Submit your work, meet writers and drop the ads. Become a member
 
 Dec 2013 els
Sarah MacCoy
Why do you think society expects you to
1. Dress the same
2. Talk the same
3. Have the same problems
4. Laugh at the same thing
5. Look your best at all times

Because you let it.

We’re tired of seeing the exact same photo of you with the exact same people in a different bathroom mirror every Friday night.

Why can’t you hangout with other people?
Will it ruin your “rep” that much?

Is it really necessary to get hammered every weekend?
Why are we the ones who have to sit in one spot while you rotate around the room telling the same story to every one of your “friends”

Are you sure they’re your friends?
Because they talk behind your back

Why do you stay with that *******?
You know he’s hitting on twenty other girls, including your “best friend”

You spend money to look like you work for ***** Wonka.
Can anyone say Oompa Loompa?

How come we can’t make it through Instagram without knowing your order for Starbucks?
One grande non-fat white soy peppermint mocha at exactly 120 degrees with an extra shot of syrup extra whip and sprinkles put in the cup before anything else. Please?

We can’t afford to buy gas masks just to walk by your locker.
Spraying that much perfume is deadly.

We can never tell if you’re trying to smell nice or trying to start chemical warfare.

Is that makeup or a mask?

Your bra makes you a C-cup but you’re really only an A-cup.
Shhh, we won’t tell the boys.

Is it necessary to stop in the middle of the hallway to talk to your friends?
No, get out of the way please.

We know you have a car
You don’t have to walk around holding your keys all day.

Why do you spend so long trying to perfect the “messy bun” look?
Boys aren’t looking at your hair.

People don’t see you,
they just see your persona.
Slam poem done with Mattea Koebernick in creative writing.
 Dec 2013 els
Victoria S
The concept of you overflows much of the space within my scattered thoughts.
I want you here to cradle my wind-chapped hands in yours and giggle as I read you my winded attempts at poetry.
I want you to enter into the unknown with me and stay up as I hold you on the nights when the aching takes over us both.
I want you here to fight and wrestle with me over which movie we will cuddle too tonight and I want to listen to you rant passionately about the injustices you have seen in the world today
I want to love every broken piece of you and mend every shattered dream and heartbreak you've experienced back to health
And I want us to work together to take on this world that scares us both to death,
I want you in the most innocent of ways,
But God do I want you,
More than I ever thought one could want a concept of a man who has yet to find a find his way to me.
I hope you’re searching.
I hope you’re wondering.
I hope you’re waiting.
And dear God, I hope you want me as much as I want you.
 Dec 2013 els
Nat Lipstadt
Unconsciously conscious,*
her skirt too short.
tugging it down pointlessly,
every second minute,
like a regular breathe,
all the eyes in the room
rode it up,
and rode the tugging
down too.

that she was pretty,
pleasure for the eyes,
was not the question.

no longer young pretty, but
fulsome, knowing, more,
knowledgable in her place,
secure in her thirties.

or so I thought.

an Anne Fontaine blouse,
silk and collar cut angled,
Italian leather skirt from Barney's,
and legs that were not
just shapely,
but pouted comely,
come love me, I am lovely.

or so I thought.

the skirt, a leather glisten,
seams so thin, almost invisible
to the eye,
like the lines nearest
her eyes,
but all lost,
because all
only saw,

the tugging.

I ponder it,
the meaning,
of the tugging,
consciously unconscious.

was she tugging herself
back inside older younger dreams,
back to where she once unconsciously belonged,
or forward to this moment where she was conscious,
a line crossed, and needy to be tugged back behind it.

my eyes did not depart from her thighs
for she was tugging me as well,
in two directions, into a place
where questions tugged at me,
and I too, consciously unconscious
that I no longer belonged where I belonged,

or so I thought.
3rd in a series; see 1 x 3 and 2 x 3.
 Dec 2013 els
Nat Lipstadt
there is not a sexist bone in my body.
not a one.

there is not a bone
in my body entire,
that it's marrow,
but just tinged,
more singed,
nay, more, more,
burnt and burning
with
****** desire.


****** desire is a concerto
of the
five sense organs:
vision, hearing, smell, taste, and touch.

my body performs Halley's Fifth.
my woman listens carefully.
THE FIFTH
C O N C E R T O
"She had never heard that symphony before, but she knew that it was written by Richard Halley. She recognized the violence and the magnificent intensity. She recognize the style of the theme; it was a clear, complex melody--at a time when no one wrote melody any longer."
- Atlas Shrugged, Part I, Chapter I
_______________________________
Written on the bus home, just now, that being sort of an apology.
________________________________
First of a series of three; look for 2 x 3, and, 3 x 3.
 Dec 2013 els
Nat Lipstadt
http://www.playbill.com/multimedia/video/5725/Highlights-From-Martha-Clarkes-Chri-Starring-Amy-Irving

There is this way, she
puts on her silk robe
over her negligee.

In the mirror, watching,
each hand grasps
one edge of the robe.

She opens the robe
full and wide,
as if the robe was the
frame of a painting,
the painting,
her silken-clad body.

Then quickly, speedily,
pulls one side
tight over her body,
pauses for hesitation,
for inspection,
and quick again,
pulls the other side,
tight too.

She slides the covered arm
out from underneath the robe,
and with one hand only,
the robe is kept closed,
closed tight by one hand,
but not tied.

She performs
this pantomime,
this invitation,
her pirouette
many times a day,
especially when
I am watching
her watching herself
in the mirror.

For my hand is the
key, the unlocking device,
that not only pulls open,
but pulls apart the robe,
as she truly desired.

My two hands
slide from her waist,
to the back of her thighs,
and I lift her up,
up against the wall.

She spears her arms wide,
first out, then up,
suddenly leaning forward
sliding down and I catch her,
burying her face in my neck,
holding her under her arms
we dance  to a place
where there is no space,

where there is no space
between our bodies,
between our selves.

Our pas de deux
is our solo.
See the video of the show that inspired this:
http://www.playbill.com/multimedia/video/5725/Highlights-From-Martha-Clarkes-Chri-Starring-Amy-Irving

http://www.nytimes.com/2013/12/09/theater/reviews/alessandra-ferri-and-herman-cornejo-in-cheri-at-the-signature.html?_r=0


Second in a series, hence 2 x 3
 Dec 2013 els
Cadence Musick
i want to crawl into your bed
while it's still blue outside
and the sun has cold feet
because morning hasn't broken
and your body could curl around mine
like a scarf in the winter
 Dec 2013 els
Morgan
half assed
 Dec 2013 els
Morgan
i
think
i
must've
dropped
my
ambition
on its
head,
soon
after
its
birth
cause
it
tells
me
all
about
how
it's
gonna
grow
up
to
be
big
and
str...
but
it
falls
asleep
in
mid
sentence
Next page