Submit your work, meet writers and drop the ads. Become a member
 
I am numb to such emotions.
I do not cry at funerals.
I do not feel sorry for the lost.
I can understand the sentiments buried on their face.
I can feel the pain they show,
but I do not feel it in my own heart.
But today I cried for a friends loss.
Something I have never done.
I wanted to help her,
to ease her suffering.
I did not cry because I felt her loss,
nor did I pity her.
I felt betrayed,
and selfishly mourned for myself.
This poem is meant to feel controversial since feelings are fickle things and more than one emotion can surface from something so simple.
 Mar 2016 Raihah Mior
ryn
Is there love for another?
Much like this?
One's that unconditional,
unrestricted.
One so free...
That skeptical eyes would miss.

The beauty in such a commitment,
can't be quantified in greens or gold.
Unbound by petty materialism...
That jingles and folds.

It's invaluable...
Only to the ones who would see
and acknowledge it.
It's coveted only by those
who fearlessly dare
to embrace it.

So...

Strive for unconditional love.
For it is the greatest gift,
anyone could receive
and bestow.
For it will be the sun
that fires
the beats in your heart.
For it is the abundant glow
cascading...
From the moon's
limitless flow.
I have done it again.
One year in every ten
I manage it----

A sort of walking miracle, my skin
Bright as a **** lampshade,
My right foot

A paperweight,
My face a featureless, fine
Jew linen.

Peel off the napkin
0 my enemy.
Do I terrify?----

The nose, the eye pits, the full set of teeth?
The sour breath
Will vanish in a day.

Soon, soon the flesh
The grave cave ate will be
At home on me

And I a smiling woman.
I am only thirty.
And like the cat I have nine times to die.

This is Number Three.
What a trash
To annihilate each decade.

What a million filaments.
The peanut-crunching crowd
Shoves in to see

Them unwrap me hand and foot
The big strip tease.
Gentlemen, ladies

These are my hands
My knees.
I may be skin and bone,

Nevertheless, I am the same, identical woman.
The first time it happened I was ten.
It was an accident.

The second time I meant
To last it out and not come back at all.
I rocked shut

As a seashell.
They had to call and call
And pick the worms off me like sticky pearls.

Dying
Is an art, like everything else,
I do it exceptionally well.

I do it so it feels like hell.
I do it so it feels real.
I guess you could say I've a call.

It's easy enough to do it in a cell.
It's easy enough to do it and stay put.
It's the theatrical

Comeback in broad day
To the same place, the same face, the same brute
Amused shout:

'A miracle!'
That knocks me out.
There is a charge

For the eyeing of my scars, there is a charge
For the hearing of my heart----
It really goes.

And there is a charge, a very large charge
For a word or a touch
Or a bit of blood

Or a piece of my hair or my clothes.
So, so, Herr Doktor.
So, Herr Enemy.

I am your opus,
I am your valuable,
The pure gold baby

That melts to a shriek.
I turn and burn.
Do not think I underestimate your great concern.

Ash, ash ---
You poke and stir.
Flesh, bone, there is nothing there----

A cake of soap,
A wedding ring,
A gold filling.

Herr God, Herr Lucifer
Beware
Beware.

Out of the ash
I rise with my red hair
And I eat men like air.
 Mar 2016 Raihah Mior
cgembry
I’m sending all the letters that I wrote to you.
Each on paper; plain, lined or scrap,
in pencil or pen with misspelled letters
and scratched out words.

A text would have been faster
a tweet would have been easier
but I can’t tell you I love you
in any less than 3 pages.

So I’ll take them to the post office
and send them out today
they’ll make it to you first
but I’ll be on my way.
A simple gesture
Touched my heart
Now I wonder
If being apart
Means I'm not for you
And you are not for me

But I hope and I pray
One day
You'll be by my side
Through high and low tides
To love undyingly.
Please don't be married yet.
 Mar 2016 Raihah Mior
Got Guanxi
You were the first tomb I ever knew.

Sweet sixteen,

All tangled up in you.
You carried me like a chariot,
I know now how hard it was,
to bring me up on your own,

Seventeen,

child teething and broken evenings when you could of been day dreaming or on the scene - if it wasn't for your love for me.
Implicitly so pretty,

Eighteen years old as I crawled and drew on the walls with lipstick red,
and painted the toenails of my father - with you, only for you.
There was plenty of places we had lived
in ice cream castles together
and you were only twenty three,
when I was seven.
So many lessons learnt and fingers burnt as I grew up in a fairytale together on fairywell road.
Me and you together, only for you.
Then you got married and I was your baggage but you carried me so strong but I developed bad habits,
by the time you were my age now.

At twenty nine,
I was a teenager.
How did you do what you did for me,
I'll never know.
I just know I couldn't do the same and you maintained your allure, class and dignity and nature of the finest kind,
Only for you, my queen without a crown.
And now you may be forty six and I live miles away,
I'm 29 and been awake for days
I still miss you each day,
And you gave me a new family,
A brother and sister and a role model too,
It was only for me and it was only for you.
Now I hope you're proud and I'm never surprised when you forgive my sins through my puppy dog eyes.

Only for you. Only for you X
From your boy on Mother's Day.

I love you x
 Mar 2016 Raihah Mior
Grace
Every morning, I wake up and tell myself to seize the day, and every evening, I'm still where I started: happiest when daydreaming, worst when living.

So I'm trying to write this out, as if it will help.
To write from the heart, or straight from the mind, as they say, but my fingertips and realm of feelings don't always connect to one another.
But here it is, How I Feel:
It's like an itching beneath my skin,
one I can't scratch unless
I peel it off and claw at veins.
It's a pain in the chest, that doesn't lift.
It's a restless sleep, half awake, half not.
It feels disgusting inside, like I'm tangled, mangled up.
It all feels disconnected. Like this Is Not Real.
Like the wires to reality have been severed.

It's the Big Cliche.
What can I do to make my feelings original?

I'm just smiling on the outside, to make it up to you,
to pretend, again, but I hold two conversations
simultaneously, one in my head
and another with you.
It feels like I can't move.
But I do and I don't want to.
There's a world out there,
but I'd rather be in my head, but maybe it's that which makes it all worse.
And yet going out only makes me feel more useless.

Look, how I've descended into whines and plain language. I guess this mind's just not poetic enough to make these feelings look pretty.

The problem is is that the problem doesn't go away.
It won't get better because I keep scratching at it,
it's out of my control because it will inevitably happen, there is nothing that will make it go away.

That double is. It's ugly. But how do I operate on language and make it work my way?

But these are excuses, everyone else's and mine too. Just stop worrying, as soon as you get on with it,
it will be over.
Smile, it might never happen.
(It has.) (It will.)

Yet here is the Problem, the Contradiction.
I don't know what I want.
It's wandering aimlessly, looking for approval and appreciation that I can't take when it's given. Everything feels tacky, everything feels bad.

Life's like a gift shop.
It only looked good when I was seven.

It's like being crowded, when nobody's near.
Don't touch me, don't talk.
I'm making monsters from all the bad I can find.
I'm running from the things I've made with my own hand.
I could explain, but take it as you will.
(Can you guess?)
(I bet you can.)

And these are just images I've described so many times before.
But they're the ones that stick like worn out phrases in conversations.
Dead metaphors.
It's like itching, like mosquitoes
have landed beneath my skin and are eating me alive.

I'm torn between wishing today was over or hoping it will stay to put off tommorrow. Just go with it, I try to tell myself and nothing happens.
Kind of experimented with this by writing at different times, in different moods. Not my best work, but I need to get back into writing poetry.
 Mar 2016 Raihah Mior
Got Guanxi
You
Cannot
Take
Away
The
Rights
Of
Those
Who
Have
Nothing
Left
 Mar 2016 Raihah Mior
Got Guanxi
Reap what you sow

Sow my lips together,
For I have no food.

Sow my lips together,
For there's no water around.

Sow together my lips,
For I have ran out of things to say,

Sow my lips together,
They never listened anyway.
Next page