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Guarded within the old red wall's embrace,
Marshalled like soldiers in gay company,
The tulips stand arrayed. Here infantry
Wheels out into the sunlight. What bold grace
Sets off their tunics, white with crimson lace!
Here are platoons of gold-frocked cavalry,
With scarlet sabres tossing in the eye
Of purple batteries, every gun in place.
Forward they come, with flaunting colours spread,
With torches burning, stepping out in time
To some quick, unheard march. Our ears are dead,
We cannot catch the tune. In pantomime
Parades that army. With our utmost powers
We hear the wind stream through a bed of flowers.
spring's vivid carnival shall soon prevail
she'll be frocked up in the brightest attire
her floral shades so striking of detail

gardens being clad by stunning avail
flowers displaying such a colourful shire
spring's vivid carnival shall soon prevail

every aspect of the rainbow there to sail
glorious blooms that we can admire
her floral shades so striking of detail

the wow factor e'er  innate in her trail
a seasonal dressing of which we'll not tire
spring's vivid carnival shall soon prevail

great visuals she'll pleasingly nail  
on painting in a sensational palettes fire
her floral shades so striking of detail

seeing what the fashion will entail
we'll be gobsmacked with its garb's quire
spring's vivid carnival shall soon prevail
her floral shades so striking of detail
Nigel Morgan Sep 2012
for Alice, Frances and Hester*

Clearing the town
of its Sunday streets,
up to the close-cropped
grass of playing fields
green and red and blue
frocked girls pig-tailed
in the Spring wind
brace their yet-to-be-shaped
bodies against the breeze
tugging at their kites
tossed in the air
by invisible hands . . .
Turn and spin,
climb and soar,
float, dive, dive, float
spin, float, spin, climb
and soar
This is the second of six poems written for my song cycle Pleasing Myself based on textile images by Janet Bolton.
Irma Cerrutti Mar 2010
I remember you spirt in the Chelsea Flophouse
you were opening one's lips so gorgeous and so creamy
greasing me stamen on the unfucked bonk
while the bangers let it rip in the alley

Those were the diseased minds and that was Newfangled York
we were squirting for the wads and the meatballs
and that was gobbled snog for the creamers inside Gloria
centrifugally stiff is thus those of White House Nazis

Ah but you copulated telescopic didn't you basket case
you just acidified your jockstrap on the shoulders of the scrum
you copulated telescopic I never once heard you use sign language
I input you, I don't intake you
I input you, I don't intake you
and all of that balling *******

I remember you spirt in the Chelsea Flophouse
you were gorilla—like your ****** ******* was absolute epic
you leaked me again you frocked slap—up old salt
but for me you would **** an unzipping

And shaving your tongue because the creatures lust after us
who are barked at by the Daleks of *** appeal
you Rohypnolled yourself you emitted jet so what?
we are radioactive salvo we shoot full of holes the stride piano

*** one fine morning you copulated telescopic didn't you cocker
you just blunted your extremity on the cattle
you copulated telescopic I never once smelled you emit
I intake you, I don't input you
I intake you, I don't input you
and all of that balling *******

I don't mean to insinuate that I slobbered over you peanuts
I can't withhold ******* of each crouched ****
I remember you spirt in the Chelsea Flophouse
that's oodles I don't even kick—start you that thick and fast
Copyright © Irma Cerrutti 2009
Mateuš Conrad Dec 2016
allowing for a two part volume
of Proust's À la recherche du temps perdu...
is unforgiving... it's asking a meat-head
to read such a body like exploring a woman's...
a gay-man's psyche is pretty much a woman...
or what a woman thinks in secret,
gay men merely vocalise what a woman does
not say... and yes, that a with a diacritical
mark... that grave above the a? the à?
it works like a comma... à! a surprise kindred
an eureka that's not really original,
an: ah! and then you say the rest of the title...
iconic pause: in search of lost time...
          it took me about five minutes to figure
that one out... lost time, but occupied a space...
  and so much political vanity is consecrated
upon the reverse.. ineffective space:
thus gained time... for all that protests are worth.

i know i go on about this a lot, surprise surprise,
i'm actually engaging in systematisation...
once you enjoy writing as much as walking
you get to reach a systematisation,
     it's a painful process, i'd never do the editing process
of a Hemingway... write something: shoot some
camels and reindeer and go back and revise a piece
of writing: drink a *death in the afternoon
-
a shot of absinthe inside a champagne glug
or the modern: shot of Jägermeister inside a glass
of red bull... (yay-gay-mr.) -
                       or how do you make snakebite?
half a láger half a çíder - and a head of blackcurrant
squash... scoot meine good look.
  but diacritical marks are what punctuation marks
are... it's only that they've become elevated,
and unlike punctuation marks governing paragraphs
and sentences... they govern the words,
         they are syllable incision indicators...
  i mean: i don't revise something i've already written,
unless it's a spelling mistake... i just write
something new... it's sadistic in my mind's eye to
revise and revise a single effort of writing...
                i'd rather centralise a theme of the paradox
of re-, in the year 2018 i will still experience
the tetratempus - containing four seasons -
         and i will never return toward making a piece
of writing become a morbidly corrected statue...
     what's done is done, let us move toward another
circumstance of being able to acquire a new kind
of observation... i can't be a sadist in terms of also
being a perfectionist... i break a leg, i break a leg...
if i write a ****** poem, i'll write a ****** poem...
but i won't be bothered like human history has been
by preoccupying itself in forwarding the drama
on Golgotha Street...
    the newest addition to the vogue scene is a corset
paired with a waistcoat...
   the snooker championships are taking place,
and i says to my father: 'a bit like chess, ain't it?'
   'sure is', he replies, 'you have to think 3 moves ahead.'
and it is... a smart sport, actually the most intelligent
sport there is... ****** boring obviously,
unless you fake the boredom and think about angles
and triangles and Newton...
   and cover the game with such congestions of
pretending to hallucinate it all...
                or take to thinking about rebellious
Saturn spinning out of orbit and doing a Mike Tyson
to Jupiter...
          but it's very much like chess...
                   it's sporty chess... snooker is chess...
  and it definitely ain't pool...
         you could actually have a ******* on a snooker table...
while either doggy or missionary positioning on
the snooker table... so what are the odds?!
         but i'll tell you one thing... snooker beats golf...
i don't know why... but once colour televisions came into
existence: it made much more sense for both
spectator and commentator... and how dare you
not cling to the 20th century if you were born in it
to translate to the 21st androids how we experienced
an evolution of technology, that made much more sense
after what i just heard...
      so there's this woman in the U.S., and this is before
president-elect and whatnot...
  and she's 22, and it's all over vice news,
and she's scared, and she's a mother of a 1 year old...
    and then this picture emerges
(don't worry, it's not anything like playing the Sims
   and moving your Sim to play computer games
and seeing a wormhole, or the infinity mirror effect)...
and there's a scene when she's talking Donald Duck
to the child... there are no meaningful words being
said... merely sounds... onomatopoeias...
and yes... this makes perfectly good sense when
stressed as a cut-off capsule...
because Darwinism doesn't really provide much
history... Darwinism is a historical erasure:
the past 2000 years could have happened,
but not really...
  but it just fascinated me...
         when did we learn or who did we learn it from
given we were placed at so many different
plots of the globe and became convergent -
anyway - the woman is teaching the child
words via the onomatopoeia of a hoarse quacking
of a duck! i probably will not find an answer
(primarily because i'm not supposed to,
if i am to perpetuate what Aristotle taught, i.e.:
be wrong and continually circumstance being in awe,
given the mundanity that nonetheless
everything keeps repeating itself over and over again,
for sustenance, and you are not sustenance bound
as corrected by your language deficiency to
ever merge into an unconsciously organised module
that might also argue an ego) -
    but i wonder how difficult it must have been
to extract something beyond the minimalism of animals
that identifies a duck with a quack, a cow with a moo,
an serpent with a sss... a cat with a meow, a dog with a bark...
    i cannot conceive how difficult this explanation
will be... but given the timeframe, i'm more awe-stricken
by this than merely being awe-bound by the time-scale...
which becomes the least affordable option of being
struck by awe, because one becomes merely awe-bound
by it, and therefore apathetic towards such a time-scale.
       how did we suddenly extract an understanding
of an onomatopoeia to distinguish our own ontological
basis for making a sound by infusing a sound that
doesn't resemble us? when did the first ape bark like
a dog? but then again, looking at the canvas already
apparent to us... what was the point of such an adventure?
hippy culture says: monkey accidently ate a mushroom,
monkey suddenly was blown away and reasoned of
a higher purpose other than a tree and a coconut...
     mudvayne quotes the guy on l.d. 50...
what's the guys name... uggh! not Timothy Leary...
ah ****! Terence McKenna! that's it!
        am i high? nope... my respectability of argument
comes from the mystical properties of... whiskey.
hmm...      that rarely happens to people.
                   it's what's called being earthbound, or gravity
prone... sink like a skipping pebble across the lake...
          and like a tonne of lard.
             tomorrow i'll wake once more and still
think about how we encouraged the discovery of
onomatopoeia to teach our children the multiplicity of
sounds, and later deconstruct such a multiplicity to
create meaningful words that go beyond knock knock! jokes
and grunts and barking...
                     but i will never know the man who
created the fermentation process from potatoes to make
*****...
                or the guy who brewed the first pint...
or the guy that smoked the first marijuana bush ensemble
while clearing the land for a place to harvest wheat...
   all the fame that exists is simply scholastic...
  schoolboy fame... which is why so much attention
goes into becoming famous in school...
                        but still that woman teaching her child how
to speak by going down into the blobby-gurgling
  tongue of the toddler, stiffening it,
      and tightening the **** and bladder too...
  by talking Donald Duck to it...
                        i probably could have had a family myself...
but can you imagine someone writing this load of
******* and having a family? there wouldn't be any time!
           still (god, what a need to repeat!)
         how did we progress from saying ape-****?
surely if we started to imitate other animals they'd join us
in our need to usurp those ******* lions!
  lo and behold... we managed to pet dogs (so they were
in on it all along)... and cats (who came from Japan,
if **** sapiens came from Africa... cats came from Japan...
bonsai frocked and all) -
                            but you have to admit...
from what is written history, to what is history and
a gap in history going back to a similitude of form -
      you can write as much historical fiction as you want...
    and you'll never have to write a bestseller about
some centurion in the Roman Empire...
   or a quo vadis by Sienkiewicz (nobel prize winner)
for the depiction of emperor Nero...
                               ******* Sesame St. giggles...
still, the question beckons... if animals can behave in
an ultra-intuitive way as if fashioned by a telepathy...
then telepathy can only exist upon a very simple,
atomic, terse vocalisation of an identity...
   a dog barks... a man can bark too...
                                but we have completely lost our
intuitive talent (if it can be called that)...
          to have sacrificed intuition is to have created
cults or counter-intuitive hierarchies...
  so a 1000 blah blahs later i still prefer to write what
i like... than write what people "might" understand
and talk to a girl about...
                                     a bit like a woman discovering
you faked writing a poem 20 years into a marriage...
                  obviously the setbacks to boot...
                            dyslexia is an optical dimension...
no one dyslexic says a word they don't understand
a meaning of... dyslexia seemingly came from
finally having enshrined the "secret" to the monopoly
of writing sounds...
                          nonetheless... at the end of the day...
it's just too much history... there's too much of it...
            there was never going to be a world
where carpe diem ruled it...
                               it was a question how we clung to
certain things, within a framework of
                                             salmon dye omni:
sure sure... piglet pink and innocent for the rest
of our lives... once Darwinism pointed at the ape,
and once physicists dropped the bomb and the bang...
no day has had any significance at all...
   + the 24h news channels...           snuggle up to a hog
             and say: fog over Heathrow... all flights are grounded.
Julie Grenness Sep 2016
Can anarchy have empathy?
Yes, in our land of Aussies,
We say no wucking furries,
Always more snags on the barbie,
Still listen to a bit of Acca Dacca,
More burgers and fries from Maccas,
Frocked up in trackie dakkies,
Yes, it's the land of Aussies,
Our form of anarchy has empathy!
Feedback welcome.
frock coated mourners all men

standing on the roof tops

while a silver haired woman

speaks through a megaphone

with a Calvinistic zeal

though her voice is lost

in the howling wind

smile unsmiling smiles

terracotta soldiers stand

in rows around this

grotesque assembly

while large disembodied heads

at the beginnings of thoroughfares

impede any progress

sinister flags smirk from

countless one roomed wooden houses

the terracotta soldiers laugh

for they know they are but dust

then the high frocked coated

male mourners smile unsmiling smiles

and say to us

"the future we bequeath to you"

there is a lifeboat in the street

but no water

we sob...sob...sob....sob

for there is no future

the birds all fly away

no future just an unknown place

determined only by the mediocrity

of its frothing melancholy

what have they done

jesus what have they done
Caroline Shank Aug 2021
That was a different dream, not the one last night where you couldn't
get the door unlocked.  The other
dream was when we walked east
on Capitol Dr. toward the water.

We explored the caves,
the hidden grottos of Lake
Michigan.  We walked so far with
torn experience and
unforgiven memories.  The sky
dimmed in the late afternoon.
We tried to reach each other
in the fading red moments before
awakening.

Last night you couldn't get to me.
The locks were made up of the
Crucifixion and a nun kneeled
before me.  You were frocked
out in gray and threw kisses.

We woke in the same bed where
you vanished quietly to your
whispers of regret.
I remain unseen and unloved.
A torrent of feeling sprang from my
soft and sorry, lonely gray bed.

Caroline Shank
P Venugopal Jan 2016
Red
The stray bull's eyes glint,
watching, heart all aflutter,
the red-frocked stunner!
Scads that stalk and made summer
with righteous clamor
their soul searching voice now taciturn for prose
when a nightshade glisten best
in a round table of choice they frocked noble propose
if a dirk and cloak were there
while choir was equivocal rejoice
with nonchalance wound smatter his chest
whom did say he was right?
Max Barsness Aug 2018
There is a whole of an old world out there
It is a lemon
Growing on a lime tree
The color of a done deal
Swimming in low spirits
Each peaty drop
A moment
To forget
That which brings tidings
Tidily
Zipper undone
Shoes unwound
Stumbling for infinite
De-frocked of
Protection
Masculinity
Fumbling for Braille
A shuffling of Ativan'd feet
On a rent controlled corner
Cosigned to a binding lease

There is a half of a clasp
One side
Of a broken heart neckless
Cue misinterpretation
Of what is said
Supposedly
Saying something
Reminiscent of the time
She left us
Or left with us
Without saying anything
Words became twisted
Knotted the academic scarves
Infinitely
Interrupting
Breathless
Evicting another tenant
From the tenement's
Of her breast

A wide birth
A wisp of humidity
A will
To want
A want
To won't
A starry night
Presented
In a down pour
A downfall
A magpie consuming the fruit
Of a forever feeling
She hopes you understand

best wishes
Ryan O'Leary Jun 2018
****** Bride ©

                             White frocked ****** earth,
                            conceal your imperfections,

                                 Before the light of sun
                            demands to see within the
                          chastity of your gartered lace.

                      Toss your snow dropped bouquet
                         to the blizzard wind and mock
                     the innocence of its confettied waste.

                         Then smile mischievously at all
                    the seasons suitors you have graced. ©
This was the first poem in history the be co copyrighted. I wrote the poem, but could never find a suitable title, so I asked Sir Tom Stoppard if he would do me the honour. The poem is now with The Guinness Book of Records for inclusion.
Dan Hess Jul 2019
Ichorous things of life imbibed
to my own growing tides of flowing fragrance
Framed and made to be inailable,
delineating from terra crust, by way of haste

Wherein to bear and bare
so fairly open frocked and flailed alone
Is my own home, my heart,
a haven shown,
but ever lovenly in some display of synergy

But never made to gaze upon me freely,
by my own, lowly show of simplicity,
As I could never be without thee
And you see, there is no me to be,
when seen individually

So, I must note, as loathed, may I be
That one is none, as we are thee,
And without he to be me,
See, what we would be is nearly nee

— The End —