Submit your work, meet writers and drop the ads. Become a member

Members

blythe
16/F/Wonderland   
L Blythe
18/F/The next destination    Just a lonely poet.
Cyril Blythe
Creative Writing Graduate looking for helpful critique, publishing opportunities, and inspiration from yall. "As the minutes of your own life open and fall, catch them …

Poems

Cyril Blythe Aug 2012
She wore black except the white heels and pearl earrings. Coughing would show weakness. She swigs her water. The subway-car slows to a stop, “STATION A-4” and Blythe glides out into the underground bustle. It’s routine now to be ignored. A laughing blonde on her pink iPhone bumps Blythe and gives a startled yelp. Blythe pierces the Barbie with a glare and starts up the stairs to the office. A clock reads 7:57.

Late.

Again.

She rounds the corner and sees the sign, “Cound Industries- over 100 years of family service.” Pushing in the wooden door and ignoring security she marches to the IV floor. Marketing. No one says hello or acknowledges her presence. She is phantom. Everyone knows its terminal and that she’s the last of the Cound family line. “Three months, max. It’s a very aggressive cancer.” The doctor told her that at Christmas and it’s now Valentine’s Day. She shut herself in her office. Blythe sighs for the first time. She took out her kerchief and coughed. Blood spots. The red blood was not the only red she planned to see this Valentine’s Day. Today, Blythe Cound decided to take her life and make it immortal.

Steeling herself with a ***** shot she tucked the ****** rag back into her coat, which she then removed to reveal a flowing white dress. “Maybe it will be Owen, he has ideas on how to fix this place. No more charity to start with.” The whispers of her “friends and coworkers” filled her mind as she observed herself in the mirror. Ninety pounds, hollow cheeks, and the wedding dress of her grandma baggy and yellowed. She coughed up blood again, this time on her hand. The urgency hit her. Re-dressing in her long coat she left the office for the last time. Ever. Twenty minutes later she entered the soup kitchen. She sat in the back observing the scene. She chose the young boy, maybe in his thirties. She approached him and grabbed his hand. “Come with me son.” Her voice was harsh now. He obeyed. They went left three blocks to the Courthouse. They entered the probate judges office, signed the papers, and “Cound Inc” officially had a new successor. She died two weeks later.

The boy she married was named Cyril. He abused his newfound power and eventually was deemed by those in black ties to be, “mentally insufficient for such a stress-inducing position.” But, Blythe’s plan worked. The news stations ate the story up. You should’ve seen the headlines. They say “Cound Inc” lasted only two more years before declaring bankruptcy. Some blame Blythe. Some blame Cyril. None blame the whispers.
c Mar 2018
The only other girl at the party
is ranting about feminism.
The audience: a sea of **** jokes and snapbacks
and styrofoam cups and me.
They gawk at her mouth like it is a drain
clogged with too many opinions.
I shoot her an empathetic glance
and say nothing. This house is for
wallpaper women. What good
is wallpaper that speaks?
I want to stand up, but if I do,
whose coffee table silence
will these boys rest their feet on?

These boys…
I want to stand up, but if I do,
what if someone takes my spot?
I want to stand up, but if I do,
what if everyone notices I’ve been
sitting this whole time? I am ashamed
of keeping my feminism in my pocket
until it is convenient not to, like at poetry
slams or woman studies classes.
There are days I want people to like me
more than I want to change the world.
Once I forgave a predator because
I was afraid to start drama in our friend group
two weeks later he assaulted someone else.
I’m still carrying the guilt in my purse.

There are days I forget we had to invent
nail polish to change color in drugged
drinks and apps to virtually walk us home
and lipstick shaped mace and underwear designed to prevent ****.

Once a man behind me at an escalator
shoved his hand up my skirt
from behind and no one around me
said anything,
so I didn’t say anything.
Because I didn’t wanna make a scene.

Once an adult man made a necklace
out of his hands for me and
I still wake up in hot sweats
haunted with images of the hurt
of girls he assaulted after I didn’t report,
all younger than me.

How am I to forgive myself for doing
nothing in the mouth of trauma?
Is silence not an active violence too?

Once, I told a boy I was powerful
and he told me to mind my own business.

Once, a boy accused me of practicing
misandry. “You think you can take
over the world?” And I said “No,
I just want to see it. I just need
to know it is there for someone.”

Once, my dad informed me sexism
is dead and reminded me to always
carry pepper spray in the same breath.
We accept this state of constant fear
as just another component of being a girl.
We text each other when we get home
safe and it does not occur to us that
not all of our guy friends have to do the same.
You could literally saw a woman in half
and it would still be called a magic trick.
Wouldn’t it?
That’s why you invited us here,
isn’t it? Because there is no show
without a beautiful assistant?
We are surrounded by boys who hang up
our naked posters and fantasize
about choking us and watch movies that
we get murdered in. We are the daughters
of men who warned us about the news
and the missing girls on the milk carton
and the sharp edge of the world.
They begged us to be careful. To be safe.
Then told our brothers to go out and play.
Credits to Blythe Baird.

Blythe Baird is an affluent, rising young slam/spoken word poet from Minnesota. She has a book out already, "Give Me A God I Can Relate To" and is making gains in the world of poetry. Regularly performs with Button Poetry. You can find the performance of "Pocket-Sized Feminism" on Youtube. Inspiring and firey on the mic! Check this one out.
Edward Coles  Jan 2015
Blythe
Edward Coles Jan 2015
Oh Blythe, you were always in the wrong,
you lived your life as a sad, sad song.
They say addiction starts and always ends in pain,
great Sisyphus, heaving the boulder again.

We're hooked on all our broken dreams,
suspicious of love like it's a pyramid scheme.

Oh Blythe, the world couldn't compete with your mind,
I talked to you, but it was the blind leading the blind.
When you took your life I had almost took mine,
feeling the pain, even once I've left it behind.

They found you in a sorry, sorry state,
oh, I know how it feels to always be afraid.

Oh Blythe, I know I shouldn't call you my friend,
and I can't pretend to know what drove you round the bend,

I won't preach colour into your world of grey,
and I can't say that "you just have to be brave"
but we're more than these words,
more than a pattern of breath.
You were bursting with life
despite your eventual death.

Oh, where did you go,
my ghost in the snow?
Oh, where did you go,
my dear ghost in the snow.

I've been looking for a place where I can lay in the rain,
it'll be a while, my friend, before I see you once again,
I hope I don't see your face again.
Wherever you are, I hope you don't have to pretend.

Where did you go,
where did you go,
my ghost in the snow.
This is a song I wrote: https://soundcloud.com/edwardcoles/blythe

Because it's a song, I know it doesn't necessarily read as well.
It's about a distant friend of mine who committed suicide a fortnight after I had tried to do the same thing.

C