Exams:
How wonderful they are
Because in the moments leading up to them
I’m ******* happy
A fantastic sense of euphoria
Something I haven’t felt in forever
Because teachers stop teaching
A few days before
Easy reviews and exam prep starts
And I get to relax
Nothing new to learn
Just old things to remember
Then they actually happen
And I remember why they’re so horrid
Cramming the night before
When your friends tell you
The test wasn’t as easy as you’d hoped
And remind you that no amount of prep could prepare you
Exams are ******* hard
Don’t you dare try to tell me otherwise.
I cry myself to sleep after hours of staring blankly at a full sheet of paper
Eyes wandering but not focusing
My mind turned to madness
Euphoria gone all too soon
And I’m back to hating myself
Wanting to quit and give up everything
But I can’t
Because as everybody says
It’s just exams
Like they don’t realize the anxieties and pressure that come from those four letters
I hate them
And the worst part is I know I’ll survive them
And have to suffer through again next year
And the year after that
Until the year that the exams conquer me
Absolutely destroying me inside and out
And I guess I’ll just wait for that to happen
Hopefully sooner rather than later.

Being a coach is hard
Winning isn't everything
It all stats during practice
Arrive early to prep for the team
The ones who want it show up on time want it
The best players show up late
Running bases conditioning for the game
Batting cages to help with the swing
Playing catch helping the team work as a unit
Till the day of the big game
Slide to the base with technique practiced
Cutoff play to make an out
Team functions without doubt
Play hard play right win or loss giving it your all
Coach does right by the team no need to fight
Lets win and take the season play and do
What the team does best play softball

In front of the mirror doing my hair,
It’s all in the prep work, don’t despair,
Soon be time for the big event,
all this grooming is time well spent,

walk like a robot, keep a straight face,
don’t want a single hair out of place,
grab the phone, yes this is the spot,
set it all up for the perfect shot,

try to look natural, find the right pose,
hide the blemish that’s on my nose,
impossible angles, arm muscles ache,
the phone in my hand is starting to shake,

follow the light, keep stumbling back,
I think I’m having a panic attack,
all this stress is really no fun,
but a click of the button and the deed is done !

First there is the prep.
The roommate.
Wearing salmon colored pants.  
He has Shaggy from ****** Doo
On his left thigh.
The alcoholic.
She has a drinking problem.
She is in denial of her drinking problem.
She hangs out with the loners.
The loners.
Unkempt, unattractive and fat in all the wrong places.
The blond looks like Tom Petty.
The one with dark hair, glasses and braces
They live next door.
Living together but segregated. 
Wild cards.
All of us.

©Gambit '13

There is nothing new under the sun, but it was night and the indifferent blinks of gaseous lives above looked down while my friends and I were at a new fast food joint that moved next to a now lonely Wendy's, with a faded sign tarnished by something the new fast food joint had yet to experience—mundanity by time. But I had my notebook with me while we ate outside, but it was in the car. My mind is always in that book, and I remembered something I had written for a novel in progress: 'Nothing is new under the sun. How is it possible to watch stars die? There is nothing new to their dust. We are the flies of the universes.'
It was just when I had finished my BBQ pork sandwich when Ariana suggested visiting a graveyard. I had the idea to visit a Satanist graveyard that our friend, Lanessa warned us against for the better safety of our sane souls—good luck with that. I wanted a revival of fear. How the beast would rip at the roof off our metal can of a car—the greater our barbarism, the greater our admiration and imagination—the less admiration and imagination, the greater our barbarism. But Ariana disagrees with words I never say, Nick laughs with my simple words to that previous thought. How funny it would be to burn eternal.
But then he suggested we should go to the Trussel in Conway. I had no idea or quote to think about to contribute to this idea. I wander, as I like to, into the possibility that his idea is a good one. Like some wanting hipster, I dress in an old t-shirt with of mantra long forgotten in the meaning of its cadence.
That is the march of men and women into the sea—honest, but forgetful and forgotten.
I was wearing a shirt sleeve on my head I bought from a mall-chain hippie store, and exercise shorts, finished off with skele-toes shoes. I was ready for everything and nothing at the same time. And that fits, I suppose. But all that does matter—and doesn't, but it is hard as hell to read the mind of a reader—it's like having a lover, but s/he doesn't know what s/he wants from you—selfish *******.
But there I was,  on the road, laughing in the back seat, sitting next to a girl who was tired, but also out of place. I could see she wanted to close arms of another, the voice of another, the truth that sits next to her while watching tv every time she comes over to hang with him, but never accepts that truth. She is a liar, but only to herself. How can she live with that? The world may never know.
The simple rides into things you've never done before give some of the greatest insight you could imagine, but only on the simple things that come full circle later. That is a mantra you can't print on a t-shirt, but if it ever is, I'm copyrighting it. And if it's not possible, I'll make it possible!
When we got to the Trussel, the scenic path lit by ornamented lamps seemed tame once I stepped onto the old railroad tracks. They were rusted and bruised by the once crushing value of trains rolling across it's once sturdy structure. Now they were old, charred by the night, and more than just some abandoned railroad bridge—the Trussel was a camouflage symbol birthed by the moment I looked into a Garfish's eye as it nibbled on my cork while I was on a fishing trip with my granddad when I was eleven. I remember that moment so well as the pale, olive green eye looked at me with a sort of seething iron imprint—I needed that fear, it branded instead of whispering that knowledge into my ears.
That moment epitomizes my fear of heights over water—what lies beneath to rip, restrain, devour, impale, and or distract me.
But epitomize is a horrible word. It reeks of undeveloped understanding. Yet  I want a nimble connection with something as great as being remembered—a breathe of air and the ideas  thought by my younger self, but I will never see or remember what I thought about when I was that young—only the summary of my acts and words. And by that nothing has changed—am I too afraid to say what I need to say? Too afraid to hear what everyone else hears? Or is it the truth—depravity of depravities that has no idea of its potential, so I am tired of the words that describe my shortcomings and unextended gasping hope. I am tired of living in the land of Gatsby Syndrome waiting for Takotsubo Cardiomyopathy!
But when we got to where the Trussel actually began I felt the fear hit like the day it was born—all hope was drained, and I was okay with abandoning all aspirations of having fun and being myself in the face of public criticism. I was flushed out by the weasel in my belly—the ******* beneath those still waters. I compare it to someone being able to handle Waterboarding, but can't handle being insulted—it's that kind of pathetic.
I stood just on the last understandably steady railroad ties that I knew were safe and watched my friends sit off the edge of the bridge, taking in the cold wonder of the night, and I was told at least I was smarter than my dead cousin who managed to get on top of his high school in the middle of the night, but had to be cohearsed down for fifteen minutes by a future marine, and future mourner who still grieves with a smile on his face.
The future mourner, he laughs at the times he insulted, or made fun of, or chilled with his now dead friend. It's never the bad times he cries about, there are none—just the good times, because they don't make them like they used to.
I watched them in that moment, and I don't know if I can deal with knowing my life is real. I began to blame my morality on this fear even though I already justified the fear just seconds before. But as I write this, I look over my notes and see something I wrote a few days ago: 'Life is ******* with  us right now. You laugh and I laugh, but we're still getting ******. The demon's in our face.'
As morbid as that comes off, it resonates some truth—what is killing us is going to **** us no matter what we do—and I don't want to be epitomized by the acts and words I didn't say.
I was never in the moment as a kid—I was raised by by old people and kept back by my younger siblings. The experienced tried to teach me wisdom, and the inexperienced kept my imagination locked in time. I don't want to go home as much now because I see that the inexperienced are becoming wiser everyday and the experienced are dying before my eyes. My idea of things is enduring leprosy.
But back to the simple moments.
Ariana saw a playground as she stood up and investigated the Trussel. It was next to the river, behind the church, fenced off by the fellowship of the church to keep the young ones in and the troublesome out. Of course, we didn't realize there was a gate and it was locked until Nick stated the probable obvious within ten feet of the nostalgic playground. And that's when Ariana pointed out the bugs swarming the parking lot outdoor lamp that blazed the fleshiness of our presences into dense shadows and more than likely caught the eye of a suspicious driver in a truck passing by. But I was still on the bridge—back in the past, never the moment. Me and my friends are still children inside these ***** forms. I muttered to myself: “Life ain't about baby steps.”
Nick looked over and asked what I said. I turned around, dramatic, like I always like to and repeated louder this time, “Life ain't about baby steps.”
He asked if I needed to do this alone, and I said he could come along. I walked rhythmically across the railroad ties, and heard Ariana comment that getting to the railroad up the small, steep hill was like being in the Marines. I laughed sarcastically. Nick and I had been to Parris Island before, and I know they test your possible fears, but they beat the living **** out of them.
I casually walk into the room where my fear lives and tell it to get the **** out.
When I reached the precipice of the last railroad tie I stood on before, I felt the old remind me that death awaited me, but there was no epic soundtrack or incredible action scene where I stab a manifestation of my fear in heart—a bit fun it might have been, but not the truth. I bear-crawled over the crossings of the ties and the structure of the bridge itself. I felt Relowatiphsy—an open-minded apathy self-made philosophical term—take over me. It is much simpler than it sounds.
There was no cold wonder as I imagined. There was just a bleak mirror of water below, a stiff curtain of trees that shadowed it, and the curiosity of what lies in the dark continuing distance past the Trussel.
Nick sat with me and we talked about women and fear, or at least I did, and I hoped he felt what I did—there was a force there that is nabbed by everyone, but cherished by few—courage. And I thank him for it, but I know I did it. Now I want to go and jump in that still water below—Ariana later says she's happy I got over my fear, but I'll probably have a harder time during the day when I can see what I'm facing, but I see it differently. During the day, the demons are stone and far away—like looking down the barrels of a double-barreled shotgun uncocked and unloaded, but at night is when the chamber is full and ready to go, and you have no idea who is holding the gun with their finger on the trigger and your destination in mind.
Then we threw rocks into the water in contest to see who could throw past the moonlight into the shadowy distance . I aimed for the water marker, and got the closest with limited footing, using just my arm strength. But it wasn't long before we had to leave, making fun of people who do cooler things than us, on the way to the car. I had to ride in the back seat again because I forgot to call shotgun. But on the way home, the idea popped in our heads what we should get my hooka and go to Broadway, and get the materials so we could smoke on the beach.
Nick's girlfriend and her friend joined us.
I missed a few puns against my co-worker as I was sent to get free water from the candy store where I work. I ended up doing a chore because I was taller than most of the people there. Appropriate enough, it was filling the water bottles up in the refrigerator.
All the while I loathed the fact that I would have to be clocked in tomorrow by two in the afternoon. I grabbed the water and got out of there as fast as possible without appearing to be in a hurry.
Impression of caring matters more than the actuality where I work—and yes, that makes me a miserable ****.
Perhaps it's not too late to admit I am recovering pyromaniac from my childhood and the flavoring we use for the taffy is extremely flammable. It would be a shame to drench the store in what people love to smell everyday when they walk in, and light the gas stove. Then, maybe I could walk away real cool-like as this pimple in this tourist acne town pops like the Hindenburg. The impression of splendor is like a phoenix—it grows old, dies, resurrects into the same, but apparently different form, spreads it's wings, and eats and ***** on everything simple, or presumably so.
I forget the name of the beach, but it was the best time I've had in a while. I was whimsy, and high on the vastness of the stretch of beach around us. They could bury us here. But me in particular. I rolled from the middle of the beach to the water, stood in the waves and shouted my phrase I coined when I realize something as wonderful as conquering a fear or realizing a dream;
--******' off!
And I stared at the horizon. My friends came up behind me and I looked back to see it was Nick and his girlfriend hugging. I gave a soft smile, put my hands in my pocket, and turned back to stare at the clouded horizon. What beasts must lie out there—more ferocious than the simple fresh water beings that wait beneath the earlier placid waters. I was a fool to think that was the worst. Nick said as I pondered all that, that I looked like Gatsby, and I tried to give him a smile that you may only see once in a lifetime, but I'm sure it failed.
I wanted to tell him that, “You cannot make me happy. It is usually the people who have no intention of making me happy that makes me smile the quickest.” But I don't. Let me be Gatsby, or Fitzgerald, if to no one else, but myself.

Hell is the deterioration of all that matters, and as the five of us sat around the hooka, and inhaled the thick blueberry flavored smoke that hinted at the taste of the Blueberry flavoring I use to make Blueberry taffy, there was a satirical realization that the coal used to activate the tobacco and flavor in the bowl is sparking like a firework, and reminds us all of where we're going.
It's a love affair between that hopelessness and hope of some destination we've only read about, but never seen.
By this point Nick and I are covered in sand, because he joined me in fun of rolling down the beach. We want so bad to be Daoists—nonchalant to the oblivion as we sit in. Just on the rifts of the tide, he and I scooped handfuls of wet sand, and I lost my fear of making sense and let Relowatiphsy take over again.
“Look at the sand in your hands. It can be molded to the shapes your hands make. We scoop it out of the surf and it falls through our fingers. There are things we're afraid of out there, and we sit just out reach of them, but within the grasp of their impressions. The sand falls through our fingers, and it plops into the tide, sending back up drops of water to hit our hands—the molders of our lives.” I said all that in hope against the hopelessness of being forgotten.
Then he said, “What if this is life? Not just the metaphor, but the act of holding sand in our hands.
I relish in his idea of wiping away my fear of an unimportant life. And by this point, it's safe to assume I live to relish ideas.

The last bit of sand from the last handful of sand was washed from my hand and I looked back at the clouded horizon, pitch black with frightful clouds and said:
“Nick, if I don't become a writer. If I live a life where I just convince myself everything's fine, and that dream will come true after I finish all the practical prep I 'must' do. I will **** myself.
I looked at him, Relowatiphsy in my heart, and he said:
“As a friend, I'd be sad, but I'd understand. But that means you have to literally fight for your life now—regardlessly.”
And he left me with those words. Just the same as my granddad left me a serious heed before he wanted to talk about something more cheerful, when I asked about his glory days fishing the Great *** Dee River. He said: “I wish I'd been here before the white man polluted the river. It would've been something to fish this water then”, then he paused to catch his breath, “Guess there are some things that stay, and others than go.” Then joy returned, as it always does.

But the idea of what was happening to me didn't hit me until we were a few miles away from the beach, covered in sand, but the potential of the night after conquering my fear of heights over water had been shed in the ocean.
Around midnight, when the headache from the cheap hooka smoke wore off and the mystic veil of the clouds over the horizon has been closed in by the condensation on the windows of some Waffle House in Myrtle Beach. There was a wave of seriousness that broke over my imagination. Works calls for me tomorrow by two.
There's not much vacationing when you live in a vacation town.
And midnight—the witching hour—spooks away the posers too afraid to commit to rage against the fear.
But there are others—college students that walk in and complain about the temperature of the eating establishment, and the lack of ashtrays—how they must be thinking of dining and dashing—running from a box, but forever locked in it.

They make annoying music as I write this. That is how they deal.

"Striking the match across my thumbnail, it's too slow of an action to me. The sparks stay in the air for too long and I haven't taken a breath in what feels like hours. Snow White couldn't have done it better, she paved the way. You sleep with the enemy, you sleep with the rich, you tear your way in with a calming, sweet smile and they let you in, they always do. The match falls on the heap of limbs. 'Here comes the sun.' ~ Jade Day


DR. NIGHTMARE: Hello? Mr. Nino?

[Dr. Nightmare whistles and snaps his fingers twice]

DR. NIGHTMARE: Are you ready for the procedure?

DO: It’s not like I have a choice now do I?

DR. NIGHTMARE: You always have a choice Mr. Nino. Your very future lies within the consciousness of every decision you may or may not make. With that being said which choice do you think will effectively see that you are better off?

DO: Well neither you or I can predict the future so we might as well continue playing and see what happens.

[Dr. Nightmare chuckles]

DR. NIGHTMARE: Not bad for a young man such as yourself, Mr Nino.

DO: I try. Let us carry on with the procedure now shall we sir?

DR. NIGHTMARE: Oh, yes right. Please fill out these papers to ensure that we have your full consent to conduct any and/or all events of this procedure.

DO: How can I possibly fill out these papers if I am still restrained by this straight jacket?

DR. NIGHTMARE: Oh, how foolish of me to have forgotten.

[Dr. Nightmare then begins unbuckling Do’s straight jacket. He then removes the jacket and passes Do a check pad and a pen with multiple documents. Do then begins to sign them. Dr. Nightmare closely reviews the papers as Do is signing them]

DO: Okay, I’m done.

DR. NIGHTMARE: Great now if you’ll just initial here, here and here we will be ready to go.

[Do finishes initialing his papers and passes them back to Dr. Nightmare.]

DR. NIGHTMARE: Thank you Mr. Nino. I’ll give you a couple of minutes to relax while I run and grab my list of questions. You may talk to AnaÏs while she performs a brief blood test on you.

NURSE YUCKI: Thank you, Dr. Nightmare.

[AnaÏs blushes with a slight smile as she twists both of her knees inward. She then walks over to sit in the chair directly across from Do. She pulls out her first aid kit and opens it. She takes out a lancet, some sanitary wipes and some gauze.]

NURSE YUCKI: Hello, Mr. Nino. How are you doing today?

[Anaïs opens a pack of sanitary wipes and begins wiping Do’s right ring finger. She then ****** his finger with the lancet drawing forth small droplets of blood. Do slightly winces in pain. Anaïs then places a small test tube to the test site in which his finger was pricked in order to draw blood.]

DO: Please just call me Do. I’m doing alright I suppose. How about yourself?

NURSE YUCKI: Thank you, Do. I am doing okay though I am quite tired. I have been here since five this morning and it is now a quarter to one.

DO: I can understand how that may be ******* you. Not everyone is a morning person.

NURSE YUCKI: Yeah, you’re right. The pay is great here though so I suppose it is worth dealing with.

DO: Yeah but is that ever really enough? Is that truly all that you want?

NURSE YUCKI: No, of course not. I have dreams just like everybody else. This job exists as just an in the moment thing for me. It is a means to get me by or as most people say “a leg up” in the industry.

DO: Those times are always the most trying.

NURSE YUCKI: You can say that again.

[Anaïs eventually finishes drawing blood from Do’s finger and places a couple of pieces of gauze to it and wrapped a band-aid around it. She then pours the blood sample into a slightly bigger and wider test tube and then places a top over it placing it along with the lancet back into her first aid kit.]

DO: Those times are always the most trying.

[Anaïs laughs. Do slightly smiles in return.]

NURSE YUCKI: I didn’t mean literally silly ha ha.

DO: Hey a little humor never hurt anyone ha ha.

NURSE YUCKI: If that were the case this place would cease to be a business.

[Anaïs and Do both laughed.]

NURSE YUCKI: I don’t mean to be a creep but I think you have really pretty eyes.

[Do was an African-American man with short, curly black hair. He also had dark brown eyes with his skin being the shade of chocolate chip cookie brown. He had a goatee as well.]

DO: Thank you, Anaïs. You’re honestly a lot funnier than I thought plus you are very beautiful.

[Anaïs was a white British woman with long, jet black hair and winter blue eyes. She had fairly tan skin along with a nice figure. She also wore black lipstick and had various tattoos.

NURSE YUCKI: Thank you, Do. So do you ha—

[The door to Do’s padded cell abruptly opens.]

DR. NIGHTMARE: Okay, I’m back. Thank you for keeping my patient company Anaïs.

NURSE YUCKI: Oh, you’re welcome, Archie.

[Anaïs stomped very loudly as she walked away.]

DR. NIGHTMARE: I told that ***** I don’t like when people call me Archie in public.

DO: Well, that is your birth name is it not? Besides Anaïs is a really nice woman.

DR. NIGHTMARE: That’s like saying a ****** is a teething ring.

DO: So are you saying you have been sexless for six months or are you asexual?

DR. NIGHTMARE: Hey, who is the doctor here?

DO: I’m just saying. You may be inserting your tongue incorrectly.

[Dr. Nightmare ignores Do’s comments blushing out of embarrassment.]

DR. NIGHTMARE: Well, if you are done fooling around we can begin.

DO: Let’s do it.

DR. NIGHTMARE: Okay, Mr Nino. Your first name is Do, correct?

DO: Yes, sir.

DR. NIGHTMARE: We already know your last name so on to the next question. What is your date of birth?

DO: August 2, 1990

DR. NIGHTMARE: Ah, so you’re twenty-three years old eh?? I thought you were like sixteen.

DO: Ha ha nope but I get that a lot so it’s nothing I’m not used to.

DR. NIGHTMARE: Where are you from?

DO: Springfield, Illinois

DR. NIGHTMARE: Where were you currently living before you came here?

DO: Cordova, Tennessee

DR. NIGHTMARE: Did you like it there?

DO: No, not really. I actually hate it there and am desperate to get away from there and move to a bigger city.

DR NIGHTMARE: Oh? What for may I ask?

DO: To take advantage of more career opportunities to achieve my dreams.

DR. NIGHTMARE: I really like where your head is at kid. Who were you currently living with before you came here?

DO: My mother along with three of my siblings, niece and nephew.

DR. NIGHTMARE: Do you get along with them at all?

DO: When I want to but even then it is just a feigned interest.

DR. NIGHTMARE: Where were you working before you came to this institution?

DO: I was working as a dishwasher and prep cook at my local pancake joint and bakery. The name of the restaurant is Love 'N’ Lust.

DR. NIGHTMARE: That title sounds intriguing. What kind of food do they make there? Do they pay you well for your services?

DO: We make all kinds of foods in the shape and/or imagery of sexually provocative thought patterns. Basically we make cakes in the shapes of genitals, *******, ***, etc… We do this for breakfast, lunch and dinner around the clock. They pay me $7.25 an hour.

DR. NIGHTMARE: I got to take my girlfriend some time soon. You get paid more to do that here. I believe the maximum is $15 an hour in translation from Euro dollars to American dollars.

DO: You won’t regret it sir. There are actually some of restaurants located throughout France.

DR. NIGHTMARE: Thank you, Mr. Nino. I’ll keep that in mind.

DO: You’re welcome, sir.

DR. NIGHTMARE: Do you have any passions, Mr. Nino?

DO: Yes, I do. As a matter of fact I have two passions. They are poetry and disc jockeying.

DR. NIGHTMARE: How long have you been writing poetry and disc jockeying?

DO: I have been writing poetry since November of 2008. I am only just beginning within the disc jockeying field.

DR. NIGHTMARE: What were you like in school, Mr. Nino?

DO: I’ve been to many schools doctor. I require that you be more specific

DR. NIGHTMARE: What was life like for you in high school?

DO: Well, I never actively made the effort to socialize with anyone outside of school simply because I was disinterested. When people would take part in extracurricular activities I would just ignore them and go home. I never even went to my own prom.

DR. NIGHTMARE: And why didn’t you go to your prom?

DO: Because I never had a date nor did I have the courage to ask one of the girls out

DR. NIGHTMARE: Well, I would tell you that I understand but I have no idea what that is like. In my day I was a ****. Everybody knew me. All the girls wanted to talk to me.

DO: Yeah, you’re not helping.

DR. NIGHTMARE: Oh, I’m sorry Mr. Nino

DO: It’s alright, doctor.

DR. NIGHTMARE: Moving on, what was your life like as you were growing up?

DO: There was lots of domestic violence and unwanted sheriff visits because my mother would always feel the urge to call the police every time I voiced an opinion that she did not agree with. I have even been in physical fights with her, my father, brother, sister and grandmother. I even splashed orange juice in my grandmother's face one time because she was ******* me the *******. There was the occasional use and profiting of the most popular drug at the time by a parent because my father smoked and sold drugs. He hung out with the wrong people a lot of the times mostly people who desired to buy drugs from him. Day in and day out deep down I feel that there are still some grudges floating around. My family won’t let me move past them nor will they let me forget about them. They always like to bring them up every chance that they get. I was also expelled from middle school at the age of fourteen for tossing my gym shorts at the assistant principal when she told me to shut up while I was talking. I felt disrespected and it ****** me off. I didn’t know what else to do. I also took antidepressants at the age of sixteen for crying out loud and when I was twenty I was mugged only just one week shy of my twenty-first birthday. It was a late night and I was walking home.

DR. NIGHTMARE: Sounds like you have had a rather rough life

DO: Yeah, well my life is not as bad compared to others.

DR. NIGHTMARE: That doesn’t matter Mr. Nino. It still counts. What was the name of the antidepressant medication that you were taking for you depression?

DO: I honestly don’t remember. That was so long ago. I’m twenty-three now. I’ll be twenty-four in the summer so that was nearly eight years ago. I do remember my mother making me take medications such as Stratera and Adderall for Attention Deficit Hyper Disorder.

DR. NIGHTMARE: What is your relationship with your family like now?

DO: I only talk to them when I want or need something like most people, but other than that I steer clear of them to avoid confrontation and drama. Drama never falls short in the Nino family.

DR. NIGHTMARE: Why do you think that is, Mr. Nino?

DO: Well, it’s just that when me and my immediate family members are in the same room together I can feel a significant amount of tension, hatred and anger coursing throughout the room. It makes me feel very uncomfortable so I just leave.

DR. NIGHTMARE: What do you fear the most, Mr. Nino?

DO: Abandonment and death

DR. NIGHTMARE: All of which are very powerful and reasonable things to be in fear of. What is your attitude toward the opposite ***? What was it in childhood and later years?

DO: I always took notice of the hot girls and the unbearably **** girls. I just never made the effort to talk to them because most of them ignored me or were stuck up and thought they were higher and mightier than me. In later and considerably more recent years my patience for the opposite *** has lessened greatly with each passing day. It has gotten to the point where I hate romantic relationships leading me to believe that they are a complete waste of time. Marriages are pointless as well. I would operate just fine in a No Strings Attached, Friends With Benefits or a One Night Stand type of deal. At least with those types of relationships an emotional connection is not at all required. I like *****. End of story. I get enough emotional connection through bowel movements.

DR. NIGHTMARE: Are you ambitious, sensitive, inclined to outbursts of temper, domineering, shy, or impatient?

DO: Yes, sir. I am very ambitious. I’m a poet so there is no doubt that I am sensitive. Yes, I do tend to have short, mild outbursts concerning my temper. I get mad when people cut me off or talk over me when I am speaking. I hate when people ignore me and I hate when I try to join a conversation and everyone acts like I am not there. It’s like can’t they see that I am trying to be apart of the conversation. I mean even when I try to socialize and make friends they fail to realize it. It is all alright though. I have learned not to give a **** anymore. Honestly, it is the best way to avoid any drama in life.

DR. NIGHTMARE: What sort of people did you physically allow yourself to be around you prior to arriving at this institution? Were they impatient, bad-tempered, or affectionate?

DO: Affection was far from the equation, doctor. I was around a lot of impatient and bad-tempered people. When I speak of these people I speak mainly about my family, but also some of my co-workers as well. They drove me incredibly insane. I would often go home depressed and dreading the next work day.

DR. NIGHTMARE: How do you sleep?

DO: Most of the time I find it difficult to sleep. I frequently watch Autonomous Sensory Meridian Response or (ASMR) videos to aid in me that and so far it has worked exceedingly well.

DR. NIGHTMARE: What dreams do you have?

DO: I rarely have any happy dreams I’ll tell you that. Most of the dreams I have are of running down dark hallways, chasing shadows, jumping off of cliffs and being unexpectedly attacked by random strangers whether it be physically or verbally. I also tend to have a lot of dreams where I am screaming my head off at the people surrounding me in the dream. I even go so far as to push their heads back a little with the palm of my hand. I was really mad in those dreams. I have a lot of mildly terrifying as well as psychotically depressing dreams. I also tend to have dreams about abandonment.

DR. NIGHTMARE: What illnesses are there in your family background?

DO: Well both of my grandmas are diabetic however one of them has been deceased for six and a half years now. She was English plus she had struggled with breast cancer for years. One of my sisters has been diagnosed as bipolar. I believe I may be bipolar, but just undiagnosed. I am allergic to penicillin. Both of my little brothers have asthma. One of my brothers is allergic to peanut butter.That’s about it. My father has problems with digesting solid foods. I don’t really know all that much about the history of my family’s mental health. There was one time when my mom called the cops on me when I was sixteen. The cop although unlicensed said that he thinks I may be schizophrenic. I didn’t believe a word that he said back then, but eight years later I am now starting to realize the justness of what he said and even starting to believe it.

DR. NIGHTMARE: Have you ever had ***, Mr. Nino?

DO: No, sir. I have not. I do think about it very often though.

DR. NIGHTMARE: Do you watch any **** at all?

DO: Every night.

DR. NIGHTMARE: What kind of **** do you like to watch? Do you have any fetishes?

DO: I like to watch female bodybuilders workout in the ****, I also like to watch regular girls fool around in the **** as do most men. I also enjoy watching lesbian **** as well. My fetishes are women with muscle. I’m talking large muscle mass from the neck down. It just gets me so hot. Another fetish of mine and don’t tell anyone this, but I like to watch women take dumps in the toilet. I don’t however like actually seeing the feces. I only like to see them sitting on the toilet while doing it and hearing the sounds. I do not like seeing what is going on underneath. Other fetishes of mine include women with tattoos, tall women, and also slightly psychotic women though intelligent women.

DR. NIGHTMARE: What are you hoping to get out of these sessions and procedures?

DO: I just seek to be happy again. That is all I ask. That is all I want.

DR. NIGHTMARE: Well this concludes our interview, Mr. Nino. I will run to the lab and decipher you

There is nothing new under the sun, but it was night and the indifferent blinks of gaseous lives above looked down while my friends and I were at a new fast food joint that moved next to a now lonely Wendy's, with a faded sign tarnished by something the new fast food joint had yet to experience—mundanity by time. But I had my notebook with me while we ate outside, but it was in the car. My mind is always in that book, and I remembered something I had written for a novel in progress: 'Nothing is new under the sun. How is it possible to watch stars die? There is nothing new to their dust. We are the flies of the universes.'
It was just when I had finished my BBQ pork sandwich when Ariana suggested visiting a graveyard. I had the idea to visit a Satanist graveyard that our friend, Lanessa warned us against for the better safety of our sane souls—good luck with that. I wanted a revival of fear. How the beast would rip at the roof off our metal can of a car—the greater our barbarism, the greater our admiration and imagination—the less admiration and imagination, the greater our barbarism. But Ariana disagrees with words I never say, Nick laughs with my simple words to that previous thought. How funny it would be to burn eternal.
But then he suggested we should go to the Trussel in Conway. I had no idea or quote to think about to contribute to this idea. I wander, as I like to, into the possibility that his idea is a good one. Like some wanting hipster, I dress in an old t-shirt with of mantra long forgotten in the meaning of its cadence.
That is the march of men and women into the sea—honest, but forgetful and forgotten.
I was wearing a shirt sleeve on my head I bought from a mall-chain hippie store, and exercise shorts, finished off with skele-toes shoes. I was ready for everything and nothing at the same time. And that fits, I suppose. But all that does matter—and doesn't, but it is hard as hell to read the mind of a reader—it's like having a lover, but s/he doesn't know what s/he wants from you—selfish *******.
But there I was,  on the road, laughing in the back seat, sitting next to a girl who was tired, but also out of place. I could see she wanted to close arms of another, the voice of another, the truth that sits next to her while watching tv every time she comes over to hang with him, but never accepts that truth. She is a liar, but only to herself. How can she live with that? The world may never know.
The simple rides into things you've never done before give some of the greatest insight you could imagine, but only on the simple things that come full circle later. That is a mantra you can't print on a t-shirt, but if it ever is, I'm copyrighting it. And if it's not possible, I'll make it possible!
When we got to the Trussel, the scenic path lit by ornamented lamps seemed tame once I stepped onto the old railroad tracks. They were rusted and bruised by the once crushing value of trains rolling across it's once sturdy structure. Now they were old, charred by the night, and more than just some abandoned railroad bridge—the Trussel was a camouflage symbol birthed by the moment I looked into a Garfish's eye as it nibbled on my cork while I was on a fishing trip with my granddad when I was eleven. I remember that moment so well as the pale, olive green eye looked at me with a sort of seething iron imprint—I needed that fear, it branded instead of whispering that knowledge into my ears.
That moment epitomizes my fear of heights over water—what lies beneath to rip, restrain, devour, impale, and or distract me.
But epitomize is a horrible word. It reeks of undeveloped understanding. Yet  I want a nimble connection with something as great as being remembered—a breathe of air and the ideas  thought by my younger self, but I will never see or remember what I thought about when I was that young—only the summary of my acts and words. And by that nothing has changed—am I too afraid to say what I need to say? Too afraid to hear what everyone else hears? Or is it the truth—depravity of depravities that has no idea of its potential, so I am tired of the words that describe my shortcomings and unextended gasping hope. I am tired of living in the land of Gatsby Syndrome waiting for Takotsubo Cardiomyopathy!
But when we got to where the Trussel actually began I felt the fear hit like the day it was born—all hope was drained, and I was okay with abandoning all aspirations of having fun and being myself in the face of public criticism. I was flushed out by the weasel in my belly—the ******* beneath those still waters. I compare it to someone being able to handle Waterboarding, but can't handle being insulted—it's that kind of pathetic.
I stood just on the last understandably steady railroad ties that I knew were safe and watched my friends sit off the edge of the bridge, taking in the cold wonder of the night, and I was told at least I was smarter than my dead cousin who managed to get on top of his high school in the middle of the night, but had to be cohearsed down for fifteen minutes by a future marine, and future mourner who still grieves with a smile on his face.
The future mourner, he laughs at the times he insulted, or made fun of, or chilled with his now dead friend. It's never the bad times he cries about, there are none—just the good times, because they don't make them like they used to.
I watched them in that moment, and I don't know if I can deal with knowing my life is real. I began to blame my morality on this fear even though I already justified the fear just seconds before. But as I write this, I look over my notes and see something I wrote a few days ago: 'Life is ******* with  us right now. You laugh and I laugh, but we're still getting ******. The demon's in our face.'
As morbid as that comes off, it resonates some truth—what is killing us is going to **** us no matter what we do—and I don't want to be epitomized by the acts and words I didn't say.
I was never in the moment as a kid—I was raised by by old people and kept back by my younger siblings. The experienced tried to teach me wisdom, and the inexperienced kept my imagination locked in time. I don't want to go home as much now because I see that the inexperienced are becoming wiser everyday and the experienced are dying before my eyes. My idea of things is enduring leprosy.
But back to the simple moments.
Ariana saw a playground as she stood up and investigated the Trussel. It was next to the river, behind the church, fenced off by the fellowship of the church to keep the young ones in and the troublesome out. Of course, we didn't realize there was a gate and it was locked until Nick stated the probable obvious within ten feet of the nostalgic playground. And that's when Ariana pointed out the bugs swarming the parking lot outdoor lamp that blazed the fleshiness of our presences into dense shadows and more than likely caught the eye of a suspicious driver in a truck passing by. But I was still on the bridge—back in the past, never the moment. Me and my friends are still children inside these ***** forms. I muttered to myself: “Life ain't about baby steps.”
Nick looked over and asked what I said. I turned around, dramatic, like I always like to and repeated louder this time, “Life ain't about baby steps.”
He asked if I needed to do this alone, and I said he could come along. I walked rhythmically across the railroad ties, and heard Ariana comment that getting to the railroad up the small, steep hill was like being in the Marines. I laughed sarcastically. Nick and I had been to Parris Island before, and I know they test your possible fears, but they beat the living **** out of them.
I casually walk into the room where my fear lives and tell it to get the **** out.
When I reached the precipice of the last railroad tie I stood on before, I felt the old remind me that death awaited me, but there was no epic soundtrack or incredible action scene where I stab a manifestation of my fear in heart—a bit fun it might have been, but not the truth. I bear-crawled over the crossings of the ties and the structure of the bridge itself. I felt Relowatiphsy—an open-minded apathy self-made philosophical term—take over me. It is much simpler than it sounds.
There was no cold wonder as I imagined. There was just a bleak mirror of water below, a stiff curtain of trees that shadowed it, and the curiosity of what lies in the dark continuing distance past the Trussel.
Nick sat with me and we talked about women and fear, or at least I did, and I hoped he felt what I did—there was a force there that is nabbed by everyone, but cherished by few—courage. And I thank him for it, but I know I did it. Now I want to go and jump in that still water below—Ariana later says she's happy I got over my fear, but I'll probably have a harder time during the day when I can see what I'm facing, but I see it differently. During the day, the demons are stone and far away—like looking down the barrels of a double-barreled shotgun uncocked and unloaded, but at night is when the chamber is full and ready to go, and you have no idea who is holding the gun with their finger on the trigger and your destination in mind.
Then we threw rocks into the water in contest to see who could throw past the moonlight into the shadowy distance . I aimed for the water marker, and got the closest with limited footing, using just my arm strength. But it wasn't long before we had to leave, making fun of people who do cooler things than us, on the way to the car. I had to ride in the back seat again because I forgot to call shotgun. But on the way home, the idea popped in our heads what we should get my hooka and go to Broadway, and get the materials so we could smoke on the beach.
Nick's girlfriend and her friend joined us.
I missed a few puns against my co-worker as I was sent to get free water from the candy store where I work. I ended up doing a chore because I was taller than most of the people there. Appropriate enough, it was filling the water bottles up in the refrigerator.
All the while I loathed the fact that I would have to be clocked in tomorrow by two in the afternoon. I grabbed the water and got out of there as fast as possible without appearing to be in a hurry.
Impression of caring matters more than the actuality where I work—and yes, that makes me a miserable ****.
Perhaps it's not too late to admit I am recovering pyromaniac from my childhood and the flavoring we use for the taffy is extremely flammable. It would be a shame to drench the store in what people love to smell everyday when they walk in, and light the gas stove. Then, maybe I could walk away real cool-like as this pimple in this tourist acne town pops like the Hindenburg. The impression of splendor is like a phoenix—it grows old, dies, resurrects into the same, but apparently different form, spreads it's wings, and eats and ***** on everything simple, or presumably so.
I forget the name of the beach, but it was the best time I've had in a while. I was whimsy, and high on the vastness of the stretch of beach around us. They could bury us here. But me in particular. I rolled from the middle of the beach to the water, stood in the waves and shouted my phrase I coined when I realize something as wonderful as conquering a fear or realizing a dream;
--******' off!
And I stared at the horizon. My friends came up behind me and I looked back to see it was Nick and his girlfriend hugging. I gave a soft smile, put my hands in my pocket, and turned back to stare at the clouded horizon. What beasts must lie out there—more ferocious than the simple fresh water beings that wait beneath the earlier placid waters. I was a fool to think that was the worst. Nick said as I pondered all that, that I looked like Gatsby, and I tried to give him a smile that you may only see once in a lifetime, but I'm sure it failed.
I wanted to tell him that, “You cannot make me happy. It is usually the people who have no intention of making me happy that makes me smile the quickest.” But I don't. Let me be Gatsby, or Fitzgerald, if to no one else, but myself.

Hell is the deterioration of all that matters, and as the five of us sat around the hooka, and inhaled the thick blueberry flavored smoke that hinted at the taste of the Blueberry flavoring I use to make Blueberry taffy, there was a satirical realization that the coal used to activate the tobacco and flavor in the bowl is sparking like a firework, and reminds us all of where we're going.
It's a love affair between that hopelessness and hope of some destination we've only read about, but never seen.
By this point Nick and I are covered in sand, because he joined me in fun of rolling down the beach. We want so bad to be Daoists—nonchalant to the oblivion as we sit in. Just on the rifts of the tide, he and I scooped handfuls of wet sand, and I lost my fear of making sense and let Relowatiphsy take over again.
“Look at the sand in your hands. It can be molded to the shapes your hands make. We scoop it out of the surf and it falls through our fingers. There are things we're afraid of out there, and we sit just out reach of them, but within the grasp of their impressions. The sand falls through our fingers, and it plops into the tide, sending back up drops of water to hit our hands—the molders of our lives.” I said all that in hope against the hopelessness of being forgotten.
Then he said, “What if this is life? Not just the metaphor, but the act of holding sand in our hands.
I relish in his idea of wiping away my fear of an unimportant life. And by this point, it's safe to assume I live to relish ideas.

The last bit of sand from the last handful of sand was washed from my hand and I looked back at the clouded horizon, pitch black with frightful clouds and said:
“Nick, if I don't become a writer. If I live a life where I just convince myself everything's fine, and that dream will come true after I finish all the practical prep I 'must' do. I will **** myself.
I looked at him, Relowatiphsy in my heart, and he said:
“As a friend, I'd be sad, but I'd understand. But that means you have to literally fight for your life now—regardlessly.”
And he left me with those words. Just the same as my granddad left me a serious heed before he wanted to talk about something more cheerful, when I asked about his glory days fishing the Great *** Dee River. He said: “I wish I'd been here before the white man polluted the river. It would've been something to fish this water then”, then he paused to catch his breath, “Guess there are some things that stay, and others than go.” Then joy returned, as it always does.

But the idea of what was happening to me didn't hit me until we were a few miles away from the beach, covered in sand, but the potential of the night after conquering my fear of heights over water had been shed in the ocean.
Around midnight, when the headache from the cheap hooka smoke wore off and the mystic veil of the clouds over the horizon has been closed in by the condensation on the windows of some Waffle House in Myrtle Beach. There was a wave of seriousness that broke over my imagination. Works calls for me tomorrow by two.
There's not much vacationing when you live in a vacation town.
And midnight—the witching hour—spooks away the posers too afraid to commit to rage against the fear.
But there are others—college students that walk in and complain about the temperature of the eating establishment, and the lack of ashtrays—how they must be thinking of dining and dashing—running from a box, but forever locked in it.

They make annoying music as I write this. That is how they deal with the inevitable death of the night. They bruise the air I breathe with love and faith and trust with no meaning—without even meaning it. But what do they know what I didn’t feel when I sat on that bridge or cowered on the fringes of the ocean? Their hands aren’t ***** like mine—their confidence does not seem fractured by these words that will never reach them, or their kids, or grandkids.
As day begins to move, I know I work at two and will be home by midnight again. The witching hour—where some stay and others go.

She stood up against the wooden bar lit by a stale football field that shined florescent green and highlighted polyester blue like a muse of Van Gogh or Galileo. Her hair ran down the nape of her neck like a ****** waterfall and the light of the bar highlighted her sphinx like eyes as she turned and caught his eye. He stood at a small table away from the main bar with a couple of friends who were telling stories of their old college days and he, half-listening, quickly looked away, faking to scratch his eye, for he knew he had been caught looking at the back of her and she, with her women's intuition of being observed and knowing this, kept looking and he knowing the only way not to show he had been caught was to look away quickly and very obviously; like a bad actor caught dumb and silent, clueless of their next line. They blushed and shared the heat of embarrassment in their cheeks with the sounds of worn dollar bills slapping hard against the smooth wood of the bar, the bar man eyeing it angrily as cigarette smoke surrounded them and slowly drifted up like a lost soul toward the ceiling and the piano man, eyes tight shut played for everyone there when no-one cared to listen, all underneath the dim light of the bar as they strained to look away from one another, trying to find something they could put their focus upon, but, at the same time, wanting very much to look back and have their eyes meet by mistake all over again.

He focused on the design of the bathroom placards that were in the right corner of the tiny bar where you had to turn sideways and touch shoulder's with every soul inside just to get a drink. He feigned interest in the bronze design of the men's bathroom: a tiny boy looking down at his pecker as he ****** a 1/2 inch thick stream into what the man gathered to be a sunflower ***. The boy was thrusting his hips forward, both of his hands on his side, and he showed no smile, no grin of satisfaction or victory, just a stark, blank face, as if he were thinking "I am peeing in this ***. That is all." The women's bathroom sign was of a young girl with the same kind of *** the boy had been ******* in, but it was missing the sunflower and was replaced by the *** of the girl. She stared up into the sky and into the ceiling lights and was dramatically reaching for a butterfly or bird - he couldn't make out which - something with wings and made him think of a basic metaphor that this poor little girl just wants to get off the *** and be free like the birds and butterflies and clouds in the wide blue sky.

She focused on the man's shoes. She looked at the black shine and the pristine black shoe laces, all looking like everything had just been purchased that day. "There is not a single scuff on them and the way this man cuffs his pants only a single turn," she thought to herself, "Tells me he has something of a style on him". Not so run of the mill. Something special. Something of interest.* But then, she was annoyed by the cuff of the pants because she remembered that was what all the schoolboys in her prep school would do when the day was rainy or the boys rode their bikes home from school or they were nerds. The memory immediately turned her off of the man all together, but luckily, she put her gaze back on the jet-black, seemingly un-touched leather that told her success, class, and security.

The man heard a loud Cheer's!" from his table, abruptly bringing him out of his distraction. He was forced to turn and as he did, he made sure not to look up. He kept his eyes on the table and looked for the half-full beer with the worn Budweiser coaster underneath it. He could see from the his top periphery that she was still facing him but she was looking down at something toward the floor. He fumbled with his large hands for his glass and panned his eyes up slightly. The woman, seeing the movement at the table, looked up. She stared back to where she had first caught him looking at her and waited. The man felt her looking at him and in the same instant, saw the faded Budweiser coaster and reached for his beer. He picked the glass up and as the second Cheer! was yelled, he clashed his glass against all the others, all the while keeping his head not toward his friend's faces, but turned in the direction of the bar toward the girl. He smiled at her as he lowered his glass, not taking a drink. His friend slapped him on the back and told him," You gotta' drink after the cheers or its bad luck," and so he did, still staring dumbly at her as he did. She nodded at him with a self-conscious and embarrassed grin, raised her nearly gone low-ball glass of gin and tonic and tipped it toward him and turned around to face the bar.

"I"ll stand here and wait for him to come up to me," she thought, "And if he doesn't the man is a coward and a louse and not worth my time. I have looked twice now and there is some rule in some magazine that I read somewhere, that if you look twice at a man that it is sign, not a coincidence. No, it has a purpose and though I barely know what reason I want this man to look at me other then to get a drink out of him and maybe some conversation, I am certain I have looked twice, maybe even three times. Yes. I have looked at him and I have made my interest known and now I must wait for him to either come or stay with his drunken friends. They look like frat boys cheering like that. They look like drunken, silly frat boys that wouldn't know the first thing about chivalry. Hell, they probably couldn't even spell the ****** word." She laughed under her breath and smiled maliciously to herself and caught her own reflection in the mirror and, for an moment, wanted to quickly look away. Her face did not frighten her, for she was a beautiful woman, not her skin, which was milky white with the faintest and gentlest dash of rouge on each cheek, nor her chocolate colored curls that bounded like boulder's down a hillside. She turned away from a look upon her eye she had not seen or had recognized in a very long time. Her eyes were frightened.

"Frightened?" she wondered.

The man put his beer glass on the table on top of the coaster. The foam rested at the bottom of the cup like the thin layer of ice that blows over a frozen lake, barely there at all passing with the wind. He stared at her back and liked how she leaned on her right hip and put the toe of her left high-heel to the ground, rocking the nose of the shoe back and forth like she was thinking about something playfully frivolous. Behind him, the noise of his friends became a hollow echo, drowned out by the draw of this woman. She swung her left heel back and forth like a pendulum trying to hypnotize him. Someone touched his shoulder but he shrugged the hand away as in this echo chamber he could only hear the music change tracks on the juke box. The song had changed to an old Ottis Redding song and there was nothing else in the world that he wanted to listen to in that moment. As he watched her, leaning into the bar seemingly all alone, no boyfriend or girlfriend in sight, he saw her raise her glass to the barman and knew she had something by the gentle nod of the back of her head. He then saw her point with her left finger and tap the rim of the glass. Her drink was empty. She wanted another drink. He would buy her another drink.

"There is nothing in this world that a man is more responsible for than getting a woman like this a drink," he nodded, thinking to himself and trying to pick up his courage,"One that plays with my heart like a kitten would a spool of yarn, and yet also like a vulture who would peck out the eyes of a dead man in the desert. This is nothing more then that obligation. A rule passed down from man to man, from age to age, where chivalry was not for the base reason to lay with the woman, but to honor them, praise them lightly as the rain from a heavy mist and show them to the pedestal every woman, whether they wish to admit it or not, do wish for, sincerely do at least once in there life." He readjusted his belt and realigned his shirt that had gotten crooked after the celebratory cheer and thought some more,"I'm not going to do that here, this pedestal stuff. This is more like a step toward that pedestal. Yes. A step toward the shrine she wants to trust she deserves and will one day end up on. And this shrine is all cast and painted in the blurry french film noir of dream, is it not? Aren't dreams the only thing we hope to one day come true? How often - when and if they do come true - they can sometimes disappoint and eventually turn sour like a bad orange. I hope she is drinking and that wasn't just a tonic water. If this woman doesn't drink I don't think any of this will be worth anything at all."

She stood there serene and angelic, the hand that held her drink now resting on the base of the bar. Behind the man, he heard the chatter of his friends and the drone of football scores and player updates coming from the ten or more televisions that hung from the ceiling. Someone reached out to touch his shoulder but missed him as he left the table. His name then echoed behind him but soon the sound evaporated as dew does that rests on blades of grass in a summer morning to a summer afternoon. There was only her and her smell that had drifted to his table and shrouded him with the scent of white chocolate and smoke and her delicate, porcelain hand that had held up the drink shyly but not weakly, in passing demand without that demanding quality drunk people can get like at bars sometimes. He approached her, hovered behind her, but she did not turn, and then came up to the bar to lean into. He did not turn to look at her, though he wanted to very badly, but looked down at her low-ball glass with two half-melted ice cubes and a used lime. The smell of gin came from the glass and the man smiled to himself and put his hand up to signal the bartender.

"If this man orders his drink first and walks back to that table with all of his drunken friends, I am giving up men all together," the woman thought to herself," * Tonight and forever! If he can put his hand up and not even turn to look at me, as I was doing, I thought, to be very flirtatious but gentle, then I see no reason at all to keep going with men. They are barbarians that only want to eat, drink, sleep, and fornicate with women that are easy and provide no real challenge at all in their life. If he wants it easy, he can have it as easy as he wants, but not with me. No sir. Not with me ever. Not with me for a night, an hour, a minute, or even a second."

The bartender, a stout slightly overweight man that was a little over forty with streaks of grey in his thin, short-cut hair, looking very much like he should be home reading with a nice cup of tea by his side rather than in the bar serving drinks to stranger's, approached the man and asked him what he would like.

"Two gin and tonics please," the man said, "With a slice of lime and four ice-cubes in each."

"And what kind of gin, sir?"

The man turned to the woman, "What label do you drink?" he asked.

"Pardon me?" she stuttered startled, her eyebrows raised.

"Your drinking gin, aren't you?" He nodded his head toward the woman's empty glass. The tiny lines of transparent lime skin floated on top of the water that had gathered from the melting ice-cubes.

"Yes, I am. I was just about to order."

"I'll get this round and you'll get the next one."

"Any gin is fine."

The man turned to the bartender," Tanqueray, please bartender."

He nodded and went to make the drinks.

"Your very perceptive," the woman said as she turned to face him.

"I try."

"I saw you from across the bar, but was afraid to walk up to your table for fear of getting ambushed by all of your friends. Those are your friends, right?"

"Yes," he nodded as he looked over his shoulder at them, "Old college friends all with old stories of college that, truthfully, bring me little or no joy to even hear."

"Then why come at all?" she asked, "You seem smart enough to know that if you meet up with old anything, you'll be hearing about the old times all night."

"I was forced to come."

"Someone getting divorced?"

"No," he laughed, "The opposite. Married."

"Well, I hope it's not you or this would look very bad if your fiance walked in."

"And why's that?"

She clicked her tongue and turned to look at the shelves stocked with every kind of liquor. The bottles reflected the soft orange glow of the lights that circled the bar and the colors of the television screens. The man continued to look at the woman who had turned her back on him and caught their reflection in a bottle of Jack Daniel's. He waited for a response, but she stood there silent, knowing she was playing with him. Behind him, his friends were growing louder and a tray of shots had found its way to their table. The waitress who had brought the drinks, polite and with a smile, asked them to try and keep it down. They shouted "YES'S and screamed "YEAH'S" with moronic smiles on their faces, their heads nodding up and down like a dog playing fetch. The waitress giggled a thank and walked away shaking her head with disgust when she was out of sight.

"Well," she said,"You did just order two gin and tonics and I think if your fiance walked in with you chatting with me with the same drink in both of our hands, I think she would be a little upset. I know I would be."

"Perhaps we could act like we are old grammar school friends and just happened to run into one another?"

"Well, that would be a lie."

"Yes, that would be a lie."

"Which would mean we were hiding something from said wife."

"And what would that be?"

"That you approached me after I looked at you, perhaps the look from me wasn't flirtatious, maybe I thought you looked familiar, like I had seen you somewhere, and you came up to me and ordered me a drink and started a conversation with me, much like we are doing right now."

"What's wrong with conversation?" The bartender approached them and placed the two drinks in front of the man. The man took out his wallet without losing his gaze on the woman, took out a twenty and slid it toward the bartender. The bartender took the twenty, paused for a moment to see if the man wanted any change, but left when he saw he didn't want any by not moving.

"Conversation can lead to very dangerous things," the woman said playfully and wise.

"Your here by yourself and your not stupid; someone is going to come up to talk to you."

"And your that somebody?"

"I'm sure I'm not the first one tonight."

"Your sweet."

"I try," he said as he slid the drink over to here,"Your drink."

"What should we drink too?" She asked and raised her glass, the light above them reflecting in the ice-cubes and thick glass of the high-ball.

"Conversation," he said proudly and with a smile, "And the danger that it brings."

They clinked their glasses together, their eyes never leaving one another, and they both took a long drink.

"I'm not here with anybody and I'm not expecting anybody tonight either," the woman said.

"What's your name?"

"Why?"

"I want to be able to tell my friends I met a very interesting woman, but they won't believe me if I don't give them a name."

"I'm standing right here, silly. Go and tell them you met the most interesting woman in your entire life, look over at me when they ask you what my name is, then point over to me and I'll wave."

"You'll be here?"

"I'll be here."

"Promise?"

"Go, go, go," she repeated, pushing him back toward his table, "You bought me a drink, didn't you? The least I can do is wave to your drunken college friends."

The man walked back to his table, glancing quickly over his shoulder, trying to hide it, before he reached the table. He arrived to all of them drunk, beer spilt on the table and an ashtray full of punched out cigarettes and ground up cigars. Every one of them were rocking back and forth with each other, their arms sloppily hung around their neighbor's shoulders, their eyes blood shot with their mouth half-cracked open barely breathing in the smoky, beer smelling air. The man struggled to wedge his way into the circle, and when he did, he tried to get the groups attention by screaming an

Let’s say zero to ***/AIDS.
We are about, let's unite and fight ***/AIDS.
Let's play a role in fighting ***/AIDS.
We are about, let's unite and say zero to ***/AIDS.
Be PrEP before ***.
It is no longer time to point fingers.
The cruel ocean of the past is now becoming safe.
PrEP, ABC we are about, no more time to point fingers.

Ask the internet about PrEP to get more;
Go to your nearest clinic to know more.
Let’s all drink, oooh, oooh!
Let's all drink wooh wooh!
Let’s remove that stigma, let’s all drink!
Wooh wooh oooh oooh lets all drink!

Written By: The Senior 11/11/2019