The scent of the purple butterfly bush
and the clean fresh air
The sound of the sea
Does it for me

A walk down the road
Rough may it be
Getting nearer the beach
And nearer the sea

To think once I lived there
Amazing it be
I’m sad that I left there
I’m missing the sea!

It did it for me!

I like the sun in winters
On cold cold days
The way it beams sunshine
So warmly my way
I soak in the light
As the day calls
Bright molten gold
That from the sky, falls

Two decades and a year
I come back to Darjeeling.

The blaring horns
have snuffed out
the pines' whispers,

and the glorious hilltops
retreat beyond
the many hilltop hotels.

Richmond hill is rich
with structures
that have made men richer
and traders have ensured
Nature here has no future.

The once magnificent Mall
has grown so small
you wonder if it's there
you laid your soul bare
to the woman of your love.

Darjeeling,
once where
she rode a wild horse
I would never come back.

And I will have no remorse.

Over the holidays, I was watching Lisa’s sister little Leeza, she’s 14.
She has a rebellious fashion sense and a joyful innocence.
She’s still fearless too, and on-God, I hope she never loses that.

Too soon though—the disco’s coming to town—the world’s coming for her. It’s the same for all of us, I suppose, but in Lisa and my cases, covid shut it all down.

It’s a rite of passage—the shoes, the bodycon dresses and the makeup. Those carry negative connotations, I get it, but there’s an excitement too, about finally getting to dress like an adult—a woman—in one of those bodycon, cut-out dresses.

I know the pressures on women and their bodies, but at her age, it's not all stress, cattiness and comparisons—it’s just innocent teen fun. She and her posse can take hours just dressing and doing their make-up—together. It’s probably the best part of their night.

Leeza’s dad (Michael) saw the little group of teens, all dolled-up and launched, like a SpaceX Starship. Pacing the living room, he quietly opined to Karen (her mom), “I don’t want her going out dressed like that.”

Karen was right there with him to cool things down, “No, ***, at her age, it’s about self-expression, learning and girl bonding—these connections are really important in the girl-world.”

I’m not worried about Leeza’s physical safety. These girls are watched over and gently curated. Their every movement is orchestrated and security escorted—hell, Hamas couldn’t get to them—much less some gropey boy.

There’s just this new awareness these days of how unhappy some people are—and a lot of them are teen girls. I wouldn’t want to see Leeza mired in the sad, brain-draining social media pressure and self-esteem traps.
Teenhood is scary—I was feelin’ positively parental.

Then I looked at Lisa, and I was reminded that they’ve done all this before, and she has a big-sister, role-model too.
.
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Songs for this:
Good Time Girl (feat. Charlie Barker) by Sofi Tukker
Dance To This (feat. Ariana Grande) by Troye Sivan

Do not stand
          By my grave, and weep.
     I am not there,
          I do not sleep—
I am the thousand winds that blow
I am the diamond glints in snow
I am the sunlight on ripened grain,
I am the gentle, autumn rain.
As you awake with morning’s hush,
I am the swift, up-flinging rush
Of quiet birds in circling flight,
I am the day transcending night.
     Do not stand
          By my grave, and cry—
     I am not there,
          I did not die.
— Clare Harner, The Gypsy, December 1934