It's hard to understand, unless
you've been there.
There is a pull to the streets.
I can't count how many dead
end jobs I've held—how many roach
infested rooms I've
crashed in.
The inevitable day comes when
I tell the boss, '*******, I don't need this ****! '
I walk out into the misty
afternoon—I look left, then right.
I drowned out thoughts of the future with
a cheap pint of *****.

I see one eye George on my travails,
he's half-lit—living in the woods.
'Don't let the ******* get you down.' He says, as he
stumbles by bent, and taking a standing eight count.
Mickey the ****** stops me a
block from my flop-house.
'Tommy boy, I'm sick…gotta a couple of bucks so
an old drunk can get well? '
I slip him a five.
He says with a tear in his eye,
'God bless you Tommy—you know I
had it all, I'm afraid the
streets own me now.'
'Keep your chin up' I say as
I plummet down the
street, pretending
tomorrow is a decade away.

I climb the three flights of
stairs to my room,
slip the key in the lock,
turn the ****—it opens.
'I love these little miracles' I say under
my breadth.
My three-legged cat Walter saunters up to
me—he's white with marmalade splotches.
He does his best to rub up against
my leg—I pet his matted fur.

I passed out in an alley one
night, and woke up to Walter lying next to me.
I think something crawled into
my ear and made a home,
it's been there ever since.

I crash down on my chair,
and watch Walter scratch at
the door with his one front leg.
He hasn't been neutered—he gets the
pull of the streets.
I let him out and take a long swig of
the *****—the potion does its magic.
Life doesn't look so bad,
there will be other jobs, and I still have
two weeks left in this
dump of a room.
A writer needs four walls—yet there is
always
the pull of the streets.