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637 · May 2014
mother of 6
Raj Arumugam May 2014
My wife’s given me 6 children
and all we’ve known is each other
so I can’t but help feeling a little
that she’s old, so I started calling her
“Mother of 6” instead
of using her name
So at parties and gatherings
I might say: “Alright, Mother of 6 -
time to go”
Or I might introduce her to new friends as
“This is Mother of 6”

But she obviously can’t take
my humour any more...
last night
as I called out to her
(at the dinner hosted by our neighbors)
when it was time to leave:
“Mother of 6, time to go” -
she retorted just as loud:
“OK, lead the way -
O Father of 4!”

O how I hate people
who can’t take
a joke…
poem based on a joke from online
636 · Oct 2010
who's me?
Raj Arumugam Oct 2010
Who's that?
It's me
But I'm me too
and so are you;
also my neighbor
thinks she's me
and voices on the phone too go:
...me...me...me...me...
but really,
why does everybody think
they're me?
634 · Oct 2014
what happened to the rest?
Raj Arumugam Oct 2014
For one poem I shared here at HP
I got 55 views of which 5 were hearts -
hey, what happened to the 50?
OK, I don't expect all readers
to like the poems I post
so maybe HP -
to give readers a choice -
could introduce other buttons like:

DISLIKE
HATE
DESPISE
F _ _ _
YOU CALL THIS POETRY?
WENT TO SLEEP HALFWAY
DESPICABLE
DID NOT READ BUT I CLICKED LIKE
WORTHY OF BEING PLAGIARIZED


and so  then I might get a better view
of each of my poems, for example:

55 views

5 LIKE
20 F _ _ _
10 DESPICABLE
6 YOU CALL THIS POETRY?
10 DID NOT READ
BUT I CLICKED LIKE
4 WENT TO SLEEP HALFWAY
0 WORTHY OF BEING PLAGIARIZED
hey, just a light-hearted look at life here at HP...nobody ought to take this seriously - just laugh and move on and be yourself...
633 · Mar 2012
experience required
Raj Arumugam Mar 2012
Yeah, the boss called me in
he sat there drumming on the table edge
with his fingers
and then asked me how long
I'd been here
and I said: "5 minutes"
"No, no, " he said. "I mean
how long have you worked for me? "

"Oh, " I said, "12 months"

"And what did you tell me, " he said,
his arms folded
"at the job interview? Didn't you say
you have 5 years' experience in this kind of job? "

"Yeah, " I said

"Well, I've just checked and you never
had experience before
This is your first job!
Explain! "

"Well, I learn fast…" I said
"See, I've fitted in so well. No one's noticed."
"No I don't mean that! " he said,
drumming on the table edge again
"Why didn't you tell me the truth? "

"Oh, " I said, *"cos the job ad also said
I should have imagination
So now, Sir, I've got experience
and you very well know I've got imagination"
632 · Oct 2010
The People's Red Book
Raj Arumugam Oct 2010
see what’s in mind
bundled in the thoughts
and far and deep within;
see, one says one is of a particular group
or particular region;
hear one say “I am this;”
or “I am that;”
and some cling to a religion or philosophy
and so make a Self;
they identify themselves:
“I am of this religion;”
Or
“I am of this persuasion;”
Or
“I am of this faith;”
see and hear the cacophony of human discord:
“I am of this country;”
“I am of this ancient lineage;”
“This is my religion;”
“This is my faith;”
“I am this…I am that…”

O we love our badges, our titles
and decorations the Great Leader
pins on us, don’t we?
And we love all the fancy ribbons and rewards
the Politburo promises, don’t we?
We just live by our Red Book;
each group with its own Divine Red Book

“Come on, little children
gather round Daddy and Mommy;
we have sweets
and candy for all of thee”


But can one plunge deep and see
and drop one’s conditioning?
And what happens when one does that?
And can one drop one’s history
one's addictions
and beliefs and mental formations and faith
and dependence and identity?
What happens?

Perhaps only then one sees with clarity
626 · Oct 2011
Nasrudin's two prayers
Raj Arumugam Oct 2011
1
Nasrudin rushes into
the House of Prayer and
mumbles a quick prayer
and gets up just as quick
to rush off

Wait! commands the Chief Priest
in the House of Prayer
Say your prayers again -
slowly and with dignity!


And so Nasrudin follows instructions
and says his prayers slowly and with dignity
and then he asks the Chief Priest if he can go


2
Yes, says the Chief Priest
And don’t you think
the Mighty Lord is pleased
with your prayer slow and dignified
rather than the hurried
and quick one you offered first?


Not really, says Nasrudin

And why is that? asks the Chief Priest

Why? asks Nasrudin
*Because my first prayer was for God;
the second was just to please you
626 · Oct 2010
in praise of the moon
Raj Arumugam Oct 2010
I will not sing you a song of praise
O gentle moon
there are too many modern people around
too many enlightened minds tonight
they reckon they don't need your light;
there are too many elect
and too many going to Heaven
and if I sang in praise of you
they will throw their Blessed Books at me
and they will say
'You moon-worshiper, you go to hell!'
(they fancy words like idolator)

O so most divine moon
O godly moon
O most sacred moon
I shall not sing in praise of you;
there are too many bloodthirsty wolves around
625 · Sep 2010
lovers in nature
Raj Arumugam Sep 2010
sweet love
come
gentle love
we’ll stand before the altar
of flowers that bloom on the arms of trees
and with the fish in the embracing lake;
and moss and soft grass on the ground
and clouds kissed by the benign sun
we’ll have our hands tied with vines together
dearest love
with flowers in your hair
and for humor, grapes balanced
on my head;
and while squirrels watch from up the branches
we’ll have little girls dressed as Flora
and boys as trees
and the choir will sing songs of nature
and the birds will float lazy
and we’ll wait till the moon rises
and the celebrant will sing at our marriage
and we’ll walk into the water
and hug and kiss underwater
and come out to be dressed with
the ceremony of the light, myrrh and wine
and stay the night in a tent
guarded by guests who drink and celebrate all night
and it will be such love and life
sweet love
the conventional world will say,
oh let’s do our marriage again –
a marriage updated in these times
a marriage held in nature’s arms
companion picture: Etching of James McNeill Whistler's beloved, Joanna Hiffernan, who was his model for his three "symphonies"
Raj Arumugam Aug 2011
they came to me with Big Books
they came with appeals and threats
but I said:
*Go, for
there is no philosophy,
no revelation
no dependence, no authority;
there are no terms
and one is free of all propositions;
there is none higher, none lower
and therefore all are same and even;
one does not slide to the past or tradition
and one does not idealize a future
and time is done and thought is observed;
there is no judgment here
no conditioning and beliefs
but one rests in what there is
619 · Oct 2010
Daddy! Daddy! said Adam...
Raj Arumugam Oct 2010
When Adam
first saw God
he said:
Daddy! Daddy!

And God said:
Hey! Stop calling me that!
Don't you get too familiar with me, boy!

Oh, said Adam,
but you created me
so why can't I call you Daddy?

NO! thundered Mighty God.
And that is that!

OK, said Adam.
How about I call you Dr Frankenstein?
Raj Arumugam Feb 2012
1
Oh what shall we do
what shall we do
with these drunken men -
like my very own darling
Mike Hammer?

Last night
I picked him up
from outside the pub
where he'd been drinking
with his mates
And in the car
almost near our home
he says: I love you
And I say to him:
Is that you talking
or the beer?

And he says
like lightning:
It's me talking.
I'm talking to my beer.


2

Oh what shall we do
what shall we do
with these drunken men -
like my very own darling
Mike Hammer?
I locked him in the car
doused him with effluent water
let him sleep there
till he turns sober
But it's 11am now and hot
and sober or not,
he's still asleep
in the car
and when I try and wake him up
he's still mumbling about love and beer

Oh what shall we do
what shall we do
with these drunken men -
like my very own darling
Mike Hammer?
Maybe I should dunk him over a hill
car and all
till he turns mature, till he's sober
....an old joke revived in verse...
617 · Feb 2012
two crows on a tree
Raj Arumugam Feb 2012
CROW 1

Hey - you've got the vantage point
higher up on the tree
Tell me if you see
any signs of food -
a dead roach, some rats or carcass
with its guts open,
something like that…
or even an open bin or scattered bits,
leftovers…you get the idea…
Just give me a caw
when you see some…



CROW 2**

Oh - don't you ever think
about anything but food?
The higher vantage point here
really has put me into a philosophical mood -
and now I'm meditating over
life and death and meaning
and all you think of is food…
companion pictures: Two Crows on a Tree by Kawanabe Kyôsai  (Japanese, 1831–1889); also 2 Crows by Kawanabe Kyosai
615 · Feb 2012
the Stranger, she’s gone
Raj Arumugam Feb 2012
she is not here
she’s gone
stranger in our midst
uncomfortable in our ways
she walked in the quiet below the trees
while we wrangled and plotted
in crowded alleyways
and streets

you do not see her
she’s not here
you won’t find her
at the edge of the lake
where she walked often
she’s not at the park
where she sat in meditation
while we clamored and fought
to bring to reality our dreams and ambitions
and vast unimagined desires, unacknowledged

she is not here
you do not hear her song
you do not see
her gentle face
all you have is your violence
and the harshness of your faces
she saw she was the stranger
and she walked past to move into her own
612 · Feb 2011
an evening's music
Raj Arumugam Feb 2011
come, it is a cool evening;
it is time for the body to rest
and the mind to withdraw within;
let us play then
a raga for this evening:
notes and a rhythm and a flow
that shall bring quiet, peace and calm in one’s being;
and perhaps as you play
the melody and  magic
might induce me into a state
of inspired words that might come out as song and verse
that might bring ease and stillness
to all that might hear us play and sing
poem based on painting, "An Evening's Music" (Indian; artist unknown) between 1760 and 1790; Medium: opaque watercolor and gold on paper; Brooklyn Museum
612 · Sep 2010
eternal love
Raj Arumugam Sep 2010
He whispered he’d love me forever
so I had his name in a heart
tattooed on my back;
a year later I fell in love again
and this time I whispered I’d love forever
so I had this other eternal love’s name in radiant sun
tattooed just below my belly button

Years have passed
and when I have a new love
he seems to gaze
at either side of my body
and never comes back at all

“Hey," I call to one of them.
“You promised to love me forever
the night when we made love
in the couch in my place -
and now you refuse to answer my calls.
What happened?”


“Well,” he asks,
“what happened to the eternal love
Tom promised you on your back?
And what about Sam’s eternal love
just below your belly button?”

Oh these men,
they’re so unreasonable,
and so childishly jealous…
Raj Arumugam Jan 2012
Earthlings:
We have created a World
One World
One Language
One Way
in All Things
One True God
One Thought
One Government
One Will
We have created this
and we will extend
this benefit
to Planet Earth:
Not necessarily through agreement
but bringing all things to concord
to the One Way
Raj Arumugam Feb 2012
Shall we tell
dear Dr Bell
he’s actually
fallen into a well
that he’s not exactly
in  hell
he’s really
a frog in the well
but if we do tell
dear Dr Bell
he’s actually
in a well
not in his proclaimed hell
and if he climbs out of this well
it’d be swell
cos he’d be out of the cell
and he wouldn’t smell
but then I’m afraid
dear Dr Well
will come out
of his imagined hell
just in order to sell
his vision of a literal hell
with proclamation
and pronouncement:
“Hear all about it!
I know all about it;
I’ve been to
and back from hell”


So should we tell him
or should we not?
Oh what the hell!
We’ll wish him well
we’ll tell him anyway:
Earth shall always beget fools
and many will fall
each in their own well
and so make life
a living hell

So let’s get Dr Bell
out of the well
for many
a fool awaits his
Divine Vision of Hell
609 · Jul 2012
walking on path in Spring
Raj Arumugam Jul 2012
it is Spring
and we walk here now
on the solitary mountain path;
on the branches that were bare but yesterday
are new leaves, fresh and unfurling;
and a few sprigs scattered about
on the shoulders of the path

the rocks are shaped and weathered;
Nature’s thumbs and fingers
have pressed the earth the way its Dao flows
There is a bird on a bare branch
and another sings its song, hovering in the cool air

And we, we two -
now walking on this path in Spring –
though we strive, and though we aspire
we too are but living beings
Nature will fold and discard, after use
gently or as it wishes
after use
poem based on painting “Walking on Path in Spring” by Ma Yuan (马远 c.1190 - 1279年); image from wikipedia
608 · May 2014
love poem of Mr Ghost
Raj Arumugam May 2014
My love, my sweetheart
she is as white as cold milk
at will as transparent as glass;
her lips are red, as red as dripping blood

she wakes me up each night
with a newly-plucked out
still-beating heart
of all varieties of human emotions:
"Breakfast in bed?" she croons

O her every word is a scream
her every look burns the spirit
she shrieks and groans and moans
enough to raise me up to the clouds
O her very touch is icy cold
her embrace is as delightful as being
in the arms of Queen Winter -
O...Ooo...wwooooh...should I compare her in a sonnet to a Winter's night?
but that would be groundless
for she excels
every unpleasantness
and horror, and she breaks all form

My love
she screeches like car tyres in a sudden stop
she scratches down my back
like a tractor on farm land
her eyes are hollow
and we exchange worms when we kiss;
her ears pop out
of her dry, unkempt straggly hair -
O she drives me into long howls, that wild wild
ghost of once a woman

O eternity,  eternity with my cold, cold love
O what would I not give to be always
and always
in spirit with her -
O I could die forever
to be in the cold, cold embrace
of my hollow-eyed screamy love
another one in my series of poems on ghosts, ghouls...surely ghosts must be capable of love?
Raj Arumugam Oct 2011
coming new to love
still I want to think about things you know
and so I look deep into my heart
and we must be candid and frank, you know;
and of course we’ll have all those things
like love, family, values and kids
but look - a man needs what he needs and so
that’s essential too, you know:
so maybe 3 times a day in the first years
and then depending on work and how often the kids are around
you know;
but really we have to manage at least once each day
and so like that in our twenties and thirties maybe
and then the kids go away in our forties
and so maybe we’ll revert to 3 or 2 each day again
for a while
depending on my ability and yours too
and then maybe only twice each day past in our sixties
till our last days certainly
and maybe just once when I say my final goodbye:
that’s my proposition
my beer-drinking plan for a whole life together...
would you find that acceptable, sweet love of my life?
604 · Jun 2013
Sam and his Dad
Raj Arumugam Jun 2013
It’s Meeting Day
and Sam and his Dad
are with the teacher
at school

and the teacher
compliments Sam –
but she has one 'but’ ;
Sam has a predisposition in class
to use too often the word: “****”

Dad hears this and turns to Sam
“You little ****! How dare you
use such words? Stop your
**** mouth from
using **** words like that in class,
you little ****!”


And then Dad turns to the teacher
and he says with a smile of assurance:
*“Don’t worry, Miss – that will fix
that little ****!”
604 · Apr 2014
Death and The Smiths
Raj Arumugam Apr 2014
1)  THE INVITATION

Mr and Mrs Smith
thought they'd need
(Oh, just for fun)
a change of guests they had
so they invited Death
for a meal, via email
“Hello, would you care
to come for dinner?
6pm will be fine.”

And Death said yes,
but he wanted to know:
Is that a death wish?
And he was working at home
so he continued deleting
names on his database


2)  DINNER

And it was dinner
and Mrs Smith rolled
her eyes, and patted her curls
and Death said:
“You trying to flirt with me?”
And then they played cards
and Death looked
at Mr Smith dealing
and he groaned:
“You trying to cheat me?”
And Mrs Smith said:
“How would you like your dinner?”
And Death said: "Always cold for me.”
And Mr and Mrs Smith thought
it was time for their guest to go
but Death said:
*“I’ll have you know
nobody tells me when to come or go”
...dark humor, dead serious...poem based on a jumble of jokes, from various sources
601 · Feb 2011
Zushio and mother
Raj Arumugam Feb 2011
SON:
O mother
forgive me your son
for I could not bring sister
alive back to you
for time delivered her
into the hands of the unjust
and she chose a lake
as her burial ground;
father died in his exile
and all I bring to you now is myself
with nothing in my hands
for poverty and misery has been the reward
of the just and the righteous;
I lived by father’s words
of compassion and love and justice -
O dearest mother,
and the world proved a cruel master




MOTHER:
Though we are left
with nothing the world can see
nothing the world can measure by
there is the love one has…
O Zushio, my child -
and may that love sustain me, you
and may that love sustain all beings
O Zushio, my child
see your life’s journey this way:
May no harm befall any being
may all beings live in peace;
may all beings be happy
and no harm ever come to one
through my deeds and actions
Number 7 in a series of 8 poems “Songs for Sansho the Bailiff”.
This series of poems is based on the film “Sansho the Bailiff “ (1954) by Kenji Mizoguchi. Set in medieval Japan, the film tells the tragic tale of a family that lives by the father’s ideal that one should be just to others, even if that goodness is inconvenient to oneself. The family is separated and endures all sorts of suffering in living this ideal
597 · Oct 2010
On Planet Urrrgh
Raj Arumugam Oct 2010
on Planet Urrrgh
they don’t go: Burrrp!
instead it sounds: Sluuurp!

there are no people there
just plain blue shadows
that enjoy media discourse on
when the light will bring back
the substantial bodies they never knew

and on Planet Urrrgh
they don’t say: I love you!
they say: I love I!
they don’t wake up
they crawl and creep
and never go to sleep;
they don’t say: Good day!
they just mumble: Oh, no - not me again!

on Planet Urrrgh
they don’t have fancy words
so they call a ***** a *****
so the females and males don’t make love
they just enjoy ***

on Planet Urrrgh
their vocabulary consists
of just five words:
Sluuurp!
Iiiithnuu
Urrrrgh
Prrrghhhjjuu
Dooohnttrtrre
whic­h loosely translated in earthling language are:
Burp!
I love I!
Oh do that again, baby!
And again!
O ****!

and if you ask me
how I’d know all of this
about despicable Planet Urrrgh
that’s cos I’m from adorable Planet Trrrrkkkik;
and if you dispute
what I say about Planet Urrrgh
then I say unto you: Trrrrkkkik!
596 · Oct 2011
Nasrudin's two prayers
Raj Arumugam Oct 2011
1
Nasrudin rushes into
the House of Prayer and
mumbles a quick prayer
and gets up just as quick
to rush off

Wait! commands the Chief Priest
in the House of Prayer
Say your prayers again -
slowly and with dignity!


And so Nasrudin follows instructions
and says his prayers slowly and with dignity
and then he asks the Chief Priest if he can go


2
Yes, says the Chief Priest
And don’t you think
the Mighty Lord is pleased
with your prayer slow and dignified
rather than the hurried
and quick one you offered first?


Not really, says Nasrudin

And why is that? asks the Chief Priest

Why? asks Nasrudin
*Because my first prayer was for God;
the second was just to please you
592 · Feb 2012
at Work, and at Dreams
Raj Arumugam Feb 2012
I went to work
and I worked hard
and it was humdrum, tedious
and so I wrote a poem
but you know, nobody pays for poems
You can dream
but you can't put bread on the table
so I went to work
and I worked hard
and it was humdrum, tedious
and so I wrote a poem
but you know, nobody pays for poems
You can dream
but you can't put bread on the table
so I went to work…
592 · Oct 2010
is the next 100 do-able?
Raj Arumugam Oct 2010
if a 100 years from now
one might read this poem
and my other posts
and one says:
‘Wow, how marvelous
these writings’
Then I’d say:
‘You never learn, do you?’




If a 100 years from now
one might read this poem
and my other posts
and one says
‘Hmmm…what *******
writing all these silly stuff’
Then I’d say
‘You never learn, do you?’



But if a 100 years from now
one reads this poem
and one says
‘Hmmmm...well, that’s interesting
but let me do my own thinking’
Then I’d say:
‘Humanity has come a long way’


And if indeed you now
in contemporary time
if you should read this post
and you should say:
‘Look, let me do my own thinking’
Than I’d say:
‘Yes, surely, the next 100 years is do-able’
Raj Arumugam Oct 2010
the evening sunlight falls on the lily-pilly
and the green leaves come ablaze
and the birds fly over in the sky
and the clouds spend their short lives
forming shapes and playing games:
it is all here before me
and I observe
and I am here too;
and there is no dogma or belief
or any book to live one's life by
one is free of all conditioning
and one observes the world as it is
591 · Oct 2010
Li Po, the moon and me
Raj Arumugam Oct 2010
You know
lovely moon
Li Po
was drunk
and he paddled out to you
seeing your reflection
and he jumped into the lake
embracing you in the waters
and so he drowned;
but
you know,
loving moon,
I will not come to you thus;
instead you know my time
and you will drown
in the lake shadows of my quiet
Dedicated to D, a poet at this site; also see his poem:

http://hellopoetry.com/poem/at-an-opportunity-too-subtle-to-resist/
590 · Feb 2011
Sansho’s philosophy
Raj Arumugam Feb 2011
one comes to this life
and one must seek comfort
and ease and one’s status
and this comes through careful nurture
and meticulous culture;
wealth and power flows from one to another
and one’s ease comes through the discomfort of the other –
the fool must fill the coffers of the cunning;
the weak must prop up the strong
and so this is the secret of life
and one must seek a group that can sustain one
and one must sustain that group too
and so keep all others in place under thumb, toe and fist
and so that the ease one comes to in life
flows constant like the rich living rivers
Number 6 in a series of 8 poems “Songs for Sansho the Bailiff”.
This series of poems is based on the film “Sansho the Bailiff “ (1954) by Kenji Mizoguchi. Set in medieval Japan, the film tells the tragic tale of a family that lives by the father’s ideal that one should be just to others, even if that goodness is inconvenient to oneself. The family is separated and endures all sorts of suffering in living this ideal
589 · Oct 2010
who’s this dead?
Raj Arumugam Oct 2010
who’s this dead
run over by cars
and maybe trucks
found at five am
as I drive up Milton Road?
who’s this dead?
head pressed flat
and close to the road
tummy split open
and never too early for crows;
and fur still clear on the tar
and limbs outstretched
who is this dead?
poor misfit creature
who can’t negotiate our roads
who are you,
you gentle creature?
some gentle being who came down
from the trees at night
perhaps taking a walk
or looking for food
and knocked down dead
by tyres and such power
Raj Arumugam Nov 2011
O gentle ones
dear butterflies that have come in my garden
did you see?
I waited today in my lonely confine
prescribed to me by time and life
though I too tried, like you, to fly
but the years given me are too long
and not seven just like yours
and time has chained me to a single place
and no one comes
and in unquiet silence I sat in the shadows

and you flitted in

you flew in like a happy crowd of children
a cheerful procession of revelers
and you flew straight to the flowers -
the flowers! ah, dear butterflies
I had not even noticed them
and now I do...
all of it -
your gentleness
and your grace
and the charm of the flowers
and the beauty of the day;
and now that you are come
I too am cheerful
I am happy too
since you flew in
poem based on'''Hojeopdo''', literally picture of butterflies drawn by a 19th century Korean painter, Nam Gyewoo
586 · Jul 2013
Cat Mum's Advice
Raj Arumugam Jul 2013
said one cat to the other
at the playground:
*“My mum always advised me
never to
climb trees
For she did say
very wisely:
‘What has bark
will bite next’”
Cat Mum's Advice, cat poems series, 5 of 9
582 · Feb 2011
come, we are lovers
Raj Arumugam Feb 2011
come, we are lovers
who have taken our pleasures
all through night
we have taken what each can give
and exchanged ****** fluids
and we have lived
a range of sensations
and shown each other skills of the flesh

and now it is dawn
come though we are lovers
we must depart
for day signals toil and roles we must play
till night comes again and we may express
each to the other
bring out from within
what light suppresses all day
and what darkness excites all night

come then, we as lovers
it is dawn and it is time
for each to be in one’s proper place
till once again we meet
in night’s desired transgressions
poem based on Dawn Inside the Yoshiwara, No. 38 in One Hundred Views of Edo by Utagawa Hiroshige (Ando), Japanese, 1797-1858
580 · May 2014
haunted prison tour
Raj Arumugam May 2014
you visit this disused Olde Gaol
remote, renowned
250 years old and now a musuem;
and rumoured to be haunted

you love the thrill but fear meeting
a ghost,  the one said to make
unexpected appearance in this prison
"I love the excitement," you tell the guide
"but I'd die if I met one"

The guide pooh-poohs your suggestion
and says: "In all my time here
I have yet to see a ghost"


"And how long," you ask, "have you
worked here?"


And the guide answers: *"245 years"
...last of the poem in my ghost poems series...
577 · May 2013
same dog
Raj Arumugam May 2013
The Creative Writing teacher
has sniffed out a cheat
and she glares at Tom and barks at him:
“Tom – each word in this writing
you submitted
is exactly the same as the one your
brother Sim has submitted”


And quick as a leaping dog comes
little Tom’s answer:
*“Yeah – it’s the same dog!”
...poem based on an online joke....
576 · Oct 2010
sun love
Raj Arumugam Oct 2010
see
the creatures of the earth
burrow deep
and go to sleep
in your absence;
and they come again
kicking and hungry
when you shine
Raj Arumugam Sep 2010
it’s the time of the parochial
baby
tread with care;
it’s the time of fear and violence
walk with eyes
before and behind you

the barbarians are everywhere
tearing down libraries;
there are demon contortionists
who can bend Truth and sense;
and there is violence
blessed by God
and justified in anyone’s Holy Book

there is a man
who looks at how you dress
and look;
there is a team taking notes


the mindless are everywhere
and they want to eat your minds;
there is blackhole-distortion
and everything you might hold dear
is taken to be twisted and turned

look to your mind baby
look to your heart;
there’s the dread of Satan
who walks in God’s clothes;
they try and take what you got
and give you salt and sand to eat


it’s the time of the parochial
baby
tread with care;
it’s the time of fear and violence
walk with eyes
before and behind you
573 · Jun 2014
what's your sin?
Raj Arumugam Jun 2014
When I was a teenager
(like Dave Allen must have been)
I was at confessional
and the priest asked me what my sin was

" I have been in bed, Father
with a woman
of loose morals,"
I said
and refused to give a name

He sighed and he said:
"Was it Anna Berley?"
I said I couldn't tell
"Was it Sue Saxton?"  he persisted
I insisted I was sworn not to tell
"Nora Muxton?"  he asked again
I remained silent
And he dismissed me then with
5 Our Fathers and  5 Hail Marys


My mate Sam was outside
and he asked what I got
and I said to him:
*"5 Our Fathers and  5 Hail Marys -
and 3 good leads is what I got"
poem based on an existing joke
Raj Arumugam Oct 2010
one is aware
sleep's gentle hands
release one awhile
to turn over, perhaps
and one is conscious of a gentle light
and one sees the moon between the trees
a wisp of cloud ghost-moves past;
and sleep, the seductress, embraces one again
571 · Oct 2010
why the sunset comes
Raj Arumugam Oct 2010
the sunset does not come,
do you think,
to be appreciated
and to be told how beautiful it is,
don’t you think?
the stars come in at night
and the moon too
not really for appreciation
and to be glorified and to be the subject
of paintings and songs and nursery rhymes;
they simply are in the general scheme-dance of things;
the bird may sing to attract a mate
and perhaps to warn the group
but it does not sing, it appears,
for audience approval and applause
and ratings and number of visits;
it is just its nature, I think:
so that the sunset comes
and the stars and the moon too
according to conditions
and the bird sings because it must;
there are no complications…
Raj Arumugam Mar 2012
1 HIS SONG

His song was always:
I see no good
see no kindness
in the world
I see no hope
I see no gentleness
nowhere all round me



2 THE SCENE

and now he lies
bowels dismembered
His intestines
making a nice O
on the floor;
his limbs like sticks
stretched out
pointing towards the only door



3 POLICE VERDICT

*some evil
got him
568 · Oct 2010
you witness my dying
Raj Arumugam Oct 2010
you witness my dying
as you see my life, my hopes and desires
and all my embarrassments
and my achievements too,
dear moon
O quiet presence,
O radiant presence all one's life;
and what do you look at these days
in my life
darling moon
what do you see?
you who have seen the child grow old
and you hang out beaming by the window
patiently
to see one more death
to add to the countless you witness
since the day you came
568 · Jan 2014
this is the in-between
Raj Arumugam Jan 2014
it is now the in-between
a transition, a lull
no action, the will
at rest
it seems


a moment –
no sense of measure, actually -
like the evening
that embraces  
the trees and the skies;
like the dancer before a move

it is now the mind’s quiet
one at peace, as if one meets oneself
a cessation the while
a pervading silence
that does not seem as an other;
this is the in-between
567 · Feb 2014
Portrait of an Old Man
Raj Arumugam Feb 2014
My straight back is broken
I can hardly keep an upright posture now
as I once used to
but my spirit is not broken,  Sirs
And though I lean on a walking stick
which is my devoted companion -
more useful to me than a daughter or son
(my wife passed on , Sirs
poor woman she went three years ago) -
I still have my dignity, a sense of my worth, Sirs
O you who enquire where I come from -
where I come from is the past, Sirs, truly
(I do not mean to be insolent in that)
for truly time has eaten much of my memory
and all that was mine or familiar
or what was worth holding on to
The streets here are my home, Sirs
so I know my present
what corner I can find
when the bones are weary;
but otherwise I wander the streets
where my legs will carry me
and where the city police will let me;
and where there are no street urchins, I tarry
And I have naught to do but observe
the energetic world go by
(a world wearied in its own drive)
with which I am disconnected
And that has no personal meaning for me
except for its occasional kindness
But that Sirs, if I may go now, is my beginning and end
and all that which is mine…as my wife might say,
and she said, as the good woman died:
*Well, if it pleases you or not, I must go now
*poem based on "Portrait of an Old Man", c. 1624-1650,  painting by Georges de La Tour (March 13, 1593 – January 30, 1652)  De Young Museum, San Francisco.
* Well, time for me to take a break - I mean, to take care of paper work which I have been putting off...back at end of March.
565 · Apr 2014
a twist of fate
Raj Arumugam Apr 2014
Dad was dying, breathing his last -
would Mark be sad or glad?
Glad - why not? Since Dad’s
a multi-billionaire
and Mark’s the only child
and all things will go to Mark,
to no one else

Mark ’s happy the doctors
said it ’s anytime now
and he must make arrangements
so he asked his long-time,
indecisive sweetheart:
“Hey, Helen baby – my dad’s dying
and I’ll inherit everything
So you got to decide now -
come home with me?”

“Sure thing,” Helen said
as instant as noodles
And Mark and Helen got home -
and look, to make a long story short,
that’s how Helen became Mark's step-ma
And Mark’s sitting in the garden shed
still licking his wounds
poem based on a  joke I found online
564 · Sep 2010
on our conditioning
Raj Arumugam Sep 2010
there is no seeing, no clear seeing; we do not want to see…
We rather have glasses with rainbow colors on them,
so what we see is seen through them…
Why see for oneself?
it’s far easier
far better, much more comfortable
to get in a group
and believe in what you are told to believe
I mean it’s too much effort to see for oneself: why bother
when people give you free rainbow glasses and tell you
to see through that?
so we stand at the bottom of the tree
and we listen to the man who climbs up the tree
and he shouts his description
and he tells you what he sees
and he gives you a complete description
of the world he sees
beyond the hills and mountains
and he comes down
and you’ve got his description –
and we all say:
“Write his words down
and this we shall believe
for this is the Complete Description
of the Truth seen
by our Mighty Seer…
and this we believe in….”
The description, the word
becomes the thing;
nobody climbs trees themselves–
why should they?
they’ve got the Complete Description.
and it’s added on
and illuminated
and passed on and on and repeated
until no one questions
and anyone who questions
is blind and does not see
You must not question authority.
There is no clarity
because the group
writes down everything for you
in a book
(Oh no, it’s not from the group;
it comes from High Above)
and you read the book
and you repeat and repeat
until the brain’s programmed
and the book talks in you
and the group shouts in you
and you do not think
everything’s done for you:
it’s safer this way
because this way all the promises, one thinks,
will come true
So we all book a place through our group’s book
and let the group do the talking and let the group
do the thinking and we just have faith and beliefs and dogma
and the promise and our greed
So we never see what actually is and we see
but through the tradition, the revelation, the doctrine,
the rainbow glasses…we see what we are told to see…
We’d rather be slaves
in the mind
for it’s safer that way,
safer in groups that will lead us on
than do the thinking, it’s too much effort…
Ah, clarity is too frightening;
it’s much easier to believe
and to be comforted by the Book
and to hang on to badges
and to hang on to labels
than to drop all beliefs and to see what actually is…we all
want to go to Heaven, don’t we?
With all the promised rewards…but if one could put aside
the description, and the rewards, and the rainbow glasses...
Raj Arumugam Jun 2012
you know, dear moon
in the previous place
I used to see you
every night you wanted to;
see you out the window kitchen
or even as I went up the stairs to bed
or I would step out into the garden
and there you’d quiver in the sky
and shine in the river
and there was just you and I
and not a thought in my mind
and you’d even wake me
with your gentle fingers over my face

but now there’s no high window
to let me catch a glimpse of you
and the shuttered windows will not let you through

if I step outside,
the street lights are too bright
and the crude houses rudely prevent you

it is rarely I have a glimpse of you now…
is it any wonder, dear moon
I am nowadays described as grim-faced…
*and now-a-nights, what about you?
*companion picture: Silence, 1898 by Isaac Ilyich Levitan (Russian: Исаа́к Ильи́ч Левита́н; August 30, 1860 – August 4 [O.S. July 22] 1900)
* In this instance, I wrote the poem first and looked for a companion picture after writing the poem.
563 · May 2014
humanity and belief
Raj Arumugam May 2014
it seems man says
(thanks to Descartes):
I think, therefore I am

it seems God says:
*Man thinks I am
therefore I am
the first of 2 poems about beliefs in the widest sense...this not anti-  or pro anything;  one observes and presents the observation...ambiguity in this poem is deliberate
Raj Arumugam Sep 2011
the gathering declares
with great sagacity
how one’s strength decreases
with age:
One is stronger when young;
Weaker when one is old


I disagree, says Nasrudin
I’m just as strong old
as when I was young


How so? asks the gathering
Explain yourself!

*Well, I cannot lift
the rock in my garden -
just the same as when I was young!
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