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CLASSROOMS.


When eyes meet, lifetimes flicker
into brief birth, in seconds.
They then disappear, switched off
fading from glow as they look away.

And those small daydreams,
memories and ghosts;
diffuse off, dead.
Like momentary winds or clouds
shadowing the sunlight, sweetly.

...or the times I should have
talked to you but didn't.

Instead we had then looked away.
I don't concentrate at school. I instead construct 'what if' scenarios about girls who barely notice I'm alive.
Night Lights.


At midnight her heart, a vulnerable spark,
looks for some warmth for fire.

There is something warm, warmer than herself;
something to keep her alight.

She speaks in shortcuts; '***!'s and 'LOL!'s,
and in pictures; smileys and stickers...

Hoping he will  love her quicker;
Hoping he will love her at all.

But at midnight a heart, vulnerable spark,
is tired of looking for fires.

There is nothing warm, warmer than herself;
nothing can keep her alight.

She'll fizzle and freeze into cold blue hues
and shortcuts and pictures will fade...

But he had just loved her slowly;
In hoping she'd love him at all.
Again, Facebook *****.
MY BED PAST MIDNIGHT;
YOU ARE ASLEEP.


The presence of you,
next to me on my bed,
is gentle and existing;
ethereal as you are.

And,
soft as you are,
it is nothing deep,
nothing carnal.

And,
cold as we are,
in needing warmth:
we cuddle,

with
hair quietly tangling
in the background
of our bodies;

with
blood warmly murmuring
in the background
of our hearts;

with
our tired eyes talking,
when we’re silent;
saying things
they weren't supposed to say.

I know
that we’re online
in the pixels, of my screen,
and type to tell you
that I wish you were here;

that my bed is empty, despite me,
as it always was;
that you'll only see this message
when you wake up…


But


The presence of you,
next to me on my bed,
is gentle and existing;
ethereal as it is.
Sigh.
HIM, LOOKING AT HER.


She is subtle.
A face hidden behind an iPad;
Only silent eyes are left-

they speak:

-my world is here.
i choose here, i hide here,
i like here.
see it shines?

-my world is here.
pictures picture pictures
the river my news feed;
a status a raindrop;

-my world is here.
and we are the cloud:
condensing, condensing, collapsing
relaxing, relaxing, relapsing

-my world is here.
so send me a message  here
don’t look at me…they're watching
     send me a message

please.

-my world is here.
i choose here, i like here,
i hide here.
so why…
    
...why do i keep looking at you?

outside.
We exist in reality and not in computer screens.
Tired.

I had been able to close my eyes for a bit and even went as far as letting the blanket of black envelop me. Strangely, it had held me like no one didn't. In short, I was alone. But this time, content with being so: I could finally enjoy the voice inside my head.

And then tomorrow, once a concept that didn't exist, existed once again. Then my chest began to hurt. Exam sadness was setting in. It was thus the time to write insincere essays and meaningless equations. All for a certificate that will say I am qualified for something. For what, I do not know. All I know that I was once able to smile...not too long ago.

I said goodbye to my blanket of black and said hello to my gentle heart attack. And afterwards I logged onto more emptiness on a screen: dreams and seens. I didn't, I don't, understand anything yet. All I know is that I am suddenly not a child anymore.
Short prose is almost the same thing as verse. Just almost.
A GOODBYE MESSAGE.


When the last girl broke my heart, I had died a romantic
-Shakespeare was getting old anyway.
Sleepless and young, I withered a while
And tireless sweat formed dewdrops on my skin
-I see you.

Wait,
what I meant to say was...
I died for nobody's sins
and came back for nobody's hopes...
nobody's hopes but mine.
Hoping
that I could and can still see you.

No.

I don't agree with the opening line
-it really has nothing to do with her.
What I'm trying to say,
What I'm trying to say...

Is that it's better we talk over the phone.

See the last time I broke my  heart, I had died a romantic
-I thought Shakespeare was getting old;
But it was really me of course.
But God you look so timeless right now
-I can still see you dancing in that dress (right now).

And the turns of your heels are kaleidoscope
-You shift from one dress to the next.
Or is that just a way of saying
That my inner clock is a slideshow of you?

I had died a romantic
and was reborn a realist,
and I'm very, very lucky
Because there's nothing...
nothing that's realer than you.

Though

what I' mean and I'm trying to say...
what I mean and I'm trying to say...
is that it's better we talk over the phone...
that I like it when we're on our own.

Goodnight Darjeeling.
It's still just a draft though.
SECOND LOVE.

Hand-holding as the stars sing:
I think I am getting older.

I don’t believe that’s the roar of God out there,
it’s probably just the wind or crickets, who don’t
burn so bright and distant; screaming in the dark.
Sound doesn’t travel through vacuums anyway so
it’s funny

that I can still hear you
whispering through my phone.

Didn’t that conversation happen a week ago?

You’re under-cover in your bed-sheets,
hiding from your parents while mine just watch TV.
Again, this is all just memory
where sounds cannot reach us,

but I’m sure you can still hear me
as I tell you that, yes,
I’ve finally written words for you, words for me.

What will happen tomorrow?
Let's pretend that her name was, is 'Darjeeling.' Sweet, spicy; warm to the lips.
YOU.


  I.

I enjoy the simple things:


kissing You Goodbye
since that's the only time
when God will let me have You-
when I can't;

the occasional glimpse of this God
when Your skies meet my eyes
since that's the only time
that I'm allowed to have You-
when I can't;

Your hands on my chest
and mine on Your waist
all until the school bell rings-
since that's the only time
that God will let me have You-
when I can't.

Which seems to suggest
that no,
I cannot have You.


No,
I can't.

No,
I won't.


  II.

Once upon a time


when eyes and skies met
and ignored the sounds
of lockers closing
bells ringing
and other people talking-

an invasion would flood our vision.

A friend of Yours', or mine's, hand
would cut across the space between
eyes and skies
and block the exchange of poetry
that I liked to imagine
happened between our souls.

I was perpetually asked:
"Don't you have a girlfriend?"
And perpetually answered:
"Yes, I do. But can't I have friends?"

Then suddenly I understand
what 'perpetually' actually means
when You tell me
that in a few months
You'll be off in some plane
going somewhere
for some reason.

(Question:
is it thus
too soon
or too late
to say that I love you?

(Or do I at all?))

Therefore there was perhaps no choice-
You and I momentarily disappeared
and we momentarily came into existence
in the briefest of
separate deaths
then
singular birth
then
singular death
then
separate births.

Separate all again, perpetually

asked:
"Don't you have a girlfriend?"
Then perpetually
answered
with nothing.


Well,
then I did,
now I do,
tomorrow I won't.


  III.

We are together now.


Sometimes You talk
as if in an expository monologue
in the grandest and most acclaimed of stages.
Sometimes You don't-
and the threatening silence
makes me wonder if I should go, or stay.

I was attracted to the mystery of You
and am also now angered by it:
I have no idea what to do
and often don't even know
what to write.

Prose and verse often fail
when the author has nothing to write of.

(What I'm really saying is:
Do You plan on maybe
replying my messages
anytime soon?
Preferably while we still have
any time left

at all?)

And then, hours, or days
later.
I still have nothing to write of
so I instead write
this.

I also write how

"I will never know what structures
exist in Your mental architecture: You couldn't
bring Yourself to give me
even but a blueprint."


You still won't.


  IV.

Exams are over. School has closed. We near our finale.


Of course what about
those fights that You and I
never had. Perhaps
we should've. Perhaps
we would've. Perhaps
there was no point in anything. Perhaps
there is no point in everything. Perhaps.

See, that's why I asked You
what You thought of Yourself,
Because I too would like to know

Who are You?

But then again...
I've changed my mind
about the end of this...of our...
literature. Let us instead say that

Your eyes are the stuff of poetry,
but look at the title of this-
it's only just... You.
And that's all I want
to talk about today.


But...
we won't.


  V.

I count the days until the airport.


Take note of what I will say tomorrow:
"Listen, for I am…”

The Beast that shouted “I”
at The Heart of The World.

"...a poet missing his muse;
who wished he could have told her,
everything he could think of..."

The Beast that shouted “I”
at The Heart of The World.


Even now,
I can't.

Even now,
I won't.
How can one best confront the inevitable?
I.

In a world made of glass
I am your home
and you have begun
to throw stones...

...because maybe you forgot
that you can still see the world outside
without breaking me.

Not only that,
but your home had a door.


II.

Science says, that as glass, you will do a number of things
to my white light.
Let us assume then, that you are prism.
Let us also assume that it is a coincidence
that 'prism' rhymes with 'prison.'

Regardless:

When I go through you, my white light
will scatter
into a rainbow. While together
we are momentarily beautiful...
...one cannot help but wonder
about my sacrifice.

I've been torn apart into different colours.
No longer myself.
Just so you could have this poem.
We were freestyling poetry via comments on Facebook. It got kinda real. XD
THE SCIENCE SECTION IN THE LIBRARY.




Why is it hard?

To suggest to me, you;
that I do not love you,
as Einstein and Newton
glare at us from their spines,
in truth and in shelves,
here?


Because when months pass you’ll be both here and not here
like a creeping silhouette: a black cat in shadow
-though within the boundaries of bookcases
instead of inside some sad quantum box.

Because when I am here, you will always let go
again of my hand or may not. Regardless,
I begin to notice- the bookcases expand…
…leaving space for more spines to glare at me.


Stupid, stupid questions;
curious, unanswerable.


Why is it that

I will then hear your name,
as rusting papyrus
is turned by young fingers
crossing yellowed ruins,
for truth in these shelves,
here?


Because today passes; you‘re both here and not here
like how light makes your tired iris amber-
by absorption of all visible rays but one,
which when reflected, leaves the rest forgotten.

Because when I am here, you will always let go
again of my hand or may not. Regardless,
memory is vacuum; you won’t hear me choking
in the Brownian motion of reality.


Thus the library is such
an awkward place to break up




*T.W.T Mulalu
I've got a few more at www.lifeinthethirdperson.blogspot.com
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