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Randy Vera Dec 2013
"Here Made of Gone" for  Isabella Stewart Gardner
Lyrics By Randy Vera
Music By: Randy Vera and Anthony J. Resta  
http://bopnique.com/anthony-j-resta-and-randall-vera-finalists-john-lennon

LYRICS :
Vermeer, Rembrandt, Manet, Degas, from my three thousand year old Chinese KU, I toast you. 

Mrs. Jack, I am your Bronze Eagle. I cut the painting at the frame – thieves by any other name.

Mrs. Jack with handcuffs and *****, I overcame your walls. Your collection’s complete.
Titian's Europa still hangs. The mirror to my:

Piece de la resistance. I’m your creme de la creme. I’m the John with the Procures on the wall in Vermeer’s concert.
Here, made of gone. 

Mrs Jack, I’m your new William James. Through your kindness, you support me, in Dutch Room empty frames.
Like John Singer Sargent, I toil between your walls. I am Vermeer’s "corn flower blue," indescribable. 
The metaphysical: Known unknown!

St Patrick’s Day 1990, I’m in Boston in the Fenway. For my penance, I’ll go to Saint John’s, drop to my knees, and like you, scrub the tiles clean.

Titian's Europa still hangs, the mirror to my: piece de La resistance. I’m your creme de la creme. I’m the John with the Procures on the wall in Vermeer’s concert. Here made of gone. 

Where language fails that where art triumphs. The interloper between camps of reason and dreams. I’m an event not cognition. Like any event stored in canvas, paper, pen ,or ink.

Oh Mrs Jack I so love your "Head Band." I’m also a Redsox fan. I loved the Champagne and donuts, and thank you for the paintings.
Artwork from the Isabella Stewart Gardner Museum in Boston is still missing. Mrs Jack was one of a kind, an American original in every way. Her house, "Fenway Court" is today the Museum which still holds one of the most valuable collections in North America. Titian's "The **** Of Europa" hangs in a room across from the pilfered Dutch room. A Michelangelo is a few steps away in the hall behind it next to Napoleon's battle flag. In the hall below are some of Dante's original manuscripts. Too many magnificent works to list. Botticelli, Matisse, Degas and John Singer Sargent's masterpiece "The Ruckus" are still there. The bad guys took the only seascape attributed to the Dutch master Rembrandt: "The Storm On The Sea Of Galilee" (I saw it at a HS field trip in 1988, almost a year to the day before it went missin) A list of rest of the missing Art is in this fine report from Boston's NPR station: http://onpoint.wbur.org/2010/02/24/stolen-art
The FBI questioned me while I was researching "Mrs. Jack" and the heist.  They thought I was a little crazy.  I told them I'm just a poet doing research for a song. I was a teen on March 17 1990, the night of the heist. I have no info beyond this song)

Mrs. Jack built Fenway Court to her specs. The art she hand picked. The glass roof? Ya, her idea. She wanted the forces of life and hope to flow out.
The old Boston Arena is in Fenway Court's  back yard. Any event in Boston was held there at the time. Fenway Park is less than a mile away.  
Mrs. Jack inspiered 4 novels that we can be certain of. The tabloids loved her.
if i was a pearl i’d feel itchy scratchy stuck inside an oyster shell if i was a tree i’d  be a big fat redwood fantasizing about Julia Butterfly Hill living and peeing around me if i was a dog i’d be a Catahoula hound if i was Italian i’d be Sicilian if i was pasta i’d be spaghetti if i was Icelandic i’d be Bjork if i was a rock star i’d be Elvis Presley Bob Dylan Jimi Hendrix Jim Morrison John Lennon Bruce Spingsteen Maynard James Keenan if i was i writer i’d be Herman Melville Mark Twain James Joyce William Faulkner Thomas Bernhard Yukio Mishima Naguib Mahfouz Phillip K. **** Gabriel Garcia Marquez Annie Proulx Lydia Davis if i was a poet i’d be Walt Whitman Sylvia Plath Ted Hughes Gwendolyn Brooks Pablo Neruda  Heather McHugh Carl Sandburg Robert Frost Arthur Rimbaud Dante Alighieri Homer if i was a painter i’d be Leonardo Da Vinci Michelangelo da Caravaggio Johan Vermeer Rembrandt van Rijn Paul Cezanne Marcel Duchamp Jackson ******* Mark Rothko Ad Reinhardt Anselm Kiefer Susan Rothenberg if i was a photographer i’d be Man Ray Ansel Adams Edward Weston Diane Arbus Robert Mapplethorpe Sally Mann Helmut Newton Richard Avedon Annie Leibovitz if i was a philosopher i’d be Socrates Plato Aristotle Jean Jacques Rousseau Sören Kierkegaard Immanuel Kant Karl Marx Georg Hegel Friedrich Nietzsche Henry David Thoreau Ralph Waldo Emerson  Jean-Paul Sartre Jean Baudrillard Michel Foucault if i was a singer i’d be Woody Guthrie Otis Redding Grace Slick Bob Marley Joni Mitchell Marvin Gaye Johnny Cash Patsy Cline June Carter Patti Smith Chrissie Hinde Nick Cave P J Harvey Beyonce if i wa a band i’d be Velvet Underground Ramones *** Pistols Clash Cure Smiths Joy Division Uncle Tupelo Pixies Nirvana Nine Inch Nails Madrugada Sigur Ros White Stripes Thee Silver Mt. Zion Memorial Orchestra Justice of the Unicorns if i was a boot i’d be Chippewa Frye Ariat Red Wing Tony Lama Wellington if i was a shoe i’d be Christian Louboutin Jimmy Choo Kedds Chaco Chuck Taylor p f flyer if i was a dress i’d be Channel Dolce & Gabbanna Giorgio Armani Marc Jacobs Comme des Garçons if i was a cowboy shirt i’d be H bar C Rockmount Temp Tex Karman Wrangler Levis Strauss Lee if i was a hat i’d be a Stetson Borsalino Stephen Jones if i was a fruit i’d be a mango apple banana blackberry if i was an scent i’d smell like fresh perspiration jasmine sandalwood ylang ylang the ocean if i was a doctor i’d be a gynecologist neurosurgeon if i was a flower i’d be a hibiscus rose orchard if i was a stone i’d be a sparkling ruby diamond opal if i was a knife i’d be a k-bar switch-blade machete if i was a gun i’d be a Remington Winchester Beretta Glock AK-47 if i was a car i’d be a Lamborghini Ferrari BMW Saab Volkswagen GTO Ford Mustang Dodge Challenger if i was a  TV show i’d be Law and Order if i was actor i’d be Charlie Chaplin Humphrey Bogart Steve McQueen Robert De Niro Ed Norton Shawn Penn if i was an actress i’d be Marlene Dietrich Ingrid Bergman Natalie Wood Audrey Hepburn Marilyn Monroe Helen Mirren  Meryil Streep Brigette Fonda Robin Wright Julianne Moore Angie Harmon if i was a female comedian i’d be Gilda Radner Lily Tomlin Nora Dunn Joan Cusack Sarah Silverman Tina Fey if i was a  football player i’d be Sid Luckman George Blanda Walter Payton **** Butkus Mike Singletary Joe Montana Jerry Rice Payton Manning LaDanian Tomlinson  Drew Breeze if i was a celebrity i’d be Charlotte Gainsbourg if i was a rapper i’d be Tupac Shakur if i was a movie director i’d be Sam Peckinpah Robert Altman Stanley Kubrick Roman Polanski Werner Herzog Rainer Fassbinder Louis Bunuel Alfred Hitchcock Jean-Luc Godard François Truffaut if i was a bird i’d be a eagle hawk sparrow bluebird if i was a fish i’d be a dolphin shark narwhal Charlie the tuna if i was breakfast i’d be a French toast pancake folded in half with 2 strips of bacon in between if i was a cold cereal i’d be snap crackle popping rice crispies shredded wheat cheerios oatmeal if i was tea i’d be Japanese green matcha Irish breakfast Tulsi Thai holy basil Lapsang souchong Luzianne Lipton if i was a soap i’d be French hand milled ayurvedic Avon Ivory Dove Pears Aveda  if i was a man i’d be a football basketball baseball tennis swimmer athlete if i was a woman i’d be a track star runner writer painter gardener doctor nurse yoga mom i'm just scratching the surface and the beat goes on lahdy dah dah
Jen Snow Feb 2018
You
Have

A

Complicated
Smile


He
Informed
Me

Why
Is
That

?

How
To
Answer

A

Question
So
Simple

While
Truth
Is
So
Complex

How
Do
You

Explain

VerMeer’s
Obsession

Light
And
Dark

Einstein’s
Spooky
Action

­At
A
Distance

Is
It
All

Intertwined

Or

Separately
Defined

Explain

Pain
Or
Fear

Anger
Or
Shame

Does
My

Lonelin­ess

Look
Like
Yours

Or is it

Unique

In
All
The
Universe

When
I

Think
Feel
Want
See

Love

What
Does
It

Mean
Seem
Is
Be

To you

Is
It
Like
Mine

Or

Will
My
Dark

Conflict

With
Your
Light

Will
My
Truth

Scare
You
Off

Or did my

Smile

Already
Tell
You

All

You
Need
To
Know
jimmy tee Mar 2014
foo
foo
step right this way
stripes
the curly haired whispers of long ago
dirt on the steppes of Maui
life and death
the boldness of breath
tea sets invented
natures idea of hooking
the falsehood of feelings
since you can sense the release of chemicals
into the gut from the gut
art is an effort
all roads are connected therefore lead nowhere
snowflakes
glaciers
the impossibility of a paper bag
well that’s why you got the people you do
blistered surfaces
invert
divert
subvert
magical marketing
lost time is all its good for
crawl
other beings
the past is as real as the now
the future not so much
look for answers under slimy rocks
headlights
mark the trail with crumbs
holiday pay eligibility
pig latin verse
loose lips sinks fish
headlines of tomorrow list all your deeds
originality pounds it out
a ground game if there ever was one
marginalized in a riotous way
burned
turned
spit shined shoes laced real tight
if you stayed this long you must get it real good
explanations spellchecked edited cast aside
meaning lost found lost and lost again
bury your words
measure the sun as a star
triangulate emotion in order to set free the main ingredient
the Bosporus the smallest gap imaginable
a wayward telephone number listed
a matchbook
adding depth to the photograph by controlling aperture
roulette craps poker slots Chinese checkers
numbers never end
gymnasium antics
mans best friend is a meateater
fall follows autumn in the southern hemisphere
three dimensions are all you need all you require
bomber
deny both the entity and the substance found ahead
synchronize your watch with mine
sand as a tonic baby oil pine
money buys packaged happiness
there was this guy named Shakespeare
opinion calls for differences version 2.0
you find the zoo to lead so very far
swing for the fences
jump rope skip sidewalk
ease
mow the concrete lawn from here to horizon
jump rope skip sidewalk
learn forget then act dumb
exit stage left
what is behind animal eyes big mystery
exponential units forge toward the final group session
king me
did the butler do it with the maid
how often is crying necessary
pound for pound the best boxer in the mid century bout of pneumonia
digital meanings end in analog discussions
legions of admirers blinded
where to turn when the lights are forever out
invest in mystery
disappoint those who will never know you
you know it
there is a dogma in need of a collar out there somewhere
temptation looms
the holy word of snowflakes delve into deep philosophy
but I always got along with everybody
why work
pituitary gland
announcing for the first time on record
prince spaghetti and salad extraordinaire
the alphabet ends in z
puddles form on distant planets that orbit toothless suns
men
loud music still comforts the savage beast
years like a tape measure stills the ragged poor children
never to be found never ever ever
solvent says eat thou peas
silo bag deliver us from the tall neighbor police
sidestep any issue involving toys
mounds of troubles can be climbed
Kansas wind also flows down the plain
think about it the sea is mostly under itself
plow
most things look better from behind
a major felony on your record
knowledge in the form of easy chew tablets
hounded by creditors bobby laid low
actors actresses chumps
results are mixed as the queen leaves daring long behind
punctuation fits into softly lit areas of the mind
stay loose
breakdown the door then apologize some more
I left home for this
mistakes are what we call experience
the smiles on bubblegum cards just as real
twenty dollars invested in nothing
pin air to itself
buy time sock it away watch it grow grow grow
cool is always enough for matty
god that guy could drink ant sanitation member into the ground
margins
leaves are raking themselves these days
so long in the past stood there with sled in hand
photographed by a grandfather clock
black envelopes glued by hand in an everlasting jump off point
poetry bound and gagged for fun and zero profit
movable type static feasts
in the groove piled high with the color that represents lament
fifty thousand big ones aint so big anymore
the river left town
cannon at the gate corded shot ingenious ways to destroy people
support the troops
he say one thing then did another wow does that hurt
memory votes early and often
nobody knows the troubled bean
it all hinges on my word being accepted
china feels so very close
the sea full of carp moistened in salt water ** boy o boy
Vermeer at the loom
the bronze age must have been heavy
time waits around the corner selling amphetamines
queer beings exit the saucer and head right for the local hobby shop
end game
paint as a medium large
pine scented maple trees win the prize
in my book the covers speak for themselves
close up to the camera waterfall
find the picture inside the cavity send help
amid ship is the place amid
of course some things are missing
ghost register to vote
went fishing came home with a tummy ache
spend your last dime see the world as it truly is
between avenue b and c there lies a small wombat
fend off the high climbing stairs that offer busy bees
mind the gaping hole that leads to oblivion ny
fog in my ear
steam punk can you believe it had to be invented
the f drive taketh away
sing a song about the street we used to chug a lug at
view my elbow rock
know thyself from the middle ages on toward the detail
love pander both you know
mom became tonnage displaced and torpedoed
you are very astute now quit it
this meeting is over like so many before it
collapse my finger into red colored dust
round up and whittle down the masthead
toothpick sized brains
its no bother at all fire away with logical pounds
page that squire knight the tree stand hunter in velvet horn
live as the yo yo
beat it now not later now before the sun sets far into the Japanese
planning a child check our bargain bins first then decide
overtime halts the easy chair
tiny
mounds clopping at the level of good mine
piles of good old fashioned nonsense
home grown
sunny side up way up
carry a friend everywhere you travel
knock
catch a rising star and keep it there
an alarming increase
happiness is a warm puppy
many are called but few are winners
put in your time split and repeat
wrinkles seem to be catching on
break the law go to *******
now is the time smack in the middle of touchy feely
mountain of jelly
pound of brown
highway exits in turning lane
polished sayings die in mid form
butterfly of course
bank on it twice
inform the theologian that grace is universal
one unit is enough to bounce the basket ball
larcenies are a regrettable offense for jumble minded
loud is the hammer of life by golly
inside
far away lies the land of nod no wait mod
never saw it coming
mud in your minds eye
clean up before the mess is tabled
throw away all hits
kong king
mondo longo pongo in delicate dancing
bear in mind that bares the soul to influence
set up the new roux
pint sized followers found via radio
fell asleep in wonder fat
knives sharpened better get a move on
loudly express a final punt
line one line two line three
when did farming become cold
newborn
disease jumps as the trampoline handles wind jammers
night can be fun but girls are more down there
love me back
mindful of the garter you can relax next year
backwards as a mean average statistical oops
venting hot gas adds to the thrill
is this thing on
swell
and and and and and and and
call the water department I am ready to fly
listen the goat will never know what hit him
long on flavor short on towels
company insists on a quaint meal of posies
behind a successful man is a chair of some kind
got milk
my friend can be talkative but never mind
rounded surfaces slip into nothingness a modern age affliction
we will escape scot free
badness baldness daily princess
puzzle in mind he left his denial on the riverbank
on the reindeer hoof we ride
specialty
how can it be hey baby that’s what we are here for right
the plays is not the thing
work your **** off then find the instruction manual
beep buzz bop
it appeared right there but is gone now
foo
Joe DiSabatino Jan 2017
late last night i walked alone along the desolate shore
of Monet’s pond at Giverny the pale moon
sometimes obscured by impasto clouds
the waterlilies those treacherous waterlilies
screaming in agony
Saskia, Rembrandt’s wife, was there
naked and weeping, her hair and body
wet and slimy draped in orange pond algae
Cezanne crouched nearby cursing and slashing canvases
with a butcher’s knife before tossing them into a fire
when he finished he made fierce love to Saskia
who sang an old Dutch love song as he did
Rembrandt was in deep conversation with Monet
in a puddle of passing moonlight
and didn’t seemed to mind, anything
to stop her endless wailing I heard him say
Monet says Titian’s mistress is now a mermaid
who lives beneath my betraying waterlilies which is why they cry
and why I keep painting them no one makes love like her
just look at Titian’s Madonnas
Van Gogh stumbles in from a dung-filled alley, bleeding badly
from the bullet wound in his abdomen,
where the rich kids from Auvers tormented and shot him
just for the fun of it, Vermeer bankrupt and gaunt
steps from behind a tree and asks if it’s suicide or the new art
Vincent says let the people believe that tragic ending
it’s a dramatic final brushstroke to my life even if untrue
but I love the blackbirds and my wheat fields and blue irises
way too much to spill my guts on them cadmium red maybe
my left ear lobe maybe but never my guts
where’s de Kooning anyhow he yells the *******
borrowed my paintbrush and never returned it
now I’ll have to paint with the tongue of Gauguin’s old shoe
Caravaggio floats by face up caressed by the wet palms of the weeping lilies
he’s burning up with fever delirious screaming
where’s my ship where’s my ship
they’re all on the ship my paintings
my paintings will redeem me the Pope knows
I only killed one man
Monet strokes his beard like Moses Rembrandt
says it happens to all of us even our wives and
mistresses perhaps it’s the lead in our *****
it’s not suicide it’s not homicide it’s the madness of living too much
Rothko appears, a translucent ghost inside a mist salving his slashed wrist
with Monet’s pond water Mark washing washing
the healing water the Giverny water dancing with pran the giver of life
that’s what Monet was painting at the end
using the palette from the other side
pran transmitted through the wailing
of the waterlilies the siren’s song
that lures artists to their death
and then washes them clean for the next go
to pick up where they left off, alone
with his whiskey bottle Jackson ******* hurls paint clots
at Rembrandt’s Still Life with Peacocks
those two dead peacocks they’re all dead peacocks
floating belly up under Monet’s footbridge
all the color gone from their plumage
drink the water Jackson or better yet
let Cezanne rip out your diseased liver
and wrap it carefully in a weeping waterlily
and float it out into the middle of the pond
where the forgiving moonlight and the mermaids
and Monet’s eyes now dim with cataracts
can help it filter out the poison of living
too much and then you too Jackson
will make painterly love to Saskia and she will
daub your diseased body in Titian’s blue
and her husband’s gold and Vincent’s sunflower yellows
and send you back into the world
where you will continue to splash us all  
as we lie flat on the ground hands and legs intertwined
our faces and bodies your canvas more willing than ever
Jackson, you’ll turn us into a unified field of smashed hues not just from here but from where you stand one foot on the other side
get us all raging drunk Jackson in that myth you longed for
splatter us in the tinted mess of the mystery you raged at
and had to settle for drunken oblivion instead
drink deeply the mystic-hued water of Giverny
Vincent and Paul and Mark and Jackson
and when you come back
spit it out on our parched souls
EP Mason Mar 2014
I wish I were Frida Kahlo's vibrant Mexican flowers

Or Salvador Dali's dripping watch

Van Gogh's maleficent moon

Warhol's saturated polaroid

Klimt's ****** lips

Or Vermeer's cornflower blue and singular pearl

But I am yet to make a stroke in ones historical
aesthetical
eye
© Erin Mason 2014
Nat Lipstadt Jan 2014
Reworked and resubmitted, and this time to stay.
Anything you say can and will be used...


excited utterances,
acerbic witticisms,
utter stupidities,
elegant inanities

can and most assuredly
will be used
evidentially, eventually,
about you
in the court of poetic
justice

as inspiration,
original source material,
proofs of our collaboration
with the enemy,
whom Pogo
fathomed long ago, is
us

a Vermeer-vectored light ray
will reveal with luminous clarity,
all that you have spoken,
been secret-thinking,
template of colors for
future etch-a-sketchers,
inspiration for future poets,
far, far better than
me

this dishonorable, low repute,
poetic eavesdropper,
poet-as-recorder:
revels in the smoke and ash of
absurd, common sensible
trash,

the trite and tragic,
the pith and prissy,
the calm and hissy

all your lovely revelations
of human frailty
and asininity,
most adorable,
(except for those scarface
treatises I despise as
never justified
self-pity)

that you n' I are blessed
to have combinated
in a manner most
curiously original,
now recorded in my
digital memory,
proving positive the unique,
discreet charmes de notre
humanité

Even your silences are
most curious fodder,  
the sighs you sigh
so hard
and yet again, even
harder

unfair game, mined as
veins of golden material
for my aquatic scribblings,
as I float downriver on
currents of compulsion
to promote vicariously,
our joint disjointedness,
our grade A, prime choice,
recombinant and genetically improved
absurdities

Rembrandt will honor us,
we as the Comedic Elders of the City,
paint us upright
avec expressions most suitably gravitas,
but see the poetic jester,
funning underneath the table,
in manner most levitas,
out-sticking his
protubered tongue,
like a common geni-***,
a la maniere de
Einsteiny
and he will be
the one
future generations recall

when I cross over the Styx,
limbs turned to
potash, dust and trash,
my blush transferred to earth,
to color the good earth red,
my body eradicated yet,
our body of work extant
a written record of us,
our very own
Dead See Scrolls,
shall be an amuse bouche
for our loyal satrapped
retainers

Let the scholars

dicker and obfusicate,
delve and explicate,
each turn of phrase

write tomes on the
catacombs, where in
jar and cracked vessel discarded,
these Poems and Catechisms,
the collected processes
of our mutualism,
your edicts,
pronouncements and verdicts
captured as
dots and dashes,
zeroes and ones,
wait most patiently
for shepard boys to find  
in the year 2300

you err most grievously,
if you relegate
this note
to the dustbin of
simple ditties.

take these words
at plain face,
and
look not askance
at this fair warning,
for I am
but a tragic,
empty vessel
for you to fill,
you are the raconteur,
me, just a  
poet poseur~extraordinaire,
street urchin,
word merchant,
all my verbally,
wordly goods expropriated
from the wind,  
where your scattered thoughts
lie about, carelessly
unattended

Mock me not,
for anything
you say to our chagrin,
will be fully attributed
and recorded on the Web
of long-lived
embarrassments

A fevered dream
you might say,
rumors and excuses of a
vision of drug induced haze?

a theorem most plausible,
but the redacted versions
will not conceal
that all my words
were Indo-rooted in
a dialect called
collaborative

this I pen
partly as apology,
partly thank you note,
written notice,
subpoena served,
for as long
as you emote,
my fingertips
will gleefully record
with love abundant
in their artful device,
your mutterings, putterings,
and in-cahooting

right here, shall be,
wrought and wrote,
treasured and kept
anything you say
that can and will be used...
to express our communitas

Written June 1, 2011
Nat Lipstadt Jun 2013
Dedicated to you.
Fair Warning: a long road ahead*

MAJOR WARNING: Anything you say can and will be used...


Excited utterances,
Acerbic witticisms,
Utter stupidities,
Elegant inanities,
Can and assuredly will be used
Evidentially, eventually,
about you in the court of poetic justice,
as inspiration, original source material,
proofs of our collaboration
with the enemy,
whom Pogo fathomed long ago,
is us

A Vermeer-vectored light ray
will reveal with luminous clarity,
all that you have spoken,
been secret-thinking,
template of colors for future sketchers,
inspiration for future poets,
far, far better than me

this dishonorable, low repute,
poetic eavesdropper, poet-as-recorder:
revels in the smoke and ash of
absurd, common sensible trash,
the trite and tragic,
the pith and prissy,
the calm and hissy,
all your lovely revelations
of human frailty and asininity, most
adorable

that you n' I are blessed
to have combinated
in a manner most
curiously original,
now recorded in my
digital memory,
proving positive the unique,
discreet charms de notre
humanity

Even your silences are
most curious fodder,  
the sighs you sigh so hard
and yet again, even harder,
unfair game, mined as
veins of golden material
for my aquatic scribblings,
as I float downriver on
currents of compulsion
to promote vicariously,
our joint disjointedness,
our grade A, prime choice,
recombinant genetic,
absurdities

Rembrandt will honor us,
we, the Comedic Elders of the City,
paint us upright avec expressions
most suitably gravitas,
but see the poetic jester,
find him underneath the table,
in manner most levitas,
out-sticking his protubered tongue,
like a common geni-***,
a la maniere de
Einsteiny

When I cross over the Styx,
limbs turned to
potash, dust and trash,
my blush transferred to earth,
to color the good earth red,
my body eradicated yet,
our body of work extant
a written record of us,
our very own
Dead See Scrolls,
shall be an amuse bouche
for our loyal satrapped
retainers

Let the scholars
dicker and obfusicate,
delve and explicate,
each turn of phrase,
write tomes on the catacombs,
where in jar and cracked vessel discarded,
these Poems and Catechisms,
the collected processes of our mutualism,
your edicts, pronouncements and verdicts
captured as
dots and dashes,
zeroes and ones,
wait most patiently
for shepard boys to find  

You err most grievously,
if you relegate this note
to the dustbin of simple ditties.

Take these words at plain face,
and look not askance
at this fair warning,
for I am but a tragic,
empty vessel for you to fill,
you are the raconteur,
me, just a  
poet *poseur
extraordinaire,
street urchin, word merchant,
all my verbally, wordly goods expropriated
from the wind,  where your scattered thoughts
lie about, carelessly,
unattended

Mock me not,
for anything you say to our chagrin,
will be fully attributed
and recorded on the Web
of long-lived embarrassments

A fevered dream you might say,
rumors and excuses of
visions of drug induced haze?
a theorem most plausible,
but the redacted versions will not conceal
that all my words were Indo-rooted in
a dialect called,
collaborative

This I pen
as apology, thank you note,
written notice, subpoena served,
for as long as you emote,
my fingertips will gleefully record
with love abundant in their artful device,
your mutterings, putterings,
and in cahooting,
right here, shall be,
wrought and wrote,
treasured and kept
Anything you say can and will be used...to express our community

Written June12011
Nat Lipstadt Nov 2014
prefer celery to carrots
light scrunch over an orange hard crack,
straw red over berries bluest,
coffee over tea,
skies white clouded
over
all clear, unadulterated uni-tone,
blondes, brunettes, redheads,
even pink or blue haired,
well, ain't going there
(wink wink,
too smart for that...)

but that's just me

colors viral virulent  over manhattan grey~black,
a good Pinot over a glass of Jack,
beach and sea undefined
over lake delimited, outlined bounded,
ocean caught fresh over farm raised,
city slick over country sweet,
striped bass over monk,
tuna bests salmon,
but both miso coated please...

Italian Indian Ethiopian
Sushi and occasionally Chinese,
all grand,
but my kosher deli and dogs, pickles,
yellow mustard ball parked,
tops them all
especially when serving
all-you-can-eat
over tasting portions...

but that's just me

right over left,
naked better than ****,
polite over rude,
Rembrandt tops Vermeer,
but his light nonethess,
extra over ordinarie...

Swiss over white American,
Gruyere beats goat cheese,
citrus tops apples,
sweet melon my
secret passion,
paprika and oregano,
never ever cilantro,
milk over OJ,
especially, grade A
milk of human kindness,
all flavors

love my poems centered,
(except for this one)
with no sugar added,
but a lot of cream and sweat,
both a necessity, not a luxury,
prefer mesmerizing,
crafting hard, laboring,
me writing, you imbibing,
leaving you oohing and loving
me
because of the appreciation built in
over
ditties that are semisweet
sugar nadas that populate the
easy come easy go away
poem of the day

but that's just me

like myself hard
cause when I melt,
to a child's grin shyest,
laughter silly me provoking
it is ever so better so...
tears, any kind, don't mind
laughing and sorrowing pouring,
let genuine be my only test
speed limit barrier unlimited

sorta saved a street crossing
phone-occupied-woman yesterday,
put my arm across her body
fast hard, unasked
so she wasn't
bicycle crashed,
both looks well received,
the *** and the gratitude,
but latter over former,
if I had to choose,
but I dont

but that's just me

Joanie M. over Judy C.,
Amy over Adele,
Eva Cassidy over all...
Zombies over Beatles,
Blunt over Taylor,
Rhyming Simon over Billy Joel,
no typos over flaring,
glaring no caring...

your poetry over mine,
cause it amazes,
cause mine,
just old familiar crazies,
just runaround Sues from yester pester days,
transcribed for a someday later
future grimacing laugh of
good god did I write that!

but that's just me

wrote quite the many
literary escapades
this morning,
like the yore,
good old days,
when every glance,
remark passing
made me run
to tablet them
in perpetuity ASAP

placed them before you
scattered thither and dither,
like all that jazz notes
running hands over planes geometric,
most just average,
but all there in hopes
you would love me better

but that's just me

sneaking inside you with
a wink, a tink-ering whimsy,
a stupid smile, a wicked sinning
humongous grinning
with a belly laughing,
havoc raising, me crazing,

*but that's just me
11-1-14
thinking I like celery better than carrots, and the rest you just read...
Nat Lipstadt Aug 2015
when you're out of work
a new kind of dictionary defined,
old filters replaced, perspectives refined

take the respite resort word
the "weekend,"
when you are unemployed,
it starts on a Monday,
and runs seven days consecutive,
and the words
"week"and "end" can no longer be married,
for each,
just a new cuss word

when you're out of work,
the sweet small spaces of your home,
revised by the architect
of the mind,
somehow sudden, two sizes smaller,
fewer doors and windows,
light and air, hesitant to enter,
no Vermeer here,
staleness re-covers everything,
new is worn, and worn is
you

when you are fired,
you comprehend the word's meaning clearer,
now, your every thought feels like twelves cylinders firing,
you've become
furnaced, tempered,
dressed daily in an orange yellow colored
jumpsuit, with UNEMPLOYED
across a bent back,
self-censoring the spoken and the unspoken,
when you have no work,
everything important is twice the work,
believing, now a chore,
loving, a labor lost

when you're unemployed

a new kind of dictionary defined,
old filters replaced, perspectives refined,
many words excised,
so few required,
so few desired,
they as well,
rank, and unemployable,
and everything reads
left to right
August  30, 2015
7:35am
Noandy Sep 2016
Kuharap ingatanku tidak
Berjalan mundur perlahan
Dengan keteguhan
Lalu berdiam
Melebur
Hancur
Seperti
Jam
Jam
Di
Ran
Ting
Ranting
Lukisan Dali

Kuharap aku
Disalib
Melayang
Tanpa
Lihat
Duka
Mu

Hantu-hantu
Vermeer
Dal­am
Ruang
Ter
Tutup
Menjelma
Meja
Menopang
Detik
Demi
Detik

Dali,
Mungkin­ begitu
Seru dunianya
Tanpa kau di dalam sana
I want to fold up Constantinople
And tuck it in the crease of my pocket
With a rock and a harlequin opal,
Nestled against your map of Nantucket —
A keepsake framed by a tired locket.

Sunlight pours past panes like gold tapestries,
Blue-sky-checkmates belonging to Vermeer
And his Woman with a Balance — trophies:
A man crowned a chivalrous cavalier,
A gentleman of this tremendous sphere

Misunderstood by societal norms,
And expectations set by precedent.
All while a bird coos cucurucu, warmed
By yellow light, freed from discontented
Murmurs with song. I want to read segments

Of the map on the curved back of your hand,
Knuckle-mounds like the knees of a woman
You once said you loved between shorthanded
Compliments and the words of Walt Whitman —
Blanketed by a bible and a man.

Maybe our web-tangled thoughts coexist
With the sky, place our feet firm on the ground.
Or maybe they’re a window that insists
On temptations, the mind, rewritten sounds,
Coming alive, and wanting to be found.
Nat Lipstadt Jul 2015
2nd to rise, she enquires
you ready for coffee?

it's only 6:22am

if you're having, I'm having...

she quiet disappears

thinking coffee's coming,
when to this layabout,
it occurs,
she's making
coffee in the ****?

get up, make myself presentable,
track her,
the coffee aroma pulsating,
radar signal emitting

sure enough,
coffee in the ****,
grinding, dripping...percolating

but what I see is
contrast and
definition

appliance white
stainless
steel chrome gleaming,
walnut wood cabinetry warming in
Vermeer sunlight window in-streaming,
a Chagall and Botticelli duet,
freshly filtered
thru a Manhattan sky
and flesh,
freshly filtered

flesh
is not a Crayola color,
or
if it is,
it's more a spectrum,
than a single shade

but this moment morning
flesh is more realized,
as if recognized for the first time,
by a newborn old timer,
who senses the
comprehension tension of circumspection
circumcised differentiation,
flesh knowledge gradation gained

this poem,
a first attempt at
painting a ****
in words

appreciating  task enormity,
for there are currently
insufficient words,
too many striations,
all cannot be straitjacketed to the
vocabulary palette

this then,
but my first definition of many,
of
flesh

so many canvasses,
so many undiscovered shadings
awaiting
****** recognition definition,
composition
July 22, 2015 7:26am
Donall Dempsey Dec 2015
HEART GALLERY

You step forth
from your bath

as if you were
a Bonard

come alive

spread yourself
across crisp cool sheets

as sensationally
sensuous

as a Modigliani
****

or a Noguchi
sculpture.

Here, you
Matisse

if only
for a brief

moment now so
Ernst!

Now so
playfully Picasso...ish!

I smile
as you Vermeer!

"Come here
& kiss me!"

You my Magritte!

You my Dali!

You my laughing walking talking
'art gallery!
euphonious Jan 2017
crowds and
paintings on the wall
each of it comes
as a background
to her prodigious story
even Vermeer can't stand out
because only her
slightest movement
catches his eye
in every
frame of existence.

she is
the best form
in a room full of art.
Nat Lipstadt Sep 2013
Teach me art

Teach me art appreciation,
Line and Texture,
Light and Composition,
Collage, Montage.

I 'll pay you in kind.
Teach you to write without saying
****.

Teach you to see that beauty
You possess,
That it does not you,
Own,
Unless you let it.

Paint your nails,
Ask your therapist,
Does your coach know what I know?
That the talent and the vision swamped
Neath the necessary but overwhelming anger.

Write easy, be easy,
Let the light enter and fill the space
Like a Vermeer, open up by letting in,
Just one tiny window, all that's needed,

So if you teach me art,
I will teach you how to write a poem
About painting beauty buried within,
About anger, letting go.
AM
More paintings,
sketchings
copper plate etchings
I look and see them all,
and fall into
those hand picked scenes,
paintings,sketchings,
etching dreams.

Landseer,
Constable,
Turner,
Vermeer,
they're all here
selling their scenes
making my dreams
come true.
Donall Dempsey Dec 2018
!HEART GALLERY!

You step forth
from your bath

as if you were
a Bonard

come alive

spread yourself
across crisp cool sheets

as sensationally
sensuous

as a Modigliani
****

or a Noguchi
sculpture.

Here, you
Matisse

if only
for a brief

moment now so
Ernst!

Now so
playfully Picasso...ish!

I smile
as you Vermeer!

"Come here
& kiss me!"

You my Magritte!

You my Dali!

You my laughing walking talking
'art gallery!
Diptesh May 2013
I see you by the fence
Under the yellow Gulmohur;
The summer wind rustles the leaves
And your raven hair has come loose.
Is it night already?

In your orange dress and blue scarf
You have walked out of a painting
By Vermeer; The Street is silent.
If only I could kneel at your feet
And tear open my sorrowful heart.

But you turn to me and smile
And say something about the weather;
All I can do is mumble and nod
And say in a matter-of-fact way,
“It is going to be a fine day”.

Diptesh Ghosh
Raj Arumugam Jun 2012
you need a moment, sometimes,
a moment can be a series
of seconds that add up to forty winks;
a moment of quite, time away from
the clamor and the crowd and the hungry
away from the brightness, the lights
and the demanding, and the conversations
and questions, and queries and routine
just away from people to think a little perhaps
to drop into the quiet of oneself
a moment in the chair, elbow on the table –
could have shut the door, you know,
so the creak will wake, alert you, maybe;
could have had a fruit (did you?),
or could have moved the spare chair round
so any intruder would have to move it
which would have served as ample warning
and you could’ve said: “Oh, how dusty in here,
just cleaning up, nearly finished…”
but maybe you’ve your own devices and stratagems
whatever, we’d just say now, looking at you
the way Vermeer’s left you for us, dear girl asleep,
you sleeping, retired into this quiet, into this room
in your corner, elbow on the table,
you in the chair, leaning sideways
we’d say, seeing you:
*you need a moment, sometimes,
a moment of quiet, time away –
hey, good on you…
poem based on painting of "girl (or maid) asleep" by Johannes Vermeer
Donall Dempsey Jul 2019
EEN GLAS MELK
(A GLASS OF MILK)

Here - the lady stops
pouring milk from her pitcher

turns and gasps
to see me see her

as she
is!

"Shooo!" she says in Dutch.
"You are not allowed in here!"

"Je bent hier niet toegestaan!"
in a blue and yellow voice.

And there a lady pauses
to read her letter

stops to see
me stare.

"Go away!"( she mouths )"Ga weg!"

But I am a child
and can enter anywhere

my mind takes me
inside this Vermeer

or whatever
paint offers.

I see them both
in the before and after

the moment
captured

not merely being
what the title says.

I put first one foot
over the gilded frame

then the other and
follow where

they go
I go

becoming molecule by molecule
the pigment that they are

living the life
of paint.

"Gee honey see
that shadow that

shadow there
looks like that little kid

that was here
only a moment

ago I
hold my breath

stand perfectly still until
the obese tourist

moves on
to the next(click!)pic.

"Oooh you!"
scolds Vermeer's lady

".You nearly got us caught!"
("Je hebt ons bijna betrapt!")

Then she laughs
toussels my curls

pours me
a glass of milk!
Donall Dempsey Mar 2017
OF THE BEHOLDER

The eye
looked me in the eye.

I couldn't take my eyes
off of it.

It was a fine brown eye
sitting there in the pale sunshine

that grew paler by the second.

I knew I knew the eye
...somehow, but

- not how.

It seemed more
that the eye recognised me.

A fat raindrop
spattered on it.

Followed by another and
another.

Suddenly it seemed
that the eye that couldn't cry

was doing just that.

He picked the eye up
put it in his blazer's top pocket.

Only when he had walked
for an hour or more

did he know
who the eye belonged to.

It was a Vermeer.

That Vermeer with
the young girl turning

as if you had just
called her name.

Where the mouth is slightly open
as if she would answer you.

He wondered how
the eye had come to be

gazing up at him
begging to be

not abandoned.

He wondered where
the rest of the jigsaw

had gone and
why the eye

had seen him
as its only saviour.

He put the eye
in a clear glass frame

where it seemed
to float happily

a suspended being
staring back at me.
Ariel Taverner Jan 2016
If you were Any Other Girl......
I wouldn't be writing this

If you were Any Other Grl......
All of these thoughts that stumble around my head like drunk men trying to find their way home wouldn't exist
And I say drunk men because it's easy to understand sober men
Yet these thoughts seem inexplicably intricate....

If you were Any Other Girl......
I'd be able to decipher all of these emotions and realize that after seven drafts of a poem I should probably give up on trying to explain that if I could I would nail my hands to the very stars themself if only it would give me a tongue crafted of pure gold....
Maybe then I'd be able to explain to every passing stranger how I can see a masterpiece in your very smile

If you were Any Other Girl.....
I wouldn't stumble over wanting to kiss you

If you were Any Other Girl.....
I wouldn't want to brush your hair back slowly, acting like a walking cliché in the desperate hope that your smile would inject my pitiful heart with enough courage to lean in and just be close to you

If you were Any Other Girl....
I would have kissed you a hundred times over

But you see the truth is that......
You're not Any Other Girl
You're gorgeous
Your smile seeps into me like water soaks into the parched land and gives it new life
Your hair seems to have a life of its own and I can't help but think that if you were Medusa's daughter, being turned into stone would be worth it because the last thing imprinted on my vision would be a walking artwork
And what I want you to know is that when you smile I feel the precious bud of bravery blossom within my chest
And I manage to convince myself that I will kiss the most beautiful girl I've ever had the privilege of knowing
Yet when confronted with a face as pure as a Mondrian painting
And more beautiful than a Vermeer or a Botticelli
Massive waves seem to form over me and I stand beneath behemoths of beauty and I laugh.....as these waves crash over me
My inconsequential bravery is washed away in the face of your beauty as I realize for the first time that this girl is....... worth the frustration
She is worth the wait
Worth the energy
Worth the embarrassment of letting an awkard attempt at a kiss melt into a more awkward hug....
But the simple truth is.....
You are not Any Other girl
You.
Are.
Worth.
The.
Journey.
And I can not wait to savour as much of it as I can with you
" She broke me and I'm still waiting for the repairwoman."
CK Baker Aug 2023
Through the towns and country lanes
fortress walls and ancient stains
Roman treasures, aquaducts
the running bulls, a stroke of luck!

Cobblestone and feudal cracks
the culture weaves and summer smacks!
enchanted ramparts, medieval ruins
coliseums and communes

Aigues Mortes to Avignon
the rolling hills and castles strong
fields of grape and olive trees
cicadas singing on the breeze

Tranquil rivers, lost lagoons
horses prancing at high noon
flora and fauna in lofty decree!
say the sycamore and cypress tree

De Lumières in tomb-like calm
illuminating sounds of Brahm
Vermeer, Picasso and Van Goh
the ghosts of Voltaire and Rousseau

Les Baux-de-Provence's immersive stage
brush strokes wide from another age
chambers deep at quarry rock
the mesmerizing notes of Bach

Sacred figures, holy shrines
monestries in grand design
blocks, arches and polished stone
gladiators at the throne

Castle turrets and dungeon bars
the ancient bridge of Pont du Gard
chapel bells across la ville
spiral stairs where time stands still

Scrolls and chronicles filled with scars
church and state with dark memoirs
scholars, artists and dignitaries
in pursuit of God...and all his glory
Spent 7 days cycling with the family along the Rhone River in Southern France.  Absolutley stunning scenery and culture through these historic little towns; Aigues Mortes, Arles, Aramon and Avignon.  Big thanks to the "Caprice" crew (Fabrice, Michela, Rafael and Nadia) who made our trip so enjoyable!
Ottar Apr 2014
the flame that bends,
drawn by a vacuum,
kindle that carefully,

the nose of a dog,
with more glands,
and more glands,

than the human nose,
                          shows,
there are so many things,

too, where we are not the pinnacle yet
we thrive on and can be,
a guess at best, and include the unknown,

there is a foil
the unknown
has it as a foil,

but beware,
this one is a killer,
just ask the cat...

Have I got you ...
Or are you furious,
At how easy this was,

Try painting a Vermeer,
Using a mirror,
don't rush, use a brush too,

Do illusion, with light
refraction and reflection,
Tell me, after you see Penn and Tell..er,

Magic... illusion ...
Genius...all find a home,
it could fill a tome,

to define,
to expand,
on curiosity,

like thermal dynamics
and liquid viscosity,
or how do bumble bees fly?
                                            and why are they dying,
                                                I find this very trying,
                                                in their hives, are they lying,
waiting for some human,
to ask the right question,
with a taste for sweet and honey, of creativity

so Dorothy Parker,
has said she is
better without these
love,
freckles,
doubt and


*Curiosity?
Dorothy Parker quote order changed to create suspense,
anthony Brady Sep 2019
We thought it would come, we thought the Germans would come,  
were almost certain they would. I was thirty-two,
the youngest assistant curator in the country.
I had some good ideas in those days.

Well, what we did was this. We had boxes  
precisely built to every size of canvas.
We put the boxes in the basement and waited.

When word came that the Germans were coming in,  
we got each painting put in the proper box
and out of Leningrad in less than a week.
They were stored somewhere in southern Russia.

But what we did, you see, besides the boxes  
waiting in the basement, which was fine,
a grand idea, you’ll agree, and it saved the art—
but what we did was leave the frames hanging,  
so after the war it would be a simple thing  
to put the paintings back where they belonged.

Nothing will seem surprised or sad again  
compared to those imperious, vacant frames.

Well, the staff stayed on to clean the rubble
after the daily bombardments. We didn’t dream—
You know it lasted nine hundred days.
Much of the roof was lost and snow would lie  
sometimes a foot deep on this very floor,
but the walls stood firm and hardly a frame fell.

Here is the story, now, that I want to tell you.  
Early one day, a dark December morning,
we came on three young soldiers waiting outside,  
pacing and swinging their arms against the cold.  
They told us this: in three homes far from here  
all dreamed of one day coming to Leningrad  
to see the Hermitage, as they supposed  
every Soviet citizen dreamed of doing.  
Now they had been sent to defend the city,  
a turn of fortune the three could hardly believe.

I had to tell them there was nothing to see
but hundreds and hundreds of frames where the paintings had hung.

“Please, sir,” one of them said, “let us see them.”

And so we did. It didn’t seem any stranger  
than all of us being here in the first place,  
inside such a building, strolling in snow.

We led them around most of the major rooms,  
what they could take the time for, wall by wall.  
Now and then we stopped and tried to tell them
part of what they would see if they saw the paintings.  
I told them how those colors would come together,  
described a brushstroke here, a dollop there,  
mentioned a model and why she seemed to pout  
and why this painter got the roses wrong.

The next day a dozen waited for us,
then thirty or more, gathered in twos and threes.  
Each of us took a group in a different direction:  
Castagno, Caravaggio, Brueghel, Cézanne, Matisse,  
Orozco, Manet, da Vinci, Goya, Vermeer,
Picasso, Uccello, your Whistler, Wood, and Gropper.  
We pointed to more details about the paintings,  
I venture to say, than if we had had them there,  
some unexpected use of line or light,
balance or movement, facing the cluster of faces  
the same way we’d done it every morning  
before the war, but then we didn’t pay
so much attention to what we talked about.
People could see for themselves. As a matter of fact  
we’d sometimes said our lines as if they were learned  
out of a book, with hardly a look at the paintings.

But now the guide and the listeners paid attention  
to everything—the simple differences
between the first and post-impressionists,
romantic and heroic, shade and shadow.

Maybe this was a way to forget the war
a little while. Maybe more than that.
Whatever it was, the people continued to come.  
It came to be called The Unseen Collection.

Here. Here is the story I want to tell you.

Slowly, blind people began to come.
A few at first then more of them every morning,  
some led and some alone, some swaying a little.
They leaned and listened hard, they ******* their faces,  
they seemed to shift their eyes, those that had them,  
to see better what was being said.
And a **** of the head. My God, they paid attention.

After the siege was lifted and the Germans left
and the roof was fixed and the paintings were in their places,  
the blind never came again. Not like before.
This seems strange, but what I think it was,
they couldn’t see the paintings anymore.
They could still have listened, but the lectures became  
a little matter-of-fact. What can I say?
Confluences come when they will and they go away.

MILLER WILLIAMS
Donall Dempsey Mar 2018
OF THE BEHOLDER

The eye
looked me in the eye.

I couldn't take my eyes off of it.

It was a fine brown eye
sitting there in the pale sunshine

that grew paler by the second.

I knew I knew the eye
...somehow, but

- not how.

It seemed more
that the eye recognised me.

A fat raindrop spattered on it.
Followed by another and another.

Suddenly it seemed
that the eye that couldn't cry

was doing just that.

I picked the eye up
put it in my blazer's top pocket.

Only when I had walked
for an hour or more

did I know
who the eye belonged to.

It was a Vermeer.

That Vermeer with
the young girl turning

as if you had just
called her name.

Where the mouth is slightly open
as if she would answer you.

I wondered how
the eye had come to be

gazing up at me
begging to be

not abandoned.

I wondered where
the rest of the jigsaw

had gone and
why the eye

had seen me
as its only saviour.

I put the eye
in a clear glass frame

where it seemed
to float happily

a suspended being
staring back at me.

— The End —