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 Apr 2016 Martin Lethe
taia
a lesson
 Apr 2016 Martin Lethe
taia
at first i was angered.
your words poked the place in my heart
where all had rotted away and a gaping hole was all that was left.
i wanted to scream, shout, get my point across.

but then i stopped.
i thought about what i wanted to say,
and i realized that attack wasn't the solution.

i started to become disappointed.
i felt sorry for you,
and the lack of love in your heart.
i pitied your closed mind and judgements,
but i didn't want to hurt you.

what good would it do?

so i'll let you on your way,
enabling you to make the same mistakes over and over.

i hope one day you'll learn the truth.

but until then, i do not hate you.
i have only love for you.

take note.
this is a message to a group of people; but particularly one person. they know who they are. i hope you receive this well. ps i know it's poorly written.
White in the moon the long road lies,
    The moon stands blank above;
White in the moon the long road lies
    That leads me from my love.

Still hangs the hedge without a gust,
    Still, still the shadows stay:
My feet upon the moonlit dust
    Pursue the ceaseless way.

The world is round, so travellers tell,
    And straight though reach the track,
Trudge on, trudge on, 'twill all be well,
    The way will guide one back.

But ere the circle homeward hies
    Far, far must it remove:
White in the moon the long road lies
    That leads me from my love.
 Mar 2016 Martin Lethe
SG Holter
For Helene.


Ashes on the water, now.
Love's bones like dust downstream.  
At least it got to see itself in our eyes,
Feel itself between hand holding hand

And whispered caresses.
From pillow talk to fists raised at
Concerts, glasses of Portuguese wine
On her balcony to the sound of magpies

We named our neighbours.
We were beautiful.
Began beautifully.
Ended gracefully.

I open hands that held hers and see
Nothing but skin worn by labour,
And air.
Ashes on the water, now.

Embers without a chance against rivers  
Cold with melted mountain snow and
Unyielding differences.
Some loves drown with lungs too full

To cry; others float like a funeral-pyre-
Longboat into the night, ablaze.
King and queen, hand upon hand.
Crowns tied from fresh flowers,

We were beautiful.
Began beautifully.
Slid apart the way a glacier parts from
The hills; slowly, but with the force

Of its thousands of tons.
Ashes on the water,
Where the ghost of our union rests
Underneath the surface of our memories.

I will remember you.
Until the stars burn out, raining the
Dust of themselves like snow upon
These waters that always are moving.
One need only look to the four winds
to find four frowns;
eight sad eyes
straining to see
through stained glass tears.
The man said "I die daily" but
he didn't have a constant stream of
status updates
to maintain.
I define myself daily.
Being special has
thus far
not protected me from
the unbearable weight
of today.
All of the analog cigarettes and
old fashioned daydreams
in the world
cannot save me now.
If I'm not seen
am I really here?
Heavy hearts and weary heads
reside respectively in the chests and on the necks
of everyone I encounter.
The gas station attendant
feels empty and
is bereft of a sense of irony.
The world ends
not with bang OR whimper,
but
with a deep and baleful sigh...
with a deep and baleful sigh...
with a deep and baleful...
 Mar 2016 Martin Lethe
Jingjing
-
 Mar 2016 Martin Lethe
Jingjing
-
teach me how to love,
and to be loved.
so that i will know the meaning
of what is everything
 Feb 2016 Martin Lethe
Dah
On the sidewalk standing in the rain
the old man is a wounded dove.
Longish white hair: wet feathers
grounded in a storm. The rain is heavy
and repeats itself, like buckets of water
thrown out of windows.

The old man stands there
holding a memory or a wish.
Under the streetlight
his wet hair glistens like tinfoil.
The downpour is a creature
that’s eating him up.

Darkness projects
from a deserted apartment building.
The ground floor windows and doors
are boarded, nailed shut.
It appears dead, like an old disease,
or stripped, like a despoiled tomb.
Its bricks cracked and crumbled,
wooden casings dry rotted and helpless.
Painted in bold red
across the boarded front entrance,
a graffiti-message: Girls Rule.

Looking back at the old man,
he stands the way a king stands alone
when doubting himself.
Dark crawls around him. The old man stares
at the building. He is motionless,
in memory. Rain gallops over him.

Inside the warmth of a café,
my steaming coffee. Outside, the streets
are laundered clean of everyone
except for the old man who stares
at the apartment building. Time has grown
over his face and body, has grown
over the broken down building.

Now the rain is as heavy as mucus
and with his tiny body
the old man shuffles away into the dark
and gradually disappears
like a casket being covered with earth.

_____________

from my sixth book-length manuscript

©dah / dahlusion 2014 / 2015
all rights reserved

"In Streetlight, His Wet Hair" was first published in
'Switch (the difference) Anthology'
from 'Kind Of A Hurricane Press'
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