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Kendall Mallon Jul 2013
Book One


Prelude:

As Romans before them, they built the city upward—
layer ‘pon layer as the polar caps receded
layer by layer—preserving what they could, if someday
the waters may recede back into the former polar
ice caps; restoring the long inundated coastlines.


Home:

A man sat upon a tall pub stool stroking
his ginger beard while grasping a pint loosely
in his other hand. An elderly gent stood
next to him. The older gentleman noticed
that the ginger bearded man’s pint sat almost
quite near the bottom of its tulip glass.

A woman with eyes of amber and hair
as chestnut strolled through a vineyard amongst
the ripening grapes full of juice to soon
become wine. She clutched a notebook—behind (10)
thick black covers lay ideas and sketches
to bring the world to a more natural
state—balancing the wonders and the merits
of technology apace with the allure ‘n’
sanctity borne to the natural world.

When the ginger bearded man finished the
final drops of his stout, another appeared
heretofore him—courtesy owed to the elder
gentleman. “Notice dat ye got d’ mark
o’ a man accustom amid the seas,” (20)
he inferred; gesturing the black and blue
compass rose inscribed inside a ship’s wheel,
imbedded into the back of the ginger
bearded man’s weathered right hand.
                 “I have crewed
and skippered a many fine vessel, but I
am renouncing my life at sea—one final
voyage I have left inside of me:
one single terminal Irish-Atlantic
voyage t’ward home.” (30)
“Aye d’ sea can beh cold
‘nd harsh, but she enchants me heart. Ta where
are ye headed fer d’ place ye call home,
d’ere sonny boy?”
     “’tis not simply a where,
‘tis a who. Certain events have led me
to be separate from my wife. For five
eternal years I have been traveling—
waiting to be in her embrace. The force
of the Sea, she, is a cruel one. For (40)
it seams: at every tack or gybe the farther
off I am thrown from my homeward direction
to stranger and stranger lands… I have gone
to the graveyard of hell and the pearly gates
of (the so called) heaven; I have engaged
in foolhardy deals—made bets only a
gambling addict would place. All to just be
with Zara. I am homesick—Zara is my
home—it doesn’t matter where (physically)
we are located, my home is with Zara. I (50)
was advised to draw nigh the clove of Cork
and wait; wait for a man, but I was barely
given a clue as to who this man is,
only I must return him this:” the ginger
bearded man held out a dull silver pocket watch
with a frigate cut into the front cover
and two roses sharing a single stem
swirling upon themselves cut into
the back.
   “Can it be? ‘Tis meh watch dat meh (60)
fat’er gave t’ meh right before he died…
I lost it at sea many a year ago.
It left meh heartbroken—fer it was meh only
lasting mem’ry of him… Come to t’ink I
was told by a beggar in the street—I
do not remember how long ago—dat
I would happen across a man wit’ somet’ing
dear t’ meh, and I’d accomp’ny dis man
on a journey, and dis man would have upon
‘im d’ mark of a true sailor…” (70)
    “Dear elder man,
my name is Abraham; the mark you see
represents the control that I have on my
direction—thought it appears the Sea retains
some ascendancy… Yet now, it appears,
the Sea is upholding her bargain—though
a bit late... Do you, by chance, own a vessel
that can fair to Colorado?—all across
this mist’d island no skipper ‘ll uptake
my plea; they fear the sharp wrath of the Sea (80)
or (if they have no fear) simply claim my home
‘is not on their routes…’ i’tis a line I’ve
heard too often. I would’ve purchased a vessel,
but the Sea, she, has deprived me completely
of my identity and equity.”

Zara, with her rich chestnut hair sat upon
a fountain in a piazza—her half empty
heart longing to savor the hallow presence
of Abraham, and stroke his ginger beard…
Everyday she would look out at the sea (90)
whence he left…
     All encouraged her to: “forgo
further pursuit”; “he is likely deceased
by now”—his vessel (what left) scuttled amidst
the rocks of Cape Horn, yet Zara could feel
deep-seated inside her soul he is alive;
Alive (somewhere) fighting to return home.
Never would Zara leave; never would she
abandon post; she made that promise five
years ago as Abraham, ‘n’ his crew,
set out on their final voyage; and she (100)
would be ****** ere she broke her promise—a promise
of the heart—a promise of love. Abraham
said: “You are my lighthouse; your love, it, will guide
me home—keep me from danger—as long as you
remain my lighthouse, I’ll forever be
set to return home—return home to you.”

Out from Crosshaven did the old man take
steadfast Abraham en route to his home.
Grey Irish skies turned blue as they made their
way out on the Irish Sea, southwest, toward (110)
the southern end of the Appalachian Island.
The gentle biting spray of the waves breaking
over the bow and beam moistened the ginger
bearded face of Abraham; his tattooed
hands grasped the helm—his resolute stare kept him
and the old man acutely on course.
A shame,
it struck the old man, this would be the final
voyage of Abraham… he: the best crew
that the old man had ever came across; (120)
uncertain if simply the character
of Abraham or his pers’nal desire
to return home in the wake of five long
salty-cold years—a vassal to the Sea
and her changing whim. Never had the old
man seen his ship sail as fast as he did when
Abraham accorded its deck—each sail
set without flaw: easing and trimming sheets
fractions of an inch—purely to obtain
the slightest gain in speed; the display warmed (130)
the heart of the old man.
        And thus the elder
gent mused as he lightly puffed on his pipe
while sitting on the stern pulpit regarding
at Abraham’s passion to return home
(as he calls her):—maybe dis is d’ reason
d’ Sea has fought so hard, and lied, t’ keep
Abraham from returning home… Could not
bear t’ lose such fine a sailor from her
expanses—she is known t’ be quite a jealous (140)
mistress…
      But for all Abraham’s will and passion,
the old man insisted for the fellow
to rest; otherwise lack of sleep would cause
the REM fiddler to reap his debt—replace
clarity of mind with opacity.
Reluctantly stalwart Abraham gave
in and retire below deck—yet the old
man doubted the amount of rest that he
acquired in those moments out of his sight. (150)

For the days, then weeks, in the wake of their
departure from the port-island Crosshaven,
the seas were calm as open water can:
gentle azure rolling swells oscillated
and helped impel the vessel forward. The southern
craggy cape of the Appalachian
Island pierced the horizon. Like a threshold
it stood for Abraham—a major landmark;
the closest to home he had been in five
salty long years—his limbo was beginning                               (160)
to fade, his heart slowly—for the first time since
he left port in eastern Colorado—
started to feel replete again. The Great
Plains Sea—his final sea—he would not miss
the gleam of his lighthouse stalwart on shore.




Book Two

Oracle:**

Upon a beach, Abraham found himself alone—gasping
in gulps of moist air like that of a new born baby first (10)
experiencing the breathe of life; he felt as if he
would never become dry again… the salt burning his skin
as it crusted over when the water evap’rated
into the air; Abraham took the first night to rest, the
next day he set to make shelter and wait for a rescue
crew; out he stared at the crashing waves hoping for a plane
or faint form of a ship upon the horizon…days and
nights spun into an alternating display of day then
night: light then dark—light, dark, light, dark, grey, grey, grey…

Abraham (20)
gave up marking the days—realized the searches are done—
given up after looking in the wrong places (even
he did not know where he was…) the cold waves and currents took
him to a safe shore away from his ship and crew, in a
limp unconscious float…
From the trees, and what he could find on
the small  island, Abraham occupied himself with the
task of building a catamaran to rid himself of
the grey-waiting.
Out he cast his meager vessel into (30)
the battering surf; waves broke over his bows and centre
platform—each foot forward, the waves threatened to push him back
twofold… Abraham struck-beat the water with the oars he
fashioned; rising and falling with the energy of the
waves; Abraham stole brief looks back with hopes of a van’shing
shoreline—coast refused to vanish… his drenched arms grew tired;
yet he pushed on knowing he would soon be out passed the
breaking waves; then could relax and hoist sail; yet the waves grew
taller—broke with greater power… Abraham struck-beat the
water with his oars—anger welled—leading to splashes of (40)
ivory sea-froth instead of the desired progress
forward; eventually, his arms fell limp beyond the
force of will… waves tumbled him back to shore as he did the
first night upon the island…
Dejected Abraham lay
in the surf that night—the gentle ebb of the sea added
to insult, but hid the tears formed in the corner of his eyes—
salt water to salt water… the next day Abraham took
inventory of damage: the mast snapped in multiple
places, the rudders askew—the hulls and centre structure (50)
remained intact; the oars lost (or at least Abraham cared
not to search); over the next weeks he set to improve
the design and efficiency of his vessel—the first
had been hurried and that of a man desperate to leave;
the bare minimum that would suffice—he set to create
a vessel to ensure his departure from the des’late
accrue of sand and vegetation; Abraham laboured
to strengthen his body—pushing his arms further passed the
point his mind believed they could go—consuming the hearty,
protein-rich, mollusks, and small shellfish he could find inside (60)
tide pools or shallows—if lucky, larger fish that dared the
nearby reefs.
Patiently, Abraham observed the tides and
breaking water; he wanted to determine the correct
time to set off to ensure success—when the waves would not
toss him back to the beach; the day: a calm clear day—only
within few metres of soft beach did there exist any
breaking waves, and those that broke were barely a metre high;
loading provisions upon the vessel, Abraham bid
farewell to the island (out of wont for the sustenance (70)
it gave not for nostalgia) grasping his oars, he set forth
to find open sea—where the waves do not break and set you
gingerly on foreign shore(s); Abraham paddled passed the
first few breaking waves, his heart pounding with hope—he stifled
the thoughts (celebrate when the island is but a subtle
blue curve upon the horizon); as the island began
to shrink in his vision, the sky to his back grew darker…
the waves started to swell—moguls grew to hills—Abraham
stroked up and rode down; the cursèd Island refused to shrink…
if not begin to grow wider… stroke by stroke Abraham (80)
grew frustrated—stroke by stroke frustration advanced into
anger—stroke by stroke anger augmented into fiery
beating of the water!—Abraham struck and struck at the
Sea—eyes closed—white knuckles—trashing!—unsure which direction
he paddled…sky pitch-black, wind blowing on-shore Abraham
bellowed out to the Sea in inarticulate roars of:
hatefrustrationpitydesperationheartache!
Towards
Abraham’s in-linguistic roar, the sky let out a crack
of authority! a wave swept the flailing Abraham (90)
into the ocean—cool water only heated the rage
in Abraham’s mind—his half empty heart only wanted:
to sail home, become whole  again—sit under and olive
tree and stroke the chestnut hair of Zara as she drifted
off to sleep on his chest while he would whisper sweet verses
into her ear… Abraham’s rage, beyond reason, forgot
the boat and all clarity, he tried to swim away from
the cursèd island—scrambling up waves only to tumble
back with their breaking peaks—salt, the only taste in his mouth;
churning his stomach to *****; his kidney’s praying he (100)
would  not swallow anymore… his gasps stifled any curse
Abraham’s head wished to expel onto the Sea—yet she
swore she heard one final curse escape his lips! at that the
Sea tossed Abraham (head first) into his ghost-helmed vessel—
all went dark for hostile Abraham…

Contemplating back
at his rage—knowing the barbarian it makes of him,
Abraham peered into the band inscribed into his
ring-finger and saw the knot tying him to Zara—shame
at his arrogant-uncontrolled-fury sent Abraham (110)
into a meditative exile inside of his mind
(within the exile of the island…) in his mental
exile Abraham spun into deeper despair at his
two failures—even more at the prospect of failing the
vow he professed onto Zara: return home—home from this
final voyage, grow old with her on solid ground, never
to die apart and cause the pain of losing a loved one
without the closure of truly knowing the death is real,
to die by her side white, white with the purity of age…
Abraham’s destitution turned inward—his fury, the (120)
lack of control, the demon he becomes when rage surges
through his muscles; equiping him with untamed strength without
direction or self-possession—so much potential, yet
no productive way to use it… Abraham’s half-full-heart
burned, ached with passion and anguish—all desire
focused on home, his return, but the mind’s despondency
and insistent ‘what-ifs’ kept poor Abraham prostrate in
his mental cave—all his wishing for anger and vi’lence
to force his will, it did more to retain him upon the
cursèd island than bring his heart closer to fulfillment: (130)
his long awaited home…
Out of his mental exile did
Abraham’s irises dilate and contract with blinding
illumination—self-pity is not what make things happen—
it would only serve to anger Zara—nothing other
than I can be to blame for my continued absence; I
am stronger than that!—looking at the tattoo in his hand,
he remembered the reasons for the perennial brand—
the eight-spoke ship’s helm: the eight-fold-path—I must cut off my
desire for anger to be the solution and focus (140)
on the one path to Zara—the mind can push the body
further than the body believes is possible—the star:
the compass to guide me via celestial bodies
to where my heart can see the guiding beam of my lighthouse!
This is the Final Voyage epic thus far. I am converting Home into blank verse and it is taking longer than I thought to do; which is why that part is incomplete here. I also added line numbers. I changed The names as well.
There are who lord it o'er their fellow-men
With most prevailing tinsel: who unpen
Their baaing vanities, to browse away
The comfortable green and juicy hay
From human pastures; or, O torturing fact!
Who, through an idiot blink, will see unpack'd
Fire-branded foxes to sear up and singe
Our gold and ripe-ear'd hopes. With not one tinge
Of sanctuary splendour, not a sight
Able to face an owl's, they still are dight
By the blear-eyed nations in empurpled vests,
And crowns, and turbans. With unladen *******,
Save of blown self-applause, they proudly mount
To their spirit's perch, their being's high account,
Their tiptop nothings, their dull skies, their thrones--
Amid the fierce intoxicating tones
Of trumpets, shoutings, and belabour'd drums,
And sudden cannon. Ah! how all this hums,
In wakeful ears, like uproar past and gone--
Like thunder clouds that spake to Babylon,
And set those old Chaldeans to their tasks.--
Are then regalities all gilded masks?
No, there are throned seats unscalable
But by a patient wing, a constant spell,
Or by ethereal things that, unconfin'd,
Can make a ladder of the eternal wind,
And poise about in cloudy thunder-tents
To watch the abysm-birth of elements.
Aye, 'bove the withering of old-lipp'd Fate
A thousand Powers keep religious state,
In water, fiery realm, and airy bourne;
And, silent as a consecrated urn,
Hold sphery sessions for a season due.
Yet few of these far majesties, ah, few!
Have bared their operations to this globe--
Few, who with gorgeous pageantry enrobe
Our piece of heaven--whose benevolence
Shakes hand with our own Ceres; every sense
Filling with spiritual sweets to plenitude,
As bees gorge full their cells. And, by the feud
'Twixt Nothing and Creation, I here swear,
Eterne Apollo! that thy Sister fair
Is of all these the gentlier-mightiest.
When thy gold breath is misting in the west,
She unobserved steals unto her throne,
And there she sits most meek and most alone;
As if she had not pomp subservient;
As if thine eye, high Poet! was not bent
Towards her with the Muses in thine heart;
As if the ministring stars kept not apart,
Waiting for silver-footed messages.
O Moon! the oldest shades '**** oldest trees
Feel palpitations when thou lookest in:
O Moon! old boughs lisp forth a holier din
The while they feel thine airy fellowship.
Thou dost bless every where, with silver lip
Kissing dead things to life. The sleeping kine,
Couched in thy brightness, dream of fields divine:
Innumerable mountains rise, and rise,
Ambitious for the hallowing of thine eyes;
And yet thy benediction passeth not
One obscure hiding-place, one little spot
Where pleasure may be sent: the nested wren
Has thy fair face within its tranquil ken,
And from beneath a sheltering ivy leaf
Takes glimpses of thee; thou art a relief
To the poor patient oyster, where it sleeps
Within its pearly house.--The mighty deeps,
The monstrous sea is thine--the myriad sea!
O Moon! far-spooming Ocean bows to thee,
And Tellus feels his forehead's cumbrous load.

  Cynthia! where art thou now? What far abode
Of green or silvery bower doth enshrine
Such utmost beauty? Alas, thou dost pine
For one as sorrowful: thy cheek is pale
For one whose cheek is pale: thou dost bewail
His tears, who weeps for thee. Where dost thou sigh?
Ah! surely that light peeps from Vesper's eye,
Or what a thing is love! 'Tis She, but lo!
How chang'd, how full of ache, how gone in woe!
She dies at the thinnest cloud; her loveliness
Is wan on Neptune's blue: yet there's a stress
Of love-spangles, just off yon cape of trees,
Dancing upon the waves, as if to please
The curly foam with amorous influence.
O, not so idle: for down-glancing thence
She fathoms eddies, and runs wild about
O'erwhelming water-courses; scaring out
The thorny sharks from hiding-holes, and fright'ning
Their savage eyes with unaccustomed lightning.
Where will the splendor be content to reach?
O love! how potent hast thou been to teach
Strange journeyings! Wherever beauty dwells,
In gulf or aerie, mountains or deep dells,
In light, in gloom, in star or blazing sun,
Thou pointest out the way, and straight 'tis won.
Amid his toil thou gav'st Leander breath;
Thou leddest Orpheus through the gleams of death;
Thou madest Pluto bear thin element;
And now, O winged Chieftain! thou hast sent
A moon-beam to the deep, deep water-world,
To find Endymion.

                  On gold sand impearl'd
With lily shells, and pebbles milky white,
Poor Cynthia greeted him, and sooth'd her light
Against his pallid face: he felt the charm
To breathlessness, and suddenly a warm
Of his heart's blood: 'twas very sweet; he stay'd
His wandering steps, and half-entranced laid
His head upon a tuft of straggling weeds,
To taste the gentle moon, and freshening beads,
Lashed from the crystal roof by fishes' tails.
And so he kept, until the rosy veils
Mantling the east, by Aurora's peering hand
Were lifted from the water's breast, and fann'd
Into sweet air; and sober'd morning came
Meekly through billows:--when like taper-flame
Left sudden by a dallying breath of air,
He rose in silence, and once more 'gan fare
Along his fated way.

                      Far had he roam'd,
With nothing save the hollow vast, that foam'd
Above, around, and at his feet; save things
More dead than Morpheus' imaginings:
Old rusted anchors, helmets, breast-plates large
Of gone sea-warriors; brazen beaks and targe;
Rudders that for a hundred years had lost
The sway of human hand; gold vase emboss'd
With long-forgotten story, and wherein
No reveller had ever dipp'd a chin
But those of Saturn's vintage; mouldering scrolls,
Writ in the tongue of heaven, by those souls
Who first were on the earth; and sculptures rude
In ponderous stone, developing the mood
Of ancient Nox;--then skeletons of man,
Of beast, behemoth, and leviathan,
And elephant, and eagle, and huge jaw
Of nameless monster. A cold leaden awe
These secrets struck into him; and unless
Dian had chaced away that heaviness,
He might have died: but now, with cheered feel,
He onward kept; wooing these thoughts to steal
About the labyrinth in his soul of love.

  "What is there in thee, Moon! that thou shouldst move
My heart so potently? When yet a child
I oft have dried my tears when thou hast smil'd.
Thou seem'dst my sister: hand in hand we went
From eve to morn across the firmament.
No apples would I gather from the tree,
Till thou hadst cool'd their cheeks deliciously:
No tumbling water ever spake romance,
But when my eyes with thine thereon could dance:
No woods were green enough, no bower divine,
Until thou liftedst up thine eyelids fine:
In sowing time ne'er would I dibble take,
Or drop a seed, till thou wast wide awake;
And, in the summer tide of blossoming,
No one but thee hath heard me blithly sing
And mesh my dewy flowers all the night.
No melody was like a passing spright
If it went not to solemnize thy reign.
Yes, in my boyhood, every joy and pain
By thee were fashion'd to the self-same end;
And as I grew in years, still didst thou blend
With all my ardours: thou wast the deep glen;
Thou wast the mountain-top--the sage's pen--
The poet's harp--the voice of friends--the sun;
Thou wast the river--thou wast glory won;
Thou wast my clarion's blast--thou wast my steed--
My goblet full of wine--my topmost deed:--
Thou wast the charm of women, lovely Moon!
O what a wild and harmonized tune
My spirit struck from all the beautiful!
On some bright essence could I lean, and lull
Myself to immortality: I prest
Nature's soft pillow in a wakeful rest.
But, gentle Orb! there came a nearer bliss--
My strange love came--Felicity's abyss!
She came, and thou didst fade, and fade away--
Yet not entirely; no, thy starry sway
Has been an under-passion to this hour.
Now I begin to feel thine orby power
Is coming fresh upon me: O be kind,
Keep back thine influence, and do not blind
My sovereign vision.--Dearest love, forgive
That I can think away from thee and live!--
Pardon me, airy planet, that I prize
One thought beyond thine argent luxuries!
How far beyond!" At this a surpris'd start
Frosted the springing verdure of his heart;
For as he lifted up his eyes to swear
How his own goddess was past all things fair,
He saw far in the concave green of the sea
An old man sitting calm and peacefully.
Upon a weeded rock this old man sat,
And his white hair was awful, and a mat
Of weeds were cold beneath his cold thin feet;
And, ample as the largest winding-sheet,
A cloak of blue wrapp'd up his aged bones,
O'erwrought with symbols by the deepest groans
Of ambitious magic: every ocean-form
Was woven in with black distinctness; storm,
And calm, and whispering, and hideous roar
Were emblem'd in the woof; with every shape
That skims, or dives, or sleeps, 'twixt cape and cape.
The gulphing whale was like a dot in the spell,
Yet look upon it, and 'twould size and swell
To its huge self; and the minutest fish
Would pass the very hardest gazer's wish,
And show his little eye's anatomy.
Then there was pictur'd the regality
Of Neptune; and the sea nymphs round his state,
In beauteous vassalage, look up and wait.
Beside this old man lay a pearly wand,
And in his lap a book, the which he conn'd
So stedfastly, that the new denizen
Had time to keep him in amazed ken,
To mark these shadowings, and stand in awe.

  The old man rais'd his hoary head and saw
The wilder'd stranger--seeming not to see,
His features were so lifeless. Suddenly
He woke as from a trance; his snow-white brows
Went arching up, and like two magic ploughs
Furrow'd deep wrinkles in his forehead large,
Which kept as fixedly as rocky marge,
Till round his wither'd lips had gone a smile.
Then up he rose, like one whose tedious toil
Had watch'd for years in forlorn hermitage,
Who had not from mid-life to utmost age
Eas'd in one accent his o'er-burden'd soul,
Even to the trees. He rose: he grasp'd his stole,
With convuls'd clenches waving it abroad,
And in a voice of solemn joy, that aw'd
Echo into oblivion, he said:--

  "Thou art the man! Now shall I lay my head
In peace upon my watery pillow: now
Sleep will come smoothly to my weary brow.
O Jove! I shall be young again, be young!
O shell-borne Neptune, I am pierc'd and stung
With new-born life! What shall I do? Where go,
When I have cast this serpent-skin of woe?--
I'll swim to the syrens, and one moment listen
Their melodies, and see their long hair glisten;
Anon upon that giant's arm I'll be,
That writhes about the roots of Sicily:
To northern seas I'll in a twinkling sail,
And mount upon the snortings of a whale
To some black cloud; thence down I'll madly sweep
On forked lightning, to the deepest deep,
Where through some ******* pool I will be hurl'd
With rapture to the other side of the world!
O, I am full of gladness! Sisters three,
I bow full hearted to your old decree!
Yes, every god be thank'd, and power benign,
For I no more shall wither, droop, and pine.
Thou art the man!" Endymion started back
Dismay'd; and, like a wretch from whom the rack
Tortures hot breath, and speech of agony,
Mutter'd: "What lonely death am I to die
In this cold region? Will he let me freeze,
And float my brittle limbs o'er polar seas?
Or will he touch me with his searing hand,
And leave a black memorial on the sand?
Or tear me piece-meal with a bony saw,
And keep me as a chosen food to draw
His magian fish through hated fire and flame?
O misery of hell! resistless, tame,
Am I to be burnt up? No, I will shout,
Until the gods through heaven's blue look out!--
O Tartarus! but some few days agone
Her soft arms were entwining me, and on
Her voice I hung like fruit among green leaves:
Her lips were all my own, and--ah, ripe sheaves
Of happiness! ye on the stubble droop,
But never may be garner'd. I must stoop
My head, and kiss death's foot. Love! love, farewel!
Is there no hope from thee? This horrid spell
Would melt at thy sweet breath.--By Dian's hind
Feeding from her white fingers, on the wind
I see thy streaming hair! and now, by Pan,
I care not for this old mysterious man!"

  He spake, and walking to that aged form,
Look'd high defiance. Lo! his heart 'gan warm
With pity, for the grey-hair'd creature wept.
Had he then wrong'd a heart where sorrow kept?
Had he, though blindly contumelious, brought
Rheum to kind eyes, a sting to human thought,
Convulsion to a mouth of many years?
He had in truth; and he was ripe for tears.
The penitent shower fell, as down he knelt
Before that care-worn sage, who trembling felt
About his large dark locks, and faultering spake:

  "Arise, good youth, for sacred Phoebus' sake!
I know thine inmost *****, and I feel
A very brother's yearning for thee steal
Into mine own: for why? thou openest
The prison gates that have so long opprest
My weary watching. Though thou know'st it not,
Thou art commission'd to this fated spot
For great enfranchisement. O weep no more;
I am a friend to love, to loves of yore:
Aye, hadst thou never lov'd an unknown power
I had been grieving at this joyous hour
But even now most miserable old,
I saw thee, and my blood no longer cold
Gave mighty pulses: in this tottering case
Grew a new heart, which at this moment plays
As dancingly as thine. Be not afraid,
For thou shalt hear this secret all display'd,
Now as we speed towards our joyous task."

  So saying, this young soul in age's mask
Went forward with the Carian side by side:
Resuming quickly thus; while ocean's tide
Hung swollen at their backs, and jewel'd sands
Took silently their foot-prints. "My soul stands
Now past the midway from mortality,
And so I can prepare without a sigh
To tell thee briefly all my joy and pain.
I was a fisher once, upon this main,
And my boat danc'd in every creek and bay;
Rough billows were my home by night and day,--
The sea-gulls not more constant; for I had
No housing from the storm and tempests mad,
But hollow rocks,--and they were palaces
Of silent happiness, of slumberous ease:
Long years of misery have told me so.
Aye, thus it was one thousand years ago.
One thousand years!--Is it then possible
To look so plainly through them? to dispel
A thousand years with backward glance sublime?
To breathe away as 'twere all scummy slime
From off a crystal pool, to see its deep,
And one's own image from the bottom peep?
Yes: now I am no longer wretched thrall,
My long captivity and moanings all
Are but a slime, a thin-pervading ****,
The which I breathe away, and thronging come
Like things of yesterday my youthful pleasures.

  "I touch'd no lute, I sang not, trod no measures:
I was a lonely youth on desert shores.
My sports were lonely, 'mid continuous roars,
And craggy isles, and sea-mew's plaintive cry
Plaining discrepant between sea and sky.
Dolphins were still my playmates; shapes unseen
Would let me feel their scales of gold and green,
Nor be my desolation; and, full oft,
When a dread waterspout had rear'd aloft
Its hungry hugeness, seeming ready ripe
To burst with hoarsest thunderings, and wipe
My life away like a vast sponge of fate,
Some friendly monster, pitying my sad state,
Has dived to its foundations, gulph'd it down,
And left me tossing safely. But the crown
Of all my life was utmost quietude:
More did I love to lie in cavern rude,
Keeping in wait whole days for Neptune's voice,
And if it came at last, hark, and rejoice!
There blush'd no summer eve but I would steer
My skiff along green shelving coasts, to hear
The shepherd's pipe come clear from aery steep,
Mingled with ceaseless bleatings of his sheep:
And never was a day of summer shine,
But I beheld its birth upon the brine:
For I would watch all night to see unfold
Heaven's gates, and Aethon snort his morning gold
Wide o'er the swelling streams: and constantly
At brim of day-tide, on some grassy lea,
My nets would be spread out, and I at rest.
The poor folk of the sea-country I blest
With daily boon of fish most delicate:
They knew not whence this bounty, and elate
Would strew sweet flowers on a sterile beach.

  "Why was I not contented? Wherefore reach
At things which, but for thee, O Latmian!
Had been my dreary death? Fool! I began
To feel distemper'd longings: to desire
The utmost priv
Theresa M Rose Oct 2015
The Midnight Dawn: The ship begins to dock.
A woman stands, looking down, silently. Black waters swirl salty white foam; Icy waters move through flapping rudders; The sounds of shifting motors pound; This is a beckoning scene for one in feelings of immersing self-isolation; And, Lora stands at this very edge. Lora stands completely unaware of the true beauty that surrounds her at this very moment.
         The ship’s docking, at Dearing's port, in the Kotzebue Sound... Alaska's pre-dawn dark blue skies with it’s tawny orangey gray clouds; A  panoramic view of white snowy peak mountains surrounds the port. And yet, the only thing Lora has on her mind … is a small Inuit village that will soon make her isolation complete.

    Out onto the deck Jeff calls, "Lora!"

Lora turns towards her husband's voice; But then, turns her eyes back to the whirling water over the stern.
  
    "Sweetheart?" Jeff places his hand on Lora’s arm, "I called the shore; The transport will be waiting… as soon as we're finished docking."
Jeff's voice becomes serene.
“ Wow. Lora, I can’t believe it. It’s been eight years since I been home last."
Jeff places his hand on Lora's.
“ It’ll be good for us to be with family. We'll leave the ship before the sunrise and we’ll arrive in the village just in time to see the final day of Tribal Awareness Week. Lora, I wish we were here a couple of weeks ago. I think my mother would have been happier meeting you when she wasn't so busy...."
  
Lora turns…, "You know, Jeff; I do wish you would just shut the hell up!”
Lora pulls her hand away.
“ Please, just keep still until we get up there.”
Her teeth clench.
“ It's another four and a half-hours, to get to  where we need to go. And, quite frankly, I think it's going to be hard enough for me to what needs to be done; And, I’d much rather get through this without having to listen to your mouth all the way up there."

"Alright.", Jeff says in a somber voice.  He turns to walk back inside but then he sees a new flicker of hope.
"Lora, I see the biplane. It's pulling in..; See it? See it, down there, at slip four, on the pier?!” Jeff smile’s pointing to the small transporter; As he does he grabs Lora kissing her cheek. “ I'm go get the porter to help me with our bags and we'll meet you down at the clearing, All right?”
"Fine.” Lora,…with a strain in her throat.
"Fine, let's just get this over with..."

    Lora stands at the clearing;… She watches the ships crew set-up for a day of helping  passengers board and depart the ship.  Jeff arranged for the two of them to leave the ship two hours earlier than everyone else so they could meet up with their connection.
As Jeff and the porter comes down the ramp a man comes down the dock waiving.
“ Jeff!”

    Jeff calls out. "Lora, here comes Gabe!"
“ Gabe! Gabe!”
"Gabe?"
"Honey!? This is my cousin, Gabriel." Jeff says to Lora as they started down the pier to the biplane. “ He runs our local transport."
    Gabe turns towards Lora.
" Yeah, I run everyone from our village up and down the river; Sometimes, I think this little craft here thinks she's just another boat! She so seldom has a chance to be airborne.”
The luggage is placed on board, Jeff and Lora settle into their seats and Gabe starts moving up the sound; Then, after about fifteen moments the little plane begins to lift, up and out, off the water.
  
    Lora becomes startled, "I thought the plane wasn't going to leave… I thought we were not going to be airborne?! I thought we were riding up the river?"
  
"Yes, Lora." Gabe states with a giggle,
"Yes, the Koyukuk River! I'm sorry, I thought Jeff would have told you?! We'll be airborne for just over an hour then we’ll reach the Koyukuk River and then, from that point, we’ll be riding the river for another three hours till we reach the village."

"Oh."
Lora sits back… and begins to stare out at the enormity of the Alaskan skyline. For her, it seems to have no end; And yet, for Lora there seems to be, nothing, nothing at all but endings on her horizon.

    The procession begins...
The parade comes down the main road in the small Inuit village. The local people are all playing drums, jingles and bones and they’re all wearing traditional ceremonial attire.

    Lora starts looking around to find her husband but Jeff is gone. Lora thinks, angrily.
‘ This is so senseless!? Why did Jeff ******* up here? I can't believe this; Here I am at The Koyukon Festival to tell his mother we're divorcing!? His mother never wanted me in his life. He was just suppose to finish his studies and come back home. I'm sure she'll be relieved to see me gone from his life.’

    Jeff comes up behind her, smiling.
"Honey, Honey isn't this wonderful?! I remember my parents and I participating all together in these events when I was small.”
Jeff points down the road. “ Hey Hon, look!" He places his arm on Lora's waistline.

    Lora turns to him with a grimace," Remove that…!"
    Jeff moved his hand and Lora turns to see where Jeff is pointing.
Lora sees, her mother-in-law, PaKaSuk; PaKa begins down the road dressed in her traditional Inuit tribal clothing.
    She has on a headdress made from the skin and skull of a coyote, and there’s a pair of small antlers imbedded on it. And, she has on tall boots made of polar-bear fur that are adorned at the rims with dangling teeth from the hunts of the past.
PaKa sings long mournful notes as she plays a soft singular beat over and over again on a drum-snare of  sealskin and whalebone.
    Jeff waves to his mother; As she sees her son, she begins to call out,


” Come fellow me one and all…;

Come fellow me to the place of the great hall;

Come to hear a tale that must be told;

Come hear the words from the time of old.”

As PaKa reaches the doorway she gestures to Jeff and Lora.
"Please come, sit here near the fireplace."
    As everyone-else  finds seat’s; PaKa kneels down, she looks deep into Lora‘s eyes; She smiles and then hands Lora a small long rectangular box.
Speaking softly, "Lora, please, hold this… But, do not open it right now; Wait until I’m done with my story. I'll return and we will talk."
  
    Lora stares at PaKa thinking…
‘She is an odd woman. To give me a gift? Looking down at the small rectangular box. She makes a huff, ‘ It's probably a brand new pen to sign the divorce papers with. She's probably…; But wait!’
Lora remembers, ‘ Jeff hasn't told her anything about the divorce yet. ‘
Lora places the box on her lap.

    The show begins...
    PaKa hushes the assembly; Cues the drums to play.
    The drums start. It is a slow, low singular beat  beating over and over…; Over and over. beating  slow low beats; Over and over... Again.

    Jeff bends down; He whispers, "Lora, the crowd is so much larger then I ever remembered it being before."
    Just then, a woman comes and sits right next to Lora and the woman has a baby sleeping in her arms.
Lora closes her eye and thinks,…
‘ Oh God… Why couldn’t this woman find somewhere else to sit; Anyplace other than here?’

    "Welcome! I am PaKaSuk...I am the Coyote-woman for my people…, now! But my story is of a Coyote-woman of long ago. Her name,… GaTraRa; The Coyote-woman Who Lost Her Tears.
Come one and all close your eyes. We shall breath deep the air and hear the drums beat…; And, we shall go… into the past.

            GaTraRa became a coyote woman when she was young. Much younger than the old custom....The old Coyote-woman would chose a young girl to replace her and she would teach the girl all of the knowledge  needed to help her people; She would learn all the wisdom of the herbs that cure and when ready she would take place. GaTraRa was chosen… And with great pride and joy of all the tribe.
She had learned much in a small time working at the side of the old Coyote-woman. But, a great sickness came to the people; Nearly half the tribe were lost...
The old coyote woman was lost…  GaTraRa was now The Coyote woman; …without knowing all the wisdom  the old coyote woman needed to give…

    Lora, sits there listening to her mother-in-law; She starts feeling cold beads of sweat against her skin. She starts feeling a slow low ache in the pit of her stomach.
    Jeff looks at Lora, "Are you alright?"
    "Leave me alone!” She swats at him. "Just go away! I'm fine. Leave me to hear this..."

    PaKaSuk continues "By our old traditions the Coyote-woman is not to join with any man; It was said… She’s to care for all the people of the tribe; But…, for GaTraRa;  GaTraRa was highly favored in the eyes of the council, And, especially by the chief elder's son, NeKraRa.
NeKraRa, who wanted the tribes very young new Coyote-woman to be his spoke a plea to the elders; GaTraRa wanted to be his as well. But she knew a Coyote-women was not allowed to join.  GaTraRa was surprised and overjoyed when the elders told her that she and NeKraRa being allowed to be joined...She felt the spirits were pleased.  And, soon after their joining they were blessed...They had conceived a child.
  
    The drums begin sounding faint and far away to Lora. The scent from  the smoke seems to be making her feel hazy.

Lora feels a low dark ache in the pit of her belly; It begins to grow; Her head lowers and her breath begins to labor. The pain is so deep Lora's eyes feel full of heat and she holds-back a feeling to cry out...
  
    PaKaSuk continues…, "It was the time of the hunt!”
  
    Eyes tighten. The pain becomes overwhelming to Lora; From a deep place within … A howling cry cries out!
"AAAAIIIIEEEEE"


    GaTraRa pushes; A baby’s cry fills the room. Her beaming sweaty body falls back onto the bedding.
    "It is a boy! You have a son!” mother-in-law smiles while wiping off the tiny crying new born.
"My child, he is a, strong, healthy boy! And, look, look see how his face shines like dawning light. NeKraRa will be pleased when he returns."

    As her husband's mother places the new born into her waiting arms, GaTraRa thinks ‘ No woman could ever be this happy.’
She looks up and says, "This day is the day of my greatest joy,"
  
Several weeks come and go. It will soon be  time for the men to return

Several weeks come and go without the young men.
The sound of drums call out from the distance; The time  for the return has come at last.
Many come to the Great Hall to greet the men when they arrive. The young Coyote-woman lefts her baby and runs happily to show her husband, NeKraRa, his fine new son.
Looking out, beyond the path, the men could be seen; They look weary of their hunt; Not all who left seems to be coming… The elder  hunters  may be a day or two behind bringing the treasures of their travels ;All the trades made with the outsiders.  The younger men come with the new pelts to cure and with the fresh meat and fish for the smoke.  As the men come closer the young women gain sight of their man; They run to walk with them to the Great Hall. But, but GaTraRa could not find her man. Her husband, NeKraRa, was nowhere among the men.
“ NeKraRa; NeKraRa !“ The young Coyote-woman begins thinking…’ He may be with the elder hunters; But why?’ She calls out several more times “ NeKraRa!”
Grabing at the men as they pass she asks,
"Where is my husband?"
    None of the men would speak to her or even look up at GaTraRa They’d just keep pass by her and enter the tribal council. Leaving her standing there holding her small baby.

    NeKraRa's father comes out of the council hall; He walks to GaTraRa and places his hand upon her arm.
"My child, our NeKraRa met his death over the ice on the very first night of the hunt."
  
    She looks down into the face of her small child.
"That was the night his son was born..."
Softly, sadly she speaks to her sleeping child cradling him in her arms,
"You will hold your father's name, my sweet boy...and his spirit.“
She walks home.

    Her mother-in-law meets her at the door, crying.
In a deep mournful tone, "My child!"
    GaTraRa just stands there with a void look on her face. Then, she looks at her baby. She lifts him up and hands him to her mother-in-law,
"Here mother," in an increasingly laboring tone,
"Here, here is our NeKraRa."

    The next day, mother-in-law waits for the baby to wake. She waits, long…, but there is no cry. She goes to lift him up and to wake him but as she pulls the blanket back she sees the baby's body is still, motionless. The baby is cold, blue and silent,
She lifts him and lets out a long wailing cry, "No...!"
  
GaTraRa runs…, only to see her baby in her mother-in-law's arms; A face full of tears and crying out over and over again, "He's gone...He is gone!"
GaTraRa falls to the floor; She begins to rock, repeating
"No…! No…! No…!"
But yet, now, not a single tear falls from her eyes.
  
Weeks pass since the death of her baby. Her duties as coyote woman become harder for her. Whenever others seek out her help she becomes angry. She says, "The spirits curse me; I went against them with family and now I have nothing; They will allow me no peace!"
All she does is watch the doorways; it is as she is waiting for someone or something...

    The council watches GaTraRa closely. Mother-in-law brings her worries to the elders.
“GaTraRa‘s sadness grows. “
Mother-in-law tells them, “She must be watched. Our Coyote-woman has felt the brush of the Raven’s feathers; Her tears are stuck within… No tears fall.”
Mother-in-law pleas to them, “ Her sorrow grows, silently! I fear, if we do nothing, she will be taken from us as well.”

    The women of the council gather together; They decide to have the grieving ritual for GaTraRa. But, none them has ever done this ritual. This was something the Coyote-woman would do.

    Days pass, the men are preparing to leave for the last hunt of the season. And, the women begin to prepare the council hall. They gather up all the things they could remember from having watched the ritual done times before.
    The chief elder sees the woman; And he asks, “What are you women doing?”
Mother-in-law tells him of what she and the other women have plan.
Shaking his head, “For as far as back as my memory takes me I have never seen a Grieving-Ritual done during this season before; And, without the young men being around. Do you really know what you are doing?”
All the women said, “ We must!”

    The men are gone…

    The women take GaTraRa to the council hall. They place her near the fire. GaTraRa watches as women gather herbs and place them in bowls.
She speaks out, “You don’t know what you are doing!?” Then, her voice saddens.
” …or maybe you do.”

    The women do not listen; Without a word, they begin to place the bowls in all the places they have remembered seeing them before…Recalling, all the men would play drums all night, during the vigil, they each pick up a drum. They gather around the fire. They stand and surround  the fire with their drums; The woman slowly begin to play.
GaTraRa, motionless, looks to the women thinks to herself, ‘Why are they doing this…I did this…to myself. They should not care
As always, I enjoy any and all  feedback you could give me.
Kendall Mallon Mar 2013
Upon a beach, Lysseus found himself alone—gasping
in gulps of moist air like that of a new born baby first
experiencing the breathe of life. He felt as if he would
never become dry again… the salt burning his skin as it
crusted over when the water evaporated into the air.
Taking the first night to rest, the set out the next day to
make shelter and wait for a rescue crew to arrive. Out he
stared at the crashing waves hoping for a plane or the
faint form of a ship upon the horizon. Days and nights
spun into an alternating display of day then night then
light then dark, light, dark, light, dark, grey, grey, grey…

He gave up marking the days whence he realized that the
searches were over; they had given up after looking in the
wrong places—he did not even know where he was…the
cold waves and currents took him to a safe shore  away from
his ship and crew in a limp unconscious float… From the
trees, and what he could find on the small  island, he
fashioned a catamaran to rid himself of the grey-waiting.

Out he cast his meager vessel into the
Battering surf; waves broke over his bows
and centre platform—each foot forward the
waves threatened to push him back twofold…
he beat the water with the oars he fashioned
rising and falling with their energy. Lysseus
stole brief looks back in hopes of a disappearing
shore, but it refused to vanish… His wet tan
arms started to grow tired—yet he pushed on
knowing he would soon get out passed the
breaking water and then he could relax and
hoist sail. But the waves grew taller and broke
with more power… Lysseus kept beating the
water with his oar, but anger was welling
inside, which ended in splashes of ivory sea
froth instead of forward progress. Eventually,
his arms went limp beyond the force of his will
and the waves tumbled him back to shore
as he did the first night upon the island…

Dejected he lay in the surf for the night—the gentle
ebbing of the sea just added to insult, but hid the tears
that formed in the corner of his eyes—salt water to salt
water… The next day he took inventory of the damage
done to his humble catamaran; the mast had been
snapped in a few places, the rudders askew, but the
main  hulls and centre structure remained intact—solid.
The  oars lost; or at least Lysseus did not care to search
the  beach for them. Over the next weeks he set out to
improve the design and efficiency of his craft; the first
had been hurried and that of a desperate man to leave
the bare minimum that would suffice to leave as soon
as possible. He set to create something that would
ensure his leaving that desolate pile of sand and
vegetation. He worked on his strength; pushing his
arms passed the point of where his mind thought they
could go; eating the hearty, protein rich, mollusks, and
small shell fish he could find in the shallows and tide
pools—if lucky larger fish that dared the reefs.

Patiently Lysseus observed the tides and the
breaking waters—he wanted to find the right
time to set off to ensure success—when the
waves would not toss him back to the beach.
The day was a calm clear day; only within a few
metres of soft beach did there exist any
breaking waves—and those who did were
barely a metre high. Loading up his provisions
upon his catamaran Lysseus bid farewell to the
island out of wont for the sustenance it gave
not for a nostalgia. Grasping his oars, he set
forth to find open seas where the waves do not
break. Lysseus paddled out past the firs few
breakers his heart pounding with hope, but he
stifled the thoughts in his mind—he would
celebrate whence the island was but a subtle
blue curve on the horizon. Whence the  island
began to shrink in his vision he the sky to his
back grew darker… the waves started to
swell—moguls grew to hills that Lysseus
stroked up and rode down. The Island refused
to shrink… if not begin to grow wider… Stroke
by stroke Lysseus began to grow frustrated
stroke by stroke that frustration grew into
anger stroke by stroke the anger grew into
violent beatings of the water with his oars; he
struck and struck at the water eyes closed
white knuckles trashing he did not even know
which direction he was paddling any more the
sky dark now and the wind blowing on shore
he cried out to the Sea in inarticulate roars of
hateangerfrustrationpitysavageragedesperation!

At his in-linguistic roar, the sky let out a
crack of  authority and a wave washed the
flailing Lysseus  into the water—the cool
water only heated the  rage in Lysseus’ head;
all he wanted in his half  empty heart was to
sail home and become whole  again—to sit
under and olive tree and stroke the chestnut
hair of Penny as she drifted to sleep on  his
chest while he would whisper sweet verses
into her ear… His rage was beyond any reason,
forgetting the boat and all sense he began to
swim  away from the cursed island; scrambling
up waves only to be tumbled back with their
breaking peaks. His mouth could only taste
salt, his stomach wanted to puke, his kidney’s
praying that he would  not swallow anymore…
His gasps for breath stifled  any curse that his
head wished to express to the  Sea—yet she
would swear she heard one escape his lips,
and at that she tossed him into his ghost-helmed
catamaran and all was dark for vengeful Lysseus.

Seeing his rage and knowing the monster it makes
him, Lysseus looked into the band inscribed into
his ring-finger and saw the knot connecting him to
Penny—shame at his arrogant-uncontrolled-fury
sent Lysseus into a meditative exile inside his
mind upon the exile of that cursèd island… In his
mental exile Lysseus spun into deeper despair at his
two failures—even more at the prospect of failing
the vow he gave to Penny to return home—home
from his final voyage—to grow old with her upon
solid ground—to never die away from her and
cause the pain of losing a loved one and never
having the closure of truly knowing the death is
real—to die by her side white with the purity of
age… his anger turned inward at his anger—his
lack of control—the monster he becomes when
rage surges through his muscles and give him wild
strength with out direction or self-possession—so
much potential, yet no way to use it… Lysseus’ half
full heart burned and ached—with passion and
anguish—all desire he had was focused upon
home, the return, but the mind’s despondency and
insistent ‘what-ifs’ kept poor Lysseus prostrate in
his mental cave—for all his wishing for anger and
violence to force his will to be, it did more to set
him back to the cursèd island than to bring his
heart closer to fulfillment from his long await home…

Out of his mental exile did Lysseus’ irises
contract with blinding illumination—self-pity
is not what make things happen it would to only
anger Penny for nothing other than I can be to
blame for my continued absence from home I
am stronger than that—looking at the tattoo in
his hand, he remembered the reasons for the
perennial brand—the eight-spoke ship’s helm:
the eight-fold-path—I must cut off my desire for
anger to be the solution and focus on the path to
Penny the mind can push the body further than
the body believes is possible—the star: the compass
to guide—me via the celestial bodies to where my
*heart can see the guiding beam of my lighthouse!
This is part of the 'Final Voyage' epic. I figured I would give you guys a bit of a teaser since 'Final Voyage' is my most popular poem. I decided to name 'the ginger bearded man' Lysseus and his wife, Penny. I hope you enjoy. (Why it is called the Tempation of Lysseus will become clear as I write more--I have big plans).
uh strippin' ya titles n fame
Ya got no game shame I had to show up in flame
burn every last one of y'all til a single grain
snorts of ******* to rush into my brain
gives me crazy pump
like kriss kross I'll make ya jump
got ya body arched like camel humps smokin' punks like a smoke blunts pull stunts more than steevo straight evil
ya can peep me on underground radios
**** mainstream and pipe dreams
make this ***** jalel sings
more than crows gathered around for the wicked sound
body molded to th ground for tryna step to Htown fools drown
with no water slaughter
Like shots from a thousand mortars
got bids on the Satan's daughter's
ya need to get smarter y'all fallen like denzel welcome to yosef cell no bail no fairytales as I silence ya yell
from my lyrical gat that goes through ya medulla oblungata
got more ranks than shabba mister lover lover undercover like brother as I smother
ya baby mama and ya mother like no other duck her with no rubbers
cut into ya head piece like cookie cutters
see ya in sta sta sta studder
yosef be hoppin' like hoes like mudd rudders
straight from the gutters
I got rhymes for days that's was displayed before even my rhymes was said
plus **** what ya said
I'll  leave ya dome open like a Sun roof
catch. spoof off my tactics
my lyrics be more controversial than the gulf tonka make ya wonder magnificent blunders sound the thunders
once yosef grabs the Mic enticing brawls under heat lights
sweatin' cuz I'm a threat ending ya fate and might uh

Just like i told ya ya can't stop the reign
as i bring the pain more than major playa hatas
move over theres a new sheriff in town puff by the pound
its goin' down in htown time to ****** crowns
off unknown clowns whos rounds
ain't hittin' nothin' but air as i heir
the rhymes from my hip hop ancestry
like i said who spit it better than me
****** is what i write
check the obituary even burn ya cemetery
while enemies stay worried i stay buried
with rhymes that pull like tech 9s through ya mind
as ya touch the flat line
give em pump up so he get the adrenaline up
only to get knocked the ****** up
by the mister evil sinister preach lyrics as a minister
this ain't the last inning
we goin' all out til we fall out got guns that clear the skies out
nuclear blast spin around emceez like taz hit ya with jazz razzamatazz
that's the sounds of gats bustin' that ***
left ya body soakin' breath chokin' hopin'
to make it but can't shake it as i mold it then break it
like my last drip a *** i shake it
til its nothing left cook up these lyrics like a chef
even make ears open of the deaf
cuz my lyrics be so powerful irresistible hard for ya know to go
and bob ya head to my **** i hit like rockets outta space
loose ya paper chase for tryna step into yosefs face
with that disgrace that ******* you call hip hop?
i got heat tha'tll make ya lip lock hip go hippy to the hop
naw talkin' sugar hill deliver more dead than clothes to Goodwill
we ***** as the Goodfellas knockin' tailfeathers money come like atm tellers
no pin toxic rhymes poisonous as donna,bella
Lyricist diss a ***** named Ill
Kaitelka was in the Equinoctial Aftó, she bathed but always oriented herself as an Argonaut star bathing in the Aegean while waiting for the ******* of Áullos Kósmos. Between both Aulos and Citara, she modeled the auletic- citaristic, in glimpses of her Psychic Trisomy.  In effect of the existence of an extra chromosome in a diploid organism 158, for a number of chromosome fifty-four, instead of a homologous pair of chromosomes. From this position she was limiting her chromosomes of normality in the genetic proximal when entering the bay of Skalá that she was waiting for her native, where the art of navigation danced in the nitrogenous water that brought her from Skalá; from Eleios-Pronnoi, about 39 km south of the main city on the island of Argostoli, in southern Kefalonia, on one of the Ionian islands of Greece. From here, mimetic was thrown towards the art of the unknown sea, collapsing and disoriented by its territorial similarity, and maritime per se of its Otolith that brandished it in dual places of Ionian-Dodecanese geography, following the semiotic songs of Leiak that emerged from the auletic to infer Ballenid genera, which acted precisely between the island and the Bay of Patmos with the same name as Skalá.

Kaitelka's Vernarthian tenor carried her behind her with another Ballenid, this one carried the Demiurge Ezpatkul, with his prominent Augrum or Gold teeth that rotated on the backs of all the borer beetles, being Scarabaeidae that delimited towards a dialectic, and paraphrase of a qualitative satirical one, especially in the form of Vernarth's sub-mythological subgenre. To commend all the hypotheses of this whale, it sang with the native cephalization ultrasound, where it continued to harmonize media in its cranial cavity, and in the muzzles of its larger fins that transmitted waves of parapsychological regression towards Vernarth, parodying the transparent sendal ballads that it made. with his transit through the water, however, not having members that strengthen his controversial cetacean passerby by waters of a melodious literary language, such as a great inspirational propeller, and satires that host greenhouses in most of the jubilation, related to rudders that furrow his verbal poetry, easing restrictions, and possessing the genome that was deprived him in his gestation, of a maternal expropriation victimized with fears of an end, and Apocalypse hungover by the sea and freshwater. They piloted their heart valves, mere and Dantesque with Zeusian buttress spauto, muddled and bundled in their bombastic myocardium like omitted ships without ever lifting anchor and setting sail, a very brief tulle of water satirizing formula additions, and a piece of dull wood on its spur that was It bore like a whale, it was carrying its weight in a literary category where there is no way to test it. Without hindrance, she laughed alongside the breakers in the manner of a belligerent tendril in thick keel skins, dramatizing him and perhaps delaying the investiture of Vernarth's Himation Proskynesis, peering jocularly and foreshadowing his encounter with her. Her chains were Caucasus icebergs, demystifying seasonality by residing linked to a single Down Whale destination, ******* with her dorsal to exhale genome rearrangements with Cinnabar, refining hormones and stereotyped whale chromosomes.

The concordance of the Satirical subgenre, and the polarized gender correspondence inanimate Kaitelka, usurping the intentionality of the sub-mythological drama, in two roads of Skalá that appeared to lose the standard of their ears, in tragic representation versus the comedian staging, harbinger of an interlude between two areas that struggled to have it directed towards three comedies that plunged into three tragedies, missioning the furrowed features of the ideals of survival, with preceded parables of the psychic-linguistic being, due to its canonical supernatural modality by blending itself with disciplined domains. Of a rhetorical poetics, rectified in religions that grant Orphic and messianic structuralism; foreshadowing the hymns of Orpheus in the Bible, and metaphorical in revealing divine truth, accessible only to spirits worthy of it. The purpose of metaphor in her poetry has the deciding function of the ineffable of thought, through simile, comparison, or image.  Song and poetry, song and prayer, prayer and ritual forming an inseparable phrase of meaning in it, impossible to differentiate in the biblical psalms themselves. The penultimate of them recalled number 149, being a hymn destined to accompany the dance; "Make melodies for him, with drums and lyres." It is known that the classical instrument of Orpheus reaches the level of the sacred in biblical texts. Psalm 150 contains an orgiastic ending to a symphony, in the description of the instruments that accompany the word and the voice that praises God, with sermons from Kaitelka blooming from an oceanic being and printing songs of the subgenre, without blemish of sub- mythology and the unconfessed proceeding. The comical exaltation of him recreates aspects of great joy, for those who feel vibrations under his belly in his orphic water, portraying semis or semiotic cathartics of their own trisomic roots, in an effort to decode drama, for intermezzos of the mythological subgenre. Borker with his sword Mythos interpreted the story of Kaitelka when he told her about the melting of Horcondising, seeing in them friendly glaciers that included her within the storytelling of provinces that sensitize the culture by rebirth on spherits and plasma hematocrits, for an apologist that admits inanimate corporality actor. Its genesis is Bereshit, "which names and does not start", from the undervalued parashot of the gods and kings, commanding them ibid to the inter-dogmatism that it contributes in its credit reserve, in large consortiums besieging colonies by the southern seas of the Borker  Nótos. "Evil tears their veins heal their goods and relegate the forgetful in the tradition of existence alongside the demiurges, incontinent to their ills that enjoy making creation sleep, soothing it in innocuous myths that are often more than a truly supernatural!

Helios went out to the road by the west and not by the east, in the nascent instant of the ectoplasm that revealed micro satires that led to the station of the hero who lives hidden, behind the proscenium of cultural and religious intimacy, Kaitelka plunges a few meters below the Aegean where he was already arriving, and he can realize that he did not see marine species around him, only beams of light that distorted his view of those who flatter him on a descent? Underwater a mythical mission wailed on dry surfaces, and the phenomena of the underwater stones were relaxed before any reflection of the veracity of a myth of expression in the mouth of a fish, brushing against systematic hermeticisms of what was infinitesimal. All this dialectical journey towards inevitably alternating molecules of his genome, to re-establish himself in his hybrid status upon reaching Skalá, here he would have to use his two neurochemical brains for a mortal instinct that does not die inside the mouth of a whale but in interrogation. …?  Based on Leiak's sexagesimal nanoscale extension, endowed with a fractional comparison that collects mythologies within them, for the uncertain truth. The only burden of etiological myth in Kaitelka is a consequence of her suffering, which is offered in psychic trisomy, for being **ized by three chromosomes, disorganizing her reality as a specimen that unfolds as a congenital disease.

Kaitelka says: "Who am I and where do I come from? I am reaching the floodgates of my lord Vernarth, and I can see that I am reborn in his astragalus and honeysuckle, which tell a story ****** under the tripod of Herophila.  Authoritarian truth that will bow before the pig to become, smelling here the tragic essence in truths that are hidden in symbolic denial"

Kaitelka is instituted a few miles before she begins to navigate in a zigzag, trying to condense forces for the origin of her ethereal, with sarcasm techniques that the self encourages to plunge into diluvian tears and moan in the scenarios of uncertainty, in the judgment of pouring out real myths, transposing its flow in the destination that is flooded in imprecise gestures and between cries with super sounds that lifted it on the swells, and these, in turn, were shedding the mystery Masken by raising water concentrated in onerous polymorphology. With joys and hilarious meltdowns on the mountains, she approached everything when she reached the pleasant Skalá, escaping from the cosmogony that bound her ungraciously on the light water, overflowing towards the very origin of a Vernarthian deity, in pasts and futures that do not intersect in the radial of its origins. The sky proclaimed laughter and mimicry gestures that adhered to the vitrifying phenomenon of past-present pashkien images, ready to lightning that heals the invalidations of walking on disturbed waters, a dipsomaniac leitmotif in early Christian justice. Kaitelka sins irascible, violent and proud, urgent and judicious, but conciliatory despite carrying a cross and a harpoon on her back. She will remain Kaitelka Down, but Patmos will arrogate her Thracian gift from her Orphic origin to her, for purposes of radial preeminence in the Ballenids that hoist sacred sites. The adventure prescribes a univitelino twin, but when she goes beyond the hirsute destiny of her Iliad, she begs to go transforming into a rainy sphinx on the thick bronze roof when the coins are broken, towards a seduction stop that is enthroned in the gloom of the minotaur, in the numinous hands of a daffodil and on the face of the Epsilon. Or crawling in mitral of valvulopathy with the carriage messengers, with the swans or pigeon birds; perching on a wreath of roses and myrtles that surround her red bozos. Almost always appearing undressed next to her escort, usually more than multiplied towards her, with the amazement of her animal consorts, which are dolphins, and Thracian pigeons, a priori of being covered by the Pythia of Delphi that is migrating in murky triumphs of the Achaemenides in Gaugamela.
Equinoctial Aftó by Kaitelka
Kate Jun 2015
The smallest things are the strongest things
As I got older I got smaller I got stronger
Boats guided by rudders
Bridges held by hinges
Trees anchored by roots
Brains fired by synapses
Depth conveyed by words
These small things these strong things these guiding things these supporting things these hidden things
Mike Hauser Dec 2015
We are all poets
In the same boat
The reason we write
Just to stay afloat
There's no other reason
Of that I know
For us as poets
To stay afloat

So draw the anchor
Hoist the sail
We'll all rhyme our way
Clear outta here
Sailing the pantoum oceans
With the sonnet seas
Casting our lot
In the poetic breeze

Steering riddling rudders
Across verses in waves
Until the very last day
We're made to walk the plank
As we are all poets
In the same boat
Trying our best
Just to stay afloat
Julia Oct 2014
Forehead sore, striving to hold my irises unstrained
I see through the rays, red, blue, and white snapping in the wind
Casting flickering shadows upon the women in frocks of lighter pinks and turquoise
Just like that of the channel waters through which my bow cuts cleanly
Rudders portside, ropes knotted on hand
My lady and I dock, a gentleman all in black ready to oblige her graceful hand
Two cheeks dampened with a kiss’ moment later
A glance welcomes the uniform balconies which wrap around curved corners,
Double windows, and modest roofs that mirror extravagant ceilings
Onward we stride to our night time lodging where the dormant flares shall ignite
We celebrate our ought’ve been loss of virtues
And gain of not one golden band, but two
Perig3e Feb 2011
I think of you
at the oddest times,
and the strangest places,
as if I were an air show pilot
with the stick pulled back
and the rudders set in place,
and within that ******, roar, and airframe shake
I notice that in my chest there beats a heart that aches.
All rights reserved by the author
Zombee Oct 2014
-






some'll talk of subtle Thirst --

per the words of burning Hunger..

..others talk of utter Yearn.
its
irking Curse'll burst a Bubble.




some'll talk with humble Class --
of
static Tones n phony Numbers..

..others talk of punctured Glass --

casting Stones n throwing Punches.




some'll talk of hunching Backs,

shattered Bones n broken Rudders..

..others talk of ones who Crash:
the
tattered Boats n smoking Rubble.




some'll talk of subtle Worth --

per the words of hurting Others..

..others talk of under Earth --
in
third deGree  --  beneath the World.



_ _ _ _ _ _ _ _




some'll talk of subtle Thirst --

per the words of burning Hunger..

..others talk of Wonderland --

magic Herbs n purple Colors.






.
i
"felt like putting a Bullet
between the eyes of every Panda
that
wouldnt ***** to save it's Species.


i
wanted to open the Dump Valves
on
Oil tankers
and
smother all those French Beaches
id
never get to See.


i
wanted to Breath Smoke."

- Cornelius


_
Philip Lawrence May 2021
high above the river, from the edge of the cliff, one can
see the rafters in their inflated crafts, in the blue and
red and yellow ovals, bright and iridescent and suspended
atop the furious strip of gray as they wend below, lifting,

twisting, careening as their vessels sprout sodden arms that
grip scarred paddles, paddles that swing quick and deep  
into the foam only to then be held still and wide to the water,
a thousand rudders to navigate the rocks and avoid the

hard realities that rise in the shallows and are revealed  
without warning, some only to scream haplessly like
funhouse monsters, while the others lie dangerously quiet,  
unseen under the surface, until at river's tail the rafters

lift their oars in triumph amid the mirror-like calm, life’s
vagaries conquered for the moment
Prabhu Iyer Mar 2016
Those ripples
spreading hope among the waves
in torrential despair

foreboding

right behind where I toil away
with all her ships and sails
hidden in her receptacle soul

broken them rudders
we're sinking
as I hold out a palm
for some cheer
to gather. Macabre.

The Ocean, she came to me
and sat silent in the jar
not a whisper of a wave.

lives, palimpsest soul
stepwell storms
revenant, re-sonant
Julian Feb 2018
Flickering like a tentative alpenglow corraded from profaned time
A whisper jostles through a crowded rumpus prescient of teleology and design
Jolting with pangs of panic a screech emanates from the brontides of tomorrow
A chagrin outpaces the gingerly apprehension of a peevish sorrow
Among the ruffled plumes quaffed from pedigree and put to disuse
A banausic electricity galvanizes the ****** of the amalgamated acuity pinched from the sordid, the obtuse
Refracted like off a darkened moon that clenches the darkness in an abstruse tomb
Combs through sentience of Saturn presiding over ineluctable doom
A silence louder than a plangent ****** of phantasmagoria debased
A looming victor erodes with the putrefaction of sworn and utter distaste
How to obtrude on the evening with triaged fulmination
Is an affront to the rudders of a piecemeal civilization in tatters with exacting doddering calculation
Graveyards bustle with the eidolons of scurrilous spite
Congregating around a blackened epitaph on an alabaster palace gilded in the swanky pinnacle of light
Scuttling the outmoded flanks of an abortive war
Against a henchman of state too ostentatious to hardly ever ignore
We clamber with insistence hoping on fortuitous deliverance
Yet we are deranged of the clasped distance between the crevasse of the clerisy and the satisdiction of futures passed with meticulous diligence
Absconding with furtive furrows on a wizened guild an entrusted world we helped build
We witness the silence creep over us like a trepidation contained as lethal killers of the cartel willed
That which frightens a self-fulfillment is a fatalism gone awry
Someday soon omens excavated from immolated tombs will beseech a more universal backlash, an alienated sorrow that will one day cry
But until that fetched disaster occurs
Let us meditate only on the process of emanation among wayward words
That dance with a destiny that the hegemony of momentary circumstance much prefers
Alan S Bailey Jan 2015
The coral rock, the seaweed, the waves,
Within her heart still lives on, the drumming,
Fueled tides now with oil, no one can hear
Hear her crying, something is vague, missing.
Sand in my shoes, the wind whipping at the face,
The coral rock is smooth, definitely hollow,
Engrained with billions of stories, light years, space,
You'll venture further, the skis on, the rudders spinning,
But still entrapped in our oil ridden world, the coal,
Gas and oil prices lower, but now the sun is dimming,
Greying clouds, her voice, her heartbeat, like the tide,
The inner beauty, brought to you by solar winds,
Stuck in the whirlpool, the star fish, sands, the sparkling light,
The stars that no longer hide, unlike yesterdays so dim,
Bring an old story back to life, the forest path, the tribes,
Brought here from nowhere, strong to withstand the tides,
Standing there as if it's nothing, the common man runs a-fright,
An endless ocean even so, although the rivers trapped in oily soak,
And in this ocean that no one can even swim in, there is still hope.
Ocean hope endless tribes solar oil fueled heart coral
Kaitelka was in the Equinoctial Aftó of Áullos Kósmos IV after geomancy was oriented as a star Argonaut bathing in the Aegean while waiting for the ******* of various sectors of Áullos Kósmos. Between both Aulos and Citara, she was modeled with the aulética-citarística, glimpses of her Psychic Trisomy. In effect of the existence of an extra chromosome in a diploid organism 158, for a quantity of chromosome fifty-four, instead of a homologous pair of chromosomes. From this position she was limiting herself with her chromosomes of normality in the genetic proximal, upon entering the Bay of Skalá, which was waiting for her native again, where the art of navigation flourished in the nitrogenous water that brought her from Skalá; from Eleios-Pronnoi, about 39 km south of the main city on the island of Argostoli, in southern Kefalonia, on one of the Ionian islands of Greece. From here, she mimetic, she turned towards the art of the unknown sea next to Wonthelimar who endorsed her with his favorite, collapsing and disoriented by their anti-gregarious territorial similarity, and maritime per se the Otolith that brandished him in dual places of Ionian-Dodecanese geography, following the semiotic songs of Leiak that emerged from the aulética to infer Balénid genres, which acted precisely between the island and the bay of Patmos with the same name as Skalá, to meet everyone and be a participant in the construction of the sanctuary.
Kaitelka's Vernarthian tenor carried her behind her with another Ballenid, this one again carried the Demiurge Ezpatkul, with his prominent Augrum or Gold incisors that turned on the backs of all the borer beetles, being Scarabaeidaes that were delimited towards logic, and paraphrase of a qualitative satirical, especially in the modality of the subgenre, and sub-mythology of Vernarth. To commend all the hypotheses of this whale that sang with the native cephalization ultrasound, where it continued to arrange means between the middle and in its cranial cavity to the percentage of the world map, with the muzzles of its larger fins transmitting waves of parapsychological regression towards Vernarth, and parodying the transparent cendal ballads that he did with his passage through the water, despite not having members that strengthen the controversial cetacean passerby by waters of a melodious rhetorical language, such as a great inspirational helix, and satires that house greenhouses in most of the jubilation, akin to rudders that I furrowed in his verbal poetry, easing restrictions, and possessing the genome that was deprived of his gestation, of the maternal expropriation, victimized with fears of omega, and of Apocalypse hungover by sea and water candy. They piloted their heart valves, mere and Dantesque with the Zeusian buttress spauto, muddled and bundled in their bombastic myocardium like omitted ships without ever lifting anchor and setting sail, a very brief tulle of water satirized aggregates of their formula, and a piece of stony wood on their spur he braced himself like a mammal, he was carrying his weight in a literary category where there is no way to test it. Without hindrance, she was hilarious next to the breakers in the manner of a belligerent tendril with thick keel skins, dramatizing him, and perhaps that would delay her in reaching the investiture of Vernarth's Proskynesis Himation, some looked out jocular and foreshadowed to meet with her. Her chains were Caucasus icebergs, demystifying seasonality by residing linked to a single destination of Balénido Down, ******* with her dorsal that exhaled rearrangements of the Cinnabar genome, clarifying hormones and stereotyped balenid chromosomes.

The concordance of the Satirical subgenre, and the inanimate polarized gender correspondence to Kaitelka, usurping the intentionality of the sub-mythological drama, in two Radas of Skalá that appeared to lose the standard of their ears, with tragic representativity versus comedian staging, heralding an interlude between two areas that struggled to have it directed towards three comedies that pounced on three tragedies, missionizing crossed features of the ideals of survival, with parables preceded by the soul-linguistic being, due to its canonical supernatural modality when it was mimicked with disciplined domains after of a rhetorical poetics, rectified in religions granting orphic messianic structuralism bis of the equinoctial aft; foreshadowing the hymns of Orpheus in the Bible, and metaphorical in revealing divine truth, accessible only to spirits worthy of it. The purpose of metaphor in her poetry has the deciding function of the ineffable of thought, through simile, or in comparison to imagining. The song is one poetry, and the song such a praying too, prayer and ritual forming an inseparable syntagma of meaning in her escaping from Arbela's zither, impossible to differentiate in the biblical psalms themselves. The penultimate of them recalled number 149, being a hymn destined to accompany the dance; Orpheus says: "make melodies for him, with drums and lyres." It is known that the classical instrument of Orpheus reaches the level of the sacred in biblical texts. Psalm 150 contains an orgiastic ending to a symphony, in the description of the instruments that accompany the word and the voice that praises God, with sermons from Kaitelka blooming from an oceanic being and printing songs of the subgenre, without blemish of sub- mythology and the unconfessed proceeding. The comical exaltation of him recreates aspects of great joy, for whom in his Orphic water, he feels vibrations under his belly portraying cathartic and semiotic of his own trisomic root, in an effort to decode drama, for intermezzos of the mythological subgenre. Borker with his sword Mythos interpreted the story of Kaitelka when he tells her about the melting of Horcondising, seeing in them friendly glaciers that included her within provincial storytelling that sensitizes the culture being reborn on its spheres and plasma hematocrits, for an apologist who admits acting corporality and inanimate. Its genesis is Bereshit, "which names and does not start", from the undervalued parashot of the gods and kings, ordering them from the ibidem to inter dogmatism, in which it contributes in its credit reserve, in large consortiums besieging colonies by the southern seas of the Nótos of Borker. "Evil tears their veins heal their goods relegates the forgetful in the tradition of their existence alongside the demiurges, incontinent to their ills who enjoy making creation sleep, soothing it in innocuous myths that are often more than a supernatural truth!

Helios went out to the road by the west and not by the east, in the nascent instant of the ectoplasm that revealed micro satires that led to the station of the hero who lives hidden, behind the proscenium of a cultural and religious intimacy, Kaitelka plunges a few meters below the Aegean where he was already arriving, and he can realize that he did not see marine species around him, only beams of lights that distorted the view of those who flatter him on a descent? Underwater a mythical mission wailed on dry surfaces, and in the phenomena of the underwater stones, they relaxed before any reflection of the veracity of a myth of expression in the mouth of a fish other than Theseus, brushing systematic hermeticisms with the gloomy and infinitesimal. All this dialectical journey towards inevitably alternating molecules of his finite genome, to reestablish in his hybrid status when arriving at Skalá, here he would have to use his two neurochemical brains for a mortal instinct that does not die inside the mouth of a whale, but in the interrogation after being swallowed…? based on the extension of the sexagesimal nanoscale of Leiak, equipped with a fractional comparing that collects mythologies within them, for the uncertain truth. Kaitelka's only etiological myth burden is a consequence of her suffering, which is offered in her psychic trisomy, for being bastardized by three chromosomes, disorderly the reality of her specimen that unfolds her as a congenital disease.

Kaitelka says: Who am I and where do I come from? I am reaching the floodgates of my lord Vernarth, and I can see that I am reborn in his astragalus and vines, which tell a story ****** under the tripod and vapors of Herófila. Authoritarian truth that will bow before a pig to become, smelling here in the tragic essence, and in truths that are hidden in its symbolic denial?
Kaitelka is instituted a few miles before she begins to navigate in a zigzag, trying to condense forces for the origin of her ethereal, with sarcasm techniques that self promote her to blink in deluded tears and moan in the scenarios of uncertainty, in the opinion of pouring real myths, transposing its flow in the destination that is flooded in imprecise gestures and between cries with super sounds that raised it on the swells, and these, in turn, were shedding the mystery Masken by raising water concentrated in onerous poly morphology. With joys and hilarious meltdowns on the mountains, she approached everything when she arrived at the pleasant Skalá, escaping from cosmogony that linked her weightlessly on the light water, overflowing towards the very origin of a Vernarthian deity, in pasts and futures that do not intersect in the radial of its origins. The sky proclaimed laughter and mimic gestures that adhered to the vitrifying phenomenon of past-present pashkien images, ready to lightning that heals the invalidations of walking on troubled waters, a dipsomaniac leitmotif in early Christian justice.
                                            
Kaitelka sins irascible, violent and proud, urgent and judicious, but conciliatory despite carrying a cross and a harpoon on her back. She will continue to be Kaitelka Down, but Patmos will arrogate her Thracian gift of her of Orphic origin to her, for purposes of her radial preeminence in the Ballenids that hoist all the sacred sites. The biological diagnostic prescribes an univitelino twin whale, but when she goes beyond the hirsute destiny of her Iliad, she begs to go transforming into the rainy sphinx on the thick bronze ceiling as she breaks in the minting of the coins, towards a stop of seduction that enthrones in the gloom of the minotaur, and in the numinous hands of a daffodil on the face of the Epsilon. Or crawling in the mitral and in her valvulopathy with messengers, carriages, and with swans or pigeon birds; perching on a wreath of roses and myrtles that surround her red bozos. Almost always appearing undressed next to her escort, usually multiplied in excess towards her, with the amazement of her animal consorts that dolphins are, and Thracian pigeons, a priori being covered by the Pythia of Delphi that is migrating in the murky triumphs of the Achaemenides in Gaugamela.
Áullos Kósmos IV
Benedict May 2018
Call it a yard, call it a shed,
That vessel grew up in bed,
With a covered head,
So that its frame did not get wet,
But better yet,
Many times,
Resins used were left to dry,
Into the cracks their poxys pry,
To amalgamate the creaking ply.

And only when the final *****,
Twists its way to something new,
To tie the lace of this floating shoe,
Still sitting under rusted roof;
When the metal files are swept away,
And the hazel mast accepts its stain,
By a whitened brush proclaimed,
Only then does she take her name.

For a day or two she’s left to linger,
Poised at the top of her sheltered slip,
A proud and shining ship,
Held in place by the gasping grip,
Of the steadfast holding line.

Her ivory sails lie week and flat,
And there is irony in that,
For a girl already waxed and named,
With canvas cut and metals tamed,
Perched there upon that ledge,
Has yet to take her newborn breath.

Through forward rings two ropes are thread,
To heave her from her resting bed,
Call it a yard, call it a shed,
Into the water below,
A world she does not yet know,
But there she is bound to go.

Soon her airtight helm will taste that salted swill,
Her rudders will shoulder the force of a thousand men,
And by her maker’s will,
She will not meet her end.

Bang,
Goes the steadfast holding line,
As the forward rope force applies,
Without a wince or a whine,
Does our vessel bid goodbye,
To her sheltered bed,
Call it a yard, call it a shed,

And with one final gracious bow,
Into the wet of the sea she ploughs.
Vernarth calls Theus, Etréstles calls Vikentios, liberation is near! Dyonisius has to leave for Spinalonga with Wonthelimar and his entourage. Particles of liberation were divided with the immortality proposals of Wonthelimar and Marielle Quentinnais, transmitting ribs of the Speleothemes that harassed them extraterrestrially, until they became theologized in Theus, Vikentios's brother, committing himself to Elefthería or Freedom of praxis, before the gold, in their own alienating chance, are distinguished in the centers of knowledge of Spinalonga, as an entity of the five crosses of Theus, for the conceptualization of this human islet as a sentimental skin of the plague in Vernarth's parapsychology, through Wonthelimar for experience the intersection of Theusiles in honor of Theus with his comrade Vikentios for a priori and a posteriori, with events that will take place in this leprosarium. Kalydon bears a strong similarity to Kalidona in Messolonghi's Koumeterium. Being multi-assigned to Elounda northeast of Crete, like northeast Gethsemane, or the affliction ***** of the right lobe of Golgotha. Volume VII, is the compendium of Wonthelimar twice VV, with its double iteration, that is, VII, this acronym would facilitate access to the area of the future Leprosarium, a posteriori near said peninsula, and ditched from the continent that knew how to distance it as its adopted daughter Spinalonga "Long Splinter" who was now divorcing the peninsula. The fortification of the Venetian raids before the attacks of pirates.

Wonthelimar is seen in the mirror of the Chauvet lagoon, and before the prefixed arch of the Manes Apsidas, when they took the island in advance before they entered this artificial island flood of luminescence in 1578 by the Venetians who presumably feared the meddling by the Apsidas to seize the island, then leaving Crete plunged into a hostile coastline elevated in the foundational cavity of the Essene crewed vessels, they fit into the ship's bow that will be placed on the opposite side of the peninsula, thus avoiding that the ships would list by the low bottom that fluctuated between both portions of earth separated prematurely. The Greek impregnability did not bow before the otomanians by hiding, like Markos Botsaris in Messolonghi with themselves thus subduing them, considering more than sixteen hundred years of the chronological gap that separated this grievance that transcended under the ramparts, putting the settlement of the Tome VII, that is, from the acronym of Wonthelimar and its parapsychological union, which finally came to the aid of the Christians who fled from the Otomanians when they were empowered from the island, with the revolt of 1866, here the rebellious Christians pressed for the Turks to leave the site of a siege in 1903. Specifically from Lerapreta, the Kyrios of Vernarth appeared opening paths from Lasithi, the purpose of this a posteriori parapsychology of Vernarth, would bilocate with their expedition masters, preparing to welcome their ***** relatives on the island from the migration of the ottoman us. Forever as a ***** limen, to be bilocated in the Profitis Ilias, after burying all the lepers commemorating them of restored morbidity after forty days, just as it was in Jericho with the Mashiach, and the Apsidas Manes escaping from the Mashiach.

The eschatology of liberation is confessed with the mythological and parapsychological transformation of Spinalonga as attempts at the misery that evaded the wretched custodians of the Christians who organized themselves from the apocryphal prefixal German or acronym of Wonthelimar as Wo "where, and Thelimar, from the Greek Tou Limar, which would mean "decompose." Finally pointing out the hybrid imprint of the appellation granted by the Manes Apsidas who had stayed on the reef since it was abandoned by a priest. This Tou Limen was an appellation that was provided to weaken them from all the deprivation of Faith in the Christians on this island. The schematic parallel stretched between the two stages with the smallest concatenation since the first century AD. C., until 1600, making this quantum leap the Christian science that understood the democratic causality of extemporaneous events, without having any dimension or category of thought for those who differ or not, especially when the bodies and souls of Christians are They pirated everything, and of themselves, generating condemning existential stress as a source of static synergy, and of God-Mundis in the sketch of science that leads religious man to unite with existential cavemen, in the utilitarian health passages in Jerusalem, specifically in *** Bei Himnon, as a bilocation base in Spinalonga on the face of the leprosarium that was created as the first holocaust or body dump in 1900 without the ápsychos (without a soul), asking for compassion towards the praetorian militiamen masses of the remote past.

The dilemma is create-destroy since Wonthelimar had been moving rapidly through the intraterrestrial slabs near the Kalydon peninsula, before reaching the Kyrios entrusted by Vernarth in Lerapetra, Lasithi. Here they would join with Theus and Vikentios, two Orthodox Christians who were waiting for this procession to later return to Kalydon. The coordinates were alienated in the dilemmas of an anxious Anthropokairós or psychic fear of a past that was three-dimensionally present, towards a future between two different temporal quanta. The entourage was united with a great will to move great tons of time that were intertwined with the almost extinct nature, but noble in resisting that so many fools fought in lands that will never belong to anyone, especially when the storm of the apocalypse thunders the primeval. that Atlas sustains so as not to sink us with his pole, and save all unconverted humanity, making servitudes towards the land of putrid leaf and not the other way around, after so many failed attempts of a Hyletica, or usurpations of matters that are alien to him. certain improper uses such as the mantle of the precious ozone of Eden. The enthronement of the creator will be on the created and will be present, and yes it will be! De Spinalonga with his holocaust of matter will magnetize the mutuality of perished matter in the paw of evils that could not understand his soul matter.

Theus enthroned in Kalydon, here he waited for Wonthelimar before crossing to the islet. His brother Vikéntiko was objectifying himself with his spur scientist in the opening of a new rebirth, in this navel that will seek to untie the aphonia that was difficult with the smallest ellipsis that it implies, by intimidating the miserable prospect that nothing will be redeemable, even later to raise the standards of truly real and not virtual freedom, when the Vexillum that Wonthelimar brought to institute the Genius Loci of Spinalonga appeared. He came along with Marielle, Dyonisius, and Vlad Strigoi. The ethical debate from now on will focus on how to exalt the lepers and *** Bei Himnon and Spinalonga after the Manes Apsidas disassociated themselves from the ethical debate on the island after the departure of the Otomaniacs. The critical evolution will be for the hopeless of a definitive residence that conceptualizes the abandoned, and totally destitute of the chamber or convalescence session, taking them to the Mysterium Ecclesiae, carrying in themselves doctrinals that have supremacy and predominance of the relief of the drama of an existence gray and dark, of those who lie under dire diseases, with advanced duels and an exempt dogmatic formula.

The astrophysics of Spinalonga shows here a universe that distances itself from inextricable nothing, and nothing that alludes to navigating or discovering the point of a ba-ab point, with astrophysical interlocutors that emanate from the realities of stories, which occur more prone to whom be able to resist morbidity with total Christian doctrine, although still asserting itself in coming cycles where Christians are observed fleeing the formulations of a great theologian astrophysicist named Mashiach, who will unite them with the lipoid of Orion, or with the two quantum bracers of *** Bei Himnom and Spinalonga. The quantum record can be cited with immaterial alchemy that emerges from a retrograde biological evolution, for those who believe in archaeology as a state and complement of the logic of the omnipresent-bilocated God in Vernarth parapsychologies, going back to times that passed, passed and they will pass in any dimension of the common man, and whoever is added in the impersonal value in a dynasty of Christian thought, which accommodates the Lodging Ghost of Theus, together with the Mashiach, for a holistic with new body prototypes and souls, which would redesign a paradise definitive. The gaps will give guessed…! And the whole will be to create supposed voids under the law of the conjectured whole, here the continents will pilgrim, containing the same Rabbi co-responsible for all dualism that is ingratiated with divine omnipotence.

Low are freedoms as a final cause, an efficient cause that brings together greater merits of acquiring the personal vote, by acquiring inimitable tenors throughout the cosmos and archetype of man, which does not end with its used prototype substance, relating as one created after the creator told him that he would never abandon him, perhaps being Theus? Spinalonga, a city of the leprosarium, was distinguished from the apprehensions of the Anthropokairos and from the privations of the Apsidas Manes, without pain or fears that will redouble the rudders that unite it to this geomantic duplicity, uncreating mutations that would not appear in the limited collective imagination, rather in the existence that everything is at once, especially when the verb recovers the creative act, towards divine infinity, in Vernarth's kenosis or empty will, purging all of humanity ... It will be more meat on Patmos.
Volume VII - Spinalonga, Manes Apsídas
Mike Hauser Dec 2018
We are all poets
In the same boat
The reason we write
Just to stay afloat
There's no other reason
Of that, I know
For us as poets
To stay afloat

So draw the anchor
Hoist the sail
We'll all rhyme our way
Clear outta here
Sailing the pantoum oceans
On sonnet seas
Casting our lot
In the poetic breeze

Steering riddling rudders
Across verses in waves
Until the very last day
We're made to walk the plank
As we are all poets
In the same boat
Trying our best
Just to stay afloat
Shell of a Man Jan 2015
They say we left our marks in the bark of that tree. But according to fate, we were never there
We were never in that park that sparked our flame. We didn’t start the fire and we sure as hell weren’t matches
We were just birds of a Phoenix feather wanting to write a book worth burning
Wanting to be reborn from the ashes like a new leaf turning in a second wind, we were supposed to bend before breaking
Ask before taking, shiver before shaking hands with crossroads demons. We never felt a thing
I’m gonna need a bigger a ship if I want to rip your name from my jaws and loosen this grip on my trachea
But you don’t give in. Especially when you smell blood in the rudders, fanning out the tension with a propeller pen compelled to
right a wrong
Like we were never here, weary from the weight of the lies. To the Victor go the vices and I’m tied down by the anchor in my mind
Afraid to set sail, this pale coast is so close to home I can still hear your voice
The water is inviting and I can’t decline. It’s time I ride out the storm and find a new place to lay my head
brooke Dec 2016
ran myself up on the land
chasin' the dark black storm
cracked my rudders straight in half
fightin' them waves off shore,

i's up in the early morning hours
makin' sure the house not burnin
down, 20 minutes there and back to
try and prove something more

no sleep for a week 'cause i'm worried
'bout a question, the one that no one
wants to answer an' drives the nail in
could love a girl to pieces but she
ain't nothin more than the warmth
she gives an' the way she consoles

i've wrapped around him tired and sore
but i've been here, i've been here
just bones and shreds offerin' up myself
in as many ways as I can before
that just ain't enough anymore

and it never is,  the heart and soul

it never is.
(c) Brooke Otto 2016


i've been here so many times.
Carpe Stellas Apr 2020
The path is a dusty one, Tin woman. Be careful what you seek
Take heed of the love you show and the words of love you speak
Feelings are a clouded mirror viewed from a distant smoky peak
They’re not for the faint, nor for the cautious, nor for the weak
What a wicked mystique

Hearts can slowly rust from the rivers of tears that flow in time
Smiles become fissured hills too hard to hold, to steep to climb
Time’s a thunderous rolling drum, not a gentle bell that chimes
Crushing with fearful trembling hands a love free and sublime
What a wicked crime

How many times have I murdered his love in infancy?
So afraid of getting hurt, so scared of what could be
My eyes closed so tight in fear that my heart couldn’t see
The genuine love from the man standing in front of me
What a wicked irony

My strongholds were in place with my defenses strong and tall
He stormed into my heart like a wolf and devoured them all
He destroyed my every hidden place and tore down every wall
But the fearful feeling that I’m not enough, caused me to stall
What a wicked fall

I thought I had shed yesterday like a sloughed skin
But I’m wrapped in the carcass of what should’ve been
A flower picked before its life could even begin
So scared of love’s thorns that I had to pull the pin
Such a wicked end

Now I pay my dues for love left strangled in the grave
The remnant of my failure to be free and to be brave
I sit among the ashes of the life and love I could not save
My once beating heart is now the darkness that enslaves
What a wicked cave

I dig deep into the shallow tomb uncovering my faults
Buried in the casket of my dreams with the peace I sought
Laid to rest with the battles I lost before I even fought
Perhaps my falling star was never meant to be caught
What a wicked thought

Drowned love swims in my veins, with the one I hold so dear
Eyes, they lose their luster and ears, they lose the will to hear
Souls they quake. Hearts they break. Lovely visions disappear
The internal compass ceases to guide. The rudders fail to steer
What a wicked fear

I sit beneath the darkness among a thousand shining eyes
They illuminate my thoughts like pensive twinkling spies
A million tiny searchlights contour each corner of my sky
Revealing my tender crux of weakness as the pain draws nigh
What a wicked outcry

Sometimes healing seems impossible and hope falls out of sight
Sometimes my heart is buried within the darkness of this life
The sun slams shut the windows of my bright and starry night
But sometimes…sometimes there’s a tiny beacon of shining light
What a wicked delight

Even from the cradle of our new budding interchange
I felt what I had never felt with each new exchange
No longer in a numb stupor, anesthetized and disengaged
My apathy fell away, no longer distant and estranged
What a wicked change.

He’s still the same sweet soul as the boy of my adolescence
A smile that lights my world and eyes of bright incandescence
Now every vision is blinded by his lingering presence
Even the air that surrounds me is touched by his essence
Such a wicked omnipresence

He wiped away my tears and brought my heart relief
My hesitancy was shattered in the face of his belief
He robbed me of my sorrow. He stole away my grief
Such a strong valiant soul, such a kind and gentle thief
What a wicked reprieve

He never jabbed the soft and delicate center of my wrongs
Instead he held me close and anointed my ears with songs
He cradled me in his gentle embrace, right where I belonged
He veiled the clouds with his shining stars all the nightlong
What a wicked love song

What a plan of attack he chose to forever capture my favor
With his unexpected prose and his courage that never waivers
With a style all his own, a personality with unique flavor
With his caresses and his kisses that I came to slowly savor
What a wicked quaver

As his voice cracked nervously when he first said he loved me
The way his embrace covered me in a blanket of sweet serenity
The nights have become a dungeon of these trapped memories
My heart is confined within its walls, never again to be set free
What a wicked destiny

Flaws- they claw at the door of daylight, refusing to be ignored
They beat, bash, kick and scream, breaking down every door
I am greater than my defeats. I am stronger. I am more
Than stones flying among shattered glass crashing to the floor
What a wicked war

So many battles to fight, so many pains pulling me under
So many cancerous cells ripping my body and hope asunder
I won’t back down in fear from this life or its roaring thunder
My soul will not be left for dead, for pillage or for plunder
What a wicked wonder

I’m so much deeper than a radiant shallow visual perception
What lay beneath is so much more profound than perfection
You’ll see bruises, ripples of a life lived, upon closer inspection
The sea of love shines brilliant upon its surface and reflection
What a wicked infection

The currents drag me down again every time I reach for air
The rising tide seems too high, the heaviness too much to bear
I struggle and fight to swim but I have no strength to spare
No sign of a lighthouse ahead, deep into the darkness I stare
What a wicked snare

But I am more than a revenant arising from a mortal fall
Each day I climb the canyons that make me feel so small
Every day I trample over spaces where once I crawled
Each moment I overcome obstacles and break down walls
What a wicked brawl

I will surge forth into the mysteries of this night without fear
I will fight without wavering until my final breath draws near
Until I take back what is mine, and every cancer cell disappears
This world that tried to destroy me will know that I’m still here
What a wicked leap year.
Ken Pepiton Mar 19
A moment's attention to an hour's raw worth.
This is the mind ****** experiment, last try...
back and forth until it breaks,
touch the edge, feel the heat.

On knowing, first taste, it is believed,
mankind's first mother made all mankind,
all from first mother
on to logically, eventually,
us;
You and me,
as we slipt the Matrix and uttered
the first breath wail that clicks the post womb life.

First thought that death ought be feared
has not yet been given the beguilement needed,
to make a slave to the mission revealed by truth's
spirit form, wind form, mind form, time formed point.

Knowledge, forbid my ignorance, but should one,
such as I, not die before my **** hair thins,
to lay bare the scalp that covers holy access
through the window in the top of the skull;

well, then, a certain respect is due me, a love, proof
that my reasonings were honed sharp enough,
early enough to form hooks to hang strands
of fullered fibers of gnosis from.

Prepared stitching thread, twirled intwining line
of reason, plumb weighted to hang straight,

perpindicular, swinging when to when, then
to now, to day from night, to ready after letters
are fitted to let us take thought, while attempting

contemplative temporary causal agency,
mediating meditation's worth versus daydreaming.

--------------
Standard transmission, clutched, loosed,
engaged to catch a spark and start the process

rolling presently from past instances of learning.

Motivational motors of minding one's busyness,
catch a spark mid sequence, in a valved chamber

whooshing to push to shove to pull, and push
to displace and **** and shove to push and roll,

extending any individual's reach, confining
one's attention to inner reasonings, efforting
to steer the convenience compelling consciousness,

paid attention to terminii in reality set by science,
acknowledged used to increase the mobility of our kind,
mind you, promotion demands hands and eyes,
coordinating coy and ardent wills worth observation,
as will to be useful as  arms and necks and nerves
and muscles and ligaments to tie bone frames,
to controls allowing fingers to steer,
as tongues do, as rudders do,

as my will being done may do,
we imagine as children watching adults work wishing.



---------
the efforting, effectual, fervent umph
applied to being useful on the whole,

the efforting made good by limitation
on liberty, free-state of matter, under
gravity and velocity, bound and determined,

to obey the binding force realized in thought,
leveraging aging winding springs force holds,
cogs to stop grinding gears, catchments,
mind hooks with torque converting aspiration

grasping reasons to resist inertial entropic
good enough reasons to sit still and wait.

------

guaged goodness, measured mind width
comprehended, held with thumb and fingers,
in our combined ready writer mind, manipulated

muscle memorial cause confirming, progress
toward our common, shared joy strength

winging lift up from least useful of creatures,
unselfsustainable --nidicolous, nest bound,
bald baby birds, or pre-birds, evolving
into functional forms for use in life
as we, the best form
of life we have conceived.
-----------

We have, behavioral autonomy, only
to the degree, the measured
parental investment, we need to have
and keep hold of having grasped, as
behavior becoming to beings of this kind.

Word smiths, mind adjustment experts,
fed from stacks in libraries so vast, that

now, we know, no mortal mind can hold
half of all we have experimentally proven
good for any word using cluster of us to have

to hold and use to make might be rights.

May might used right take thought, aye, may
be the will to have right use honed to one point,

new known pastless place, farthest edge
of ever after all we think or ask has proven,

patient stasis, waiting is, suffer it to be so now.

Some times and one times,
revisiting the process, producing me
and you, the processors of our realif-ications.

If as a condition,
in an ifery state, sticking to any matter realized;
we think as if one of us thought first, in time passing

now, from then, in your mind, my mind leaves reproof,
constructed to prevent the falling back into doubt,

two heads, four minds, one wind to share
in time passing as when one now meets a then,
when all attention ever once paid this now, turns

this time into a part of ever after all,
as words speak to heart felt conscience use proven
good, clean, pure state of first interest bearing lent
ears, hearing entertaining causing agents taunting troof.

Prove me now, herewith. Have I not filled your lungs,
have I not granted science right use of knowledge needed

to keep your nidicolous naked soul inspired to continue,
sowing kindness, same mindness, ag, agrimental agreement

we think, we thunk,
we thank our lucky stars, time and chance,

taut twang strangs of our hearts and minds, "chu-hoi",

big hugs, evahboty be nice like G.I., open arms
sự đầu hàng

bring before us the machine gunner called Whykill… begin
judgment near the incident, sự kiện, 29-02-01968,

There we was, me and Frenchy and Culpepper or something,
I forget, and now, I'm dead and all you all have are artificial
memorex versions of things I said I was a witness to, as a liar,
-nothin' but a houn'dawgnosis
picking old scents of sense we made in conversations,
so far past the point of no return, that none on the other side,
can contain innocense, livery of consci, where in our uniformity,

protrudes through old time religious linking thinking, wonders if
we might imagine living on in other words, after all's been
said and done… Whykill's dead. Hohlenstein's dead, and I am not.

Can you hear me now? Earth, earth, can you hear me now?
I hear your brother's blood crying out,
what now, this
now,
you know,
all those idle questions, you know? Did you
feel me lie and tell me no, no, man,
you can't do that.

And be not deceived. Single mind dominance, flat
left and correct, right, right, create an ifery wasery when,

then, let us form a means to use this ifery wasery when,
now, let us form
in time as realizable, vision, written plain,

set in new fangled fonts unicoded
common computable convertible
to bits in math-mental fundus corpus us,
beyond infinity through absurdity to us
becoming these thinkable thoughts,
living words all googly translated on demand,
rethinkable, as entertaining shapers of our kinds
of minds, keyed to constant news alerts, looking
for spots on the walls we pass along, hedged betting

this land is Nature's God's land, and this pasture,
green and lush, this leisure time, as advertised,
mine, my last wish
combination running streams of hot and cold water,
memory foam souls in my Adidas, as I did, assume
the role, Balaam's ***, or donkey,
if your public ***** word filter
hides ssscertain ifery essence
as sounds shuffled schitteringshits.
saint's accuser user rights assigned, runs
Phunky muse, ish bin, dasein, by das zeit, okeh
become alright already, done did done, done, indeed,
desired right to design, knowing already
the idea in the seed, was in
the virus first, and some say
long before long now,
in long then when nothing was a thought.
Knowledge was used to expose us all to living words.
Such as =
U can hold, as a mind let be formed
from mere wish it were
so easy
to fall in love, silly, blessedness
sensing mothering wombed men,
led astray with stories as wild as Theresa wannabes can conceive,
barren womb conceptions, dared define this penetralium,
esoteric guts of all sacred oxen processions, announcing
****** births reportedly
become motherless *******, and such
become outcasts, who often as not,
survive and thrive on wilderness.
Day and night, seedtime and harvest.
Learning from wind and sun and water and dirt and stone,
presoil granite, lime
from primordial sealife eons
on eons awaited, according to Devine wedoms
aspiring to some day become those cities of marble long ago
- replicate forming a marble pillar,
- from seaformed life forms turned to stone,
- in the kidneys of the world.

slow sea settle the white cliffs, pile
on pressure from megatons
of solid ice, firming fractious soft muds
at the bottom
of ancient land locked oceans,
frozen, squeezing solidified worths
weights of rainfall reacting first time
to climates constant changing
pulls from lucky stars and
guiding stars and
disintegrating
ancient's land marks, Casa Bonita,
those Bhuda reps
in the basalt, reminding
remember nothing is real,
blank slate, po' preserver of first impressions, lasting
lifetimes in words never given a reader's added weight, but

by a kind of more than once might wish
to ask, effectuality try
proofing insulation umph
opposing imposture syndrome,
with functional Dunning Krueger
inate cognative imbalence, valenced
within the pre pancreatic failure gut neurons bias…
burped bubble perception, whole self tuning
entire being concept, repenting ignorance begging
truth be known, make me unbelieve beloved lies,
other wise
make me
Art
Intuited, as a weform lifeform,
a we of three neuronal territories,
thinkers reading doer's reports from ports far afield, out there

where shapes of things that were some time ago,
can be translated into two dimensions fitting this window,
using these letters whose sense we all may use to think

translate me, the living word reminds the daydreaming monk,
consider really the stars, for number, now, and take that,
knowledge, a ledge on an oblique inleaning facet of us,

and walk along it not looking down
on or as, may be
the we form of one ready
to be reading ready we state,
in a punctuated equilibrium *** *** ***
Drums
Timpanis, Phrigian rhythms boom boom booming,
Zildjians , krashing and rolling into boingingnodes, domes
of dones, tells holding long forgotten legends for a time.

Nineveh, the repentant city, eh,
to the level
of its labor class things, fasted an acceptable fast,
miracle of miracles, the city did not fall, the miracle
of Jonah was that the city changed behavior
to such a degree that the God who had used Jonah,
made him a story in himself, used to glorify truth,
and someday make gourd growers
proud to be shapers if Meerschaum puff clouds,
made him a creature with no comprehension of mercy,
to use him in a great sorting out testing of spirits,
in the great game of the being edge overlapping gains
taken as granted grace, readers rule non readers,
see the images on the wall, hear the actors in the back,

break a leg, bad luck magic insiders hold true good,
encouragement to fret nothing, as a dancer does,
when listing with the breeze through new chance,

on the page, a pause,
a breather taking lax laze lize guessing others wise,

we suspect ourselves of hubris, as if the other wise
reason for the functional faith in goodness is done,

sneezing phase is past, if you've read this far, by now

you are infected, and as you know, knowing too much
can **** a mortal bent to believe an institutionalized PR
Q-code/ begging oppositional support,
for the dam whence the boy pulled his finger and stepped

back to be blown downstream in time to let the last salmon
spawn and bring worth back to the rain always falling,
mainly on the plain,

Habakkuk habit, artistic intuition patterns of stroke, for luck,
let role in lines intending to hold the slightest smile,
thinking I know, this is not the same vale,
this is not the same current, nor same opinion worth a look,
streaming, not rowing, life
at the moment
is a day taken
for daydreaming equivalent
to a koan ridden
to its vanishing point
on the horizontal insistence
of our mutual peculiar leanings off center,

in a phi mark pattern pearling things think through,
doing words a proper spin,
to hit the nail on the head,
pop.
Stop/ now. Taste the pudding,
is there proof now from then?
D'he, ahe he he - didja ever have the ware withal
to make up
your own mind?

-------------
Yes, walk away, daydreaming boy,
location and possession of means,
for deciphering Emperical runes,
put into my craft and trade in
Calabash pipes, seen, but unseen
gourds employed as smoked ****
and fine tobacco investigatory oral
fixations prominent during the nicotine
DNA adaptation,
{took five generations}
from popular pastime
of blowing smoke, after effects
took on global societal ruling lines
of taut strict reasons to keep smoking,
keep on, keepin' on, minding solo scriptura,

in smoke filled rooms whither whole new forms
for holding mental tyranny enough to wage war,
took shape to govern those who must fight for
the cost of power contained
in a concept with kings,
and us, or Gods and men…
opposed to, leaning against, acting
as scaffolding holding old dams destined
soon to break,
"and at that time thy people shall be delivered,
every one that shall be found written
in the book."

Johnstown flood, was a true historical news worthy event,
unlike the name of any person whose name is in a list
of souls departed from the frail shell of mortality,

ready or not.
Fret not, and naught, aye, no thing or thought
Christmas angel say aight, be not afraid of knowing,
good new things to know, whole old truths put to rest.

Here come Jubilee, one last time,
big time, big time revival of the truth conception

creator of the whole shebang.
Biggest to infinitile insignificance, in fancy other words.

But thou, O Daniel,
shut up the words, and seal the book,
to the time of the end:
many shall run to and fro,

Assisting intelligences shall seem as guides,
Michael models will seem like second comings.

in implodelusive spurts… as can be imagined
reviving old lies for new carnal mind tweaks.
Thanks for your patient investment, the cost of your attention ags me on.
Inkdrop Sep 2021
I can’t say that we go anywhere when we’re gone
That said, have you ever stood somewhere where everything washes up? Everything lost, everything left, everything broken
The ocean is not endless, no
Endless means forgotten
The ocean is everything
When something falls in, it rides the currents for as long as it takes to get somewhere.
Somewhere might be sinking, or in a fish’s gut, on the great Pacific garbage patch or on a little island
If you want to know how to get there I’ll ask you if you know the neighbors
Everything washes up there
Everything lost, everything left, everything lingering
Lobster pots
Shredded lines (the ocean holds all barriers)
Broken buoys (everything that floats, floats forever)
Seagull bones
Cans and bottles
Even rudders
There are stories of how tractor beach got its name:
There was once a whole tractor that washed up on its shores
Gears, wheels, engine, rusted metal (all things lost are not all things forgotten).
Pieces of it are long since buried in the rocks and mussel shells
But the ocean has parts of it somewhere
The ocean has parts of us, somewhere.
The ocean has parts of the seagulls and their wiry legs
Or the murky tidepools (even when we are left behind we are still ocean).
If planets were marbles the earth would be the only blue sphere in the whole pile
The ocean is the universe’s blue moon
One day a tractor came through one of its portals to an island
Heaven is a doubt, but perhaps heaven is Tractor Beach: a place where everything washes up. Where the egrets perch dreamlike above beach roses and sumacs. Where gulls kneel by broken eggs in nests of rocks. Where trash is treasure is the legend of a tractor in tide. A legend of escape, a place to float away, and a view like no other. What else could we need after life?
Tractor Beach is a real place on a special little island.
Mike Hauser Dec 2017
Words once spoken
Can't be broken
Too late you find the damage done

Either uplifting
Or unforgiving
Words are best spoken in love

Can't take them back
Once they've left your lips
From the tongue speaks the heart

Rue the day
They've had their say
Truthfully in who you are

Best be thinking
Before speaking
Avoiding pain from what's been heard

Horses take bits
Rudders turn ships
Be careful how you steer your words
Mike Hauser Aug 2021
With wagging tongues as rudders
And flapping lips at full sail
One way or another
We find we're flailing in kelp

Battered bodies ready for mutiny
Weather worn, severely beat
Kind of makes you wonder
Who is steering this thing

Pass around the Dramamine
I think we're going to be sick
You'd think by now that we somehow
Would be used to it

Before too late what will be our fate
Is the entire crew walking the plank
Kind of makes you wonder
Who is steering this thing

It's hard enough to control the tongue
Continuously pounded by waves
Feeling sunk long before we're done
With planning our one escape

We most of the time try to do what's right
But fail at it miserably
Kind of makes you wonder
Who is steering this thing
Justin Nov 2020
I Edged made mud clams blood slammed thoughtfull Buhddas made your rudders claim slight only now
Encompassing mamas sin
Bow wow wow wow wow wow
Bow wow wow wow
You  only are a Demon

— The End —