THE PROLOGUE.

WHEN folk had laughed all at this nice case
Of Absolon and Hendy Nicholas,
Diverse folk diversely they said,
But for the more part they laugh'd and play'd;           *were diverted
And at this tale I saw no man him grieve,
But it were only Osewold the Reeve.
Because he was of carpenteres craft,
A little ire is in his hearte laft;                               left
He gan to grudge and blamed it a lite.              murmur *little.
"So the* I,"  quoth he, "full well could I him quite   thrive match
With blearing of a proude miller's eye,                    dimming
If that me list to speak of ribaldry.
But I am old; me list not play for age;
Grass time is done, my fodder is now forage.
This white top writeth mine olde years;                           head
Mine heart is also moulded as mine hairs;                 grown mouldy
And I do fare as doth an open-erse;                         medlar
That ilke fruit is ever longer werse,                             same
Till it be rotten *in mullok or in stre.    on the ground or in straw
We olde men, I dread, so fare we;
Till we be rotten, can we not be ripe;
We hop* away, while that the world will pipe;                     dance
For in our will there sticketh aye a nail,
To have an hoary head and a green tail,
As hath a leek; for though our might be gone,
Our will desireth folly ever-in-one:                       continually
For when we may not do, then will we speak,
Yet in our ashes cold does fire reek.                         smoke
Four gledes have we, which I shall devise,         coals * describe
Vaunting, and lying, anger, covetise.                     *covetousness
These foure sparks belongen unto eld.
Our olde limbes well may be unweld,                           unwieldy
But will shall never fail us, that is sooth.
And yet have I alway a coltes tooth,
As many a year as it is passed and gone
Since that my tap of life began to run;
For sickerly, when I was born, anon                          certainly
Death drew the tap of life, and let it gon:
And ever since hath so the tap y-run,
Till that almost all empty is the tun.
The stream of life now droppeth on the chimb.
The silly tongue well may ring and chime
Of wretchedness, that passed is full yore:                        long
With olde folk, save dotage, is no more.

When that our Host had heard this sermoning,
He gan to speak as lordly as a king,
And said; "To what amounteth all this wit?
What? shall we speak all day of holy writ?
The devil made a Reeve for to preach,
As of a souter a shipman, or a leach.                    cobbler
Say forth thy tale, and tarry not the time:                surgeon
Lo here is Deptford, and 'tis half past prime:
Lo Greenwich, where many a shrew is in.
It were high time thy tale to begin."

"Now, sirs," quoth then this Osewold the Reeve,
I pray you all that none of you do grieve,
Though I answer, and somewhat set his hove,                  hood
For lawful is *force off with force to shove.           to repel force
This drunken miller hath y-told us here                        by force
How that beguiled was a carpentere,
Paraventure* in scorn, for I am one:                            perhaps
And, by your leave, I shall him quite anon.
Right in his churlish termes will I speak,
I pray to God his necke might to-break.
He can well in mine eye see a stalk,
But in his own he cannot see a balk."

Notes to the Prologue to the Reeves Tale.

1. "With blearing of a proude miller's eye": dimming his eye;
playing off a joke on him.

2. "Me list not play for age": age takes away my zest for
drollery.

3. The medlar, the fruit of the mespilus tree, is only edible when
rotten.

4. Yet in our ashes cold does fire reek: "ev'n in our ashes live
their wonted fires."

5. A colt's tooth; a wanton humour, a relish for pleasure.

6. Chimb: The rim of a barrel where the staves project beyond
the head.

7. With olde folk, save dotage, is no more: Dotage is all that is
left them; that is, they can only dwell fondly, dote, on the past.

8. Souter: cobbler; Scottice, "sutor;"' from Latin, "suere," to
sew.

9. "Ex sutore medicus"  (a surgeon from a cobbler) and "ex
sutore nauclerus" (a  ****** or pilot from a cobbler) were both
proverbial expressions in the Middle Ages.

10. Half past prime: half-way between prime and tierce; about
half-past seven in the morning.

11. Set his hove; like "set their caps;" as in the description of
the Manciple in the Prologue, who "set their aller cap".  "Hove"
or "houfe," means "hood;" and the phrase signifies to be even
with, outwit.

12. The illustration of the mote and the beam, from Matthew.

THE TALE.

At Trompington, not far from Cantebrig,                      Cambridge
There goes a brook, and over that a brig,
Upon the whiche brook there stands a mill:
And this is *very sooth that I you tell.               complete truth
A miller was there dwelling many a day,
As any peacock he was proud and gay:
Pipen he could, and fish, and nettes bete,                     *prepare
And turne cups, and wrestle well, and shete.                     shoot
Aye by his belt he bare a long pavade,                         poniard
And of his sword full trenchant was the blade.
A jolly popper bare he in his pouch;                            dagger
There was no man for peril durst him touch.
A Sheffield whittle bare he in his hose.                   small knife
Round was his face, and camuse was his nose.                  flat
As pilled as an ape's was his skull.                     peeled, bald.
He was a market-beter at the full.                             brawler
There durste no wight hand upon him legge,                         lay
That he ne swore anon he should abegge.             suffer the penalty

A thief he was, for sooth, of corn and meal,
And that a sly, and used well to steal.
His name was *hoten deinous Simekin        called "Disdainful Simkin"
A wife he hadde, come of noble kin:
The parson of the town her father was.
With her he gave full many a pan of brass,
For that Simkin should in his blood ally.
She was y-foster'd in a nunnery:
For Simkin woulde no wife, as he said,
But she were well y-nourish'd, and a maid,
To saven his estate and yeomanry:
And she was proud, and pert as is a pie.                        magpie
A full fair sight it was to see them two;
On holy days before her would he go
With his tippet* y-bound about his head;                           hood
And she came after in a gite of red,                          gown
And Simkin hadde hosen of the same.
There durste no wight call her aught but Dame:
None was so hardy, walking by that way,
That with her either durste *rage or play,                use freedom
But if he would be slain by Simekin                            unless
With pavade, or with knife, or bodekin.
For jealous folk be per'lous evermo':
Algate they would their wives wende so.           unless *so behave
And eke for she was somewhat smutterlich,                        *****
She was as dign* as water in a ditch,                             nasty
And all so full of hoker, and bismare*.   *ill-nature *abusive speech
Her thoughte that a lady should her spare,        not judge her hardly
What for her kindred, and her nortelrie           *nurturing, education
That she had learned in the nunnery.

One daughter hadde they betwixt them two
Of twenty year, withouten any mo,
Saving a child that was of half year age,
In cradle it lay, and was a proper page.                           boy
This wenche thick and well y-growen was,
With camuse nose, and eyen gray as glass;                         flat
With buttocks broad, and breastes round and high;
But right fair was her hair, I will not lie.
The parson of the town, for she was fair,
In purpose was to make of her his heir
Both of his chattels and his messuage,
And *strange he made it of her marriage.           he made it a matter
His purpose was for to bestow her high                    of difficulty
Into some worthy blood of ancestry.
For holy Church's good may be dispended                          spent
On holy Church's blood that is descended.
Therefore he would his holy blood honour
Though that he holy Churche should devour.

Great soken* hath this miller, out of doubt,    toll taken for grinding
With wheat and malt, of all the land about;
And namely there was a great college                        especially
Men call the Soler Hall at Cantebrege,
There was their wheat and eke their malt y-ground.
And on a day it happed in a stound,                           suddenly
Sick lay the manciple of a malady,                         steward
Men *weened wisly that he shoulde die.              thought certainly
For which this miller stole both meal and corn
An hundred times more than beforn.
For theretofore he stole but courteously,
But now he was a thief outrageously.
For which the warden chid and made fare,                          fuss
But thereof set the miller not a tare;           he cared not a rush
He crack'd his boast, and swore it was not so.            talked big

Then were there younge poore scholars two,
That dwelled in the hall of which I say;
Testif* they were, and ***** for to play;                headstrong
And only for their mirth and revelry
Upon the warden busily they cry,
To give them leave for but a *little stound,               short time
To go to mill, and see their corn y-ground:
And hardily* they durste lay their neck,                         boldly
The miller should not steal them half a peck
Of corn by sleight, nor them by force bereave                *take away
And at the last the warden give them leave:
John hight the one, and Alein hight the other,
Of one town were they born, that highte Strother,
Far in the North, I cannot tell you where.
This Alein he made ready all his gear,
And on a horse the sack he cast anon:
Forth went Alein the clerk, and also John,
With good sword and with buckler by their side.
John knew the way, him needed not no guide,
And at the mill the sack adown he lay'th.

Alein spake f

Cornwall, Cornwall every day
Bright sun and fresh feelings
Simple pleasures by just being here
Forward thinking into old age dotage
All our lives waiting, hoping, wishing

Never believing it could be
Out of mind with secret longing
Filling up with atmospheric  air
Sensing that emotional rush
Deep breaths swallowing cliffs and sea

Wild flowers and cows here
Hedgerows and windblown trees
Lopsided branches pointing inland
As cool salt air combs their twigs
The winding tracks disappear

Love is here all around, so strong
Heart wrenching and stomach churning
Soul and body filling up with Cornish…
Cornish, as long as it’s Cornish
It’s good!

Give us a chance to stay
Give us the chance to live
Ever on the hard granite pathways
Sounds of mewing gulls and thunder of surf
Beating on the windswept rocks and beaches

Cornish light familiar and so bright
Invading our eyes and warming our hearts
Gently massaging our faces with soothing fingers
Lifting our spirits as breaking through the clouds
It charges us with love

Fulfilled and whole
Our lives and minds gratefully feasting
The armfuls of wonder as we carry our hearts
Together,  through eternity, watching
As the sun sets in a blaze of Cornish light

Late, my grandson! half the morning have I paced these sandy tracts,
Watch'd again the hollow ridges roaring into cataracts,

Wander'd back to living boyhood while I heard the curlews call,
I myself so close on death, and death itself in Locksley Hall.

So--your happy suit was blasted--she the faultless, the divine;
And you liken--boyish babble--this boy-love of yours with mine.

I myself have often babbled doubtless of a foolish past;
Babble, babble; our old England may go down in babble at last.

'Curse him!' curse your fellow-victim? call him dotard in your rage?
Eyes that lured a doting boyhood well might fool a dotard's age.

Jilted for a wealthier! wealthier? yet perhaps she was not wise;
I remember how you kiss'd the miniature with those sweet eyes.

In the hall there hangs a painting--Amy's arms about my neck--
Happy children in a sunbeam sitting on the ribs of wreck.

In my life there was a picture, she that clasp'd my neck had flown;
I was left within the shadow sitting on the wreck alone.

Yours has been a slighter ailment, will you sicken for her sake?
You, not you! your modern amourist is of easier, earthlier make.

Amy loved me, Amy fail'd me, Amy was a timid child;
But your Judith--but your worldling--she had never driven me wild.

She that holds the diamond necklace dearer than the golden ring,
She that finds a winter sunset fairer than a morn of Spring.

She that in her heart is brooding on his briefer lease of life,
While she vows 'till death shall part us,' she the would-be-widow wife.

She the worldling born of worldlings--father, mother--be content,
Ev'n the homely farm can teach us there is something in descent.

Yonder in that chapel, slowly sinking now into the ground,
Lies the warrior, my forefather, with his feet upon the hound.

Cross'd! for once he sail'd the sea to crush the Moslem in his pride;
Dead the warrior, dead his glory, dead the cause in which he died.

Yet how often I and Amy in the mouldering aisle have stood,
Gazing for one pensive moment on that founder of our blood.

There again I stood to-day, and where of old we knelt in prayer,
Close beneath the casement crimson with the shield of Locksley--there,

All in white Italian marble, looking still as if she smiled,
Lies my Amy dead in child-birth, dead the mother, dead the child.

Dead--and sixty years ago, and dead her aged husband now--
I this old white-headed dreamer stoopt and kiss'd her marble brow.

Gone the fires of youth, the follies, furies, curses, passionate tears,
Gone like fires and floods and earthquakes of the planet's dawning years.

Fires that shook me once, but now to silent ashes fall'n away.
Cold upon the dead volcano sleeps the gleam of dying day.

Gone the tyrant of my youth, and mute below the chancel stones,
All his virtues--I forgive them--black in white above his bones.

Gone the comrades of my bivouac, some in fight against the foe,
Some thro' age and slow diseases, gone as all on earth will go.

Gone with whom for forty years my life in golden sequence ran,
She with all the charm of woman, she with all the breadth of man,

Strong in will and rich in wisdom, Edith, yet so lowly-sweet,
Woman to her inmost heart, and woman to her tender feet,

Very woman of very woman, nurse of ailing body and mind,
She that link'd again the broken chain that bound me to my kind.

Here to-day was Amy with me, while I wander'd down the coast,
Near us Edith's holy shadow, smiling at the slighter ghost.

Gone our sailor son thy father, Leonard early lost at sea;
Thou alone, my boy, of Amy's kin and mine art left to me.

Gone thy tender-natured mother, wearying to be left alone,
Pining for the stronger heart that once had beat beside her own.

Truth, for Truth is Truth, he worshipt, being true as he was brave;
Good, for Good is Good, he follow'd, yet he look'd beyond the grave,

Wiser there than you, that crowning barren Death as lord of all,
Deem this over-tragic drama's closing curtain is the pall!

Beautiful was death in him, who saw the death, but kept the deck,
Saving women and their babes, and sinking with the sinking wreck,

Gone for ever! Ever? no--for since our dying race began,
Ever, ever, and for ever was the leading light of man.

Those that in barbarian burials ****'d the slave, and slew the wife,
Felt within themselves the sacred passion of the second life.

Indian warriors dream of ampler hunting grounds beyond the night;
Ev'n the black Australian dying hopes he shall return, a white.

Truth for truth, and good for good! The Good, the True, the Pure, the Just--
Take the charm 'For ever' from them, and they crumble into dust.

Gone the cry of 'Forward, Forward,' lost within a growing gloom;
Lost, or only heard in silence from the silence of a tomb.

Half the marvels of my morning, triumphs over time and space,
Staled by frequence, shrunk by usage into commonest commonplace!

'Forward' rang the voices then, and of the many mine was one.
Let us hush this cry of 'Forward' till ten thousand years have gone.

Far among the vanish'd races, old Assyrian kings would flay
Captives whom they caught in battle--iron-hearted victors they.

Ages after, while in Asia, he that led the wild Moguls,
Timur built his ghastly tower of eighty thousand human skulls,

Then, and here in Edward's time, an age of noblest English names,
Christian conquerors took and flung the conquer'd Christian into flames.

Love your enemy, bless your haters, said the Greatest of the great;
Christian love among the Churches look'd the twin of heathen hate.

From the golden alms of Blessing man had coin'd himself a curse:
Rome of Caesar, Rome of Peter, which was crueller? which was worse?

France had shown a light to all men, preach'd a Gospel, all men's good;
Celtic Demos rose a Demon, shriek'd and slaked the light with blood.

Hope was ever on her mountain, watching till the day begun--
Crown'd with sunlight--over darkness--from the still unrisen sun.

Have we grown at last beyond the passions of the primal clan?
'**** your enemy, for you hate him,' still, 'your enemy' was a man.

Have we sunk below them? peasants maim the helpless horse, and drive
Innocent cattle under thatch, and burn the kindlier brutes alive.

Brutes, the brutes are not your wrongers--burnt at midnight, found at morn,
Twisted hard in mortal agony with their offspring, born-unborn,

Clinging to the silent mother! Are we devils? are we men?
Sweet St. Francis of Assisi, would that he were here again,

He that in his Catholic wholeness used to call the very flowers
Sisters, brothers--and the beasts--whose pains are hardly less than ours!

Chaos, Cosmos! Cosmos, Chaos! who can tell how all will end?
Read the wide world's annals, you, and take their wisdom for your friend.

Hope the best, but hold the Present fatal daughter of the Past,
Shape your heart to front the hour, but dream not that the hour will last.

Ay, if dynamite and revolver leave you courage to be wise:
When was age so cramm'd with menace? madness? written, spoken lies?

Envy wears the mask of Love, and, laughing sober fact to scorn,
Cries to Weakest as to Strongest, 'Ye are equals, equal-born.'

Equal-born? O yes, if yonder hill be level with the flat.
Charm us, Orator, till the Lion look no larger than the Cat,

Till the Cat thro' that mirage of overheated language loom
Larger than the Lion,--Demos end in working its own doom.

Russia bursts our Indian barrier, shall we fight her? shall we yield?
Pause! before you sound the trumpet, hear the voices from the field.

Those three hundred millions under one Imperial sceptre now,
Shall we hold them? shall we loose them? take the suffrage of the plow.

Nay, but these would feel and follow Truth if only you and you,
Rivals of realm-ruining party, when you speak were wholly true.

Plowmen, Shepherds, have I found, and more than once, and still could find,
Sons of God, and kings of men in utter nobleness of mind,

Truthful, trustful, looking upward to the practised hustings-liar;
So the Higher wields the Lower, while the Lower is the Higher.

Here and there a cotter's babe is royal-born by right divine;
Here and there my lord is lower than his oxen or his swine.

Chaos, Cosmos! Cosmos, Chaos! once again the sickening game;
Freedom, free to slay herself, and dying while they shout her name.

Step by step we gain'd a freedom known to Europe, known to all;
Step by step we rose to greatness,--thro' the tonguesters we may fall.

You that woo the Voices--tell them 'old experience is a fool,'
Teach your flatter'd kings that only those who cannot read can rule.

Pluck the mighty from their seat, but set no meek ones in their place;
Pillory Wisdom in your markets, pelt your offal at her face.

Tumble Nature heel o'er head, and, yelling with the yelling street,
Set the feet above the brain and swear the brain is in the feet.

Bring the old dark ages back without the faith, without the hope,
Break the State, the Church, the Throne, and roll their ruins down the *****.

Authors--essayist, atheist, novelist, realist, rhymester, play your part,
Paint the mortal shame of nature with the living hues of Art.

Rip your brothers' vices open, strip your own foul passions bare;
Down with Reticence, down with Reverence--forward--naked--let them stare.

Feed the budding rose of boyhood with the drainage of your sewer;
Send the drain into the fountain, lest the stream should issue pure.

Set the maiden fancies wallowing in the troughs of Zolaism,--
Forward, forward, ay and backward, downward too into the abysm.

Do your best to charm the worst, to lower the rising race of men;
Have we risen from out the beast, then back into the beast again?

Only 'dust to dust' for me that sicken at your lawless din,
Dust in wholesome old-world dust before the newer world begin.

Heated am I? you--you wonder--well, it scarce becomes mine age--
Patience! let the dying actor mouth his last upon the stage.

Cries of unprogressive dotage ere the dotard fall asleep?
Noises of a current narrowing, not the music of a deep?

Ay, for doubtless I am old, and think gray thoughts, for I am gray:
After all the stormy changes shall we find a changeless May?

After madness, after massacre, Jacobinism and Jacquerie,
Some diviner force to guide us thro' the days I shall not see?

When the schemes and all the systems, Kingdoms and Republics fall,
Something kindlier, higher, holier--all for each and each for all?

All the full-brain, half-brain races, led by Justice, Love, and Truth;
All the millions one at length with all the visions of my youth?

All diseases quench'd by Science, no man halt, or deaf or blind;
Stronger ever born of weaker, lustier body, larger mind?

Earth at last a warless world, a single race, a single tongue--
I have seen her far away--for is not Earth as yet so young?--

Every tiger madness muzzled, every serpent passion ****'d,
Every grim ravine a garden, every blazing desert till'd,

Robed in universal harvest up to either pole she smiles,
Universal ocean softly washing all her warless Isles.

Warless? when her tens are thousands, and her thousands millions, then--
All her harvest all too narrow--who can fancy warless men?

Warless? war will die out late then. Will it ever? late or soon?
Can it, till this outworn earth be dead as yon dead world the moon?

Dead the new astronomy calls her. . . . On this day and at this hour,
In this gap between the sandhills, whence you see the Locksley tower,

Here we met, our latest meeting--Amy--sixty years ago--
She and I--the moon was falling greenish thro' a rosy glow,

Just above the gateway tower, and even where you see her now--
Here we stood and claspt each other, swore the seeming-deathless vow. . . .

Dead, but how her living glory lights the hall, the dune, the grass!
Yet the moonlight is the sunlight, and the sun himself will pass.

Venus near her! smiling downward at this earthlier earth of ours,
Closer on the Sun, perhaps a world of never fading flowers.

Hesper, whom the poet call'd the Bringer home of all good things.
All good things may move in Hesper, perfect peoples, perfect kings.

Hesper--Venus--were we native to that splendour or in Mars,
We should see the Globe we groan in, fairest of their evening stars.

Could we dream of wars and carnage, craft and madness, lust and spite,
Roaring London, raving Paris, in that point of peaceful light?

Might we not in glancing heavenward on a star so silver-fair,
Yearn, and clasp the hands and murmur, 'Would to God that we were there'?

Forward, backward, backward, forward, in the immeasurable sea,
Sway'd by vaster ebbs and flows than can be known to you or me.

All the suns--are these but symbols of innumerable man,
Man or Mind that sees a shadow of the planner or the plan?

Is there evil but on earth? or pain in every peopled sphere?
Well be grateful for the sounding watchword, 'Evolution' here,

Evolution ever climbing after some ideal good,
And Reversion ever dragging Evolution in the mud.

What are men that He should heed us? cried the king of sacred song;
Insects of an hour, that hourly work their brother insect wrong,

While the silent Heavens roll, and Suns along their fiery way,
All their planets whirling round them, flash a million miles a day.

Many an aeon moulded earth before her highest, man, was born,
Many an aeon too may pass when earth is manless and forlorn,

Earth so huge, and yet so bounded--pools of salt, and plots of land--
Shallow skin of green and azure--chains of mountain, grains of sand!

Only That which made us, meant us to be mightier by and by,
Set the sphere of all the boundless Heavens within the human eye,

Sent the shadow of Himself, the boundless, thro' the human soul;
Boundless inward, in the atom, boundless outward, in the Whole.

                                                *

Here is Locksley Hall, my grandson, here the lion-guarded gate.
Not to-night in Locksley Hall--to-morrow--you, you come so late.

Wreck'd--your train--or all but wreck'd? a shatter'd wheel? a vicious boy!
Good, this forward, you that preach it, is it well to wish you joy?

Is it well that while we range with Science, glorying in the Time,
City children soak and blacken soul and sense in city slime?

There among the glooming alleys Progress halts on palsied feet,
Crime and hunger cast our maidens by the thousand on the street.

There the Master scrimps his haggard sempstress of her daily bread,
There a single sordid attic holds the living and the dead.

There the smouldering fire of fever creeps across the rotted floor,
And the crowded couch of ****** in the warrens of the poor.

Nay, your pardon, cry your 'forward,' yours are hope and youth, but I--
Eighty winters leave the dog too lame to follow with the cry,

Lame and old, and past his time, and passing now into the night;
Yet I would the rising race were half as eager for the light.

Light the fading gleam of Even? light the glimmer of the dawn?
Aged eyes may take the growing glimmer for the gleam withdrawn.

Far away beyond her myriad coming changes earth will be
Something other than the wildest modern guess of you and me.

Earth may reach her earthly-worst, or if she gain her earthly-best,
Would she find her human offspring this ideal man at rest?

Forward then, but still remember how the course of Time will swerve,
Crook and turn upon itself in many a backward streaming curve.

Not the Hall to-night, my grandson! Death and Silence hold their own.
Leave the Master in the first dark hour of his last sleep alone.

Worthier soul was he than I am, sound and honest, rustic Squire,
Kindly landlord, boon companion--youthful jealousy is a liar.

Cast the poison from your *****, oust the madness from your brain.
Let the trampled serpent show you that you have not lived in vain.

Youthful! youth and age are scholars yet but in the lower school,
Nor is he the wisest man who never proved himself a fool.

Yonder lies our young sea-village--Art and Grace are less and less:
Science grows and Beauty dwindles--roofs of slated hideousness!

There is one old Hostel left us where they swing the Locksley shield,
Till the peasant cow shall **** the 'Lion passant' from his field.

Poo

[Greek: Mellonta  sauta’]

These things are in the future.

Sophocles—’Antig.’

‘Una.’

“Born again?”

‘Monos.’

Yes, fairest and best beloved Una, “born again.” These were
the words upon whose mystical meaning I had so long
pondered, rejecting the explanations of the priesthood,
until Death itself resolved for me the secret.

‘Una.’

Death!

‘Monos.’

How strangely, sweet Una, you echo my words! I
observe, too, a vacillation in your step, a joyous
inquietude in your eyes. You are confused and oppressed by
the majestic novelty of the Life Eternal. Yes, it was of
Death I spoke. And here how singularly sounds that word
which of old was wont to bring terror to all hearts,
throwing a mildew upon all pleasures!

‘Una.’

Ah, Death, the spectre which sate at all feasts! How often,
Monos, did we lose ourselves in speculations upon its
nature! How mysteriously did it act as a check to human
bliss, saying unto it, “thus far, and no farther!” That
earnest mutual love, my own Monos, which burned within our
bosoms, how vainly did we flatter ourselves, feeling happy
in its first upspringing that our happiness would strengthen
with its strength! Alas, as it grew, so grew in our hearts
the dread of that evil hour which was hurrying to separate
us forever! Thus in time it became painful to love. Hate
would have been mercy then.

‘Monos’.

Speak not here of these griefs, dear Una—mine, mine
forever now!

‘Una’.

But the memory of past sorrow, is it not present joy? I have
much to say yet of the things which have been. Above all, I
burn to know the incidents of your own passage through the
dark Valley and Shadow.

‘Monos’.

And when did the radiant Una ask anything of her Monos in
vain? I will be minute in relating all, but at what point
shall the weird narrative begin?

‘Una’.

At what point?

‘Monos’.

You have said.

‘Una’.

Monos, I comprehend you. In Death we have both learned the
propensity of man to define the indefinable. I will not say,
then, commence with the moment of life’s cessation—but
commence with that sad, sad instant when, the fever having
abandoned you, you sank into a breathless and motionless
torpor, and I pressed down your pallid eyelids with the
passionate fingers of love.

‘Monos’.

One word first, my Una, in regard to man’s general condition
at this epoch. You will remember that one or two of the wise
among our forefathers—wise in fact, although not in
the world’s esteem—had ventured to doubt the propriety
of the term “improvement,” as applied to the progress of our
civilization. There were periods in each of the five or six
centuries immediately preceding our dissolution when arose
some vigorous intellect, boldly contending for those
principles whose truth appears now, to our disenfranchised
reason, so utterly obvious —principles which should
have taught our race to submit to the guidance of the
natural laws rather than attempt their control. At long
intervals some master-minds appeared, looking upon each
advance in practical science as a retrogradation in the true
utility. Occasionally the poetic intellect—that
intellect which we now feel to have been the most exalted of
all—since those truths which to us were of the most
enduring importance could only be reached by that analogy
which speaks in proof-tones to the imagination alone,
and to the unaided reason bears no weight—occasionally
did this poetic intellect proceed a step farther in the
evolving of the vague idea of the philosophic, and find in
the mystic parable that tells of the tree of knowledge, and
of its forbidden fruit, death-producing, a distinct
intimation that knowledge was not meet for man in the infant
condition of his soul. And these men—the poets—
living and perishing amid the scorn of the
“utilitarians”—of rough pedants, who arrogated to
themselves a title which could have been properly applied
only to the scorned—these men, the poets, pondered
piningly, yet not unwisely, upon the ancient days when our
wants were not more simple than our enjoyments were
keen—days when mirth was a word unknown, so
solemnly deep-toned was happiness—holy, august, and
blissful days, blue rivers ran undammed, between hills
unhewn, into far forest solitudes, primeval, odorous, and
unexplored. Yet these noble exceptions from the general
misrule served but to strengthen it by opposition. Alas! we
had fallen upon the most evil of all our evil days. The
great “movement”—that was the cant term—went on:
a diseased commotion, moral and physical. Art—the
Arts—arose supreme, and once enthroned, cast chains
upon the intellect which had elevated them to power. Man,
because he could not but acknowledge the majesty of Nature,
fell into childish exultation at his acquired and still-
increasing dominion over her elements. Even while he stalked
a God in his own fancy, an infantine imbecility came over
him. As might be supposed from the origin of his disorder,
he grew infected with system, and with abstraction. He
enwrapped himself in generalities. Among other odd ideas,
that of universal equality gained ground; and in the face of
analogy and of God—in despite of the loud warning
voice of the laws of gradation so visibly pervading
all things in Earth and Heaven—wild attempts at an
omniprevalent Democracy were made. Yet this evil sprang
necessarily from the leading evil, Knowledge. Man could not
both know and succumb. Meantime huge smoking cities arose,
innumerable. Green leaves shrank before the hot breath of
furnaces. The fair face of Nature was deformed as with the
ravages of some loathsome disease. And methinks, sweet Una,
even our slumbering sense of the forced and of the far-
fetched might have arrested us here. But now it appears that
we had worked out our own destruction in the ******* of
our taste, or rather in the blind neglect of its
culture in the schools. For, in truth, it was at this crisis
that taste alone—that faculty which, holding a middle
position between the pure intellect and the moral sense,
could never safely have been disregarded—it was now
that taste alone could have led us gently back to Beauty, to
Nature, and to Life. But alas for the pure contemplative
spirit and majestic intuition of Plato! Alas for the [Greek:
mousichae]  which he justly regarded as an all-sufficient
education for the soul! Alas for him and for it!—since
both were most desperately needed, when both were most
entirely forgotten or despised. Pascal, a philosopher whom
we both love, has said, how truly!—”Que tout notre
raisonnement se reduit a ceder au sentiment;” and it is
not impossible that the sentiment of the natural, had time
permitted it, would have regained its old ascendency over
the harsh mathematical reason of the schools. But this thing
was not to be. Prematurely induced by intemperance of
knowledge, the old age of the world drew near. This the mass
of mankind saw not, or, living lustily although unhappily,
affected not to see. But, for myself, the Earth’s records
had taught me to look for widest ruin as the price of
highest civilization. I had imbibed a prescience of our Fate
from comparison of China the simple and enduring, with
Assyria the architect, with Egypt the astrologer, with
Nubia, more crafty than either, the turbulent mother of all
Arts. In the history of these regions I met with a ray from
the Future. The individual artificialities of the three
latter were local diseases of the Earth, and in their
individual overthrows we had seen local remedies applied;
but for the infected world at large I could anticipate no
regeneration save in death. That man, as a race, should not
become extinct, I saw that he must be “born again.”

And now it was, fairest and dearest, that we wrapped our
spirits, daily, in dreams. Now it was that, in twilight, we
discoursed of the days to come, when the Art-scarred surface
of the Earth, having undergone that purification which alone
could efface its rectangular obscenities, should clothe
itself anew in the verdure and the mountain-slopes and the
smiling waters of Paradise, and be rendered at length a fit
dwelling-place for man:—for man the
Death-purged—for man to whose now exalted intellect
there should be poison in knowledge no more—for the
redeemed, regenerated, blissful, and now immortal, but still
for the material, man.

‘Una’.

Well do I remember these conversations, dear Monos; but the
epoch of the fiery overthrow was not so near at hand as we
believed, and as the corruption you indicate did surely
warrant us in believing. Men lived; and died individually.
You yourself sickened, and passed into the grave; and
thither your constant Una speedily followed you. And though
the century which has since elapsed, and whose conclusion
brings up together once more, tortured our slumbering senses
with no impatience of duration, yet my Monos, it was a
century still.

‘Monos’.

Say, rather, a point in the vague infinity. Unquestionably,
it was in the Earth’s dotage that I died. Wearied at heart
with anxieties which had their origin in the general turmoil
and decay, I succumbed to the fierce fever. After some few
days of pain, and many of dreamy delirium replete with
ecstasy, the manifestations of which you mistook for pain,
while I longed but was impotent to undeceive you—after
some days there came upon me, as you have said, a breathless
and motionless torpor; and this was termed Death by
those who stood around me.

Words are vague things. My condition did not deprive me of
sentience. It appeared to me not greatly dissimilar to the
extreme quiescence of him, who, having slumbered long and
profoundly, lying motionless and fully prostrate in a mid-
summer noon, begins to steal slowly back into consciousness,
through the mere sufficiency of his sleep, and without being
awakened by external disturbances.

I breathed no longer. The pulses were still. The heart had
ceased to beat. Volition had not departed, but was
powerless. The senses were unusually active, although
eccentrically so—assuming often each other’s functions
at random. The taste and the smell were inextricably
confounded, and became one sentiment, abnormal and intense.
The rose-water with which your tenderness had moistened my
lips to the last, affected me with sweet fancies of
flowers—fantastic flowers, far more lovely than any of
the old Earth, but whose prototypes we have here blooming
around us. The eye-lids, transparent and bloodless, offered
no complete impediment to vision. As volition was in
abeyance, the ***** could not roll in their sockets—
but all objects within the range of the visual hemisphere
were seen with more or less distinctness; the rays which
fell upon the external retina, or into the corner of the
eye, producing a more vivid effect than those which struck
the front or interior surface. Yet, in the former instance,
this effect was so far anomalous that I appreciated it only
as sound—sound sweet or discordant as the
matters presenting themselves at my side were light or dark
in shade—curved or angular in outline. The hearing, at
the same time, although excited in degree, was not irregular
in action—estimating real sounds with an extravagance
of precision, not less than of sensibility. Touch had
undergone a modification more peculiar. Its impressions were
tardily received, but pertinaciously retained, and resulted
always in the highest physical pleasure. Thus the pressure
of your sweet fingers upon my eyelids, at first only
recognized through vision, at length, long after their
removal, filled my whole being with a sensual delight
immeasurable. I say with a sensual delight. All my
perceptions were purely sensual. The materials furnished the
passive brain by the senses were not in the least degree
wrought into shape by the deceased understanding. Of pain
there was some little; of pleasure there was much; but of
moral pain or pleasure none at all. Thus your wild sobs
floated into my ear with all their mournful cadences, and
were appreciated in their every variation of sad tone; but
they were soft musical sounds and no more; they conveyed to
the extinct reason no intimation of the sorrows which gave
them birth; while large and constant tears which fell upon
my face, telling the bystanders of a heart which broke,
thrilled every fibre of my frame with ecstasy alone. And
this was in truth the Death of which these bystanders
spoke reverently, in low whispers—you, sweet Una,
gaspingly, with loud cries.

They attired me for the coffin—three or four dark
figures which flitted busily to and fro. As these crossed
the direct line of my vision they affected me as forms;
but upon passing to my side their images impressed me
with the idea of shrieks, groans, and, other dismal
expressions of terror, of horror, or of woe. You alone,
habited in a white robe, passed in all directions musically
about.

The day waned; and, as its light faded away, I became
possessed by a vague uneasiness—an anxiety such as the
sleeper feels when sad real sounds fall continuously within
his ear—low distant bell-tones, solemn, at long but
equal intervals, and commingling with melancholy dreams.
Night arrived; and with its shadows a heavy discomfort. It
oppressed my limbs with the oppression of some dull weight,
and was palpable. There was also a moaning sound, not unlike
the distant reverberation of surf, but more continuous,
which, beginning with the first twilight, had grown in
strength with the darkness. Suddenly lights were brought
into the rooms, and this reverberation became forthwith
interrupted into frequent unequal bursts of the same sound,
but less dreary and less distinct. The ponderous oppression
was in a great measure relieved; and, issuing from the flame
of each lamp (for there were many), there flowed unbrokenly
into my ears a strain of melodious monotone. And when now,
dear Una, approaching the bed upon which I lay outstretched,
you sat gently by my side, breathing odor from your sweet
lips, and pressing them upon my brow, there arose
tremulously within my *****, and mingling with the merely
physical sensations which circumstances had called forth, a
something akin to sentiment itself—a feeling that,
half appreciating, half responded to your earnest love and
sorrow; but this feeling took no root in the pulseless
heart, and seemed indeed rather a shadow than a reality, and
faded quickly away, first into extreme quiescence, and then
into a purely sensual pleasure as before.

And now, from the wreck and the chaos of the usual senses,
there appeared to have arisen within me a sixth, all
perfect. In its exercise I found a wild delight—yet a
delight still physical, inasmuch as the understanding had in
it no part. Motion in the animal frame had fully ceased. No
muscle quivered; no nerve thrilled; no artery throbbed. But
there seemed to have sprung up in the brain that of
which no words could convey to the merely human intelligence
even an indistinct conception. Let me term it a mental
pendulous pulsation. It was the moral embodiment of man’s
abstract idea of Time. By the absolute equalization
of this movement—or of such as this—had the
cycles of the firmamental orbs themselves been adjusted. By
its aid I measured the irregularities of the clock upon the
mantel, and of the watches of the attendants. Their tickings
came sonorously to my ears. The slightest deviations from
the true proportion—and these deviations were
omniprevalent—affected me just as violations of
abstract truth were wont on earth to affect the moral sense.
Although no two of the timepieces in the chamber struck the
individual seconds accurately together, yet I had no
difficulty in holding steadily in mind the tones, and the
respective momentary errors of each. And this—this
keen, perfect self-existing sentiment of
duration—this sentiment existing (as man could
not possibly have conceived it to exist) independently of
any succession of events—this idea—this sixth
sense, upspringing from the ashes of the rest, was the first
obvious and certain step of the intemporal soul upon the
threshold of the temporal eternity.

It was midnight; and you still sat by my side. All others
had departed from the chamber of Death. They had deposited
me in the coffin. The lamps burned flickeringly; for this I
knew by the tremulousness of the monotonous strains. But
suddenly these strains diminished in distinctness and in
volume. Finally they ceased. The perfume in my nostrils died
aw

I want his look
not his favourite Ironman T-shirt
I'm not an Irongirl
I'm not an iron anything sort
I want him creases and all
not his “to infinity” golden band
it has the ring of something too definite
I want him here
“and beyond”
just how far
I'm not yet sure about
not his ultra clean pair
of New Balance sports shoes
I'm not the run around sort
wet trackies pants hot and loose
I want him caught off balance
bare footed on the grass

I want his look
and when he gives it
straight back
into my eyes
I know what...

I'll look away at the skies
and hope beyond hope
he'll interpret my act
ironman out my shyness
ring the changes I want
and run beneath my disguise
to find an orange not a lemon

only trouble is
I think he won't
because at this early stage
we don't have much in common

O ******
he's looking...
                                    the sky's so bright!
like he's going to...
                                     I squint!
                                     blind!
                                     eyes shut!
be just my...
                                      I'm so silly!
.... dotage
huh! maybe I should try...
courage?
a comic character?
hypnotism?
an older age?

She comes forth
like waves slipping over
the sand
again and again
delivered from darkness
coveting the light

And light is her signature.
A conundrum.
Light erasing light.
How can this be?

I will tell you.

Light is the companion
of the dark
trips joyfully in its shadows

And this dance
weaves a potent tale
of a two-faced goddess
one face peering intently into the dark
one lit by the morning sun

Yet darkness rules the day
hastens the twilight
gives measure to the
dimming
and finally
captures the last of the light
in a sea green bottle

We are drawn into that night
valiantly
or not
weeping for lost opportunities
or not
but at the end
waltzing into the unknown

Yet I do not suppose
darkness without light
according to my theology
a life that ends in simple extinction
cannot be
it is a null set

The fundamental equations
do not permit it
nor can my simple mind
fathom such depths

So in my dotage
I repair to wine and song
to ease the pain
of these uncertainties
and then to poetry
to catalog the human condition
and leave a trace
that yet might sparkle
in the instant of my demise

Poet and saint!  to thee alone are given
The two most sacred names of earth and heaven;
The hard and rarest union which can be,
Next that of Godhead with humanity.
Long did the Muses banished slaves abide,
And built vain pyramids to mortal pride;
Like Moses thou, though spells and charms withstand,
Hast brought them nobly home, back to their Holy Land.

Ah, wretched we, poets of earth! but thou
Wert, living, the same poet which thou ‘rt now
Whilst angels sing to thee their airs divine,
And joy in an applause so great as thine.
Equal society with them to hold,
Thou need’d not make new songs, but say the old,
And they, kind spirits, shall all rejoice to see
How little less than they exalted man may be.
Still the old heathen gods in numbers swell,
The heav’nliest thing on earth still keeps up hell;
Nor have we yet quite purged the Christian land,
Still idols here, like calves at Bethel, stand,
And though Pan’s death long since all oracles broke,
Yet still in rhyme the fiend Apollo spoke;
Nay, with the worst of heathen dotage, we,
Vain men, the monster woman deify,
Find stars and tie our fates there in a face,
And paradise in them by whom we lost it, place.
What different faults corrupt our muses thus?
Wanton as girls, as old wives fabulous!

Thy spotless muse, like Mary, did contain
The boundless Godhead; she did well disdain
That her eternal verse employed should be
On a less subject than eternity,
And for a sacred mistress scorned to take
But her whom God himself scorned not his spouse to make.
It, in a kind, her miracle did do:
A fruitful mother was, and ****** too.

How well, blest swan, did fate contrive thy death,
And made thee render up thy tuneful breath
In thy great mistress’ arms, thou most divine
And richest off’ring of Loretto’s shrine!
Where like some holy sacrifice t’ expire,
A fever burns thee,  and love lights the fire.
Angels, they say, brought the famed chapel there,
And bore the sacred load in triumph through the air;
’Tis surer much they brought thee there, and they
And thou, their charge, went singing all the way.

Pardon, my mother church, if I consent
That angels led him when from thee he went,
For even in error sure no danger is
When joined with so much piety as his.
Ah, mighty God! (with shame I speak ‘t, and grief),
Ah, that our greatest faults were in belief!
And our weak reason were ev’n weaker yet,
Rather than thus, our wills too strong for it.
His faith perhaps in some nice tenents might
Be wrong; his life, I’m sure, was in the right.
And I myself a Catholic will be,
So far at least, great saint, to pray to thee.

Hail, bard triumphant! and some care bestow
On us, the poets militant below,
Opposed by our old en’my, adverse chance,
Attacked by envy and by ignorance,
Enchained by beauty, tortured by desires,
Exposed by tyrant love to savage beasts and fires.
Thou from low earth in nobler flames didst rise,
And like Elijah mount alive the skies.
Elisha-like (but with a wish much less,
More fit thy greatness and my littleness),
Lo, here I beg (I whom thou once didst prove
So humble to esteem, so good to love)
Not that thy spirit might on me doubled be,
I ask but half thy mighty spirit for me;
And when my muse soars with so strong a wing,
’Twill learn of things divine, and first of thee to sing.

I don’t want to live in a universe where cats are considered liquids— They’re bad enough as they are.

So some idiot decided that cats fit the definition of a liquid—
“a substance that flows freely but is of constant volume”.

Obviously the dictionary is wrong, wrong, WRONG.
I shall spend the rest of my dotage developing a definition that will not accept cats as liquids.

Perhaps “A freely flowing substance of constant volume that doesn’t meow.”— Perhaps not.

But wait,  cats don’t fit the definition after all. They don’t stay the same size, especially when frightened or wet.

I bet that idiot spends all his time watching cat videos and has never hosed down fighting cats in his backyard.

Dotage saved for more important stuff :
Continue study of Schrodinger’s aversion to cats, look for hidden messages in Emily Dickenson poems recited backwards, master fake outrage.

When it's late
Don't mess with sticky notions
Don't fool with dangerous spaces
There is no peace in such locations
And time shall have all traces
Of the needed restraint and sobriety
To see us to our dotage

But then
How else are we to grow?
And then again
Who  wants a dotage?

Because when it's late
Mocking caverns of reality yawn
And toil tedium and trivia
Are in the eyes of statues
And these cry glass marble tears
Because they cannot move
They cannot leave the ground
Their lowered heads like ageing flowers
Sadly shrunken and dried
With a gluttony of hours
And all love of life long gone
That's when it's late

                                 By Phil Roberts

When the heart stirs
the feet soon follow
or so it is with me
born to be a dancer

Lithe and compact
fearless in motion
a Baryshnikov of the living room
a Nureyev in the night

When my daughter
was new born
seventeen sweet years ago
I would hold her close
dance her through the whole house
sing to her
tell her
I'll love you forever and ever
no matter what
promise her everything
it was in my power to give

Here
in my dotage
my dancing embarrasses her
my rude manners
outrage her at times
No matter

I thrill when
I hear her sing
weep
when I see her onstage
grin like God's fool
when I meet her at
the backstage door.

This tribute
and these poor lines
are humbly offered
by a man who is blessed
a man who wakes up every day
saying thanks
a father proud
a retired musician
(more or less)
whose child
without urging
took up the mantle
and carried it further
than dad ever could.