to the young privateer.
the captain kidd & his bought n’ taut gang of holy bluffs.
they bribe and imbibe and swoon on the dock-way looking for a quest or two or three
to dream and bury their doubloons in island guts like little mysteries. little sundowns
over a rixdollar indian ocean.
let them take a turn.
destined to mutate from private to pirate, the kidd, like blackened rotten wood.
******* frigates.

the ship:
with her bob and sway. she is, the adventure.
& her song is calling out for a rapturous few,
for men ready to die on the highwater mark by glory or fire or dead glorious sun.
so they put her brass and bough to seafaring days,
the sweet galleon, barely wet, yet
completely riffed to voyage.
she is
from the shores of london. built. designed to kick 14 knots under a full sail blast.
& she will bite.

she’s in calm waters.
the kidd savvy toothed and butterscotched, he awaits the big show,
engorged to set forth the play like wily ocean dervish &
they do.
they do proceed with benefactors coined and crunched on postulations of pirate death &
pirate gold. reclaimed honor as they say. the hunt for pirate teeth.

& with official pass and parchment, high-throne approved,
king ***** III stamp & sealed,
this voyage is.
this voyage is and forever was, hereby charted, to recover said stolen goods.
to reclaim thy warrior vanity &/or vengeance.
to noble this **** with pinched loaf, like now.
set sail. now.
1696.

“**** them navy yachts at greenwich, the thames be ours, boys.”
slap *** and flick thumb toward those armada sons,
& as tribute
smoke balsam herbs on the starboard side for the mother she and the father be.
but for this slight,
this dishonorable silly ****,
one third of adventure’s men are pressed into service of the crown.

[continue.]

the adventuresome few, petty crew and crows.
steal the heart and mother-meat of a french ship. steal everything onboard.
steal the ship itself.
& on her way to new york, new boon, pure and entered into the new world.  
there are new men bought in the american port,
good men and odd men of long criminal legacy.
a small black vicious quartermaster. he’ll do.
a murderous preacher gripped by stars and celestial patterns. he speaks spanish. he’ll do.
another type of holy man and a wild drinker too, embattled by demons on the port side. sure.
plus the dock-boys destined to **** for fruits of exploration.
this is the way of the son of a gun.

the boatmen jockeyed. she is
the adventure
prancing the vertebrae of atlantic and beyond. cape of good hope, she
breathes easy out here on the wide tide and float.
out here on the vast blue this. she
evolves
out here. loves out here.

pirates.
the hunt for pirates or the lack thereof. she leaks.
she rasps into the years on. and on.
the kaleidoscope hallucinations of sun and moon, sun and moon, and moon and sun
forever.
the strait of bab-el-mandeb.
& there
she plunges into darkness, into the stars seen from and through a periscope formed
by ancient hominid lineage.
seen but untouched,
in dreams. the kidd, reluctantly lime, admits to his madness.
madagascar.

malaria and cholera and hell break the boat by the throat.
& thrash.
to be organic is to be ruled by a shadow, or entropy.
the mouth of a red sea.
one third of the men will die here.
simply as insects crushed and brushed off deck and into to her great spate of agua,
the mother gush.
her earth.
body.
father,
hear his whispers in the mirage.
the ancient mariner, the ancient holy ghost riming down there.

in destitution.
in a rough and soggy life squeezed and making men weird or violent or both be ******.
the kidd goes cold to hot sweating noxious.
turns pirate himself
out of sheer hunger.
out of sheer need to eat.
sets the boys like dogs upon a frigate of east india company men,
or french *****. either/or/or/either/or.
he & the boys are in a madness swirl of sun and heavy guts.
cuts to spill blood
or gold. this tender bit.
lip bit
& tested.

captain kidd fractures the skull of a deckhand named moore,
for bad attitude and giggles. moore gets death.
chisel on the deck.
& to think we are all troubled by some primal trauma.
some dumb thing called death, that is.
men starving, men dying, men falling in the vast black that is that eternal void.
dream of women and riches in the meantime.
fortunes.
1698.

savage kidd, cool kidd, cool spit
off the edge. to think of the once soulful idea of these paradise days
& trip.
savage to cool.
the two divine modes of a survived man.
a ghoul man, or aging man.
& to keep control of his crew kidd sets them upon the quedagh merchant;
a 400 ton armenian hulk chalk full of gold, silver, satins, and muslin. ‘tis *****.
renames her: the adventure prize.

madness quenched for now.
charmed for now
& on the horizon are fragrant times. blissful distance.
but robert culliford,
with his mocha frigate. this man, this suave pirate lord, his vengeance act.
he had stolen kidd’s ship years back, &
the captain opts to cut his throat.
take the mocha.
keep calm & carry on.
to paradise.
to dream of her cool warm beaches and fruit forever, peacefully thinking.
so that night they two drink together in good health, and in the morning
most of the men defect to this other man, this other ship, culliford.
other dream,
other captain of true buccaneer effect.
act 3:

13 remain in the galley firm.
this is the house adventure.
& she is burnt alive three days later for rot and ill repair.
but she was fun,
& a *****.
a stitch of old woodwork given-in
& crackling with the eyes of her crew seen in fire.

kidd steps the pond to caribbean times with the adventure prize, toad toxins
& high on the jungled shore.
he trades that colossus, flips her for a sloop and seven little chests of gold.
little bellies.
the island-gut doubloons to bury.
dream, remember?

but the men-of-war are after him now. the privateers & hunters & devil’s dogs.
the men he once was.
men of marked death.
& he is now some pirate, some forthright bandit
settled to **** or be killed.
some sad kid.

first: buries that treasure up the coast of america.
oak island rig.
cherry rocks of the maine bank and *****-trapped pit.
the hunted.
they catch him on an inlet ****, and sail back
to london to be tried for crimes against the crown.
the high court of admirality.
1701.

they hoist and gibbet his body with worn chains above the river.
not for piracy, but for ******.
the ****** of that strange deckhand moore and his giggle.
kidd’s bones
suspended there for three or more years at the mouth of the thames,
as warning
to the perverse travails of a criminal lifestyle on the highwater pond.

1622

A Sloop of Amber slips away
Upon an Ether Sea,
And wrecks in Peace a Purple Tar,
The Son of Ecstasy—

I will tell you what he told me
in the years just after the war
as we then called
the second world war

don't lose your arrogance yet he said
you can do that when you're older
lose it too soon and you may
merely replace it with vanity

just one time he suggested
changing the usual order
of the same words in a line of verse
why point out a thing twice

he suggested I pray to the Muse
get down on my knees and pray
right there in the corner and he
said he meant it literally

it was in the days before the beard
and the drink but he was deep
in tides of his own through which he sailed
chin sideways and head tilted like a tacking sloop

he was far older than the dates allowed for
much older than I was he was in his thirties
he snapped down his nose with an accent
I think he had affected in England

as for publishing he advised me
to paper my wall with rejection slips
his lips and the bones of his long fingers trembled
with the vehemence of his views about poetry

he said the great presence
that permitted everything and transmuted it
in poetry was passion
passion was genius and he praised movement and invention

I had hardly begun to read
I asked how can you ever be sure
that what you write is really
any good at all and he said you can't

you can't you can never be sure
you die without knowing
whether anything you wrote was any good
if you have to be sure don't write

Down the deer path, thick with ****,
to every hard to find
creek bank in the world,
there's a busted dinghy,
a forgotten sloop dream,
with a mudstuck sprung transom,
a sky beckoning bow,
tied to a cattail or some other
tenuous stem.

Down the deer path, thick with ****,
the willows, reefed in a gale,
cringe in the rising crest,
and a busted dinghy
lifts on a swell and bellows
against the cleat to slide clean
to the sea, to a young boy's
landlocked dream of spray,
hard weathers and anywhere
but here night-watches.

All the colors of elsewhere,
the splendid regatta of the never-seen,
the gleaming spice and bent strange
tongues of the could have been - mold,
dip and sigh, lift and strain,
again and again,
upon a cleat,
upon a rope,
upon a cattail
or some other
tenuous
stem.

Now moored in the dark bays
My ship in the dark days
Sailed light in the wild seas.

The fresh winds that blew in
off the keys
paid no fees nor no duties
those beauties were wild.

We.
In the child that is time
got drunk on cheap whiskey
and drank even more wine.
And sailed on.

We.
were the gone in 'begone with you'
a Devils brew of a troupe
on a sloop with no flag.

Dragging my heels a bit
in a suit of the age
that cannot fit.
It's not cut for this jib
Which is even more of a fib
that is scratched in the journal with ink and with nib.

Here I tie up and stay in the bay of my birth
My final berth and it's fitting
that in this bay where I sit on the sloop
that the loop of my life keeps on playing,
relaying those wild crazy times in 'the Carolines'
or on the 'Main'
Standing, 'man on the wheel'
life is just one big reel
Always one more destination
Just one more salutation
then I go.

I still feel you
in my heart.
what wrath visited on me,
perhaps I see in your eyes sorrow
the green sea swells with life
the lone seagull cuts
the air,
scanning the waves
which belch and break
on the gray shore.
a fisherman thinks
drowned by the white noise
his rod cast aimlessly
he considers tossing off his
anchor and crashing headlong
into the rocks,
****** underneath
legs shattered as hes dragged
along the bottom,
his thick blood like oil
curls in clouds around him
his lungs burn
he screams and isn't heard
hurt but not forgotten
he drags his sloop ashore,
snaps his rod in half and casts it into
the foam.
fishing makes for terrible metaphors,
he thinks.
the seagull screams in reply.

A storm is raging on the frothy sea
Mountainous waves toss the vessel all around
The ravaging gales impale with a deafening blow
Raucous sheets of salty spray
soak and pelter             to and fro

A bucket bails the raged sloop
She moans and groans as she’s flung about
A sailor sails ― A sailor endlessly bails
Engulfed alone in the perfect storm

Two oars are manned on the stormy seas
The halyard torn and ripped from mast
To row and bail is an impossible feat
It’s hard to tell when you've sprung a fateful leak

The captain mans the forlorn skiff
There'll be No white flag of surrender flown ;
   " I will go down with my ship! "
  A furious soul             laments life’s toil
As violent waves crash the gunnels hold

He screamed out loud,    
         " My time has come ! "
                  " My ship is sinking!!! "
" Her broken pieces ne'er to be found ..."

The rampart boat, well fortified yet built to fail
Plummets from hills of oceans pitifully tall

Cracks are leaking where the lurid light gets in
But so does the briny water, will drowning soon begin?
Lost hope floats the helpless, fearless one man crew
His soul now guides the ether voyage ―


A vessel drifts lifeless on the empty calming sea
Nothing but it can be seen for miles of skies
The free board is deep the salty water high
Two apathetic oars lay silent, is a lost soul inside?


                     ©  Harlon Rivers