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I try to mimic the touches that you've made,
here when I’m alone
but I can’t seem to trace the slow
slow
trails,
the ripples
the shivers,
the heat
that you've garnished over my skin,
the feel of your finger tips
sliding along the seams of my sweater,
riding along the ridges of my spine
down and round the valleys of my senses.

I try to mimic the touches that you've made
alas, when I’m alone
my timing is always
slightly off,
your touches feel like a stranger's,
never quite right.
And those carefully carved moments
the order of movements
of walking through the door
to familiar ground,
and laughter
with a twist of lime,
a kiss
and release,
timing that sigh of relief
settling down into the confines of our choices
starting a scene that always seems
to end in a dream sequence in my mind
realizing that it abruptly begins,
and painfully ends in time.
(I feel you still, and delicate, when I pull off clothing and climb into bed). I suppose this is a feeling that I just must let go of.
 Mar 2014 Caroline Grace
Victoria
This view from my window
Its why I moved in

This view from my window
Has kept me in

This view from my window shows a world of hope
This view from my window disables me to cope

This view from my window allows me to stay inside
This view from my window
Allows me to hide

From the ouside world
Im kept safe inside
But it is from my inside that I must hide

Im pushindg and trying to get up and out
From this view from my window
Please let me out

Incapacitated,  rejected, scorned , and deprived
Of what this view from my window has on the other side
 Mar 2014 Caroline Grace
Jane Doe
When I tried to write you into a poem, I found that I already had, you snuck into the crevices of my smile, you spent your spare time mining your way into my heart and now that the bomb we planted there has gone off I’m no closer to finding closure than I was three weeks ago and I guess that just goes to show that when push comes to shove I’d rather pull then become a push over, I’m not even close to being over you, and the next morning once I had a sober view on things I realized you had done the right thing in letting me go, so now I’m letting you know. I’m sorry. I’m sorry, Because I let you win, Because I let you in, Because I let my sin control my actions.
I’m sorry
Because of the impact of my folly
Because of the way you tried to stop me
Because of the choices I made
And the decision to stay
I’m sorry
Because I want to be your friend because I rendered myself weaker than I am because I tried to be someone I’m not because I’m too frightened to let this end because I’m bitter without a soul to defend because I lied and tried to get closer to you because I put my needs above yours, I’m making batman references to my friend I said you’re the boyfriend I deserve but not the one I need right now, so I’ll let you go because I can take it but I’m not sure I can make it up to you
I’m sorry.
Because you sank into my skin when I met you, placed your hand over my heart and dug deeper.
Now you're in my bones.
taking up space between my rusty joints
and splintered cartridge.
I could take a scalpel
and cut you out, bleed you out like bad
humors.
if you've rested between my porcelain femurs
does that make you part of me?
Or a tumor.    
I’m sorry
Because I had to have my way
I mean what else can I say?
I’m sorry.
Now this is the part of the poem where you interject, where you tell me that maybe we were each other’s biggest mistakes but at least we were living and together and at least the beast inside of us were shared by each other and at least things never got as bad as they could have.
Here is where you tell me that the key is hidden under the mat, and that if the doors are ever locked all I need to do is knock, here is where you chase the nervous anxiety I have away with a reassuring hug, but you won’t do that will you? You’re done with my chapter in your life, you’ve switched the stitching and you’ve stopped mixing business with pleasure and I’m not needed anymore, so let me change the title of this poem to something with a little bit more of a ring to it, so I can sing it to you until you can’t block it out.
I’m sorry, sorry that I trusted you, sorry that I thought you were different, that I thought you were a bigger person, I’m sorry that I assumed you respected me while you degraded my state of mind, I’m sorry that I thought that you were actually kind. That you wanted a piece of my mind and not just my body. I’m sorry I thought we could be friends.

The poems I wrote for you have scribbled out your name, the cracks in my heart a mortared so I can continue beating this point home, and I’m not alone. So don’t feel sorry for me, don’t be that guy who made my cry and then tries to get back inside. It’s not happening.
I’ve burnt the bridges between us, and in the end. The crevices of my smile hide only my own happiness, I am focusing on myself and the strength within my own mind, so go find someone else to tidy your mess. You can keep your fox hole, I’m happy being faithless.
Part two of "It takes two to tango."
 Mar 2014 Caroline Grace
jane doe
"...3," she grins
"...2" I hear the thrill in her voice  
"...1,"
Click!

The embers ignite with the distortion of a drunken fight
We struggle and fumble under the dark light
And its sleepy glow barely illuminates anything at all.

Beneath night's cloak we were
Free to dance with creatures of the night
With perfectly painted faces and
Lurid and artificially shaped talons.
I drag both her and it in, all at once;

My dizzying beauties are out to **** me- It
is a
race until
the end

And
I am
breath

less. I clutch
a trophy in shame.
This is my hollow victory
I hold my heart when thunder claps,
I hold it when the courier raps
Upon my door—to feel the beat
It often hides—it drums so sweet
And then subsides to tender taps.

My heart is shy when only maps
Can dare expound what hungry gaps
Consume the ground between our feet.
I hold my heart

And tear the envelope that wraps
The lifeblood printed on your scraps
And feed my veins like summer heat
Is supped by rains. Until we meet
At last again when storms collapse,
I hold my heart.
A rondeau.

Song version: http://impaledpeach.bandcamp.com/track/to-feel-it-pound
 Feb 2014 Caroline Grace
Jane Doe
you sank into my skin when I met you, placed your hand over my heart and dug deeper.
Now you're in my bones.
taking up space between my rusty joints
and splintered cartridge.
I could take a scalpel
and cut you out, bleed you out like bad
humors.
if you've rested between my porcelain femurs
does that make you part of me?
Or a tumor.
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