She loves the feel of good words
And I am full of them tonight.

Introduction
I stroll through green fields and realise I am home.
I bump against soft sandalwood: a fence –
And hang my head and weep

For Ginsberg, Whitman, and all the other cats clawing for tender acceptance
Strolling through ashen fields in rainbow night
Tugging on tender trestles of old mother crop of hair south
Casting to sky thine eye as black and white lights
Of rainbow night do fizzle and pop and – Oops!
Great incomparable fusion atom generator on the fritz
Once more the Centre of Cosmos choking and clouded with splutter.
As thine eye doth dissolve and revolve and resolve and see, from vantage point on high:
O Hell! O Eternal abyss of Chiaro-night, I am surrounded!
Thy Holy field lies cut and sliced by old tree corpses – lined up in terrible order by tender hand imbued
Thou might turn and run and screech impaled or *whisp inhaled by gasping trees, by dying trees, by dead trees who breathe.
And spat upon the lawn whence thou were born,
No matter the crop nor scenery.

Squint scurried.
From rooftop to rooftop,
He skipped and he flipped as he
Scrambled amongst the tiles,
The blur of slate was his domain,
As, through the haze of reckless speed,
The slowly revolving City
Did imprint upon his vision.
So that as his sly lids descended
Its outline he admired;
Its screaming centre he desired.

In the end even Squint cannot run forever.
So he will slow, and shade his eyes,
Catch his breath and gaze and sigh.

And when he’s had his fill of the sights and the smog.
Down he slides amongst the pipes
Of better folk; of harder folk,
Of those with Proper Names
Like ‘Welder’ and ‘Melder’
And ‘Roland’ and ‘Fairer’.
Names that came after a ‘Mr’,
A ‘Lord’ or a ‘Sister’.
Names that one Day he would have for his Own.
For in the Glass City, Names were always changin’ hands.

Squint.
Not much of a Name,
Even for one so young as he
It would seem he would deserve
A Name of much more worth
Than simple, humble ‘Squint’.

But Squint lived up to his Name.
He may look young and full of fun,
But crouch on a wall and you might just
Be appalled to see that not a moment after
Squint is left alone, his eyes will glitter.
And if any Man’s flesh could ever express such malicious scheming,
It was the writhing face of our humble Squint,
Once his eyeballs set to gleaming.

Oh, elegant verse-*
As one might stumble upon
Some striking thought or connection;
A comet fallen, burning hot as it strikes,
But cooling with each passing second.

As one stands transfixed,
Aware with every fibre that this cannot last for long,
It is you that captures the greatest of these moments.

For with the words that spring to mind
And twirl and morph and stick,
The meaning may change but
Burn bright still.

Reproduced to new form in every mind
That stumbles through the lines,
With some brighter still, than ever did descend
By nature’s hand alone.

Oh, cumbersome language-*
When one might reach, grasping and willing,
Toward a certain and knowable feeling
It is you who blocks the way.

No sooner is the feeling felt and clutched to breast
Than it attempts to mould to thunken word,
Where, with treacherous glee,
It flails and fails to fit.

So soon we stand with naught but putty in our hands,
As it cools and crusts to nonsense.

Preludium, or, *what has gone before:
A man makes his way, alone,
Through rocky ash and bluff,
His feet a mass of ****** scabs
His throat gruff with rust.
In his savage thirst he sees, delirious,
The City from whence he flees;
The City that stole his Name.

Furious! O righteous hate;
Bubbling! Consuming! Melding with his haze of pain:
Fickle Justice! Intangible Law! Humble Equity!
Alien words for an alien time
That has quickly descended to muck.

But we must leave this Nameless nomad
To his dark visages, for now.
Perhaps we shall return
To plough his tale and groan
To find him drowned in thirst;
In self-pity, the liquid fire.
For now- to the City, we are bound!
And the mind of one so fortunate, as to still call his Name his own.

Hobbling over rock and dust,
The Nameless winces with every weary step.
His soles scorched and torn
By the unaccustomed roughness underfoot
The jagged teeth of a prickly piping earth.

Alone he makes his way
With tiny treads towards the dying dusk.
Fatigue dragging at his limbs
Bowing his neck to leave eyes downcast
And unfocussed; seeing naught but blurs and
The swirling and swaying of the trembling past.

A city:
Grand buildings stretching as one toward the sky;
Great lions waking from their feast and basking
In the brilliance of noonday air.
The bustle of flesh coursing about their purpose
The tight press of bodies all around
And the chatter and the natter and the laughter and the anger.

And then the silence.
The fear and the glares.
The hunger
And a guilty aversion of one’s eyes.

The shattering of glass
The raising with fire and boot.
And the stealing of Names.

And now here he trudges.
With tiny treads and into naked night.