In the temple of unspoken mornings,
a door swings, not ajar but wide—
its hinges weep, long unkissed by oil,
long bent by winds that come from
nowhere.

Do you feel it, too? The way the air
clutches its throat, as though words
have gathered there in clumps of
breathless apology?

This is how time unravels:
slowly, like wet silk pulled
too hard through the eye of a needle.
It frays at the edges, whispers
of all the threads we never wove.

The earth remembers us only as echoes.
Fingers pressed once into
its forgiving skin—
a palmprint gone before
it understands its shape.

Once, I dreamed of rivers:
not the sharp-edged kind
that cut their way through stone,
but rivers made of shadows,
of choices we left behind
to drown.

And what are we,
but the sum of our silences?
The rooms we entered
and left untouched?

I stand here now,
on the lip of the great dark,
and the stars—oh,
the stars—
bend low to meet me.

I wonder if they, too,
are waiting for
a voice that doesn’t
break
when it speaks.

The threshold murmurs underfoot,
a breath of welcome,
or warning, or both.
This is the place where endings
begin—
where even the smallest light
is an earthquake
in the soul.

I tried to build a world from quiet moments—  
small, whispered things that barely held their shape.  
But everything ran together,  
blurred like wet ink on skin,  
and I stopped knowing where it started,  
or when it stopped being mine.  

You once asked me what it felt like  
to carry the weight of so much.  
I said it wasn’t heavy—just scattered,  
like leaves caught in the wind,  
never settling, never landing  
where I thought they would.  

But somewhere in the chaos,  
I found stillness,  
a soft gravity that kept pulling me back,  
not to the things I’d lost,  
but to the things that stayed,  
the ones that never needed names.  

There’s a pull to what we don’t say,  
and maybe that’s where the truth rests.  
Not in the grasping, not in the struggle,  
but in the letting go—  
in the acceptance  
that some things are meant to drift,  
to settle in places we never thought to look.  

The edges of this world I’ve made are still rough,  
but now, they feel right.  
I’ve found peace in their sharpness,  
in the way they’ve held together despite the breaking.  
Even the void, it turns out,  
has a sweetness  
when you stop trying to fill it.

Seeds, too, were surrounded by darkness
before they became anew—
held close by the quiet earth,
pressed into silence so deep
it swallowed the memory of the sky.

Did they mourn the light they had never known?
Did they fear the weight above them,
or trust the unknowable forces
that buried them so?

And when they split themselves apart,
breaking open to grow,
was it with joy,
or was it pain
that gave way to life?

What, then, of us?

Somewhere, in a field of static snow,
a violin lies unplayed,
its strings breathing the hushed tension
of storms caught between clouds.
The bow, discarded, angles like a broken wing
bent under a sky so gravid with noise
it forgets to weep.

Each string hums an unspoken question:
Why does silence gather such gravity?
The wood remembers a hand
that carved hymns from the void,
its grain bearing witness
to the weight of creation.

I watch from afar,
a shadow swallowed by dusk,
where soundless specters rise
from the soil's yawning absence.
Their mouths are mirrors,
reflecting only the things
we dare not say aloud.

Once, I held the bow myself,
my breath the metronome of eternity.
Each note spilled from my trembling hands
like the lifeblood of gods
we did not mean to summon.
Their voices still echo,
fragile filigrees caught
in the harp of my ribs.

Now, even my shadow refuses me.
The light fractures around it,
falling into the fissures
between longing and despair.
Still, the violin waits,
its patience the only hymn
worth singing.

I bend to pick it up—
the silence shatters.
Each shard catches the light,
spinning a constellation
of unplayed songs.

And in the final note,
a blade of sound cuts through me,
splitting marrow from bone,
memory from dream.
The echo hangs like a question
only the dead might answer,
and I am left to wonder
if it was ever meant to be played at all.