¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ . . . of incantations in cantankerous philosophy! Of these lying liabilities, what startling objection, so accosting, has exhausted me? More so than named quite unfortunate atrocity! Shall hordes of thought be accursed by degrees of displeasing hostility such that satiated curiosity be evermore abashed in me?
“. . . but I have admonished thee,” said he,
this subtle, blackened tenant with a tin man's tonality. This paper drum that bends to sing does beg of him the courtesy; yet, acrid rhetoric singes the hair with unfavorable flintlock fidelity. His evasive guarantee then upends the pores relentlessly.
“These words will compel a poor foresight to bleed in the fray as cascading tears cast their weight upon cheek in dismay . . .”
. . . to quash the cypress toxin of a caustic potpourri— a dissembling toupee to one's balding reality. O lasting opacity of such poignant translucency, this flagrant serendipity, once spawned, must always be? Possibly; though, I cannot count how many sets see dawns at sea.
“. . . but I have astonished thee,” said he
through this Möbius rebuttal like some soap on TV, though, it’s ne'er some rerun what’s cliché wants creativity. The veiling lee of his lofty marquee beclouds that one pyrrhic mystery— that now-clandestine oblation of one bless'ed unanimity.
“Akin to a twin whose soul’s one sin was mine to portray. ‘I’ll pay ne’er a thought!’ curs’ed common naïveté . . .”
. . . and yet, that's cause to bend reverent knee, not to thee, but to that which mine eye's sole endeavor is to see. “So, leave me be!” I lament, ostensibly, “Lest that passage fall paved by none other than me.” Perhaps the Second World war is just my cup of tea.