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Carl Halling Jul 2015
South Pacific, Jiminy Cricket,
This world
I tried to gain access,
I tried to write
A book
That would capture
All my happiness,

Full of romance,
Life that was enhanced
By beauty and love,
Carousel and Disneyland,
Babycham deers
And romantic lands,
These patterns I wove.
Babycham Deers and Romantic Lands was recently versified, having been reproduced verbatim from a song written when I was ca. 19 years old.
Carl Halling Jun 2015
This place is always a little lonely
At the weekends...no noise and life;
I like solitude,
But not in places
Where's there's recently been
A lot of people.
Reclusiveness protects you
From nostalgia,
And you can be as nostalgic
In relation to what happened
Half an hour ago
As half a century ago, in fact more so.
                                                            
I went to the Xmas party.
I danced,
And generally lived it up.
I went to bed sad though.
Discos exacerbate
My sense of solitude.
My capacity for social warmth,
Excessive social dependence,
And romantic zeal,
Can be practically deranging;
It's no wonder I feel the need
To escape...
                                                       ­     
Escape from my own
Drastic social emotivity,
And devastating capacity
For loneliness.
I feel trapped here;
There's no
Outlet for my talents.
                                                        ­    
In such a state as this,
I could fall in love with anyone.
The night before last,
I went to the ball,
Couples filing out,  
I wanted to be half of every one,  
But I didn't want to lose * * *.  
I'll get over how I feel now,
And very soon.
Gradually I'll freeze again,
Even assuming an extra layer of snow.  
I have to get out of here.
A Cambridge Lamentation centres on my brief stay at a teacher training college contained within the University of Cambridge, with its campus at Hills Road just outside the city centre. A fusion of previously published pieces, it was primarily adapted from an unfinished and unsent letter, penned just before Christmas 1986, but never sent.
Carl Halling Jun 2015
As a young man,
I was always obsessed
By melancholy.
I saw deep sadness,
The quality
That so tormented my heroes,
Such as Arthur Rimbaud,

And Montgomery Clift,
As glamorous and romantic,
But it’s not…
It’s not remotely romantic,
When you yourself are adrift,
And weighed down,
By a multitude of woes.
Based on diary notes from 19/3/14.
Carl Halling Jun 2015
I remember the grey slithers of rain,
The jocular driver
As I boarded the bus
At Temple Meads,
And the friendly lady who told me
When we had arrived at the city centre.
I remember the little pub on King Street,
With its quiet maritime atmosphere.
                                                                  
I remember tramping
Along Park Street,
Whiteladies Road and Blackboy Hill,
My arms and hands aching from my bags,
To the little cottage where I had decided to stay
And relax between rehearsals,
Reading, writing, listening to music.
I remember my landlady, tall, timid and beautiful.
The origins of "An Actor Arrives" lie in the barest elements of a story started but never finished in early 1980, while I was working at the Bristol Old Vic playing the minute part of Mustardseed in a much praised production of Shakespeare's "A Midsummer Night's Dream. It was originally rescued in 2006 from a battered notebook in which I habitually scribbled during spare moments offstage while clad in my costume and covered in blue body make-up and silvery glitter. And while doing so, some of the glitter was transferred from the pages with which they were stained more than a quarter of a century previously onto my hands...an eerie experience indeed.

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