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Kai Sep 2014
The hands on a clock
are only in sync
twenty-four times a day.
The hands spend one thousand, four hundred, sixteen
minutes a day
racing around the clock,
trying to be together.
The arms on a clock,
like the arms of a son,
do not always mask one another.
Arms on a clock never leave.
Nature’s clock can tell time and kiss fathers’ foreheads
just long enough to leave a spot.
Around the sun-kissed spot is a receding hairline
and wicked-sharp eyebrows a mile away,
just above the dark eyes and weak smile.

Over time, history repeats.

Who knew that just a strong bond could create such similarity?
Soon, the same dark eyes will be found
just to the right,
below a receding hairline;
a replica of December, 1995.
The problem with dates
is that they are in the past
and the strings of time
that hold such father-son relationships together
fray until the ropes of hope
can no longer be held
on both ends.
The prompt given in class was to find a picture of our parents or grandparents from before we were born and write a poem describing it. Most of the students wrote literally what they physically saw in the picture. But, you'd be surprised at what can be pulled from a single photograph..
Kai Sep 2014
I was told to never fall in love with a writer.
But, a writer that recites his work with his hands is ten times more dangerous.
Eventually, you'll find yourself immensely fascinated by the veins that can play keys oh-so softly; soft enough to cradle an infant,
or even the aggressive way he fills your entire childhood bedroom with such impossible power and passion
in a single chord.
But, these hands are dangerous.
Just as they can hammer into the piano, his hands can rip through your heart. His hands will never just play your body simply black and white, oh no.
His hands will destroy you; each and every muscle movement will have you on edge and by the time the decrescendo drains the flood in your mind, it will be too late.
Never fall in love, period.
  Sep 2014 Kai
Joshua Haines
I'm in love with someone's daughter
living in the shards of a broken home
Cutting herself on two year-old letters
These are moments she can't fake;
reasons to feel alone
So used to abuse, her tears start to shake
I hold her close as her head starts to ache
"I love you too much,
so I can't let your heart break."
She said, "I know you love me,
but you've made a mistake."

I never meant for anyone to be my pulse.
I promise not to step on your feet
if you teach me how to waltz.
  Sep 2014 Kai
Joshua Haines
Sing with me,
I've slept with bloodshot eyes
I've dreamt of a sunrise
that erases everything  
Oh, every thing

Move with me
You won't have to be alone
Wrap your hand around a microphone
And sing with me until the sun comes

Sleep with me
Talk to me about yourself all night
We'll grow tired as the dawn bites
And lay side by side,
with no where to hide

Too tired-
we can pretend to be dead
Too bad it's all in my head
It's all in your head
We'll never be dead
  Aug 2014 Kai
Joshua Haines
Out of body, out of touch
If I feel at all, then I feel too much
This poem is as shallow as my grave

But I'm still digging

If I want a God then I'll misbehave
If I want to be sad then I'll entertain
Just because I'm found
doesn't mean I'm around
Just because I'm growing up
Doesn't mean I can't be down

I'm sorry, mom and dad,
but if I want to be happy then I'll have to be sad
I'll write until my fingers bleed
Until my words are the blood that the readers need
  Aug 2014 Kai
Joshua Haines
Mother, Father
I am six foot one and I can see over the trees
I can **** mountains and bury my bones in the soil
I am six foot one and I am just tall enough to see the truth
I can look over others but I can't look over myself
My shoulders bend like a bow, waiting to break
And I can feel it all. I can feel it all.

And to you,
May your temporary smile be a golden forever
And your heart existent with or without hope
Let your brain open doors your hands cannot touch
And your chest not collapse when the smoke is too much
To live and to love with you is the grandest adventure
And to cut myself on your edges, bleeds into itself
And to live in your heart, is the biggest place I've ever found
And to kiss you until my hands break and there is no sound

And to all of us,
We're a dark piece of trash
Ribs are a cage and holographic souls sing
Disenchanted by the human experience
We're pretentious and objectify everything

And to all of us,
We're all light, we're all eyes wondering wide
And we all shine bright, some of us cannot hide
May your hands slant, slowly slinging
towards the bells that are slowly ringing
and may you strike a chord in all of us.
May your existence be a temporary forever.
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