Left to the nights illumination
Jack executes his deadly art.
Performing such skilled mutilation.
and leaving plus one body part.

Daylight opens up commotion,
"Whitechapel Murderer", strikes once more.
The peelers haven’t got a notion
who it is that killed this *****.

Scotland Yard are in despair
as they try to Investigate
their credibility beyond repair
for they cant find this reprobate.

Eventually the death toll, five,
the murders now come to an end.
Folk are free to live their lives
but could you trust even a friend.

Over an hundred years or more
professional research is far to late.
Jack, can we ever know the score?
"No... All you can do is speculate."
1st August 2011 Jack the Ripper series. poem 1.
I knew you forever and you were always old,
soft white lady of my heart. Surely you would scold
me for sitting up late, reading your letters,
as if these foreign postmarks were meant for me.
You posted them first in London, wearing furs
and a new dress in the winter of eighteen-ninety.
I read how London is dull on Lord Mayor's Day,
where you guided past groups of robbers, the sad holes
of Whitechapel, clutching your pocketbook, on the way
to Jack the Ripper dissecting his famous bones.
This Wednesday in Berlin, you say, you will
go to a bazaar at Bismarck's house. And I
see you as a young girl in a good world still,
writing three generations before mine. I try
to reach into your page and breathe it back...
but life is a trick, life is a kitten in a sack.
This is the sack of time your death vacates.
How distant your are on your nickel-plated skates
in the skating park in Berlin, gliding past
me with your Count, while a military band
plays a Strauss waltz. I loved you last,
a pleated old lady with a crooked hand.
Once you read Lohengrin and every goose
hung high while you practiced castle life
in Hanover. Tonight your letters reduce
history to a guess. The count had a wife.
You were the old maid aunt who lived with us.
Tonight I read how the winter howled around
the towers of Schloss Schwobber, how the tedious
language grew in your jaw, how you loved the sound
of the music of the rats tapping on the stone
floors. When you were mine you wore an earphone.
This is Wednesday, May 9th, near Lucerne,
Switzerland, sixty-nine years ago. I learn
your first climb up Mount San Salvatore;
this is the rocky path, the hole in your shoes,
the yankee girl, the iron interior
of her sweet body. You let the Count choose
your next climb. You went together, armed
with alpine stocks, with ham sandwiches
and seltzer wasser. You were not alarmed
by the thick woods of briars and bushes,
nor the rugged cliff, nor the first vertigo
up over Lake Lucerne. The Count sweated
with his coat off as you waded through top snow.
He held your hand and kissed you. You rattled
down on the train to catch a steam boat for home;
or other postmarks: Paris, verona, Rome.
This is Italy. You learn its mother tongue.
I read how you walked on the Palatine among
the ruins of the palace of the Caesars;
alone in the Roman autumn, alone since July.
When you were mine they wrapped you out of here
with your best hat over your face. I cried
because I was seventeen. I am older now.
I read how your student ticket admitted you
into the private chapel of the Vatican and how
you cheered with the others, as we used to do
on the fourth of July. One Wednesday in November
you watched a balloon, painted like a silver abll,
float up over the Forum, up over the lost emperors,
to shiver its little modern cage in an occasional
breeze. You worked your New England conscience out
beside artisans, chestnut vendors and the devout.
Tonight I will learn to love you twice;
learn your first days, your mid-Victorian face.
Tonight I will speak up and interrupt
your letters, warning you that wars are coming,
that the Count will die, that you will accept
your America back to live like a prim thing
on the farm in Maine. I tell you, you will come
here, to the suburbs of Boston, to see the blue-nose
world go drunk each night, to see the handsome
children jitterbug, to feel your left ear close
one Friday at Symphony. And I tell you,
you will tip your boot feet out of that hall,
rocking from its sour sound, out onto
the crowded street, letting your spectacles fall
and your hair net tangle as you stop passers-by
to mumble your guilty love while your ears die.
D Conors Jul 2010
"On October 16th George Lusk, the president of the Whitechapel Vigilance Committee, received a three-inch-square cardboard box in his mail. Inside was half a human kidney preserved in wine, along with the following letter. Medical reports carried out by Dr. Openshaw found the kidney to be very similar to the one removed from Catherine Eddowes, though his findings were inconclusive either way. The letter read as follows:"

From hell.
Mr Lusk,
Sor
I send you half the Kidne
I took from one woman
and prasarved it for you
tother piece
I fried and ate
it was very nise.

I may send you
the ****** knif
that took it out
if you only wate a whil longer

signed
Catch me when you can Mishter Lusk
_______
View the actual document here: http://www.casebook.org/images/lusk
small.jpg
The letters of Jack The Ripper set to poetic formation. Part the 3rd
________
With appreciation to Casebook: Jack The Ripper, the largest public repository of Ripper-related information.
http://www.casebook.org/index.html
D. Conors
11 July 2010
Mateuš Conrad Jan 2023
i've noticed that, upon ushering words from the depth
of nothing, or as an interlude in Knausgaard's day-to-day
musing in vol. 6 after inviting Geir over:
this "i" or that "i" or for that matter "my" i...
however you want to frame it...
    i noticed that if i allow myself an evening of not writing...
esp. on an electric screen for someone else to see...
if for example i lay down to go to sleep...
not exactly asleep: dart out of bed and scribble something
on a piece of paper for only me to see...
i will still dream...
but if i sit down and face the electric screen:
pixels like the eyes of a fly... for someone else to see?
i don't dream...
   otherwise... having scribbled down the following
on a piece of paper:

   exploring Heidegger's dasein in another language...
my native, which i will translate into English,
basically prepositional coordination of(f) being
off not necessarily implying non-being -
perhaps merely: being-in-itself or rather the other...

tu-być : be-here
              to-bycie : this-being
ten-byt :                      ditto
although: nuance... there is a distinction...

i also scribbled down something i heard a long
time ago about how Russia, India and China are
re-orientating themselves with the slacking of the western
influence on: whatever it was that the west had
for the past three decades beside
proxy wars, collateral damages and "culture"...

i heard the term: post-ethnic-nationalism
post-ethno-state post-nation-state...
ergo: multiculturalism... which, oddly enough:
i can't come to grips with trying if not trying to
pretend to be a native of these isles -
perhaps it might be a shock for someone outside
of London - but in London it's almost
second nature to... be surrounded by people
from all around the world...
needless to say: the natives are not so disgruntled
once they're sitting all pretty-cherry on top
of some hierarchy: esp. in the journalistic
opinion sections of the Saturday / Sunday magazine...
then it's an open bonanza against
the "lower class racists" and what not...
i can't be an anti-racist: after all...
                                     anti-racists once produced
a schematic for us to learn from in primary school...
which shower the size of brains of...
a white person, a black person and a racist...
and some other brains...
the racist's brain was under-developed:
smaller...                                      ­ really?!

anyway... so Russia, India and China have opted for
what has come to be known as the:
civilization-state...
                                     given the ongoing zeitgeist
******* blowing up in the Anglophone world from
H'america... the culture-war(?!) -
i would bet fairly and say that pretty much all
former nation-states of western Europe
and beyond are currently in a state of morphing
into: buzz buzzword: being - culture-states...

but whereas a civilization-state seems an abrupt
optimal to counter and disagreement with regards
to continuity: civilisations don't merely come and go...
whereas cultures do...
   culture is somehow a totality of the little things
in life... fashion, the arts, politics, faux pas innuendos,
trends, diet...
that's culture and some...
but civilisation? to me that's like saying...
the foundation of Rome was the creation
of the aqueducts...
                  civilisation to me is like saying:
the British Empire and the steam-engine...
civilisation to me, London, exclusively is... the tube...
the underground network...

seriously... i don't need to go to a West End Play
i don't need to go and see Ed Sheeran play
to a sold out Wembley stadium of 100,000+ people
(although, i did, even though i did because
i worked a shift there doing security,
so, technically i didn't, but did)
            i don't need culture... as such...

all i need to do is first, do a shift at Craven Cottage...
hope that the Elizabeth Line won't be working
travel on the Central Line from Newbury Park all
the way to Holborn... and then blah blah...
instead of trying to look at the tired faces opposite
me admire the map of the Central Line
(it's a toss-up between the Central Line map,
or the District, Northern or Piccadilly)
and then, on some sunny day... get my bicycle
out... and bicycle for most of the route... notably...
skewing... merging at Fairlop working my way
through Barkingside, coming to Gants Hill
then less of the tube route (mind you...
between Leyton and Stratford it's pretty
much over-ground) -
   and then from Stratford - through to Mile End...
from Mile End via Whitechapel... to Aldgate...
from Aldgate to St. Paul's... Chancery Lane...
Holborn... rat beneath the ground:
like a rat needs a bicycle -
   well this rat is no hamster: hence the bicycle
and not a hamster-wheel...

what culture? movies?! i tried watching something
relevant to the 1980s today... ***** Dancing...
great soundtrack but... cringe!
that's even before Malcolm X and how inter-racial
inter-****** relations had to be the new norm:
i mean: ******* fair play...
    building the new Brazil -
    but i still think there's an under-representation
(and isn't everyone supposed to get a fair share
of representation) of white boy Romanian girl
(Roma, gypsy) or white boy Turkish girl...
   or white boy half-white half-Indian girl...

i know i will not dream tonight because someone
will see this...
my little itchy thoughts, my freed from the reins
"i" that doesn't really have these words clogging
up its mind - only until the itching of the fingers starts
and i have a blessed day...
like today...

why is it that a Saturday evening can feel like
a Sunday evening?
oh, right... i made steak for dinner tonight...
potato wedges (skins on, first boiled until
the the water started boiling, turned off, soaking
for 5 min, drained, olive oil, cajun pepper sprinkle,
into the oven)
    and some baked vegetables:
leeks, carrots, parsley root, red onions,
celeriac, swede... balsamic vinegar,
    sambal, cumin, coriander, salt, pepper,
sugar (i stopped using honey,
   it sticks to the baking tray plus the vegetables
lose their crunch, and vegetables need their crunch)...
2 steaks (456g total) shared between three people...
seasoned with sea salt and grain black pepper
(i prefer pepper grains than pepper powder,
i.e. pockets of explosion of that spice)
    3 min each side... a perfect medium-rare blush...

however the Indians might sell their spices...
chillies etc. there's still something wholesome
when it comes to eating certain types of food...
given that... i wouldn't be eating beef in India:
i wouldn't be seasoning beef with chillies!
that's why pepper is important...
that's why horseradish is important...
i let most of the Indians slip up: oooh! the Europeans
didn't have any spices...
apart from thyme, rosemary, sage, lavender,
mint... pepper, horseradish, i#m sure we
were also familiar with cumin seeds -
as well as that anise-seed that' not the star
(i forgot the name of it, it looks like
a cumin seed, but fatter, and split down
the middle - green) oh and of course:
plenty of salt...
what's all the spices in the world in the culinary world...
IF, YOU, AIN'T, GOT - SALT?!
   (if you don't have... i know i know...)

it's rather bewildering talking to certain Asians...
although, saying that...
most of Eastern Europe had plenty of interaction
with Asians, namely the Mongols
and the Turks - which the western Europeans
sort of... "forgot"... after Darwinism they
skipped over Asia and went straight back
to Africa... personally? i feel more akin to Asians
(esp. the oriental folk) than i do with anyone
from Africa... however Christianity was born...
after all: what's the definition of a white man?
Caucasian? and where's the Caucus?
Asia... Europe was always going to be
a funnel - a bottle-neck continent -
a port... a departing point...
       perhaps we shouldn't be so clingy to it...
unless of course:
   oh the parody of Jesus never came out of
Europe: "we" had to wait for it coming from
North America, but by then it was no longer
a parody of Jesus but a parody of North American
Christianity... a North American parody of Jesus
is... oddly enough... a European parody
of North American Christianity: via Jesus...

which brings me to another thing... only upon
doing a shift at Craven Cottage did i first hear
the parakeets... never before...
     i'm not going to bloat my ego this much but...
since then i've seen an article on Wikipedia that
i never saw before, the article just appeared out of
nowhere: feral parakeets of England...
subsequently... only a day ago:
you're only here for the parrots, fans chant
as birds swarm Leyton Orient pitch (Evening Standard
4 hours ago)
and bare conker trees overrun by bright green
parakeets make them seem vibrant despite leafless
branches (Daily Mail, 3 days ago, somewhere
in south London)...

today i was given the chance to walk back into my old
haunt... as much as i love cycling...
it's sometimes refreshing to walk...
the slowing of pace, the horizon almost intact...
more so... if walking into a forest...
Bower Wood... i know it is a curated wood...
it's not as feral as the pine woods of Eastern Europe...
but: if life gives you X... you make XY...
x = lemons, y = juice ergo xy = lemon juice...

i'm pretty sure i was familiar with this wood...
i was out hunting for souvenirs for my mother to dress
the table / fake deer antennas for candles to sit in...
holy, some other greenery with black berries...
i was hunting for ferns, almost near impossible
given this time of year... found some! bright blush
of childish envy... oh... and birches...
some oak barks fallen off... just me alone in the forest...
i was so thankful by myself...
but usually i heard crows, magpies and woodland
pigeons... but now?! parakeets?!
here?! now?! parrots in winter in these parts?!

i swear the world is standing-up-side-down...
it's hard not to miss an under-current of a serious
pagan revival weaving and slithering its way through
Europe: if only you care to listen...
i switched off from whatever is available in culture
these days... i know that what i'm listening to
will not gain popular traction...
i can walk into the forest and... there's the forest...
i go back home... cook dinner...
go into my bedroom, open a bottle of cider
thinking: no champagne will beat this...
put on a record akin to...
Heilung's TENET and... hey presto!

                       i was in company of a good friend:
someone already dead who...
i don't know how someone can lose themselves
in the forest... pareidolia...
   you can sometimes see paths already trodden...
unseen but somehow: you can see a "ghost"
of a foot here and there...
    you know: you just KNOW where a human foot
prior to yours once treaded...
there are patterns... better sticking with pareidolia than
the iconoclasm of celebrity...
i always thought that was better...
i like to think i'm in the company of strange
creatures: phantoms of my mind...
but hardly! how can these be phantoms of my mind?!
i didn't spontaneously conjure a face in a tree
when the ******* tree is older than me!
the tree was here before me!
what?! some sin?! some psychological sin
of non-conformity?! i don't adhere to star-gazing
in the filth of commodities and entertainment?!

i know why this feels like a Sunday evening even
though it's a Saturday night...
i was planning on going to the brothel tonight...
but... oh hey mother, hello father...
i'm going out... where? you don't have any friends...
blah blah... yeah... well... i'm kind of happy
because of that: no social-constraints of expectations...
as the conversation usually ran with the last
remaining friend i had from high-school...
- so, what have you been up to?
- nothing...
     and he knew that i was scribbling like mad...
what's there to talk about when it comes to writing?!
last time i heard: you read what is written...
you don't talk about it...
hopefully the reading of something written goes
back into thinking and is not spoken of:
since the conventionality of everyday
formality of social-speech crushes anything delicate
that is born from i-ought-not-but-regardless-i-must!
it's a compulsion!

i went to the shop about 3 hours ago to buy an extra
bottle of cider because i knew: having read a little more than
usual i had to keep the Libra of conscience in place,
"conscience": never write more than you read...
and never read less than you write - so so...
          wow... FORK in the "ROAD"...
                        this is me replaying the opening of the song
TENET - the sound of the horn...
well... i didn't have a horn in the forest...
but i had my pagan statue... a dead white tree...
i left this little stick next to it... i used to walk this wood
more times than i can remember...
sometimes i walked into it bare-chested...
blind from the darkness, but somehow illuminated
by the moon... sat on a stump of wood...
silence... then a breaking of a branch...
not the sort of breaking of a branch still attached
to a tree... something stepped on it...
i wasn't alone... i froze but then ushered in my voice
to compliment a shared bewildered amazement:
that is not a foot of a man stepping on a branch...

in the same wood i saw my first GARMR...
would i really have to go with the flow
of a Christopher J. MacCandless?!
                                       if hell is going to send its hounds
out to meet me, it doesn't matter where that might
be... i don't need to visit the northern most parts
of Norway to find what i'm seeking...
and what i'm seeking i found: since i'm dragging what
needed to be found around...
it's not surprising that at Bower Wood i was
alleviating a traffic problem when
two does and about 5 fawns were causing havoc...
"havoc" in the night implies 3 cars pulling over...
me coming down from the hill running up to
the village of Havering-atte-Bower spotting one...
not caring if there was a stag nearby running
with the fawn which subsequently ensured
the two does and the rest of the fawns
started to gallop and disappeared into the Wood...

i wish i could make this stuff up...
but then again: i'm not jealous of people
who have seen the Galapagos Islands or the Maldives
or... ah... just recently...
i took that rat-above-rat-below trip on my bicycle
into central London... i said to myself:
circle round St. Paul's cathedral... nope...
not good enough... around the Old Bailey then...
o.k. - and i "prayed": please! not another flat tire!
hey presto! on my way back... a flat tire at Aldgate!
great! well... i walked this distance before...
i can walk it again... walking back...
passed the East London Mosque and then...
Allahu Akbar! a bicycle repair shop!

walked up - leaned the bicycle against the wall,
the Chinese guy said: just 10 minutes
(while he was fixing this Deliveroo rider's
electric bicycle) - no problem -
i took some times to each some gelatin sweets
and drink some water, looking at people,
i felt like i was in some exclusive club,
only cyclists allowed - it felt like a very urban
sensation that most punks must have felt,
or goths, standing out...
i paid too much compliments to those guys
in Cycle King bicycle shop in Chadwell Heath...
i knew the front tire was worn down,
but i thought: get the professional's opinion...
they would be more than willing to change
the inner-tube for the Nth time before telling me:
oh... you need to change the actual tyre...
how many times did i change the inner tube?
**** knows! milking it... ******* were milking it!
but this Chinese guy said outright plainly...
it's ****... i'll change it for you...
inner tube, tyre and labour... £55...
done!
               he changed it to a tyre that...
well... let's face it... 2nd gear front
and 4th, 5th 6th and 7th gears in the back...
i was whizzing past home... he said:
less width... more grip... for the grit...
   but at least he was ******* honest...
that's what i mean about a European's relationship
with the Asians... i'm honest, they're honest...
they're not some SCAM MERCHANT KNIGS
of NIGERIA: CNUT-MBAPPE typos...

oh... and it's not like anyone didn't notice
that Indian girls think they're the bomb?!
oh yeah... oh no, not the Muslim girls... those girls
are whipped into always staring down...
like white girls are whipped into peering into
their smart-phone screens and envisioning:
anything outside of inter-racial relationships is:
pederasty (loose term)... whatever it might me...
bulimic antics: not done properly, mind you...
not in the Roman style of training the oesophagus
to just spew on a whim: i.e. i ate too much...
apologies... i need to... ugh! ugh! ugh!
                      get ready the trampoline!
we're going to launch half-digested fish-heads!

now i'm happy... my Trek Merlin 5 is compatible...
fun... looking at that *** trying to chase me down
working my way down toward the Old Bailey...
Asian ceramic raven haired
no helmet... and never, never... ride a bicycle
in an urban environment minding
the sticker on the inside of a large vehicle:
BLIND SPOT... well... d'uh... so use the large
vehicle like a battering ram against all the gnats
of smaller vehicles... ride on the outside of the large
vehicle... always on the outside...
what are you, cyclist... a Hebrew forced by
the **** brown-shirts to walk in the gutter rather
than on the pavement?! what am i?
just because i'm a cyclist i'm no less a hazard
to a motorcyclist?! momentum, self-generated!
i like my legs... let me know when you're dealing
wheelies and whizzes on a ******* wheelchair...
until i have my legs... i'll be skimming through
traffic... Norman Davis might have called
the Polish-Lithuanian Commonwealth God's Playground...
i think i'll call London my playground...
there's plenty to play with around here...

                 but for once i listened to my ego...
for some reason i didn't require a depth of the
Freudian secular trinity of the addition of superego
and id... i was just about to think about going to the brothel
but then my ego said: you're not feeling it...
and i wasn't... i still had to clean the kitchen up,
take the garbage out... i was oiling myself up...
"oiling": checking if i still had a 30 year old's hard-on
i stopped using the fake diet of ******* of
actors: disposable, unattainable...
i switched to: ROMANIAN AMATEUR ****...
well... it's what i'm going to get...
but i checked my hard-on too many times today...
checked, i.e. checked without climaxing...
checked about 4 times... the 5th time i checked
i was thinking about going to the brothel...
but then my ego (not my ego) checked me...
you're not going anywhere:

THE FICKLE MIND AND THE FIRM TRUTH
OF THE BODY...
the mind lies more times than the body cares to admit...
until, of course... the reality of body steps in
and the mind has to retreat... just as happened with
my excess drinking... i went to buy that extra bottle
of cider and waiting in the queue while a mother
with three daughters "****'s sake" the mother retorted
while the girls were undecided what else
to add to the basked i looked at the shelves
with all the spirits... no! no! no more whiskey!
no more *****! no more!
i checked my supposed "impotence" too many times
today... "impotence": more like being
insulted by the madam: beached-whale...
she just flicked it when it went limp because
i found her physically abhorrent...
flicked it... like it was a worm...
like she was 6 years old and i was 5 years old
and she was still playing with Barbie dolls
and unlike she was...
because she knew what a key was and what a keyhole
was... but she had no idea what
physical attraction was...

                        reciprocated...

well ****... it's working... guess it's not working with you...
a bit like the horse that Christopher Reeve rode
when it dropped him and recalculated Superman:
without a spine...
plus i had no excuse to leave the house...
i had plenty of excuses to read some more of Knausgaard
and write this...
tomorrow i'll have the excuse of "working late"...
going to a brothel is not like saying:
oh yeah... i'm going on a date with a girl
we're going to the cinema blah blah...
       no... dearest ******* Madam...
she's the one that chased away both Mona and Khadra...
what the **** happened?!

what am i? a Duracell bunny?! there's an ON and OFF
switch with regards to my phallus?!
if that's the case... what's the dynamic of ****?!
is ****... no... it can't be... **** is a man *******
a turned-off woman? i once had an experience
of a woman who... let's put it mildly:
her **** was as dry as the adequate metaphor
of sensation one might regret to feel from rubbing one's
hands on sandpaper!
hands... finger tips... rough skin...
ergo the ability to play guitar or rock climb...
we're talking tender skin...
so... technically: hardly a pleasure for a ****** to feel
pleasure from an unaroused ****!
ergo?! that was an aroused **** and it's all psychological:
not physical... the shame of giving it so freely
and unwillingly... whereas playing games with
those one might want to give it up to...
i can hardly **** with a LIMPY -
   but i certainly wouldn't want to **** a timber-mill worth
of toothpicks, match-sticks and left-overs...
**** is psychological it would seem...
                the shame of it... all those labyrinths of playing
games suddenly disappearing from the case of
"spontaneity"...
   you should ask her: South African... Sancha...
worked in a private school... teaching boys Mathematics...
maybe she was a *******... by now who knows?!
i do know that i wasn't terrible aroused by her
the first time we tried...
i got a limp... like i got a limp with Ilona:
a forewarning... but she was adamant and whispered
into my ear: you will not deny me...
second time i was in her teacher accommodation
i brought a copy of the Machinist with me on DVD...
she must have spiked my drink because then the horror
of cocoon *** ensued and that's when
she climbed on top of me and gave me the sawdust
sandpaper **** treatment in the dark...

it kind of follows through to the casual mode of
argumentation people have concerning the schizoid condition:
it's all in your mind...
right... so the schizoid condition is simply: so...
your i-think detaches itself from thought
and forms a i-hallucinate complex as if: spring follows winters?
well then... it's all in your mind...
**** is probably in most of women's minds...
it doesn't actually exist in reality:
in the physiology... **** is a mental construct...
it must be... since i don't recall any ******
talking about: oh ****... i had to pull out...
her **** turned into a mantis or the mouth
of a worm from the planet Dune... i just couldn't
continue!

the next day she drove me to the station and i never saw
her again...
ergo? i have a strange relationship with a limp ****...
it's not impotence: per se,
it's more a judge of character concerning a ******
partner: however brief, however informal...
it's like a wild animal freezing still...
     deer in the headlights...
                                      i should have known better
with Ilona... but she pressured to the point where it
finally started "working": i wish "he" didn't...
it would have saved me so much pointless drama...
if i were a man with a child i would tell him just as much:
it's not working for a reason...
that ***** is a mantis... you're not a robot...
this isn't a *****... you're not an extension of a *****...
it's not working for a reason...
go and check... watch the most realistic "*******":
switch to amateur stuff...
                                that's all you're going to get...
and can you, get it up? well then...
it's not you...
                                     once all the glamour is gone
and you're left with a butcher's cut of antics...
                              well... if you're aroused by that sort of stuff
in private... why can't the partner reciprocate?
maybe that's just me finalising some logistics for
tomorrow...
shift at the Ice Rink tomorrow...
me... two girls...
   one butch lesbian... she keeps rubbing off on my arms
every time the home side scores
and she's celebrating...
      one rub by chance i can understand... two rubs
and i'm thinking: this isn't homosexual conversion therapy,
is it?
the other? got me the job to begin with...
started taking dieting pills because she feels depressed
because she thinks she's fat and this is what
working with women looks like if you're not
in the business of being a plumber: in the realm of
customer service...
    
                 that's how this new girl i fancied at work
got fired... about 4 other girls ganged up on her
and she was literally bullied out of work because...
            
it's coming up to 1am... i need to get up early tomorrow...
do a cycling shift...
trim my mustache, my beard, my ***** region, my arm-pits...
finish one more bottle of cider for good luck:
or no luck...
           listen to some more pagan music...
think about Bower Wood and how i wish that if i weren't
working tomorrow
i'd buy myself a bottle of whiskey and walk
into it, right now... to howl and wake up the crows.

p.s. oh, right, that dream i had last night when
i didn't scribble any words for anyone else to see?
two night ago i was swimming with
pseudo-jelly fish on the edge of the universe
transmitting vibrations of light...
last night i was watching while some colts
were gleefully celebrating their ability to drink
shots of absinthe... until i walked up to the bar
and showed them how to drink absinthe
properly...
i took out a spoon, dipped the spoon in some
sugar... poured some absinthe onto the spoon...
lit the spoon and the sugar alight...
watched the caramel form...
then poured some water into the glass
to clue them in into the secret of drinking absinthe:
you don't drink absinthe like *****...
you need for the green-milk of wormwood
to emerge!
    sie müssen für die grünmilsch von wermut
zu auftauchen!

— The End —