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Anon C  Dec 2012
The Highwayman
Anon C Dec 2012
The wind was a torrent of darkness among the gusty trees
The moon was a ghostly galleon tossed upon the cloudy seas
The road was a ribbon of moonlight over the purple moor
And the highwayman came riding,
Riding, riding,
The highwayman came riding, up to the old inn-door.

He'd a French cocked hat on his forehead, a bunch of lace at his chin,
A coat of claret velvet, and breeches of brown doe-skin;
They fitted with never a wrinkle; his boots were up to the thigh!
And he rode with a jewelled twinkle,
His pistol butts a-twinkle,
His rapier hilt a-twinkle, under the jewelled sky.

Over the cobbles he clattered and clashed in the dark innyard,
And he tapped with his whip on the shutters, but all was locked and barred;
He whistled a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.

"One kiss, my bonny sweetheart, I'm after a prize tonight,
But I shall be back with the yellow gold before the morning light;
Yet if they press me sharply, and harry me through the day,
Then look for me by the moonlight,
Watch for me by the moonlight,
I'll come to thee by the moonlight, though hell should bar the way.

He rose upright in the stirrups; he scarce could reach her hand
But she loosened her hair i' the casement! His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
(Oh, sweet black waves in the moonlight!)
Then he tugged at his rein in the moonlight, and galloped away to the west.

He did not come at the dawning; he did not come at noon,
And out of the tawny sunset, before the rise o' the moon,
When the road was a gypsy's ribbon, looping the purple moor,
A red-coat troop came marching,
Marching, marching
King George's men came marching, up to the old inn-door.

They said no word to the landlord, they drank his ale instead,
But they gagged his daughter and bound her to the foot of her narrow bed;
Two of them knelt at the casement, with muskets at their side!
There was death at every window
And hell at one dark window;
For Bess could see, through the casement,
The road that he would ride.

They had tied her up to attention, with many a sniggering jest;
They had bound a musket beside her, with the barrel beneath her breast!
"now keep good watch!" And they kissed her.
She heard the dead man say
"Look for me by the moonlight
Watch for me by the moonlight
I'll come to thee by the moonlight, though hell should bar the way!"

She twisted her hands behind her, but all the knots held good!
She writhed her hands till her fingers were wet with sweat or blood!
They stretched and strained in the darkness and the hours crawled by like years!
Till, now, on the stroke of midnight,
Cold, on the stroke of midnight,
The tip of one finger touched it!
The trigger at least was hers!

Tlot-tlot! Had they heard it? The horse-hoofs were ringing clear
Tlot-tlot, in the distance! Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding,
Riding, riding!
The red-coats looked to their priming!
She stood up straight and still!

Tlot in the frosty silence! Tlot, in the echoing night!
Nearer he came and nearer! Her face was like a light!
Her eyes grew wide for a moment! She drew one last deep breath,
Then her finger moved in the moonlight,
Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him with her death.

He turned; he spurred to the west; he did not know she stood
Bowed, with her head o'er the musket, drenched with her own red blood!
Not till the dawn he heard it; his face grew grey to hear
How Bess, the landlord's daughter,
The landlord's black-eyed daughter,
Had watched for her love in the moonlight, and died in the darkness there.

Back, he spurred like a madman, shrieking a curse to the sky
With the white road smoking behind him and his rapier brandished high!
Blood-red were the spurs i' the golden noon; wine-red was his velvet coat,
When they shot him down on the highway,
Down like a dog on the highway,
And he lay in his blood on the highway, with the bunch of lace at his throat.

Still of a winter's night, they say, when the wind is in the trees,
When the moon is a ghostly galleon, tossed upon the cloudy seas,
When the road is a ribbon of moonlight over the purple moor,
A highwayman comes riding,
Riding, riding,
A highwayman comes riding, up to the old inn-door.
I keep sharing songs but they are so beautiful I want people to hear them. This one breaks my heart. More Loreena Mckennitt. Originally by Alfred Noyes I did not know! So I must recognize him albeit Loreena sings it majestically!
Cinnam Muscat Jul 2011
He loves his soca and
His carnival.
He calypsos
Like only Dionysus could.

His power is like the
Nymph's - the Oceanid daughter that
Kept Odysseus from
Penelope - only stronger.

So mesmerising: his smile
Bursts with a contagious
Warmth, like the sun
Over his island homeland.

A gold cross hangs from a chain
Around his dark, dark neck.
The smell of his skin spices the air around him,
Making my mouth salivate.

He tastes like Mayan chocolate;
Slightly bitter and tinged with chilli.
The scars on his shoulders and back
Feel like a ripe nectarine againt my tongue.

I want to bite down and feel the juices
Run.
But.
He's a good Christian boy.

This island boy is an enigma.
Tall and willowy
Like a rapier, and
Strong and beautiful.

I wonder if this island boy
Would sheath his faith
In my worship,
For just one, cool, island night.
Carolyn J  Apr 2014
If I Am
Carolyn J Apr 2014
If I am to dig graves for the rest of my life
I wish to do it with my hair long and proud,
Swinging at the small of my back as a testament of
Will in the face of adversity,
Grown by the fruits of my labor.
I want to harvest the nectar
From the pear tree on my horizon
And when I eat my fill,
I will just as easily leave the sweetness behind,
Before it spoils and then,
I will look the hurricane in the eye and laugh,
Because I know it will baptize the earth
And my pear tree will be waiting for the day
This nomad returns to her roots.

If I am to choose between
A false lover and Uncertainty in the North
I want to have the gall to say,
“Brother, come at eight.”
I want to have the self-control
To lower the gun on a man,
Whose mind is a dank closet full of spiders.
By then, I must be ready to venture out,
And risk this Uncertainty in the North.

If I am to take my revenge,
I wish to do so without collateral damage,
And if I do,
I want everyone to learn that revenge
Will stab you with your own rapier
And that I am the kind of person,
Who will make you drink your own wine,
Because, in the end,
We are all sinners.

If I am to write propaganda to support
A nauseating turn of society,
I would rather be exiled.
Iceland, Siberia, The Ministry of Love:
They are all the same,
Because I will come out a different person
For better or for worse.

I wish to have the strength to cut my hair
Because I will not hesitate
To cut ties with anyone,
Who stands in the way of my passion.
I must be unorthodox
If I see my fellow men
Following in each other’s footsteps, with their eyes closed.
I will scream it in the streets,
“The world is not pretty.”

If I am to be unorthodox,
I wish to have faith,
Strong enough not to be undone by mere chance,
Strong enough so I can watch the coin fall:
Heads.
Heads.
Heads.
Accepting that I will one day die.
And if it involves a ship,
I will be its captain.
How many allusions can you name in this poem?
Timothy Brown  Oct 2013
Rapier
Timothy Brown Oct 2013
Nobody ever told you to have a high opinion of me.
I know I can be friendly.
However I am quick to stab and ******
Into your psyche. I might be off, slightly,
Because of some anomaly. I'll politely
correct myself then get all touche feely
with your feelings.
probably going to switch this one around a bit.
© October 4th, 2013 by Timothy Brown. All rights reserved
(A Virginia Legend.)

The Planting of the Hemp.

Captain Hawk scourged clean the seas
(Black is the gap below the plank)
From the Great North Bank to the Caribbees
(Down by the marsh the hemp grows rank).

His fear was on the seaport towns,
The weight of his hand held hard the downs.
And the merchants cursed him, bitter and black,
For a red flame in the sea-fog's wrack
Was all of their ships that might come back.

For all he had one word alone,
One clod of dirt in their faces thrown,
"The hemp that shall hang me is not grown!"

His name bestrode the seas like Death.
The waters trembled at his breath.

This is the tale of how he fell,
Of the long sweep and the heavy swell,
And the rope that dragged him down to hell.

The fight was done, and the gutted ship,
Stripped like a shark the sea-gulls strip,

Lurched blindly, eaten out with flame,
Back to the land from where she came,
A skimming horror, an eyeless shame.

And Hawk stood upon his quarter-deck,
And saw the sky and saw the wreck.

Below, a **** for sailors' jeers,
White as the sky when a white squall nears,
Huddled the crowd of the prisoners.

Over the bridge of the tottering plank,
Where the sea shook and the gulf yawned blank,
They shrieked and struggled and dropped and sank,

Pinioned arms and hands bound fast.
One girl alone was left at last.

Sir Henry Gaunt was a mighty lord.
He sat in state at the Council board;
The governors were as nought to him.
From one rim to the other rim

Of his great plantations, flung out wide
Like a purple cloak, was a full month's ride.

Life and death in his white hands lay,
And his only daughter stood at bay,
Trapped like a hare in the toils that day.

He sat at wine in his gold and his lace,
And far away, in a ****** place,
Hawk came near, and she covered her face.

He rode in the fields, and the hunt was brave,
And far away his daughter gave
A shriek that the seas cried out to hear,
And he could not see and he could not save.

Her white soul withered in the mire
As paper shrivels up in fire,
And Hawk laughed, and he kissed her mouth,
And her body he took for his desire.


The Growing of the Hemp.

Sir Henry stood in the manor room,
And his eyes were hard gems in the gloom.

And he said, "Go dig me furrows five
Where the green marsh creeps like a thing alive --
There at its edge, where the rushes thrive."

And where the furrows rent the ground,
He sowed the seed of hemp around.

And the blacks shrink back and are sore afraid
At the furrows five that rib the glade,
And the voodoo work of the master's *****.

For a cold wind blows from the marshland near,
And white things move, and the night grows drear,
And they chatter and crouch and are sick with fear.

But down by the marsh, where the gray slaves glean,
The hemp sprouts up, and the earth is seen
Veiled with a tenuous mist of green.

And Hawk still scourges the Caribbees,
And many men kneel at his knees.

Sir Henry sits in his house alone,
And his eyes are hard and dull like stone.

And the waves beat, and the winds roar,
And all things are as they were before.

And the days pass, and the weeks pass,
And nothing changes but the grass.

But down where the fireflies are like eyes,
And the damps shudder, and the mists rise,
The hemp-stalks stand up toward the skies.

And down from the **** of the pirate ship
A body falls, and the great sharks grip.

Innocent, lovely, go in grace!
At last there is peace upon your face.

And Hawk laughs loud as the corpse is thrown,
"The hemp that shall hang me is not grown!"

Sir Henry's face is iron to mark,
And he gazes ever in the dark.

And the days pass, and the weeks pass,
And the world is as it always was.

But down by the marsh the sickles beam,
Glitter on glitter, gleam on gleam,
And the hemp falls down by the stagnant stream.

And Hawk beats up from the Caribbees,
Swooping to pounce in the Northern seas.

Sir Henry sits sunk deep in his chair,
And white as his hand is grown his hair.

And the days pass, and the weeks pass,
And the sands roll from the hour-glass.

But down by the marsh in the blazing sun
The hemp is smoothed and twisted and spun,
The rope made, and the work done.


The Using of the Hemp.

Captain Hawk scourged clean the seas
(Black is the gap below the plank)
From the Great North Bank to the Caribbees
(Down by the marsh the hemp grows rank).

He sailed in the broad Atlantic track,
And the ships that saw him came not back.

And once again, where the wide tides ran,
He stooped to harry a merchantman.

He bade her stop. Ten guns spake true
From her hidden ports, and a hidden crew,
Lacking his great ship through and through.

Dazed and dumb with the sudden death,
He scarce had time to draw a breath

Before the grappling-irons bit deep,
And the boarders slew his crew like sheep.

Hawk stood up straight, his breast to the steel;
His cutlass made a ****** wheel.

His cutlass made a wheel of flame.
They shrank before him as he came.

And the bodies fell in a choking crowd,
And still he thundered out aloud,

"The hemp that shall hang me is not grown!"
They fled at last. He was left alone.

Before his foe Sir Henry stood.
"The hemp is grown, and my word made good!"

And the cutlass clanged with a hissing whir
On the lashing blade of the rapier.

Hawk roared and charged like a maddened buck.
As the cobra strikes, Sir Henry struck,

Pouring his life in a single ******,
And the cutlass shivered to sparks and dust.

Sir Henry stood on the blood-stained deck,
And set his foot on his foe's neck.

Then from the hatch, where the rent decks *****,
Where the dead roll and the wounded *****,
He dragged the serpent of the rope.

The sky was blue, and the sea was still,
The waves lapped softly, hill on hill,
And between one wave and another wave
The doomed man's cries were little and shrill.

The sea was blue, and the sky was calm;
The air dripped with a golden balm.
Like a wind-blown fruit between sea and sun,
A black thing writhed at a yard-arm.

Slowly then, and awesomely,
The ship sank, and the gallows-tree,
And there was nought between sea and sun --
Nought but the sun and the sky and the sea.

But down by the marsh where the fever breeds,
Only the water chuckles and pleads;
For the hemp clings fast to a dead man's throat,
And blind Fate gathers back her seeds.
I will wrap you up
in duct tape & glass.
Cheap wood your caged throne.
Black grease paint,
a halo for the false God.
A Revolver glorifies you
but the rapier kisses your lips.
Allegiance only to dark aesthetics
tainted
torn face
worn leather.
I mount your eternal beauty
a heretics altar.
Naked before you,
I touch faith
& give you my little death.
V L Bennett  Aug 2018
Stabile
V L Bennett Aug 2018
In the air, floating just next to the window
solidly constructed
as sure as the golden highway
stretching from Frisco across the Bay
looking square
as the acres of boxcars
north on the interstate
on the south side of Chicago,
it's all atoms...

This morning my son postulated to me a so-far unrealized condition
relating to matter transmitters and, probably, hyperspace. "What
would happen, " he asked, "if some guy transported himself inside a big rock?"
Indeed.
Putting on my ears, I considered the situation.  Would the hypothetical solid mass of rock give way, shudder just enough to allow the insertion of a soft, squishy human being?  Or would the spaces in their respective atoms--rock's and human's--intermesh neatly with each other?  Molecular integration?  But such a challenge to the atomic bonds holding the things together might result in a nasty atomic accident. Would that leave a human-shaped void inside the solid rock, a mold exact down to the finest details of skin texture and even eyelashes? Imagine the crystal-filled waters seeping down to find such a hole--Behold!! Geode Man.

Holding my silver pen extended
like a rapier before me,
I dissect the wispy chunks
of smoke. The balance of air
that gave them form
is destroyed.  They are
no more.
I dance
And when I dance
I dance
With her
I dance
Across the room
On the thin blade of a rapier
I dance
Her into walls and
Over splintered tables
I dance
Her into the shower where
She huddles fetally as she
Awaits the next act
I two step and waltz her
Down staircases
Tango with her
Through doorways
I dance
And when I dance
I dance
With her
Because she always
Allows me to lead

— The End —