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4.0k · Mar 2014
belonging
with bark like alligator skin
the pines reach up up to the sky
eighty   one hundred   feet they fly their needles
as if to say
here we are O Wondrous One
take us
do with us as You will

little shake-tail squirrels chitter above me
as if to say   go away! this is our pine
you don't belong here!

I reply
I do belong here    the pines have told me so
I do belong here
the wildflowers have said so
and the creek has burbled its assent as well

I belong here   I repeat
I will stay here among the pines with alligatorskin bark
and the winds singing through the wood
and the creek seeking the sea
yes I will stay

and I will roll in the feeling of belonging like a dog rolls in herbage
and savor that I belong   I belong   here/now
at last


c. Roberta Compton Rainwater
2009/2014
3.8k · Apr 2014
Aquarius
You can not stop me - for long
I will overtop your weirs
I will bust through your walls
I will seek your lowest point
And
I will succeed (I will succeed)

You can not harness me
Unless I allow it
You can not outride me
Unless I allow it
I am the creative force
I am the unstoppable creative force
And I flow where I will
You can not outrun me
You can not retreat from me

I am
I am the power
I am the power that
I AM THE POWER
That powers you.


c. 2014
Roberta Compton Rainwater
(Remembering H. Katrina)
1.8k · Apr 2014
pale herons huddle
pale herons huddle
along a bank of grasses
like whitecaps, abandoned

November in the wetland


c. Roberta Compton Rainwater 2014
1.6k · Mar 2014
Owed to Neptune
Old Neptune marks his boundaries today, leaves sargasso
and thin, bamboo-like reeds on the shore of Dauphin Island. He blows briskly, to urge his white steeds to the seashore.
The water is dark with disturbance, veined with foam like tatted lace. The scent of Neptune swallows the fast-moving air crossing
the island from Gulf to Bay sides. Oil rigs
haunt the horizon like boredom, breaking
the vista, reminding all who see them of human limit. Old Neptune accepts no limit, no boundary. We, who want fixity
as security, we watch as Neptune abuses boundaries, expands us
whether we want him to or not. There is no fixity; yet there is security. There is consolation in flow, in flowing with Great Neptune, rolling in his
tidal urgencies.


c. 2014/2017 Roberta Compton Rainwater
1.6k · Mar 2014
recipe
herbs new mown send green scent to me
an undertone of pepper - non-explosive -
marks this spot especially

a creole mixture to spice the morning walk

were I the chef of this walk
blandness would prevail
for blanding is safe
and requires no inspiration

I am learning recklessness and wantonness
it is in my eyes, should you peer into them
it is in my heart, should you sound it
it is in my being now and you can smell it on me
like the peppery scent in that spot there

I am become a creole recipe
delicious and warm
fulfilling and comfort to the traveler
in this landscape


Roberta Compton Rainwater
c. 2009/2014
1.4k · Jan 2018
oculus
the weight of seven
hummingbirds -- 21 grams --
is what leaves the body
after death

on that hummingbird breath
the soul leaves
a wispering whisper
of seven tiny, winged cavatinas

being sung back
and singing themselves
forward
into the chorus

to enter again
a melody -- in
the Eye Of God

shimmering
iridescent
wings beating
the rhythm of Love



c. 2018 Roberta Compton Rainwater
1.4k · Dec 2017
the cuisine of the depressed
here is a cup of fog
mix it well
with melancholy
spoon in a bit
of saccharine ---
indigestible sentiment ---
and blend it all
together

take this tablespoon of
creative fire
douse it with
unrelenting tears
repress it into a ball
then let it stand,
covered,
that the yeast of
sorrow may bloom

when doubled,
punch it down to
bloom again

punch
bloom
punch
bloom

work the dough of Life
to death
form it into a blob
put it into the cold fire of the ego’s
oven
leave it there to burn away
to nothing edible

serve it in hard chunks
on delicate china
and --- wait
trust that the teaspoon of
Love added at the last minute
will be enough


c. 2017 Roberta Compton Rainwater
Remembering old bouts of depression
1.3k · Oct 2017
illuminato
you are the illuminated
manuscript
I, the reader
   the lover
   of you

show me your illuminations
your singing arabesques
   the music
   of you

chant your canticle
hidden in the golden calligraphy
   wrapped
   within you

open your pages
to me -- for
I am the reader
   the lover
   of you


c. 2017 Roberta Compton Rainwater
1.3k · Nov 2017
bellsoul
your words sound my bellsoul
a depth charge of incandescent tone
to coalesce the ground of my whisper-being
to sunder me from self-falsity
to shoe my doubting feet with fierce clarity
to walk me thus shod in cradling Truth
more deeply into the oblivion
of my ethereal dark    whose web tingles and sounds
with tiny silvered bells

I am belled
sounded by Love in Love

Its deep and penetrated tone
calls back
the shards of being
I abandoned
along my lifeway
so to join me

together


c. 2017 Roberta Compton Rainwater
1.3k · Jul 2023
magic carpet
it’s like,
I ride songs into sweet
remembers
of my daddy
of my friends
of my sister, and my twin

I float in a star-strewn nebula,
a compostella, each star
a different scene and cast,
each a member of my asterism of
memories
each and all beloved
clear as the ringing of a bell
flooding my eyes with tears
of sorrow and joy and laughter

I ride music like
a flying carpet lifts on the magical,
gently carrying my heart
into the beauty and sorrow and laughter
of Love lost and
Love found


c. 2023 Roberta Compton Rainwater
1.2k · Oct 2017
fireworks
fireworks sparkle
the darkened sky of my memory,
sparkling through my soul in a pleasant wave,
uncovering a walk in the jungle of my heartland

and a guava tree.

I’m in my kitchen, filling my nose
with the delicate scent of ripening guavas from Mexico,
palmed in the chalice of my hands,
feeling my way to that jungle walk with my family when I was three
or maybe two, in Hawai’i

and the guava tree.

as I bite through the fragile skin of the yellow globe,
the seeds, like BBs, take me further into my remembrance,
my family around me sharing
the excitement and joy I felt when I saw and climbed

the guava tree.

after we moved back to the Mainland
to a desert paradise I also loved,
each Spring I came down with what I called my Island Virus:
a deep yearning and homesickness
for my heartland

and the guava tree.


c. 2017 Roberta Compton Rainwater
1.1k · Apr 2014
Footprint
O, how my heart lifts
when songs echo from my core
in pathways little used or known
it leaves its footprint locked in stone
for me to follow when I may.......


c. 2014
Roberta Compton Rainwater
998 · Apr 2014
Bone Magic
She claims he moves the trees
every time he cuts the field,
expanding and changing the view from
the living room window.
The laws of Nature and
the roots of trees being what they are,
I know she really means
he's her Magic Man
and this farm is his crystal cave.
His familiar, a spark of a dog
they've named Missy,
roams in and out of
the magic of this place at will,
appearing and disappearing from one breath to the next.
The laws of Nature and
the nature of dogs being what they are,
I know that some dogs, and things,
are like that:
magical to the bone.


c. Roberta Compton Rainwater 2014
to my sister
954 · Apr 2014
Nuith*
myths say
the stars lactated from her *******
but I think
she wears a scarf of stars until nightfall
then
she pulls it from about her in voluptuous motion
and lets it fall
to puddle as it may
the stars in its net doubled on themselves
the way a chiffon scarf
looks, melted on the floor
or a river
turned back on itself

O Voluptuary!
make me the sky -
wind your cloth of stars about me now -
let me feel their antique heat on my back
let me feel their electric path
as they shoot across this human sky
let the hammock of your scarf cradle this solitary
in the nightness of your lights


c. Roberta Compton Rainwater 2014


**Nuith (noot): Egyptian goddess of the night sky
904 · Feb 2015
Shop Talk
I am too soft, lumpish
of myself alone -
single -
Unpartnered, softness droops
it sags
it melts
without hardness rubbing it smooth.


I.
I need your carpentry -
the plane of your hard muscles,
the hammer of your broad hands,
the sandpaper of your chin
on my skin
to smooth me straight
to sharpen my angles
to repair my dents
to build me into my true shape.

II.
Take my lumpish metal into your forge
heat me until I burn through
mold my metal
into my true shape
Then plunge me into
your cooling waters
to steam me strong, unlumped
flowed, beauteous


Take my softness into the chalice of your Being
mix it with your hardness,
your directness,
in perfect measure.
Put me into the mold of your heart
and, with your love,
make an art of me.


c. Roberta Compton Rainwater 2015
875 · Dec 2017
meuse
I have left the imprint
of my body

on your wild grasses
under your wild hedges

I have slept the sweet
sleep of an embering fire

in your arms
and known

your lips on mine
as a sweetness of the

dancing rain on leaves
your soulhands have

blended me together
like the scent of meadowflowers

sweetening the air
and I have been embraced and

enearthed
in the ground of your sweet being

been received by and have received
your sweet soul Love

you have made of me
a meuse

an imprint in wild grasses
under wild hedges

in your generous and generating
heart


c. 2017 Roberta Compton Rainwater
854 · Dec 2017
fata morgana
perhaps a mirage is a dangling carrot
to keep us ever-seeking

perhaps our bodies are the freedom clothes
for our souls

and perhaps our sanity,
isn’t

sane at all
but a fata morgana

science has proven
the moon to be a

bell ---
hollow and resonant

for hours ---
a seismic anomaly

which sounds
when hit

perhaps science
is the fata morgana

and we are sane
after all


c. 2017 Roberta Compton Rainwater
763 · Nov 2017
wilderness
am I become an asterisk in your life,
a small reminder of what once was soul-deep,
was the trumpet-radiance of character?
I wander, unshod, in the wilderness created of myself,
to revisit a dystopian dream, where my soul-scars
bleach white from time’s long goodbye
and my caged heart sings a canary’s song to no one

am I become Bukowski’s consummation of grief
dancing on thorns to a choreography of remorse
to a dissonancy of love?

when did I become a mere star-point in your
wintercircle, lost in the wilderness of your sky,

an asterisk abandoned in your asterism?


c. 2017 Roberta Compton Rainwater
760 · Mar 2014
sym/phony
moan  sordid  fiddle
drool music like blood
like
a lather  rusted  onto beauty
lick   scream   boil   smear
        whisper    iron  harshly


c. Roberta Compton Rainwater 2014
Magnetic poetry
757 · Mar 2014
Two Haiku
heart of day begins
cicadas rattle and thrum
the trees sing a song



in the frogs throat songs
I hear The Beloved speak
surrounded by night



c. Roberta Compton Rainwater 2009/2014
700 · Mar 2014
Two Magnetic Poetry Poems
coil, wind tendril
ancient
like light
through cloud shade
and
summer shine
pant the lazy beat
to moon rain's falling murmur
sing love to me
as I climb your windy shadow


*


yellow air flower
blow the languid wasp
away from the sun honey
beneath your bloom

it is a luscious drunk


c. Roberta Compton Rainwater 2009/2014
685 · Feb 2015
An Older Woman In Love
I see your eyes shining full
watching me from the cave of your heart
the tholos of your soul
An untamed wind gusts through me
toppling my walls,
freeing my Siren howling
screeching into my shyness
eating it, killing me
Informing me, body and soul.
Untaming me.
Blazing me incandescent, confident.
I am yours.

I touch your raw manliness
feel its roughness, its smoothness
stir its rawness
prowl its borders, roaring.
I take the chalice of your hand
and cup my breast in it
Cup my *** with it
fill it with my heat
my wetness
my hallucinogenic wine.
Drink.
Eat.
You are mine.

I take you and blow winds
across the atlantic of your body
storm winds from the hot africa of my body
to flow up to the peninsula of your neck
to swirl and sinuate through your mind
to gather your thunder in them
to gather your lightning in them
to gather your hurricane in them
to gather your tectonic arousal in them
A continent-crashing
mountain-thrusting
breath-abating
heart-shatte­ring
tidal-surging
Storm
to carry us beyond our continents
beyond our seas
crash us into each other
into our Selves
into our untamed
raw
chaotic
surging
humid
muddy
slippery
Souls.

2/14/15
c. Roberta Compton Rainwater 2015
674 · Oct 2017
caldera
a fiery lava pool is my heart
a lake of incandescence    bubbling
over my body    melting me to raw emotion
burying me in an *******    pyroclastic flow of feelings

Love has taken on meaning
has produced Life
messy     viscous    muddy    hot
writhing
Life
has given new depth to my volcanic soul
and driven temperatures
to icy    bottomless    chasms

under which is my fire    my heart’s hearth

a legion of ghosts crawls over my rim
an infantry of past experiences to
remind my heart
of a once-fought war on the field of my soul
on the Plains of Love
in the chapel of my body

my heart pours its lavic gift over
my rim
leaving nothing of them to recall
or bring forward
or sound retreat
for
they are not memories anymore
they are echoes of echoes of echoes    disappeared
neither inchoate nor fully realized
gone


c. 2017 Roberta Compton Rainwater
667 · Mar 2014
meet me
where the dark night of the soul
                                                        ("ha­lf-seen on the edge of air")
                  meets
the dark soul of the night   which
                                                        ("f­rom the throat of cosmic vortices")
                  stands in
the charred ashes of surrender
                                                      (­"like a jack-lighted deer")
                   greeting.



c. Roberta Compton Rainwater 2014
"To greet" means to grieve/wail/cry.
652 · Apr 2014
Compostella *
Am I not touchable?
Have I not breath
or song
or voice to speak?
Have I not eyes
to see your soul?

What matters this body?
Is it not full and sensual?
Does it not burst forth
from the soul
just as light beams from the eyes of God?
Has it not a duty
to be as graceful as an angel's wings?

This body matters
and is not all.
I am full and glorious of God
in my fullness.
Sing my praises
for I am the compostella
from which all dreams are born.

c. 2014
Roberta Compton Rainwater

* *Field of stars
638 · Oct 2017
the cliff of my mind
comes a time to turn   to put the feet of the heart
forward    step at a time   each foot shod in time lessness
and space lessness

comes a space to hold    to place the hands of the soul
around    the body’s tabernacle    each hand soothed and
soothing

comes a view to see    to cast the eyes of the being
beyond    the mind’s walls    built by No without
Know ingness

comes a time to cluster these     in courage and trust
to move away    from the air lessness of shallow being
Toward

to step off the craig    onto Love



c. 2017 Roberta Compton Rainwater
637 · Mar 2015
Hope
I hope I can
remember my mother
with kindness and joy
someday;
to forget the long agony
of watching her disappear into herself,
disappearing into a somewhere I have no ken,
leaving only the angry husk of an ego
so ornery it leaves one
breathless with rage.
I hope I can resurrect her
in my heart someday, some day, and
remember the lovely things she did for us all.

I hope she reappears to me in light and gossamer, as she once did,
in fey jokes and laughter uncontrollable,
in food well cooked and delicious, thoughtful of health
and healing.
I hope I forget the plaints and sorrows soon. Yes, soon.
Sooner.
Soonest.
I hope my love for her will rectify me.


c. June 15, 2013
Roberta Compton Rainwater
633 · Mar 2014
Prayer
I want Neptune
to come out
of the Gulf
reining
pale
untame
charioted waves
I want his imprint
on the brined wash
and
I want to ask him questions.
Do mermaids dance?
(for example)
Are hippocamps?
(for another)
Are starfish fallen celestials, antic?
Is drowning frantic?

I want the vasty deep to erupt
into answers, synaptic explosions
connections
connecting
to
me
I seek myself in saltwater
Creation's alphabet soup
to swallow me
to disconnect the disconnection of me.

Come Neptune. Come from my primal self
into my Self and connect me to me
and me to you and us to them.
Push your wild beasts from the sea
and come into me.


c. Roberta Compton Rainwater 2014
To S.B./T.H.

it matters not where you meet St. Gabriel
whether on earth or in heaven    for
writ large on a person’s soul is a deepening
an aging
an inevitable annunciation that your casket of buried
fears and joylessness
is being dug by the gravedigger   an ancient
angelic presence   who keeps you safe
that you may hear the annunciation of your worthiness
to serve Love
that your immaculate conceptions are beloved
of Love
that you are the hands and imagination
of Love
and that the poetry of your life
is a chrism
an anointing     by Love,
                        for Love, and
                        in Love



c. 2017 Roberta Compton Rainwater
583 · Mar 2015
Ghost
His face looked suddenly swollen, as though unshed tears, finding no outlet through his eyes, flowed beneath his skin wherever it found space. He would not look at me, but away, and yet I knew he was not seeing what he looked at. His blue eyes had darkened, and something had receded into his deepest place, so that when he looked at me finally, I saw the unspoken, unreleased emotion at his center. I felt as though a sabre had passed through me as through softened butter, at his look. There was nothing I could do, then or ever. I might never know that unspoken, unreleased story, and a part of me was relieved, for I felt its terror course through me as he looked at me. How had he stayed alive and sane? The answer was there, in that deep core where he abided in this moment, a courage that was itself so complete a part of who he was that he scarce noticed it. Then, I knew. I knew that no matter what that story was, it did not define him, but he could not forget it, in moments like this one.

His eyelids dropped, a tiny movement that showed me he saw that I knew where the limits lay and I would not disturb them. That I was not then, or ever, going to "fix" him or pursue him into his deepest place. That I would wait for, but never expect, his invitation to follow him there. He adjusted his shoulders then, the way he always did when he began to relax.

I needed to be alone. I felt as though I had emotional jet lag from that supersonic view into the unknown behind his eyes. I wanted to curl into myself and go comatose, so that when I landed I would not feel the bump or feel the nausea of the descent. I turned away and walked to the spring. On my knees, I splashed the icy water over my face and neck, needing the sting of the wet and the cold to ground me in my being. When I turned to look at him, he was gone. I had not heard him leave, but was not surprised. I already thought he was a ghost in a body.
580 · Oct 2017
a contagion of sobs
a mockingbird strips the night
of quiet
opens a portal in my soul
to let what was in    out
and
what was out    in

to make an exchange of balances

just so does the cave Lechuguilla
**** air through her ******
in the desert near Carlsbad
balancing air pressure
in great    ******* puffs that make her moan
like a lover satisfied

or perhaps not

perhaps she groans and sighs
for the **** of her million-year solitude
for the loss of her art-full loneness
perhaps Lechuguilla sounds
to stem the contagion of sobs
daily growing in her heart
each sob feeding off the one before
marking like guideposts
the descent she now takes into oblivion
searching    searching

searching for herself

the story of a princess
scratches at the edge of my mind
a princess whose ability was as rare
as the sight of an egret flying against the star-crusted night
she mounted to the roof of her palace
each night    there to repose
to light the whole city
with her radiance

everything begins in the imagined

you donned your suit of lights
to woo me from myself
to court my innocence from its cave
now    head down    pawing dust into fog
I charge    bristling    and snorting threats
through my nose

you    beautiful in light-catching suit
send my barbs like adorned words
into my flesh and soul
I bleed the last of my happiness down my back
into the dry soil
of our We
our glances nick    then slide away
drawing more passion
to coagulate in tidal pools at our feet

I cannot be your imaginal woman

I am my own
I speak in wordchunks like charcoal
hiding fire within
I beat my rhythms to music you do not hear

because you have no reck of me


c. 1994/2017 Roberta Compton Rainwater
Lechuguilla is pronounced letch-oo-gee-ya
576 · Oct 2017
salve regina
I have been too long in the world.

I am frayed at my edges
chipped
cracked and broken in places

I have been too long in the world.

Have listened too long to the
THOU SHALT NOTs
the
I WANT IT ALL MY WAYs
the
IT'S MY RIGHTs
and I have let them dry the lake of my soul
with their drains and siphons

I have been too long in the world.

I shall use the golden joinery
of the Japanese art
to honor my frayed edges
weave a golden, or silver, or platinum
thread through them
fill my cracks and broken places with lacquered metals

I have been too long in the world.

other edges, smashed to smithereens,
will be left as they lay
jutted, stiff
while the softened, smashed powder from them
I'll keep in a medicine bag
and mix it, as needed, with my blood
stirred into a salve, a queen of healing

I have been too long in the world.

my thousand-times-broken heart
repaired and repaired and repaired
and re-paired
I will wrap like the gift it is
with the gold of Love
while laughter falls from it
salve regina


c. 2017 Roberta Compton Rainwater
575 · Apr 2014
Psalm
I am the oasis I seek,
because Source is there
to quench my thirst and shade my brow.
I rest my weariness in Its bowering Love.
I renew myself in Its gentle breath.
The way before me no longer leads me into mental aridity, but
into soulful moistness and earthy imagination.
I and my Source are soulmates and lovers.

c. 2014
Roberta Compton Rainwater
567 · Mar 2014
Tall Grass Forest
On occasion, I send my thoughts
to rest awhile
in the small stand of bamboo
along my boundary
Its dappled interiors request
visits from my thoughts
so I send them at tea time
the better to be refreshed

On occasion, my thoughts return
in drunken heaps
to be sorted like laundry
into piles labeled
colors
shapes
and
revelations

On occasion, it's little use,
this sorting, for
they often end
in one pile again
as
poems
or
paintings
or
essays
or
as notes to friends


Roberta Compton Rainwater
c. 2009/2014
562 · Oct 2017
unpealed bell*
once a bell has pealed,
can it be unpealed?

once liberty is cracked,
can it be uncracked?

once one is loved,
can one be unloved?

once something breaks,
can it be unbroken?

once a light has been lit,
it can be unlit
then re-lit.

once a crack opens,
once a break occurs,
once love falls,
the Light gets in.


c. 2017 Roberta Compton Rainwater
*”Ring the bells
That still can ring,
Forget your perfect offering.
There is a crack in everything.
That’s how the light gets in.”
~ Leonard Cohen
how trackless the poet's way
through the world of her heart
into known places following invisible paths
explorer with oft-held breath
exhalation serves to ground her
and open wide her eye
to discover that, despite abyssal
steps and flightless breath,
she knows her way full well.

I am come I am come
with wedding veil and cumerbund
to find a marriage in myself
and union with my Self

I am come I am come
like Eliot's poetpath revealed,
to find a Self I had forgot
yet always did I feel.


c. 2014
Roberta Compton Rainwater
546 · Nov 2017
ashes
I recall your eyes as the sky looking back at me

loosed from its cage
my heart sails on the high    hot thermal
of my soul
into your sky-eyes
into the blue and away from my life
toward my Life

I am phoenix    arising
from the ashy embers of what was
into the future what-is
carried on flights of feathers
into

the sky looking back at me


c. 2017 Roberta Compton Rainwater
522 · Aug 2023
tamam shud
and thus it goes
circular and direct
feminine and masculine
woman and man
and not in that order
in God’s judgement

it’s in the breath
which He put in man
as his blessing
to give strength for hard labor
not in the rib that is woman’s
blessing
to give strength for childbirth

God’s judgement is
all that matters
it is done

tamam shud


c. 2023 Roberta Compton Rainwater
Tamam shud:  it is done
518 · Dec 2017
Scarlet A
my cuneiform heart
marks me indecipherable
to all but you

I am the superheroine
in Hawthorne’s tale
a transcendent A
marks my heart
pure and Angelic

my Ogham soul leaves messages
readable by none
but you

I am the Wonder Woman
safely hidden
a transcendent A
marks my soul
pure and Amazonian

my hieroglyphic being speaks
to none
but you

I am the kindness
the strength
the protection
a transcendent A
marks my being
pure and Awakened


c. 2017 Roberta Compton Rainwater
500 · Apr 2014
Compostella II
When you look at me
Do I not have glory about me?
Am I not a shimmer of Light?
This is my body
This is my soul:
A flowing, shimmering,
glowing incandescence of passion
expressed in the sensuous lines of my body
An incandescence like none other
A fire within and without
Embering all of me
I spark all who approach
I spark all who stand away
My incandescence encompasses all who think of me
For I am a constellation of Light -
A galaxy nursing new Lights -
A womb incandescent with Light
I am thou and
You are me
We are sovereign and encompassing
Sing my Light on the throated cords of Love.
471 · Dec 2016
Comes a Wind
Comes a wind like
a “shock of leopards” in the temple
quickening, now
ebbing
Yet my soul ---
Ah! the soul takes the shock
into herself
where it yet lingers

Sweeping.

copyright 2016 Roberta Compton Rainwater
468 · Nov 2023
strange fire
blue fire surrounds you
tints you sacred
extends itself in waves
to all who meet you
saves
them from their ignorance
and the a-theism of their minds
saves
them from their dis-ease of the heart
begins to bond them to themselves
and baptizes them in the Blood

this is no strange fire
it is the fire of the burning bush
the fire that leads by night
and is smoke by day
ever present in the wilderness
of exodus:
the blue fire of Love


c. 2023 Roberta Compton Rainwater
458 · Nov 2017
when I give my heart
it is all and always

the veils are thin and fine
and utmost
how to see through them
blinded by love
all and always
the veils are thin and
almost utmost
filter
my heart
all and always
sees naught
but --

when I give my heart
it is all and always


c. 2017 Roberta Compton Rainwater
448 · Mar 2014
Repetition
long I dangled from
the rope of fear I wrought
I never looked down
I never looked down
until that day in the park
that day walking the dog
turning the day's events
over in my heart
cooking them over my heart's fire
for their nourishment

some small spark from the cooking fire
some small spark of courage
lent me by that fire
and encouraged by the wind
soughing through the trees
and the song of the cicadas
rattling and scratching the wind
some small spark of courage
let me look down at last
to see my feet but three inches
above
the Ground of My Being
above
the Ground of My Being
above
the Ground of My Being

there, near the cooking fire,
lay a knife
a knife to cut that rope
that rope of fear I'd wrought
and dangled with so long
and when I was done
I felt that Ground for the first time
the first time
the first time
in this existence


Roberta Compton Rainwater
c. 2009/2014
420 · Mar 2015
Flying Lesson
There it was again, that feeling of having been skipped out on by someone I trust. Trusted, past tense. When had this begun, this sense of having a rug pulled out from under my feet? I drifted backwards in the pool of memories and landed in my one-and-a-half-year-old self, watching her as she made assumptions based on her limited experiences up to then, heard her thinking, felt her feeling angry. So angry. And ashamed, because she was angry with her mother, and that was a betrayal of her mother, wasn't it? So betrayal worked both ways in her. She was the betrayed, and the betrayer. I pop out of that memory fast, then shudder.

I can feel a misty fog descending my mountain of a brain. I feel myself start to shut down, go catatonic. I sense that someone is calling me to them, but am lost in the fog of fear. I can't move, my whole being is away. Somewhere else. Gone. I'm left in this shell which has no brain, has no heart, has no meaning. Do I go up? or down? Do I stay put? Is it safe here? or there? Can I even lift a foot to step?

I can feel myself hyperventilating and feel powerless to stop it. Then a rough hand grabs me and I'm tumbling. I hit and bounce. Hit and bounce. Head over heels. Back flips. Dives. Something tries to get my attention. What IS that? "Spread your wings." What? "Spread your wings." What wings? "Spread your wings."

So. I spread them, and I'm flying instead of tumbling. Or maybe soaring is more like what I'm doing with them. Soaring on a thermal spreadeagle. I feel like a parachute, open and catching air as I descend to a narrow valley. When I land, I keep my feet.
A short, short story, OR a prose poem.

c. 2015 Roberta Compton Rainwater
407 · Oct 2017
word dances
the look of words - in any language - across a page
brings to mind the gestures of dances
slow, or wildly free
a waltz, perhaps, or
an arabesque
a twyla tharp choreography or
a martha graham ballet
an earthy folk dance
a Japanese kabuki,
a Chinese dragon or lion dance

some lines of words also look like music
some, like wind instruments
others are a slow walk to anywhere
(which is a dance, too)
the flow of words takes us with it
expresses through music and gesture
so much more than their definitions
are sacred sounds expressed through
movement across a page,
across an invisible divide between you and me,
over a mountain range on elephants,
to conquer a heart

and satisfy a soul


c. 2017 Roberta Compton Rainwater
402 · Nov 2017
blue hole
I am falling into
a blue hole in my soul
full of the sea
descending

this emotional deepscape
so far under my knowing
makes of me a wanderer --
a discoverer --
of my abyssal, hidden soulsea

thus it is, to be untethered
falling to magical
places
where deepwater hot springs
bloom
falling into deep water
where grow corals
and vent animals
odd, rare species
unknown to me

the soul pressure ---
intense
the soulwater ---
murky and warm
the soul life ---
lit from within


c. 2017 Roberta Compton Rainwater
394 · Nov 2017
Pharos light
I fell in love with you
at first sight
not in my head,
from the lure of
****** attraction
no, it was simple
and from my heart
it wasn’t deposited there
it appeared --
simple
naked and
whole

it was the sidelong look
you gave me as
we said goodbye
it was the bright smile
with that look
then
there it was -- simple,
naked, and whole
the Pharos light
my wandering soul was seeking
undeniable
ineluctable
remembered


c. 2017 Roberta Compton Rainwater
389 · Jan 2018
the lightning-struck pine
sheds its bark an

armor piece at a time
from high on its trunk

where its heart would be
is that what creches first

rather than the soul?
(a volute of thought

from heart to head, this) --
like the healing of its bone

by the purring of the cat
or the birthing of a person

in the eye of the whale
or the movement of the heart

into the head
a balm of balsam

baal shemen
chief anointing in the

shedding of the tree
a chrism, the

extreme unction of Love


c. 2018 Roberta Compton Rainwater
375 · Oct 2017
Jericho's walls
like Jericho of the ancients
my walls have found their matchmate, their shofar,
their holy crumbling disintegration -
have sounded the depth
of my abyssal and penetrable, vaginal soul

I am entered through the desolated and tender crevasse
discovered in the arched vault of my love
which treasures not, nor needs
yet knows ee cummings’ “secret of begin” to the outer
borders of my being, the hidden places of my knowing

the right kind of madness, this
of a rightness and a madness so pure, it stings
the perceptions of ordinariness and
makes of ennui - the sinter of a heated being -
anything but

yet, enter my fornix with dread and awe
lest you vitrify it by atomic waves of sorrow
I am fragile, and tender, gentle, strong and destructive
I am death from Life
and
Life from Death

blow your shofar, Ram, and I shall fall into your gravity
I shall be as Callisto to Jupiter,
an orbit by seduction and a
child wombed in Love


c. 2017 Roberta Compton Rainwater
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