White knuckles, clenched
ping-pinging on textured glass.
Unfazed, he turns his cheek,
followed closely by his deaf ear.
So I stay
stuck, hopeless,
tugging on some hem,
with a relentless, gut-twisting
hunger to be acknowledged,
to be comforted and cradled,
to be lulled and hushed—
pleading him
to poke some holes in the lid of this jar.

I used to oxygenate
my blood so beautifully—
flush my pale skin to pink, press it against yours,
and breathe.
When I had air, I used to inhale so deeply.
I used to live.
I used to conquer.
I would wake myself before the dawn,
if only
to brighten his dark corners.

I used to breathe before life in this jar.
I used to catch his glances and
celebrate as the reason for his smiles.
Before life in this jar, I could reach him,
and he would reach me.
He would pick me up in his smooth palm and
hold me in my place in the sun.
With warmed cheeks,
I’d kiss him softly on the forehead
and thank him in wide, grinning whispers
for the lift.

Before life in this jar
he would never find me
gasping for the strength to
make breathy apologies simply for existing.

He would never find me enjoying
such a slow motion asphyxiation
like I do
as I live life
in this jar.

I love you, but not in the way that poets mention.
It’s a love with mostly beautiful parts—
those which beautiful words
could do their best to validate and describe.

But there are other parts,
like
the hot, jealous breath on my neck,
heavy and hanging over me—
a howling black cloud
patiently waiting to
rip,
pour,
warp,
and
ruin.

Other parts,
like
the craggy barbed wire ribs you wear—
the ones I take in when I wrap myself around you.
Who these are meant to protect
remains unclear.

Other parts,
like
the guilt I foster when we touch
while you remind me in a soft whisper
that you’re not mine to keep.
I face the bare wall and hesitate to accept
that to touch is simply to use,
and to use is so far from to love.

I love you, just not in the way that poets mention—
in that rigid crack between the brick and mortar—
in a narrow place where even the loudest secrets dare not echo.
I love you in that stretch of light between heel and shadow—
in the space that implies
but does not define
connection.

I love you, but not in a way that poets mention.
I love you in the silent incomplete—
the only way you’ll allow.

I love you alone.

Some live for pleasure.
Others? They've missed the **** boat.
I've earned my sea legs.

I read a tidbit somewhere
that the average American will spend
a combined six months of their life
waiting at red lights.

After I processed this,
I consciously took a breath,
thanked my debatably lucky stars
that I turned out
nowhere near average,

*and gunned it.

Eyes fall on him, and I just know
the boy's soul sounds like an intricate piano crescendo.
Chords carrying complimenting rhythms
slicing through the thick, humid air of some summer night
in a hidden park overgrown with ivy vines.

I listen, without strain, to his overlapping notes,
as I grab at my chest, aching with empathy
but lulled by a contentment deep-rooted in recognizing
that there is someone else who shares my song.

I sat down today and thought of a face—
with kind curves and welcoming eyes,
with a smile that could illuminate a space,
and warm the chilled voids betwixt thighs.

So I snatched up a pen and scribbled like mad,
an articulate letter on said visage so divine—
pages upon pages of marvelous musings—
hunger dripping off of each line.

Then my hands finished working, my fingers at rest,
observing my mess of inked letters and blots.
One simple message derived from it all:

**“You’re in my inappropriate thoughts.”

Three jobs, seven cats,
crooked glasses, and wet hair.
*(I know you want me.)