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Somebody
had thrown a cassette
of Therapy?'s "Troublegum"
its nicotine-hued tape
mangled like the innards of
a gutted fish, or
so many sprayed limbs
in a crowded car pile-up
-decorating the bare branches
of the winter-stricken trees
which lay beyond the barbed wire fence
that separated the state-supported
and architecturally sound
playground facade of the solitary concrete grounds
-with empty swings-
of our mixed gender primary school
of 200 plus students (whom were
referred to as "pupils"-which reminded me
too much of eyes, but children are all eyes, aren't they?
With golden-hued irises, who seem to remember
everything).

Who had thrown it there?
Smashing all the angst-sodden, ripped guitar reverberations
-the fruits of a few individuals hard grasp and compromise, toiled out through a probable number of significant years-
that had lurked inside?
Why that gesture and why in that place?
Perhaps it had been the jettisoned request
of some clandestine love affair
(ephemerality also lays claims to gifts, to its plural gesture)
or, maybe in a more obviously classical mode,
it was only the result
of a bored friend who cared little for the music
or the efforts behind its delivery?

Whatever the reason,
its one of a handful of memories
that have stayed with me
when my thoughts strayed back to that school
(mostly without an intended purpose).

Also, across the same wasteland
there were assembled corrugated shacks
lined in front of back-garden walls
strewn with illegible graffiti
anticipating the waning rave culture
where we supposed-and were frightened by the thought-
that were the hang-outs of Drug users (AIDS was still a topic then)
and Pedophiles.

But then again,
we never tried to find out.
Therapy? are a Post-Punk (early-career) / Pop-Punk/Metal (-present day) band from Northern Ireland. "Troublegum"-their most commercially successful album- was released in 1994.
The image from this poem dates from 3/4 years after the album's release.
We were in the fourth grade.
     Richie Ackerman was having
     a birthday party.
There were the two twin sisters
     so exceptionally cute
     blonde hair in dresses.
We played spin the bottle.
First kiss was regular mail
     kneeling or seated.
Second kiss was air mail
     standing in place.
Third kiss was special delivery
     in the hallway.
In the circle of players Richie spun first --
     his birthday after all.
Must have been my tenth time around
     before a regular mail kiss
     with one of the twins.
She smiled a welcome.
I was shaking.
     Right on the lips
     very short
     very soft
     she smelled so good.
The game proceeded
     we experienced more kissing
     yet that first kiss
     lingers on.
lawrence j klumas
© June 2014
My grandmother was born in Long Island
on the 5th of May, in a house as large
and as white as my parents’ wedding.

September of 2013
I scratched my eyes until they bled,
and then scratched them again
until they looked like the petals of flowers
my mother once tried to plant
in our backyard.  

These days my mother tells me stories
about growing up with my grandmother:
they’re stories of death, mostly: death resting
in the space between mothers & fathers
who sprawl atop their marriage beds
without speaking to one another.

Mother tells me that her parents were together for 23 years
before the divorce, or before her father died, she can’t
remember anymore.

I do my best never to think of her childhood,
but there’s research being done now
about how memories tend
to move from generation to generation,
very quickly and without warning.

Most of the time I feel like
a very poor animal in Mother’s eyes: I don’t move
the way I used to; not as much and not
as quickly. Now I sit still on my bed with my nails
clamped in between my teeth and listen to echoes
of me whispering that I love you, echoes of me
whispering that if I could I would talk
to you about how little I remember: I remember
women pretending not to know each other
and I remember them breathing into the spaces
where they didn’t belong.
pt 1

i am very aware of skin & i am very aware of a ***** in my mouth. it feels like the basement light ought to be turned off, but instead the room is very bright, like the insides of your mouth.
quick, open up your hands & we’ll see what’s inside of them. you taste like lipstick. i laugh.
your **** tastes like light red lipstick — like, you know that one traffic light by that one intersection in town by the yellow house? yeah, your **** tastes like lipstick & the lipstick is the same shade of red as that light. i laugh again.
she belongs to the yellow house. the yellow house belongs to her, like a mutt. no other dog could ever belong to her the way that yellow house can.
(you: when you were gone i got mad at you because you accused me of something i didn’t do.)
before you left we stood on graveled driveway & i should have told you that you smelled like new paint.

pt 2*

help we’re in these woods & help i’m vomiting again & help this time it’s your hair that’s piling out of my mouth
help my teeth are still vicious around your waist & help yours are still wrapped around hers
(please help please i’m vomiting again)
i think i’m drunk; i think we’re drunk; i think she’s drunk:
we’re stumbling over roots & rocks as though there isn’t a sky perched above us, high & deep like your throat against my shoulder: *that’s going to leave a mark

i mostly leave marks in bathrooms & you mostly leave marks on me, i think i’m a road, i tell you
& you laugh & so does she & i ask why she’s here & her eyes go dark like children’s bedrooms & your eyes narrow & i shut up
the sky is still very large, very wide, less like a throat now, more like a tongue
rough (draft) //// bitter
Spaceman with galaxies tied to fingertips

Like a puppet you make the universe dance

You are their creator with strings of umbilical cords

Freckles scattered on your nose were the original constellations

Pensive eyes, the first stars and each blink causes galactic explosions

Astronomers were unable to properly trace origins but I did the moment you entered my orbit
draft written on back of coffee shop napkin
 Jun 2014 Jeremyeckl
ZL
I have missed
out on the thrills
of being a soft place
between a rock
and a hard place
which is a bad boy

I was afraid
of becoming a toy
a welcome mat,
stepped on repeatedly
covered in dirt
and worthlessness

because of fear
I found myself
held hostage to boring love
with good guys
who in the end
only proved
to be ugly lies

which led
to my beautiful cries
in the end,
I should have taken my chances
with the handsome devils
who were at least good at dancing!
Never would have believed good guys could break hearts. Guess they were never good from the very start.

— The End —