It's emergence so brief and shattering,
you'd have to question it's existence.
****** from the swamp by the sky,
it is devoid of morality; it is the terror
that does not forgive what it hasn't
given permission to.

Abrupt hum of an Indian motorcycle,
streaking across the starving freeway,
leaving ribbons of red, in the long,
uncomfortably volcanic-black night.

The body on the machine is wrapped
in cheap, crimson leather, and topped
by a navy helmet, stamped by a
visor reflecting rushed stars.

Migraine-inducing headlights hit
it's prop-store-green body, as it
drips and steps towards a vintage
orange van. Through the videotape
windshield, it can see two still figures;
two figures with aviators and bandannas.

Road signs swing by; the air zipping
in and out of the helmet. The body,
effortlessly, weaves through and
past the few vehicles lost in the dark.

Decelerating, the Indian penetrates
an exit stained: 567-TX-155.

Inside the carpet lined cave,
the figures stare at the monster,
indifferent to it's existence -- well,
not entirely one reminds the other.
It's arms dance in front of it's eyes,
blinded by the freshly clicked
high-beams; unaware that they
are, slowly, stepping closer.

Approaching a skeletal forearm,
emulating a tree, the Indian gradually
becomes silent. The body walks it
behind the rooted elbow, laying it
on a web of wooded earth; pulling
up a sleeve, removing and resting
a watch on the hot, metallic carcass.

It removes it's scattering fingers,
green and twitching, from it's
shrub framed eyes. Looking
forward, two bottles of blackness
grow near. It is a miracle only
surpassed by the instability of
life, that I look upon you, one
bellows. Consider this not
personal, but a preemptive
admonishment. Simply: I
cannot allow you to live,
for I have heard what I
cannot understand. Please
know that I admire,
thus I destroy.

The leather-clad foot-claps
eat and spit the sleeping gravel.
Pace becomes quicker; frenzied,
even. Like a comet, exact in its
imprecision, the navy helmet
falls to the ground, capturing
a night-sky goodbye; casting
the moon, briefly, into her eye.
So brief you'd have to
question its existence.

It's body, pulpy and beet red,
lodges itself between their
pale, freckled fingers. They
consume, pause, then continue
to gnash on the foreign meat.

Yellow, like an ancient bone,
the moon curves and bends
with ever chomp. It can feel
it all. The insides, pulled and
wrapped around wrists; soon
yanking; soon gritty removal.
The light begins to blend
with the surrounding dark.
Last breath, ruined by the
brief choking it's flesh caused.
So brief you'd have to
question it's existence.  

Sweat rips down from her
hair, onto her eyelids. A
dead sprint is broken into,
before she throws herself
into woods, avoiding the
approaching beams of a
vehicle. Forty-three
seconds imitate the
vehicle and go by. She
lifts her eyes to the brim
of a bush; pupils sliding
side-to-side.

Van tires make the transition
from gravel to asphalt, as the
two figures are now, indifferently,
drenched in a red-bronze, becoming
crust around their lips. The driver
says, My father told me about him --
that. He said, if given life, it would
learn to take it. You cannot change
the nature of a monster. If we
remove it, we remove death.
We control the consent.

Her heels transform her sprint
into a statue's posture. The rocks
hurt her knees, as her hands soon
follow, crashing to the ground.
Scattering fingers reach towards
her, soon met by her petite grasp.
The same fingers grow still.

She reaches towards her side,
cradling the nickle handle of
The Last Killer
looking behind her, anger and
a plan, running down her face.