I sit and stare, the cursor blinks,
Writer’s block has all the kinks.
No inspiration, not a spark,
An empty page, my brain just dark.

But wait! Upon my shoulder sits
A creature of peculiar wits.
A chameleon, small and green,
The strangest writing buddy seen!

He ***** his head, one bulging eye,
And seems to say, “Come on, just try!”
Then, shifting hues to sunny gold,
He whispers tales yet to be told.

When drafting poems, sad and deep,
He turns to blue, begins to weep!
A tiny tear, a mournful sigh,
Reflecting feelings passing by.

For action scenes, a fiery red,
He puffs and hisses, filled with dread.
His little claws begin to tap,
Demanding twists within the gap.

If comedy’s the chosen style,
He turns bright pink and seems to smile.
And puffs his throat in silent glee,
Suggesting jokes for you and me.

He’s not much use with grammar rules,
And spelling? Well, he knows no schools.
He just provides the vibrant spark,
The wild ideas, and character arc.

Thank you, Allan, my scaly muse,
For chasing off the writer’s blues.
With every color, every change,
You help my creativity arrange!

Some poems were written by a poet named Poe,
Of ravens, bells, and lost Lenores.
His mind scribbled out some macabre woe,
Leaving readers check behind their doors.

In “The Raven” he played a trick,
Quoth the bird, “Nevermore” to say.
He whispered secrets, dark and slick,
And wove a tale both grim and gray.

“The Bells,” a haunting serenade,
He tolled the bells of life’s decay.
With “Annabel Lee,” a love parade,
He marched us to the grave’s cold way.

Oh, Poe - the poet and his poems of hell!
His heart, a master of the night,
His words, a wicked, wondrous spell.
His mental state - not quite alright.

Oh, look—an em-dash—in its natural place,
A punctuation mark, a timeless friend.
They say it’s AI’s sharp, mechanical trace,
But writers embrace it right up to the end.

It breaks up a thought—like a secret shared,
Not just the lines of a robot’s pen.
A pause that’s alive—bravely dared,
With rhythm and wit—again and again.

I love the dash—well, I used to!
Now, I don’t—I’m not amused
By people—so quickly "AI use" flew—
And I’m pretty tired of being accused.

Where do you think AI got it from?
It’s trained on human writing, mate!
Was used before—and will be used some,
So stop with all the pointless hate!

Next time you spot this dancing dash,
Remember, hands once left this trace.
It’s human and art—no cold AI clash;
Oh, look—an em-dash—in its natural place.

At the subway station, crowded and loud,
I stood with my toddler, feeling quite proud.
But then came a question, clear and blunt,
“When will your **** talk again?” - what a stunt!

Embarrassment flooded, my face turned bright red,
As people around us chuckled and said
Nothing aloud, but their stares spoke for them,
While I tried to hush him, the chatty 'lil man.

“I don’t know what you mean,” I whispered, dismayed,
But he pressed on, “In the bathroom!” he played.
How I wished the ground would just swallow me whole,
As passengers giggled, beyond my control.

The subway ride - an epoch of shame,
Judging eyes upon me, I was to blame.
They probably thought I was gassy and crude,
I pondered which orphanage might take little dude.

As we stepped off the train, the doors shut tight,
And suddenly, it hit me - I saw the light!
At a gas stop, during a mommy squat,
My phone in my pocket had caused quite a plot.

Google Maps had spoken, loud and clear,
“Please turn around,” for us to hear.
But now it’s too late to explain this tale,
Forever they’ll think I couldn’t curtail.

My flatulence in public, or so they thought,
When really, it was just directions I sought.
A lesson learned in the most awkward way:
Keep your phone on silent, or be the **** of play!

On the last page, a question lingers around,
A little gem for the reading crowd.
“Look up at the sky,” the book does implore,
And you start to ponder what you read before.

“Has the sheep eaten the flower?” you ask yourself,
A cosmic riddle, revealing itself.
For in this thought, the universe sways,
And shifts our view in wondrous ways.

If the flower still stands - proud and untouched,
Is the sheep’s hunger forever unhushed?
Would it dream of petals, soft and sweet,
While munching on grass beneath its feet?

But if the bloom has met its fleecy fate,
Is the prince’s planet now desolate?
Would stars shine dimmer in the night,
Mourning the loss of that floral light?

No grown-up sees why this matters so,
But children understand the question’s glow.
In pondering sheep and flora’s dance,
We glimpse the magic of happenstance.

Perhaps in asking, we become more wise,
Seeing the world through children’s eyes.
For in life’s garden, strange and vast,
It’s wonder, not logic, that truly lasts.

So gaze at the heavens, mind roaming free,
Imagine the possibilities you might see.
But watch out for a question, horrific, yet deep:
What if the flower ate the sheep?



Poe wrote a poem - quite tragic and sad,
About a girl named Annabel Lee,
Their love was so pure, it made angels mad,
In a kingdom somewhere by the sea.

They were just kids, but their love was so strong,
The heavens got jealous, you see,
They sent a cold wind, and things went all wrong,
And some illness hit Annabel Lee.

She died pretty quickly, was put in a tomb,
But her guy wasn't ready to quit,
He'd lie by her grave in the darkness and gloom,
(Kinda creepy, I must admit.)

He blamed it on angels, those heavenly jerks,
For taking his bride-to-be,
But that's just how a disease sadly works
Even in that kingdom by the sea.

His love never died, unlike Annabel Lee,
He dreamed of her night and day,
His dedication was admirable, you see,
But not in a healthy way.

So, what did we learn from this tragic tale
Besides that love grows more and more?
That Poe had a knack for the morbid and frail,
And making gothic folklore.

In short: It's a story of love and of loss,
With a dash of celestial spite,
Where Poe shows that death is no match for true love,
Even if that love's not quite right.

Poe wrote another poem, dark and quite long,
’Bout a dude who was moping, quite sad,
His girlfriend Lenore had clearly gone wrong,
Leaving him utterly mad.

One night, as he’s reading, half asleep,
A tapping he hears at his door,
He opens it up, into darkness so deep,
“Lenore?” he whispers, unsure.

But instead of his babe, all radiant and fair,
A raven flies in, you see,
Perches above him, with nary a care,
And says, “Nevermore,” chillingly.

The dude starts to chat with this ominous bird,
Asking questions, morose and absurd,
If he’ll see Lenore, or if he’s been heard,
But the raven can just say one word.

He gets quite upset, calls the raven a demon,
Says it’s tormenting him, no less,
But the bird doesn’t budge, just keeps on gleaning,
“Nevermore,” causing much distress.

The poem concludes, with the dude in despair,
The raven still perched, dark and grim,
A symbol of grief, that he just has to bear,
All thanks to that feathery whim.

In short, it’s a tale of loss and of woe,
A bird with a limited vocab,
Driving a grieving man crazy, you know,
Leaving his sanity totally scabbed.