"Will you walk a little faster?" said a whiting to a snail,
"There's a porpoise close behind us, and he's treading on my tail.
See how eagerly the lobsters and the turtles all advance!
They are waiting on the shingle--will you come and join the dance?
Will you, won't you, will you, won't you, will you join the dance?
Will you, won't you, will you, won' t you, won' t you join the dance?

"You can really have no notion how delightful it will be
When they take us up and throw us, with the lobsters, out to sea!"
But the snail replied, "Too far, too far!" and gave a look askance--
Said he thanked the whiting kindly, but he would not join the dance.
Would not, could not, would not, could not, would not join the dance.
Would not, could not, would not, could not, could not join the dance.

"What matters it how far we go?" his scaly friend replied.
"There is another shore, you know, upon the other side.
The further off from England the nearer is to France--
Then turn not pale, beloved snail, but come and join the dance.
Will you, won't you, will you, won't you, won't you join the dance?
Will you, won' t you, will you, won't you, won't you join the dance ?"

Préparez-moi, chers, mon costume de commandeur
Les deux pianos, la flûte, l'harmonica de verre
Je vous demande : est-ce que vous êtes à ma parole ?
L'accordéon et mes souliers vernis
Le xylophone et les deux violons,
Je vous demande : est-ce que vous êtes à ma parole !
La viole, le violoncelle et la contrebasse
Cognez ti-bois, raclez ciac, cognez tambours de basse
Cloches et triangles, remettez la dame
Je vous demande : est-ce que vous êtes à ma parole ?
Cavaliers aux Dames
Première figure : pantalon
Jouez-moi encore cette mesure
En 6/4 et en sol majeur
Ouvrez la barrière de la clé d'ut
Que j 'entame mon dernier quadrille
In mémoriam de Camille et Anna.
Cavaliers aux Dames
Croisez les huit, messieurs et dames
Accompagnez la reine pour sa dernière promenade
Demi-rond, balancez les dames
Remettez les dames, soulagez les mains des dames
Oublions l 'été, la poule et la pastourelle
Et envoyez pour la promenade
A la reprise
Je vous demande : est-ce que vous êtes à ma parole ?
Le cygne mourant avec son costume de madras
Son tutu blanc, ses demi-pointes de satin
Le carnaval des animaux est en deuil
C'est le quadrille posthume de Camille et Anna.

No one explained that best before

was subjective at best.

Instead they suggested

that you were lucky to find a man

willing to settle for spoiled produce

so close to the sell by date.



Did it occur to you

the rot might be them?

We caught the tread of dancing feet,
We loitered down the moonlit street,
And stopped beneath the harlot’s house.

Inside, above the din and fray,
We heard the loud musicians play
The ‘Treues Liebes Herz’ of Strauss.

Like strange mechanical grotesques,
Making fantastic arabesques,
The shadows raced across the blind.

We watched the ghostly dancers spin
To sound of horn and violin,
Like black leaves wheeling in the wind.

Like wire-pulled automatons,
Slim silhouetted skeletons
Went sidling through the slow quadrille,

Then took each other by the hand,
And danced a stately saraband;
Their laughter echoed thin and shrill.

Sometimes a clockwork puppet pressed
A phantom lover to her breast,
Sometimes they seemed to try to sing.

Sometimes a horrible marionette
Came out, and smoked its cigarette
Upon the steps like a live thing.

Then, turning to my love, I said,
‘The dead are dancing with the dead,
The dust is whirling with the dust.’

But she—she heard the violin,
And left my side, and entered in:
Love passed into the house of lust.

Then suddenly the tune went false,
The dancers wearied of the waltz,
The shadows ceased to wheel and whirl.

And down the long and silent street,
The dawn, with silver-sandalled feet,
Crept like a frightened girl.

There was an Old Man of Whitehaven,
Who danced a quadrille with a raven;
But they said, 'It's absurd
To encourage this bird!'
So they smashed that Old Man of Whitehaven.

Kamau Brathwaite wrote
That "the hurricane doesn't roar in pentameters"
And I really believed it could be true
That Caribbean hurricanes had their own cadences, their own dances :
Ida was reggae, Allen was merengue Brigitte was gwoka
David was cha cha cha and Edith was kadans rampa and Dorian calypso
All dactyls hatched instead of iambic pentameters
Out of each island Zeus 's head
Until i met the still eye of Hurricane Muse.

Muse was her nickname
Her real name was Shar
Named after shark and share and shear
and sharon,
Named after a calypso rose
Fearless except for lizards, a rose of  tiny thorns
With a taste of a stormy black coffee
Born to a dragon of Jade and a   white *** tigress
In the midst of the 1961
hurricane season.
Shar has the S of Sébastien Sally Sam Shary Sean and Sara
The H of Humberto Hanna Henri Hermine Harold and Hélène
The A of Andrea Arthur Ana Alex Arlene and Alberto
And the R of  Rebecca René Rose Richard Rina and Rafael
And she dances not only calypso
And quadrille and zouk
But a mix as well of Salsa Hustle Affranchi and Reggae
In iambic pentameters
While she gently paints fearless green lizards
Having her five iambs of coffee
First thing in the unstressed and stressed morning
Before she even opens the syllables of her still Muse eye.

My Mothers obsessed with fine wines fine clothes and ***'s(she loves the Garden)
and myself I'm obsessing over sticking powders up my nose(Sinus Troubles)
As we all look back, on a life of Achievement, Deceivment and Bereavement,
It's still hard to find the right words to say what I mean but...

Stay with me, on course, put the Dog Star to Port-
put the Black Dog behind(he and Satan can play hunt and find),
another way we should live, the attention I give...

To each detail is vast, my brain's swift, my tongue fast but...
Lately I find a vast gulf left behind-by the Daily News Grind of,
Poverty and Fear, deaths far away and here, its invading my Monkeysphere and...

So I shy away from news at 6-1 and their miserable fun, reportage from Ghouls,
self obsessed ******* and fools who fail to see they're the tools-that...

Keep us all depressed, hearts thumping in our chests,
"we're close to Annihilation"-
they scream with a weird Jubilation-I keep changing the station-as...

Each ululation of echoed deep fear reverberates in my ear, I say "**** IT,STAND CLEAR"
Then take an axe to these ropes that have ******* our hopes,
then the Ship starts to float, I cry gaily(steady now!)come on, get the Boat!
Throw your hat and your coat on the deck and lets dance as we float,
on a river serene, leave behind the old scene,
lets move in cadences stately,
switch places politely, keep smiling-
move lightly we swoop on like bird flight as we...

Move from River to Sea- got new places to be,
no time now for misery,
keep the tension on Sails as we weigh on the Scales of this vast deck-I say...

"**** it to heck", "there's the devil to pay, and not a pinch of pitch hot"-but the...

Rations are fine, we've crossed the international misery line so...
lets Dance, move your feet!-
you'll soon pick up the beat, it's melodic and sweet and we...

Really should check the Mast-
but the Quadrille is so fast that quite frankly I'm past...
Caring...

New Captain I Sing as I toss the hat in the ring of fine poets,
(some are, but don't know it)
so come on take a chance, take over the dance,your turn at the wheel as we wheel and I feel...

*Somehow better, less gloom and less doom, move over make room!,as more folk board the ship,
and effortlessly trip into place and we move in a groove that's eternally mine,yours and Smooth.

Dans ce bar dont la porte
Sans cesse bat au vent
Une affiche écarlate
Vante un autre savon
Dansez dansez ma chère
Dansez nous avons des banjos
Oh
Qui me donnera seulement à mâcher
Les chewing-gums inutiles
Qui parfument très doucement
L'haleine des filles des villes

Épices dans l'alcool mesuré par les pailles
Et menthes sans raison barbouillant les liqueurs
Il est des amours sans douceurs
Dans les docks sans poissons où la barmaid
Défaille
Sous le fallacieux prétexte
Que je n'ai pas rasé ma barbe
Aux relents douteux d'un gin
Que son odorat devine
D'un bar du Massachussets

Au trente-troisième étage
Sous l'œil fixe des fenêtres
Arrête
Mon cœur est dans le ciel et manque de vertu
Mais les ascenseurs se suivent
Et ne se ressemblent pas
Le groom nègre sourit tout bas
Pour ne pas salir ses dents blanches
Ha si j'avais mon revolver
Pour interrompre la musique
De la chanson polyphonique
Des cent machines à écrire

Dans l'état de Michigan
Justement quatre-vingt-trois jours
Après la mort de quelqu'un
Trois joyeux garçons de velours
Dansèrent entre eux un quadrille
Dansèrent avec le défunt
Comme font avec les filles
Les gens de la vieille Europe
Dans les quartiers mal famés
Heureusement que leurs lèvres
Ignoraient les mots méchants
Car tous les trois étaient vierges
Comme on ne l'est pas longtemps.

i can feel its presence
and we need no dark to
grasp its attendance.

a rudiment:
darting through,
my death, imagined.
rivers continuing,
pressing stones now atilt.

memory's rigodon -
  heart and mind,
  puppeteering quadrille.
this is where all of ourselves
  go, purloined, deep
   in rumination.

  the passing of all things,
  taking with them,
  our laughter. and it continues
  in our body, endlessly taking
  space and displacing our
  inward-breaking haunts.

  it is no fate nor
   solitary consignment:
  it is natural,
  it is default: pain is.
  and wherever it goes,
  lovelessly, we are
     dragged
       along.

When a duelling dual, duel,
and Duello rules hold sway,
should the dual of duellers duelling,
wear doublets to duel that day?

With Duello rules in place,
when duelling triplets duel
are they thought a terzetto trio,
if they follow the Duello rule?

When a quarrelling quartet duel,
do quadrille  rules hold sway?
or should they duel as dual duals,
with dual Duello rules in play?

Duels are only for experts,
there’s a talented skill required..
As only the winner survives,
all losers are deemed expired!

As duelling, passions run fiercely    ,
and a duel oft ends in death,
no matter that Duello rules apply,
a loser always draws his  last breath!

Rhymer. March 1st, 2018.
(On a roll! - Have fun!)

La petite Marie est morte,
Et son cercueil est si peu long
Qu'il tient sous le bras qui l'emporte
Comme un étui de violon.

Sur le tapis et sur la table
Traîne l'héritage enfantin.
Les bras ballants, l'air lamentable,
Tout affaissé, gît le pantin.

Et si la poupée est plus ferme,
C'est la faute de son bâton ;
Dans son oeil une larme germe,
Un soupir gonfle son carton.

Une dînette abandonnée
Mêle ses plats de bois verni
A la troupe désarçonnée
Des écuyers de Franconi.

La boîte à musique est muette ;
Mais, quand on pousse le ressort
Où se posait sa main fluette,
Un murmure plaintif en sort.

L'émotion chevrote et tremble
Dans : Ah ! vous dirai-je maman !
Le Quadrille des Lanciers semble
Triste comme un enterrement,

Et des pleurs vous mouillent la joue
Quand la Donna é mobile,
Sur le rouleau qui tourne et joue,
Expire avec un son filé.

Le coeur se navre à ce mélange
Puérilement douloureux,
Joujoux d'enfant laissés par l'ange,
Berceau que la tombe a fait creux !