The wind was a torrent of darkness among the gusty trees
The moon was a ghostly galleon tossed upon the cloudy seas
The road was a ribbon of moonlight over the purple moor
And the highwayman came riding,
Riding, riding,
The highwayman came riding, up to the old inn-door.

He'd a French cocked hat on his forehead, a bunch of lace at his chin,
A coat of claret velvet, and breeches of brown doe-skin;
They fitted with never a wrinkle; his boots were up to the thigh!
And he rode with a jewelled twinkle,
His pistol butts a-twinkle,
His rapier hilt a-twinkle, under the jewelled sky.

Over the cobbles he clattered and clashed in the dark innyard,
And he tapped with his whip on the shutters, but all was locked and barred;
He whistled a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.

"One kiss, my bonny sweetheart, I'm after a prize tonight,
But I shall be back with the yellow gold before the morning light;
Yet if they press me sharply, and harry me through the day,
Then look for me by the moonlight,
Watch for me by the moonlight,
I'll come to thee by the moonlight, though hell should bar the way.

He rose upright in the stirrups; he scarce could reach her hand
But she loosened her hair i' the casement! His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
(Oh, sweet black waves in the moonlight!)
Then he tugged at his rein in the moonlight, and galloped away to the west.

He did not come at the dawning; he did not come at noon,
And out of the tawny sunset, before the rise o' the moon,
When the road was a gypsy's ribbon, looping the purple moor,
A red-coat troop came marching,
Marching, marching
King George's men came marching, up to the old inn-door.

They said no word to the landlord, they drank his ale instead,
But they gagged his daughter and bound her to the foot of her narrow bed;
Two of them knelt at the casement, with muskets at their side!
There was death at every window
And hell at one dark window;
For Bess could see, through the casement,
The road that he would ride.

They had tied her up to attention, with many a sniggering jest;
They had bound a musket beside her, with the barrel beneath her breast!
"now keep good watch!" And they kissed her.
She heard the dead man say
"Look for me by the moonlight
Watch for me by the moonlight
I'll come to thee by the moonlight, though hell should bar the way!"

She twisted her hands behind her, but all the knots held good!
She writhed her hands till her fingers were wet with sweat or blood!
They stretched and strained in the darkness and the hours crawled by like years!
Till, now, on the stroke of midnight,
Cold, on the stroke of midnight,
The tip of one finger touched it!
The trigger at least was hers!

Tlot-tlot! Had they heard it? The horse-hoofs were ringing clear
Tlot-tlot, in the distance! Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding,
Riding, riding!
The red-coats looked to their priming!
She stood up straight and still!

Tlot in the frosty silence! Tlot, in the echoing night!
Nearer he came and nearer! Her face was like a light!
Her eyes grew wide for a moment! She drew one last deep breath,
Then her finger moved in the moonlight,
Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him with her death.

He turned; he spurred to the west; he did not know she stood
Bowed, with her head o'er the musket, drenched with her own red blood!
Not till the dawn he heard it; his face grew grey to hear
How Bess, the landlord's daughter,
The landlord's black-eyed daughter,
Had watched for her love in the moonlight, and died in the darkness there.

Back, he spurred like a madman, shrieking a curse to the sky
With the white road smoking behind him and his rapier brandished high!
Blood-red were the spurs i' the golden noon; wine-red was his velvet coat,
When they shot him down on the highway,
Down like a dog on the highway,
And he lay in his blood on the highway, with the bunch of lace at his throat.

Still of a winter's night, they say, when the wind is in the trees,
When the moon is a ghostly galleon, tossed upon the cloudy seas,
When the road is a ribbon of moonlight over the purple moor,
A highwayman comes riding,
Riding, riding,
A highwayman comes riding, up to the old inn-door.

He loves his soca and
His carnival.
He calypsos
Like only Dionysus could.

His power is like the
Nymph's - the Oceanid daughter that
Kept Odysseus from
Penelope - only stronger.

So mesmerising: his smile
Bursts with a contagious
Warmth, like the sun
Over his island homeland.

A gold cross hangs from a chain
Around his dark, dark neck.
The smell of his skin spices the air around him,
Making my mouth salivate.

He tastes like Mayan chocolate;
Slightly bitter and tinged with chilli.
The scars on his shoulders and back
Feel like a ripe nectarine againt my tongue.

I want to bite down and feel the juices
Run.
But.
He's a good Christian boy.

This island boy is an enigma.
Tall and willowy
Like a rapier, and
Strong and beautiful.

I wonder if this island boy
Would sheath his faith
In my worship,
For just one, cool, island night.

If I am to dig graves for the rest of my life
I wish to do it with my hair long and proud,
Swinging at the small of my back as a testament of
Will in the face of adversity,
Grown by the fruits of my labor.
I want to harvest the nectar
From the pear tree on my horizon
And when I eat my fill,
I will just as easily leave the sweetness behind,
Before it spoils and then,
I will look the hurricane in the eye and laugh,
Because I know it will baptize the earth
And my pear tree will be waiting for the day
This nomad returns to her roots.

If I am to choose between
A false lover and Uncertainty in the North
I want to have the gall to say,
“Brother, come at eight.”
I want to have the self-control
To lower the gun on a man,
Whose mind is a dank closet full of spiders.
By then, I must be ready to venture out,
And risk this Uncertainty in the North.

If I am to take my revenge,
I wish to do so without collateral damage,
And if I do,
I want everyone to learn that revenge
Will stab you with your own rapier
And that I am the kind of person,
Who will make you drink your own wine,
Because, in the end,
We are all sinners.

If I am to write propaganda to support
A nauseating turn of society,
I would rather be exiled.
Iceland, Siberia, The Ministry of Love:
They are all the same,
Because I will come out a different person
For better or for worse.

I wish to have the strength to cut my hair
Because I will not hesitate
To cut ties with anyone,
Who stands in the way of my passion.
I must be unorthodox
If I see my fellow men
Following in each other’s footsteps, with their eyes closed.
I will scream it in the streets,
“The world is not pretty.”

If I am to be unorthodox,
I wish to have faith,
Strong enough not to be undone by mere chance,
Strong enough so I can watch the coin fall:
Heads.
Heads.
Heads.
Accepting that I will one day die.
And if it involves a ship,
I will be its captain.

(A Virginia Legend.)

The Planting of the Hemp.

Captain Hawk scourged clean the seas
(Black is the gap below the plank)
From the Great North Bank to the Caribbees
(Down by the marsh the hemp grows rank).

His fear was on the seaport towns,
The weight of his hand held hard the downs.
And the merchants cursed him, bitter and black,
For a red flame in the sea-fog's wrack
Was all of their ships that might come back.

For all he had one word alone,
One clod of dirt in their faces thrown,
"The hemp that shall hang me is not grown!"

His name bestrode the seas like Death.
The waters trembled at his breath.

This is the tale of how he fell,
Of the long sweep and the heavy swell,
And the rope that dragged him down to hell.

The fight was done, and the gutted ship,
Stripped like a shark the sea-gulls strip,

Lurched blindly, eaten out with flame,
Back to the land from where she came,
A skimming horror, an eyeless shame.

And Hawk stood upon his quarter-deck,
And saw the sky and saw the wreck.

Below, a **** for sailors' jeers,
White as the sky when a white squall nears,
Huddled the crowd of the prisoners.

Over the bridge of the tottering plank,
Where the sea shook and the gulf yawned blank,
They shrieked and struggled and dropped and sank,

Pinioned arms and hands bound fast.
One girl alone was left at last.

Sir Henry Gaunt was a mighty lord.
He sat in state at the Council board;
The governors were as nought to him.
From one rim to the other rim

Of his great plantations, flung out wide
Like a purple cloak, was a full month's ride.

Life and death in his white hands lay,
And his only daughter stood at bay,
Trapped like a hare in the toils that day.

He sat at wine in his gold and his lace,
And far away, in a ****** place,
Hawk came near, and she covered her face.

He rode in the fields, and the hunt was brave,
And far away his daughter gave
A shriek that the seas cried out to hear,
And he could not see and he could not save.

Her white soul withered in the mire
As paper shrivels up in fire,
And Hawk laughed, and he kissed her mouth,
And her body he took for his desire.


The Growing of the Hemp.

Sir Henry stood in the manor room,
And his eyes were hard gems in the gloom.

And he said, "Go dig me furrows five
Where the green marsh creeps like a thing alive --
There at its edge, where the rushes thrive."

And where the furrows rent the ground,
He sowed the seed of hemp around.

And the blacks shrink back and are sore afraid
At the furrows five that rib the glade,
And the voodoo work of the master's *****.

For a cold wind blows from the marshland near,
And white things move, and the night grows drear,
And they chatter and crouch and are sick with fear.

But down by the marsh, where the gray slaves glean,
The hemp sprouts up, and the earth is seen
Veiled with a tenuous mist of green.

And Hawk still scourges the Caribbees,
And many men kneel at his knees.

Sir Henry sits in his house alone,
And his eyes are hard and dull like stone.

And the waves beat, and the winds roar,
And all things are as they were before.

And the days pass, and the weeks pass,
And nothing changes but the grass.

But down where the fireflies are like eyes,
And the damps shudder, and the mists rise,
The hemp-stalks stand up toward the skies.

And down from the **** of the pirate ship
A body falls, and the great sharks grip.

Innocent, lovely, go in grace!
At last there is peace upon your face.

And Hawk laughs loud as the corpse is thrown,
"The hemp that shall hang me is not grown!"

Sir Henry's face is iron to mark,
And he gazes ever in the dark.

And the days pass, and the weeks pass,
And the world is as it always was.

But down by the marsh the sickles beam,
Glitter on glitter, gleam on gleam,
And the hemp falls down by the stagnant stream.

And Hawk beats up from the Caribbees,
Swooping to pounce in the Northern seas.

Sir Henry sits sunk deep in his chair,
And white as his hand is grown his hair.

And the days pass, and the weeks pass,
And the sands roll from the hour-glass.

But down by the marsh in the blazing sun
The hemp is smoothed and twisted and spun,
The rope made, and the work done.


The Using of the Hemp.

Captain Hawk scourged clean the seas
(Black is the gap below the plank)
From the Great North Bank to the Caribbees
(Down by the marsh the hemp grows rank).

He sailed in the broad Atlantic track,
And the ships that saw him came not back.

And once again, where the wide tides ran,
He stooped to harry a merchantman.

He bade her stop. Ten guns spake true
From her hidden ports, and a hidden crew,
Lacking his great ship through and through.

Dazed and dumb with the sudden death,
He scarce had time to draw a breath

Before the grappling-irons bit deep,
And the boarders slew his crew like sheep.

Hawk stood up straight, his breast to the steel;
His cutlass made a ****** wheel.

His cutlass made a wheel of flame.
They shrank before him as he came.

And the bodies fell in a choking crowd,
And still he thundered out aloud,

"The hemp that shall hang me is not grown!"
They fled at last. He was left alone.

Before his foe Sir Henry stood.
"The hemp is grown, and my word made good!"

And the cutlass clanged with a hissing whir
On the lashing blade of the rapier.

Hawk roared and charged like a maddened buck.
As the cobra strikes, Sir Henry struck,

Pouring his life in a single ******,
And the cutlass shivered to sparks and dust.

Sir Henry stood on the blood-stained deck,
And set his foot on his foe's neck.

Then from the hatch, where the rent decks *****,
Where the dead roll and the wounded *****,
He dragged the serpent of the rope.

The sky was blue, and the sea was still,
The waves lapped softly, hill on hill,
And between one wave and another wave
The doomed man's cries were little and shrill.

The sea was blue, and the sky was calm;
The air dripped with a golden balm.
Like a wind-blown fruit between sea and sun,
A black thing writhed at a yard-arm.

Slowly then, and awesomely,
The ship sank, and the gallows-tree,
And there was nought between sea and sun --
Nought but the sun and the sky and the sea.

But down by the marsh where the fever breeds,
Only the water chuckles and pleads;
For the hemp clings fast to a dead man's throat,
And blind Fate gathers back her seeds.

I will wrap you up
in duct tape & glass.
Cheap wood your caged throne.
Black grease paint,
a halo for the false God.
A Revolver glorifies you
but the rapier kisses your lips.
Allegiance only to dark aesthetics
tainted
torn face
worn leather.
I mount your eternal beauty
a heretics altar.
Naked before you,
I touch faith
& give you my little death.

In the air, floating just next to the window
solidly constructed
as sure as the golden highway
stretching from Frisco across the Bay
looking square
as the acres of boxcars
north on the interstate
on the south side of Chicago,
it's all atoms...

This morning my son postulated to me a so-far unrealized condition
relating to matter transmitters and, probably, hyperspace. "What
would happen, " he asked, "if some guy transported himself inside a big rock?"
Indeed.
Putting on my ears, I considered the situation.  Would the hypothetical solid mass of rock give way, shudder just enough to allow the insertion of a soft, squishy human being?  Or would the spaces in their respective atoms--rock's and human's--intermesh neatly with each other?  Molecular integration?  But such a challenge to the atomic bonds holding the things together might result in a nasty atomic accident. Would that leave a human-shaped void inside the solid rock, a mold exact down to the finest details of skin texture and even eyelashes? Imagine the crystal-filled waters seeping down to find such a hole--Behold!! Geode Man.

Holding my silver pen extended
like a rapier before me,
I dissect the wispy chunks
of smoke. The balance of air
that gave them form
is destroyed.  They are
no more.

sometimes it seems as though the cars
passing my street won't drive quickly enough,
and that the strands of christmas lights
aren't strong enough to support my weight.
                   
so for now i'll settle for forgetting to look both ways,
and perhaps later, i will invest in some sturdier rope,
all the better to scale my own cliffs of despair,
and face off with the spanish swordsman
reclining on the tip of my tongue,
matching rapier in (left)hand.

if victory finds its way to me, i'll continue to confound
in meeting the brute within, he who pounds boulders,
whose heart is like tourmaline in a granite casing,
and who claws at pristine arms in convulsion.

if i am once again triumphant, i shall travel further,
and face the shards of wit cutting through my irises,
except i am not as the dread pirate, the man in black,
i am vulnerable, i have no resistance, i am broken down
as easily as i am built up, and it is truly a gamble.

if, by some miraculous stroke of good fortune, i continue further,
i shall be disappointed, for at the end of the trials lies tribulation,
no flower princess for me, no blindfolded beauty,
only that **** noose of christmas lights again,
suspended from a macabre and rickety structure
seemingly crafted from the same material as the road to hell,
destination identical.

Madness round about us and no one knows,
Memories of ember fired trust,
Watch them, these entombed brains,
Piano sonata, violin concerto, torn notes,
Who are the ******, them or us?

Madness, insanity, absurdity, irrationality,
Craziness, dementia, stupidity, psychosis,
Senility, fanatical, deranged, mental,
Foolishness, hysterical, delusional, frenzied,
Psychotic, maniacal, lunacy, neurosis, disordered,
Take these notes and from them weave
A hymn to chaos.

And so here it begins...

Bee bar locked up honey sting hive,
For them that have wept grains of sand warm yet wet,
In that dark distant horizon mountain bark,
Onion quake cuts splash serrated blade,
Insanity uncorked frothy so seeps humanity.

Orphan sky spits pregnant daggers drip,
Wing plucked harpies never will sing,
Dead sailors salted lie in silken mermaid beds,
Schooners sail the scattered chase round the horned tail,
Skulls bubble air sockets freed from cloven trouble.

Roads webbed spiralled butterfly miles of bottled lies,
Venom harvested acres baked into medicine,
Undone years plunged inside veins popped into mouths,
I loved you know,
No, no, you did not know for all eternity.

Hope filed cabinet all lost my ghostly dancer,
Rooms silver sunned windows seared,
Playground memories brim on the haze,
Smoke fogged pipes puffed clouds,
Asleep amongst trees over green glass grass blades frost.

Hold fingers to hands strange,
Notes ring around maze tower of desires,
Low sands but tides rise and torrents break or fall,
Alone we enter same goes exit,
Midnight clowns ****** into dreamscapes.

Creased rage silver ironed steam brains,
Unfurl flags red and painted war pain,
Impotent artful eye with sedated lust,
Boil drum not loud remember to listen,
Say less, speak more, silence best of all.

Galleons crawl upon the divided cloud docks,
Look there, point to starboard land ahoy,
Deep bosomed tear slaked shore,
Sense mixed universe reduced to a tick-tock,
Never shall it stand, withered time no glance past.

Adios, fare thee well, goodbye, auf wiedersehen,
Tongues weep, eyes talk, observe tender songs silence,
Contradiction philosophises perplexing paradoxes pure,
Marbles, one and all, drown in the air,
Narrow, so narrow are those who judge all.

Sin to fear and all is terror called,
Wanton doves warble tunes broken,
Afraid I was, too wrapped in fear coiled I,
To know fright and bride forsake,
Never were holes deeper dug.

Reason not the rhythm nor rhyme,
Pandora, oh Pandora, what hast thou done?
Stare upon thy casket coffin spread-eagled,
Fire stealer Prometheus universal milk burns,
Gorgon Medusa snake dancer charmer seducer.

Silent bones drum against skin, wake up fool!
White winged dove blood red beak suite,
Humbled blood sore butchered vows vain,
Then as now silent partner is all,
Meant so much more you were.

Rapier, pistol, kiss and hold, to my temple place,
Slash, bang, smack and rake, let matter escape,
What uncharted continents we all are,
Walls rise hand bricked high over hill and sky,
Dilated screams of the civil dead no wall can cage.

Tears glitter sky to earth,
Seeding jewels amongst dung natural,
Fountains colour horizon wide,
Sanity transfigured stitched, haggled,
Eternal slaughter diamond edged sold.

Torquemada burrows rib cracked skin blood,
Skeleton tomb dust for leprosy romance,
Wail now poor Quasimodo tongue-tied,
No one to keep company but rat bones,
Unborn, forgotten, locked and barred.

Hush there! Let there be deafening silence,
Lie, cuddle snuggle, caress dark death,
There, still now, wipe away sleep,
Space time galaxies born in minds beyond measure,
Planets die, titans die, you and me we all certify.

Madness here! She creeps into bed mine,
Yours too! Oh, how richly embraced we,
Paris Town cellars breed inmates,
Lice tea stirred drunk and promises sung,
Escape none, trapped all, sky above and death underfoot.

This asylum madness no wall can hold,
Floats into night skies and into ears young,
Oh no, goodness no, you cannot out keep it in,
Destroy the house of madness you cannot,
Dost thou fear thyself knave? ‘tis merely a jest most musical,
All the chords sprinkled peppered and cast asunder.*



©Rangzeb Hussain

It was not really thee
bards of the ages
who inspired me
but of your wages
I shall purloin lithe lines
to add to the meager confines
of my tailored tale

nineteen
green
inside and out
not knowing when I would be ripe
cramming all the ammo clips I could find
into my fresh jungle fatigues
he
the sage of 2nd platoon
told me of the frightful night
when
in the midst of a hellish firefight
he reached for more clips
and found only the remnants of chips
tasty morsels when first consumed
but then a sign he was doomed
“NO MORE AMMO—****”
he sunk even lower into the carpet of night
but to his ironic delight
“the **** that was shooting at me ran out of ammo too”
after exchanging an infinite stare
both fled into the ebony air
the moral of his twice told fable
grab all the ammo clips you are able

and the sage from 1st platoon said,
one night when our brains were brimming with beer
that a full bladder was also something to fear
for being distracted by the urge to ****
could perhaps be the reason we would miss
“some **** slithering through the black grass,
and that, my friends, could mean your ***”

so their caveats did not fall on deaf ears
although
they were filtered by my too few reckless years
yet, I snatched all the clips I could carry
on my 140 pounds of nineteen
and took not one sip from my canteen

others words bounced around my crowded skull
some were from rapier wit and others were dull
but the ones to which I would listen
were the ones that gave me hope for
another day of light
after the perpetual blind night
in the land of the ******

I had learned to walk without sound
all on my own
and find a place to crouch
where not even the dead
could see me, I would briefly imagine
but they were there
permeating the dank air
with silent dirges to their demise
and me waiting with cracked open eyes
for one to come alive
and yank my young *** into some dark hole

we have always seen things in the dark
while hiding from the devil our sisters said would come
under our blankets with one eye closed and the other agape
he was coming, she would say, to get you
for being….born
sometimes, the chosen, the blessed souls,
would forget he was there
and breath calm air
and walk into the life of nineteen
with a full canteen but
not worried about a full bladder
and missing Jacob’s ladder

but those of us who came to this wicked place
could not blithely put our demons to rest
and they continued their animated fest
in the darkness our eyes could not penetrate
and our spirits could not relegate
to the silent land of the past

there could have been a dozen, live ones,
snaking their way through the grass
close enough to smell my sweat
or perhaps only one
crouched in his own woeful world
miles away through the ****** jungle
but it did not matter
for in my wordless chatter
they were all around
maybe the same ones in my childhood room
coming to thicken the gloom
with another tormented soul
who at nineteen
was afraid to drink from his canteen

I would stop seeing them
at some point
but only for a shallow breath or two
then they would be there again
and I would hear nothing
except the other sages
from those ancient pages
where my eyes followed my fingers in curious delight
far from this lethal foaming night

"Because I could not stop for death, he kindly stopped for me
the carriage held just ourselves and immortality"
"Death be not proud, though some have called thee so"
“I looked in vain for another path for my feet
but they were all too small
except the one labeled ‘Death Street’”

and other less ominous verse would take the chance
to make its way into my riddled trance,
“Nature’s first green is gold,
her hardest hue to hold
her early leaf’s a flower,
but only so an hour
then leaf subsides to leaf
so Eden sank to grief
so dawn goes down to day
nothing gold can stay”

nothing gold, nor green I would recall
and when I would lose the light lull of the verse
I would again begin to traverse
into the blind black depths in front of my eyes
and the devils would tauntingly reappear
and I would again hear
the nothingness we all share
there
in the land of the ******
with a full canteen
and an M-16
at nineteen

A bright lad called Alistair Cook
Did enjoy the occasional book,
     He went out to bat,
     NO - don't play at that,
They did him; line, sinker and hook.

On him I'd bet my whole house,
More like a lion than a mouse,
     He bats with aplomb,
     Both dainty and strong,
It can only be Andrew Strauss.

From the pavilion did Jonathan Trott,
Nervous and anxious he is not,
     He'll be there for a while,
     All England will smile,
And South Africa know he is hot.

Next in is the feisty KP,
His batting, the top of the tree,
     Sixes so great,
     They should be worth eight,
Now just stay IN for a hundred or three!

A chap from ooop north who is good,
Goes by the name of Paul Collingwood,
     Gritty and tough,
     We just can't get enough,
Fight as hard as him, we all should.

No more will the fear he smell,
He's been down to the gym as well,
     His batting is slick,
     Number six does the trick,
The crowd cheers for Ian Bell.

Swinging his bat, it's Matt Prior,
Born with iron grit, steel and fire,
     If he holds each catch,
     We'll win the match,
And his ranking will go much higher.

Our spinner is next, Mr Swann,
His bowling is coming on strong,
     His batting is great,
     Which the opposition hate,
Not to pick him much sooner was wrong.

Our tall quickie is young Stuart Broad,
His bat is a rapier like sword,
     He can oft' bowl too short,
     Yet the batters get caught,
And Of wicket-taking we never are bored.

James Anderson is our king of swing,
Late movement his favourite thing,
     Please bowl nice and full,
     Offer nothing to pull,
And just hear those stumps go 'ping'.

Graeme Onions comes in at long last,
Cannot bat but, he can bowl fast,
     He makes them play,
     While others may stray,
Durham long-hops a thing of the past.