Submit your work, meet writers and drop the ads. Become a member
Tina Marie Apr 2018
Truth is your a whoe
A genuine all in deep kind of whoe
I honestly don't know why I fell for a whoe like you
Purity is nothing for you
Your certainly a whoe who keeps entertaining all the boys
Fact is you will never love a real man
You wouldn't know how to respect.my candor
Your that kind of whoe
A whoe who we can't turn into a house wife
Cause who as dont act right
Kinda whoe
Truth is I pray for you
Truth is your a whoe
Tina Marie Jun 2018
I cant bring myself to forgive you.
Although you forgave me for the same thing.
I cant believe the words I heard,
The words that keep changing.
I love you, I really do. But, she had something that night.
That you just couldnt provide.
Real love, real feelings, but you didnt want that..
You wanted a one night stand.
A real woman, something I'm not.
A real woman to lay it down.
Not the one at home .
You wanted to play her game .
While I did the right thing.
A real woman she was that night.
A secret you would never tell.
A moment in ur life u planned on hiding.
Honesty, isn't what I got, I got
A lie after a lie.
All for that moment u had with a real woman.
But, let me tell you the truth.
What you had wasnt a real woman.
I was the real woman.
The real woman you lied to.
The real woman you still push away.
A real woman with real feelings.
What you got was a whoe.
A whoe that thought she was real.
A whoe that was really trash.
While you had the real thing.
Something  so real she wouldn't lay down with a whoe.
A ****** whoe, like her.
So, what am I to do now??
Besides take out the trash.
Put it in the dumpster and move on with my life...
Are forgive you, like you did me?? Although I was completely honest,
Not a lie out my mouth.
Just honesty.
What should I do??
What will I do?? Are the things I ask myself.
While you walk around like nothing .happened.
What should I do??
To-night retired, the queen of heaven
  With young Endymion stays;
And now to Hesper it is given
Awhile to rule the vacant sky,
Till she shall to her lamp supply
  A stream of brighter rays.

Propitious send thy golden ray,
  Thou purest light above!
Let no false flame ****** to stray
Where gulf or steep lie hid for harm;
But lead where music’s healing charm
  May soothe afflicted love.

To them, by many a grateful song
  In happier seasons vow’d,
These lawns, Olympia’s haunts, belong:
Oft by yon silver stream we walk’d,
Or fix’d, while Philomela talk’d,
  Beneath yon copses stood.

Nor seldom, where the beechen boughs
  That roofless tower invade,
We came, while her enchanting Muse
The radiant moon above us held:
Till, by a clamorous owl compell’d,
  She fled the solemn shade.

But hark! I hear her liquid tone!
  Now Hesper guide my feet!
Down the red marl with moss o’ergrown,
Through yon wild thicket next the plain,
Whose hawthorns choke the winding lane
  Which leads to her retreat.

See the green space: on either hand
  Enlarged it spreads around:
See, in the midst she takes her stand,
Where one old oak his awful shade
Extends o’er half the level mead,
  Enclosed in woods profound.

Hark! how through many a melting note
  She now prolongs her lays:
How sweetly down the void they float!
The breeze their magic path attends;
The stars shine out; the forest bends;
  The wakeful heifers graze.

Whoe’er thou art whom chance may bring
  To this sequester’d spot,
If then the plaintive Siren sing,
O softly tread beneath her bower
And think of Heaven’s disposing power,
  Of man’s uncertain lot.

O think, o’er all this mortal stage
  What mournful scenes arise:
What ruin waits on kingly rage;
How often virtue dwells with woe;
How many griefs from knowledge flow;
  How swiftly pleasure flies!

O sacred bird! let me at eve,
  Thus wandering all alone,
Thy tender counsel oft receive,
Bear witness to thy pensive airs,
And pity Nature’s common cares,
  Till I forget my own.
I

What’s become of Waring
Since he gave us all the slip,
Chose land-travel or seafaring,
Boots and chest, or staff and scrip,
Rather than pace up and down
Any longer London-town?

Who’d have guessed it from his lip,
Or his brow’s accustomed bearing,
On the night he thus took ship,
Or started landward?—little caring
For us, it seems, who supped together,
(Friends of his too, I remember)
And walked home through the merry weather,
The snowiest in all December;
I left his arm that night myself
For what’s-his-name’s, the new prose-poet,
That wrote the book there, on the shelf—
How, forsooth, was I to know it
If Waring meant to glide away
Like a ghost at break of day?
Never looked he half so gay!

He was prouder than the devil:
How he must have cursed our revel!
Ay, and many other meetings,
Indoor visits, outdoor greetings,
As up and down he paced this London,
With no work done, but great works undone,
Where scarce twenty knew his name.
Why not, then, have earlier spoken,
Written, bustled? Who’s to blame
If your silence kept unbroken?
“True, but there were sundry jottings,
Stray-leaves, fragments, blurrs and blottings,
Certain first steps were achieved
Already which—(is that your meaning?)
Had well borne out whoe’er believed
In more to come!” But who goes gleaning
Hedge-side chance-blades, while full-sheaved
Stand cornfields by him? Pride, o’erweening
Pride alone, puts forth such claims
O’er the day’s distinguished names.

Meantime, how much I loved him,
I find out now I’ve lost him:
I, who cared not if I moved him,
Henceforth never shall get free
Of his ghostly company,
His eyes that just a little wink
As deep I go into the merit
Of this and that distinguished spirit—
His cheeks’ raised colour, soon to sink,
As long I dwell on some stupendous
And tremendous (Heaven defend us!)
Monstr’-inform’-ingens-horrend-ous
Demoniaco-seraphic
Penman­’s latest piece of graphic.
Nay, my very wrist grows warm
With his dragging weight of arm!
E’en so, swimmingly appears,
Through one’s after-supper musings,
Some lost Lady of old years,
With her beauteous vain endeavour,
And goodness unrepaid as ever;
The face, accustomed to refusings,
We, puppies that we were… Oh never
Surely, nice of conscience, scrupled
Being aught like false, forsooth, to?
Telling aught but honest truth to?
What a sin, had we centupled
Its possessor’s grace and sweetness!
No! she heard in its completeness
Truth, for truth’s a weighty matter,
And, truth at issue, we can’t flatter!
Well, ’tis done with: she’s exempt
From damning us through such a sally;
And so she glides, as down a valley,
Taking up with her contempt,
Past our reach; and in, the flowers
Shut her unregarded hours.


Oh, could I have him back once more,
This Waring, but one half-day more!
Back, with the quiet face of yore,
So hungry for acknowledgment
Like mine! I’d fool him to his bent!
Feed, should not he, to heart’s content?
I’d say, “to only have conceived
Your great works, though they ne’er make progress,
Surpasses all we’ve yet achieved!”
I’d lie so, I should be believed.
I’d make such havoc of the claims
Of the day’s distinguished names
To feast him with, as feasts an ogress
Her sharp-toothed golden-crowned child!
Or, as one feasts a creature rarely
Captured here, unreconciled
To capture; and completely gives
Its pettish humours licence, barely
Requiring that it lives.

Ichabod, Ichabod,
The glory is departed!
Travels Waring East away?
Who, of knowledge, by hearsay,
Reports a man upstarted
Somewhere as a God,
Hordes grown European-hearted,
Millions of the wild made tame
On a sudden at his fame?
In Vishnu-land what Avatar?
Or who, in Moscow, toward the Czar,
With the demurest of footfalls
Over the Kremlin’s pavement, bright
With serpentine and syenite,
Steps, with five other generals,
That simultaneously take *****,
For each to have pretext enough
To kerchiefwise unfurl his sash
Which, softness’ self, is yet the stuff
To hold fast where a steel chain snaps,
And leave the grand white neck no ****?
Waring, in Moscow, to those rough
Cold northern natures borne, perhaps,
Like the lambwhite maiden dear
From the circle of mute kings,
Unable to repress the tear,
Each as his sceptre down he flings,
To Dian’s fane at Taurica,
Where now a captive priestess, she alway
Mingles her tender grave Hellenic speech
With theirs, tuned to the hailstone-beaten beach,
As pours some pigeon, from the myrrhy lands
Rapt by the whirlblast to fierce Scythian strands
Where bred the swallows, her melodious cry
Amid their barbarous twitter!
In Russia? Never! Spain were fitter!
Ay, most likely, ’tis in Spain
That we and Waring meet again—
Now, while he turns down that cool narrow lane
Into the blackness, out of grave Madrid
All fire and shine—abrupt as when there’s slid
Its stiff gold blazing pall
From some black coffin-lid.
Or, best of all,
I love to think
The leaving us was just a feint;
Back here to London did he slink;
And now works on without a wink
Of sleep, and we are on the brink
Of something great in fresco-paint:
Some garret’s ceiling, walls and floor,
Up and down and o’er and o’er
He splashes, as none splashed before
Since great Caldara Polidore:
Or Music means this land of ours
Some favour yet, to pity won
By Purcell from his Rosy Bowers,—
“Give me my so long promised son,
Let Waring end what I begun!”
Then down he creeps and out he steals
Only when the night conceals
His face—in Kent ’tis cherry-time,
Or, hops are picking; or, at prime
Of March, he wanders as, too happy,
Years ago when he was young,
Some mild eve when woods grew sappy,
And the early moths had sprung
To life from many a trembling sheath
Woven the warm boughs beneath;
While small birds said to themselves
What should soon be actual song,
And young gnats, by tens and twelves,
Made as if they were the throng
That crowd around and carry aloft
The sound they have nursed, so sweet and pure,
Out of a myriad noises soft,
Into a tone that can endure
Amid the noise of a July noon,
When all God’s creatures crave their boon,
All at once and all in tune,
And get it, happy as Waring then,
Having first within his ken
What a man might do with men,
And far too glad, in the even-glow,
To mix with your world he meant to take
Into his hand, he told you, so—
And out of it his world to make,
To contract and to expand
As he shut or oped his hand.
Oh, Waring, what’s to really be?
A clear stage and a crowd to see!
Some Garrick—say—out shall not he
The heart of Hamlet’s mystery pluck
Or, where most unclean beasts are rife,
Some Junius—am I right?—shall tuck
His sleeve, and out with flaying-knife!
Some Chatterton shall have the luck
Of calling Rowley into life!
Some one shall somehow run amuck
With this old world, for want of strife
Sound asleep: contrive, contrive
To rouse us, Waring! Who’s alive?
Our men scarce seem in earnest now:
Distinguished names!—but ’tis, somehow
As if they played at being names
Still more distinguished, like the games
Of children. Turn our sport to earnest
With a visage of the sternest!
Bring the real times back, confessed
Still better than our very best!

II

“When I last saw Waring…”
(How all turned to him who spoke—
You saw Waring? Truth or joke?
In land-travel, or seafaring?)

“…We were sailing by Triest,
Where a day or two we harboured:
A sunset was in the West,
When, looking over the vessel’s side,
One of our company espied
A sudden speck to larboard.
And, as a sea-duck flies and swins
At once, so came the light craft up,
With its sole lateen sail that trims
And turns (the water round its rims
Dancing, as round a sinking cup)
And by us like a fish it curled,
And drew itself up close beside,
Its great sail on the instant furled,
And o’er its planks, a shrill voice cried
(A neck as bronzed as a Lascar’s)
‘Buy wine of us, you English Brig?
Or fruit, tobacco and cigars?
A Pilot for you to Triest?
Without one, look you ne’er so big,
They’ll never let you up the bay!
We natives should know best.’
I turned, and ‘just those fellows’ way,’
Our captain said, ‘The long-shore thieves
Are laughing at us in their sleeves.’

“In truth, the boy leaned laughing back;
And one, half-hidden by his side
Under the furled sail, soon I spied,
With great grass hat, and kerchief black,
Who looked up, with his kingly throat,
Said somewhat, while the other shook
His hair back from his eyes to look
Their longest at us; then the boat,
I know not how, turned sharply round,
Laying her whole side on the sea
As a leaping fish does; from the lee
Into the weather, cut somehow
Her sparkling path beneath our bow;
And so went off, as with a bound,
Into the rose and golden half
Of the sky, to overtake the sun,
And reach the shore, like the sea-calf
Its singing cave; yet I caught one
Glance ere away the boat quite passed,
And neither time nor toil could mar
Those features: so I saw the last
Of Waring!”—You? Oh, never star
Was lost here, but it rose afar!
Look East, where whole new thousands are!
In Vishnu-land what Avatar?
May I for my own self song’s truth reckon,
Journey’s jargon, how I in harsh days
Hardship endured oft.
Bitter breast-cares have I abided,
Known on my keel many a care’s hold,
And dire sea-surge, and there I oft spent
Narrow nightwatch nigh the ship’s head
While she tossed close to cliffs. Coldly afflicted,
My feet were by frost benumbed.
Chill its chains are; chafing sighs
Hew my heart round and hunger begot
Mere-weary mood. Lest man know not
That he on dry land loveliest liveth,
List how I, care-wretched, on ice-cold sea,
Weathered the winter, wretched outcast
Deprived of my kinsmen;
Hung with hard ice-flakes, where hail-scur flew,
There I heard naught save the harsh sea
And ice-cold wave, at whiles the swan cries,
Did for my games the gannet’s clamour,
Sea-fowls, loudness was for me laughter,
The mews’ singing all my mead-drink.
Storms, on the stone-cliffs beaten, fell on the stern
In icy feathers; full oft the eagle screamed
With spray on his pinion.
    Not any protector
May make merry man faring needy.
This he little believes, who aye in winsome life
Abides ’mid burghers some heavy business,
Wealthy and wine-flushed, how I weary oft
Must bide above brine.
Neareth nightshade, snoweth from north,
Frost froze the land, hail fell on earth then
Corn of the coldest. Nathless there knocketh now
The heart’s thought that I on high streams
The salt-wavy tumult traverse alone.
Moaneth alway my mind’s lust
That I fare forth, that I afar hence
Seek out a foreign fastness.
For this there’s no mood-lofty man over earth’s midst,
Not though he be given his good, but will have in his youth greed;
Nor his deed to the daring, nor his king to the faithful
But shall have his sorrow for sea-fare
Whatever his lord will.
He hath not heart for harping, nor in ring-having
Nor winsomeness to wife, nor world’s delight
Nor any whit else save the wave’s slash,
Yet longing comes upon him to fare forth on the water.
Bosque taketh blossom, cometh beauty of berries,
Fields to fairness, land fares brisker,
All this admonisheth man eager of mood,
The heart turns to travel so that he then thinks
On flood-ways to be far departing.
Cuckoo calleth with gloomy crying,
He singeth summerward, bodeth sorrow,
The bitter heart’s blood. Burgher knows not—
He the prosperous man—what some perform
Where wandering them widest draweth.
So that but now my heart burst from my breast-lock,
My mood ’mid the mere-flood,
Over the whale’s acre, would wander wide.
On earth’s shelter cometh oft to me,
Eager and ready, the crying lone-flyer,
Whets for the whale-path the heart irresistibly,
O’er tracks of ocean; seeing that anyhow
My lord deems to me this dead life
On loan and on land, I believe not
That any earth-weal eternal standeth
Save there be somewhat calamitous
That, ere a man’s tide go, turn it to twain.
Disease or oldness or sword-hate
Beats out the breath from doom-gripped body.
And for this, every earl whatever, for those speaking after—
Laud of the living, boasteth some last word,
That he will work ere he pass onward,
Frame on the fair earth ‘gainst foes his malice,
Daring ado, …
So that all men shall honour him after
And his laud beyond them remain ’mid the English,
Aye, for ever, a lasting life’s-blast,
Delight mid the doughty.
    Days little durable,
And all arrogance of earthen riches,
There come now no kings nor Cæsars
Nor gold-giving lords like those gone.
Howe’er in mirth most magnified,
Whoe’er lived in life most lordliest,
Drear all this excellence, delights undurable!
Waneth the watch, but the world holdeth.
Tomb hideth trouble. The blade is layed low.
Earthly glory ageth and seareth.
No man at all going the earth’s gait,
But age fares against him, his face paleth,
Grey-haired he groaneth, knows gone companions,
Lordly men are to earth o’ergiven,
Nor may he then the flesh-cover, whose life ceaseth,
Nor eat the sweet nor feel the sorry,
Nor stir hand nor think in mid heart,
And though he strew the grave with gold,
His born brothers, their buried bodies
Be an unlikely treasure hoard.
Whoe’er she be,
That not impossible she
That shall command my heart and me;

Where’er she lie,
Locked up from mortal eye
In shady leaves of destiny:

Till that ripe birth
Of studied fate stand forth,
And teach her fair steps to our earth;

Till that divine
Idea take a shrine
Of crystal flesh, through which to shine:

Meet you her, my wishes,
Bespeak her to my blisses,
And be ye called my absent kisses.

I wish her beauty,
That owes not all its duty
To gaudy tire, or glist’ring shoe-tie;

Something more than
Taffata or tissue can,
Or rampant feather, or rich fan;

More than the spoil
Of shop, or silkworm’s toil,
Or a bought blush, or a set smile.

A face that’s best
By its own beauty drest,
And can alone commend the rest:

A face made up
Out of no other shop
Than what nature’s white hand sets ope.

A cheek where youth
And blood with pen of truth
Write what the reader sweetly ru’th.

A cheek where grows
More than a morning rose,
Which to no box his being owes.

Lips, where all day
A lovers kiss may play,
Yet carry nothing thence away.

Looks that oppress
Their richest tires, but dress
And clothe their simplest nakedness.

Eyes, that displaces
The neighbour diamond, and outfaces
That sunshine by their own sweet graces.

Tresses, that wear
Jewels, but to declare
How much themselves more precious are;

Whose native ray
Can tame the wanton day
Of gems that in their bright shades play.

Each ruby there,
Or pearl that dare appear,
Be its own blush, be its own tear.

A well-tamed heart,
For whose more noble smart
Love may be long choosing a dart.

Eyes, that bestow
Full quivers on Love’s bow,
Yet pay less arrows than they owe.

Smiles, that can warm
The blood, yet teach a charm,
That chastity shall take no harm.

Blushes, that bin
The burnish of no sin,
Nor flames of aught too hot within.

Joyes, that confess
Virtue their mistress,
And have no other head to dress.

Fears, fond and flight
As the coy bride’s when night
First does the longing lover right.

Tears, quickly fled
And vain as those are shed
For a dying maidenhead.

Days, that need borrow
No part of their good morrow
From a forspent night of sorrow.

Days, that, in spite
Of darkness, by the light
Of a clear mind are day all night.

Nights, sweet as they,
Made short by lovers’ play,
Yet long by th’ absence of the day.

Life, that dares send
A challenge to its end,
And when it comes say Welcome Friend.

Sydneian showers
Of sweet discourse, whose powers
Can crown old winter’s head with flowers.

Soft silken hours,
Open suns, shady bowers
‘Bove all; nothing within that lours.

Whate’er delight
Can make day’s forehead bright,
Or give down to the wings of night.

In her whole frame
Have nature all the name,
Art and ornament the shame.

Her flattery
Picture and poesy,
Her counsel her own virtue be.

I wish her store
Of worth may leave her poor
Of wishes; and I wish—no more.

Now, if Time knows
That Her, whose radiant brows
Weave them a garland of my vows;

Her, whose just bays
My future hopes can raise,
A trophy to her present praise;

Her, that dares be
What these lines wish to see:
I seek no further, it is she.

’Tis she, and here
Lo! I unclothe and clear
My wishes’ cloudy character.

May she enjoy it,
Whose merit dare apply it,
But modesty dares still deny it!

Such worth as this is
Shall fix my flying wishes,
And determine them to kisses.

Let her full glory,
My fancies, fly before ye;
Be ye my fictions, but her story.
Geno Cattouse Dec 2012
The moment before total disaster is  surreal.
Now all I have is the shadow of her love.
It strolls the  back-roads of my desires. It smiles lovingly then vanishes
between my fingers just as warm as before.  No more.

A sad day when she was unable to play the waiting game.
Waiting for just a speck of what she gave in immeasurable
volume. Waiting.



HELLO GIRL IT'S BEEN AWHILE.
Guess you'l be glad to know That Iv'e learned how to laugh and smile.
Getting over you was slow.

They say old lovers can be good friends but
I never thought that Id see you again,
I'd really see you again.

I go crazy, when I look in your eyes
I still go crazy.
No my heart just cant hide,
that old feelin inside

way deep down inside Wo-u baby.
You know when I look in your eyes,
I go crazy.

You say he satisfies your mind.
Tells you all of his dreams. I know

how much that means to you. I
realize that I was blind, but
just when I thought I was over you.
I see your face and it just aint true.

No it just aint true, I go crazy when I look
in your eyes I still go crazy.
That old flame comes alive
it starts  burning inside
way deep down inside.
Ooh baby. You know
when I look in your eyes I go crazy.

Whoe-**. Whoe **-**.
I go crazy. You know when I look in your eyes I
go crazy.No my heart just cant hide.

That old feelin inside,way deep down inside I go crazy.
By Paul Davis.
This song is overheard but never overfelt
I went to sleep with my headset on and woke up in pain with this song playing.
If you have lived long enough, this is every man's song or will be eventually.
Beshrew that heart that makes my heart to groan
For that deep wound it gives my friend and me!
Is’t not enough to torture me alone,
But slave to slavery my sweet’st friend must be?
Me from my self thy cruel eye hath taken,
And my next self thou harder hast engrossed.
Of him, myself, and thee I am forsaken—
A torment thrice threefold thus to be crossed.
Prison my heart in thy steel *****’s ward,
But then my friend’s heart let my poor heart bail;
Whoe’er keeps me, let my heart be his guard,
Thou canst not then use rigour in my jail.
    And yet thou wilt; for I, being pent in thee,
    Perforce am thine, and all that is in me.
I loved him not; and yet, now he is gone,
I feel I am alone.
I check'd him while he spoke; yet, could he speak,
Alas! I would not check.
For reasons not to love him once I sought,
And wearied all my thought
To vex myself and him: I now would give
My love could he but live
Who lately lived for me, and, when he found
'Twas vain, in holy ground
He hid his face amid the shades of death!
I waste for him my breath
Who wasted his for me! but mine returns,
And this torn ***** burns
With stifling heat, heaving it up in sleep,
And waking me to weep
Tears that had melted his soft heart: for years
Wept he as bitter tears!
Merciful God! such was his latest prayer,
These may she never share.
Quieter is his breath, his breast more cold,
Than daisies in the mould,
Where children spell, athwart the churchyard gate,
His name and life's brief date.
Pray for him, gentle souls, whoe'er you be,
And oh! pray too for me!
Simon Monahan Nov 2017
O Counsel! Now I am bound to withdraw,
I must - for there is no prudent rhyme or
Melody that I might compose, save awe
Or list’ning silence, unless to the door
You lead me, and open it as well, for
Guidance and discerning are yours, and none
save you directing has e’er glory won.

O Counsel! I may distinguish right from
Left, but no more; to mark right from wrong, such
Judgement belongs to thee. Life’s very drum
Beats in or out of tune, little or much,
According to thy reckoning; your touch
Is my rule, for whate’er song the world sings,
Thou alone art the measure of all things.

O Counsel! Hear me, and to me descend!
Sweet Prudence! Guard against folly and fad!
Good Judgement, on whom I wholly depend!
Decisions without thee are all but mad,
The path which follows thee is sweet and glad!
Advisor, as discreet as thou art great,
Whoe’er seeks thy word second, asks too late!
Vladimir s Krebs Nov 2015
i feel like every breath i take when i am angry fill with smoke that takes my soul away.
every mistake i have made brings me and you closer. i want answer's that will tell me the truth.  why do i have a demonic life with smoke that fills my lungs! how angry do you have to make me till i lose control and go on a rampage. how long before i can get my own soul back.i am a demonic being that will take a life and rote it to death. i stand alone with anger that spits all your ******* lies out. im going to lose control and show this world what life with out a soul will be like when all you breath smoke in your lungs that destroy you life roting your mind away wiht only

ANGER
HATRED
DISPISE

smoke filling my lungs with only anger and *******.
i dont stand along with the crowd i stand alone away from societys ***** triks.

my demonic life has nothing but darkness that writes my life storie of what its like to be in hell.



smoke fills my lungs cause thats whats going to happen when you trade your soul for what ever greed needs

so trace my foot steps ill dissapear like the sun dose every day.

smoke fills my lungs cause i'm just a broken soul that has no where to go exept rain hell onto those whoe made my life misrable enstead
like is so pissy with every one so sufficating when yo have to work on a project for school
Nigel Morgan Apr 2014
When the leaves fall
and cover the concrete
with their daring script,
we pause to read their asemic form,
a kind of language universal lodged
deep in our unconscious minds.

With curve and line,
join and stem,
these nothing words reform
again with each gust of wind.

Or pinioned by grass and rain
these natural letters
in the language of leaves
remain - in situ -

and slowly curl and colour,
shimmer with dew,
glisten in sunlight, revealing
their inscription, thus:

*O friend whoe’er you are
I feel through every leaf
The pressure of your hand,
Which I return,
And thus upon our journey
Linked together, let us go.
Afterword

Poets need good titles and The Language of Leaves was one title waiting to be acted upon. The poems in the sequence I -V are little narratives: a Victorian poet waits in his conservatory for tea, an ever-observant women searches the pavements for treasures, a Japanese princess practices her calligraphy for a distant lover, a correspondence ensues between scientists father and son, a painter patiently rehearses a single stroke of the brush. There are both real and fictional people featured here. You don’t need to know who they are. The Introduction and Conclusion are poems-proper about leaves and how we read the script of their movement and being.

There is some sampling here of existing texts, and credits should include Cid Corman, Joanne Harris, Arthur Waley, The Darwins father and son, Nicholas Serota, , Francis Ponge and Walt Whitman.

This collection is inspired by a series of five images in the medium  of print and stitch by Alice Fox, to whom these words are dedicated.
from top to to bottom i drop
mad flows wear baggy clothes
im ol school sip sryyyup n cisco
blaze blunts slow
blow smoke out the nose
i suppose
haters get a new job
cuz i aint hirin' firin
the whoe commission
we got ammunition
me n boyz neva played with toys
just gats bats to loot quick to shoot
any muthafucka thats moves
dont disturb this groove
we in ya system
"eradicate" the "fake" jews so listen up black folks pay attention
this is ya final warning scorning
every nation no hesitation
as I roll in my big cadillac
with two dope homiez in the back
while spittin' facts
eatin' ******* jacks
yea they quick too gat
so watch ya chit chat
cuz we all that
we tighter than gorilla glue
leave critics stuck open like clue
take a guess we neva stress
we oenophile from being problem child
super flagrant that means im foul
growl always on the prowl
these fools spit
mad constapited
haters embrace the caskets
puttin' terror in the new era
old school in my bones
i keep yall tracked
like military drones uh

cooler than an orangutan
eating a tangerine
naw sloppy me yall just miss me
with bull
pull heat out of my wool
that hair for you dumb dumbs
dump *** **** on a girls mouth
make her go numb
this aint a mystery or a conundrum
sound the drum um
coming with a crazy style flow
funky cut with that hyrdo i blow
skunks forever how can ya endeavor anyting i say is clever
never say never
beat my foes with meat cleaver none could sever
me and rhymes like starsky
and hutch i clutch
this world in my palms
this just one of my pslam
got homie name beanie
no kin to Islam
sound the alarm
yosef causin fire even in the water slaughter
the best who ever test me on the mic dont get next
i used to flex the hardest
up in cheap apartments where all.my freestyles was spent
ninety minutes of tape sessions
the black clark kent
superman these hoes flows
leave ya expose
****** from the tip of ya nose
my lyricism grows and grows
while ******* start hatin'
im creatin'
money in the bundles
chillin' in the hut smoke that good Jamaican what
Vladimir s Krebs Dec 2015
i cant keep up with all theses faces in my eyes. i cant keep up when all i want to rip my hair out and scream my lungs out.
all the papers in life you might as well just signe  your soul away with out reading the following dangers. what would i say when i have finally snaped and went crazy.
my life is quiet and tranquill. but my mind is screaming in hell like i plane that has lost contole and is spiralling out of control.
i dont show any emotion but my mind is screaming from the new waves of hell that has unleashed a dark enity over me that will sufficat any one in its path..

every exam in my way makes me want to go insane and lose controll just being low means you cant rise but i cant keep up with the pase but theres nothing tat lies a head just a black obiss that never ends of hell.


my mind is breaking and all i want to is to tear apart any one whoe will slow me down.

i know i am crazy insane psychotic and thrill seeking.

all i kn0w is my mind is screaming with no regret so **** the rest im going to set this world on fire even if my mind is screming to make the point of your own demize.
idk im tired and losing paciants
anna tecson Nov 2021
Whoe'ver the still examines, must define
The wond'rous shifts of the immortal Time;
To kindly witness, the graybeard's silent gaze
From youth to age, from guidebook to learned ways.
Divided only by the fixed life stage,
The youth consults, and the elderly explain.
Slow the transition when the hours date,
From mighty Boy's knees to old aching gait.
While for the Old Man's loss the Young Boy gains,
Old Men comfort and Young Boys wisdom attains.
Here Boy listens to the old learned ways,
There in silent gaze wistful hungry boyhood stays.
Mem'ries and rememb'ring give time for time,
And young knees below, and old above climb.
While simple youngster shake the leg of old,
Experienced veteran like prophet hold,
Eager minds and submission mix their servile roles,
Lads and Late in waiting for their parole.
Smiles and sighs, proverbs and plays life abound,
And form a life-cycle that goes round and round.
Emulated from "Prologue on the Old Winchester Playhouse, over the butcher's shambles" by Thomas Warton.
Mateuš Conrad Aug 2017
some people claim, i went mad, aged 21,
i can even attest some "scrutiny"
to this statement,
    i was about to embark on a 2nd semester
of studying history at the s.s.e.e.s.
school of u.c.l. -
        after finishing chemistry at edinburgh,
i thought: it'd be nice to catch-up on
history that i missed, had i lived in poland...
evidently not to be...
    i "dropped" out... or as some would
claim went "mad"...
                         funny thing about "madness"
it never sharpens your mind...
it never makes you lucid...
        this though? a study of gematria -
but of a different sort...
           not the istambul east meets west
type of gematria...
         random as hell the following conclusion
(i've almost gone through
70cl of the wilf turkey bourbon), so...

    3 9 4 6 7 1 2 5 8
    8 1 6 3 5 2 7 4 9
    2 7 5 8 4 9 1 6 3
    9 4 2 7 3 5 8 1 6
    6 8 7 1 9 4 3 2 5
    1 5 3 2 8 6 9 ו‎ ה‎
    4 2 9 5 1 8 6 ∞ ח‎
    7 6 8 4 2 3 5 9 1
    5 3 1 9 6 7 4 י‎ 2

n.b. apologies for the profanity of
giving the tetragrammaton a profane
form...
    i just couldn't find ה‎ with an acute
variation to distinguish it...
   given that in the puzzle
                    י‎ (3), ה‎ (4), ו‎ (7), ח‎ (7)
           given the hebrews already
provide hidden vowels,
   as the latins provide diacritical markings,
already with the confusing א‎ (alef) &
   ע‎ (ayin) - the gay adams of eden,
well... if you apply the prefix / suffix rule
of cutting off a name for a letter
   and for a basic sound in dentistry...
     a- (-yin)      &   a- (-lef) -
        gay adams...
                          might as well then
add the third A in the game: kametz...
       huh?! see... it's semitic, no wonder it's
confusing... let's leave it at the hebrew level,
i have no time to read arabic mysticism...
but like i said... given the hidden vowels,
  and the two already present vowels that
act as "consonants"...
so if א‎ ≠ a, does that that mean א‎ = ל‎
  (alef equals lamed) or does it mean
                     א‎ = "כ‎", i.e. fak?
    the same goes with ayin...
                 otherwise the whoe alpha
beta gamma can **** itself if it's not
                                             simple a, b, g;
                            *******! give the secret up!
again, i apologise for the profanity,
but i had to write the tetragrammaton
as   ח‎ו‎ה‎י‎                (namely the second h'eh
had to become a h'et) why?
   given the hiding of vowels, and the notion
that hebrew has no concept of diacritical
markings... and given the sudoku puzzle...
the puzzle, just so arranged itself
   that ו‎ = ה‎ = 7... so i had to distinguish
somehow...
                       how does that name evolve
for you, rabbi schlomo?
                                             yah-wait?
yah? isn't that wisdom in the tree?
      oh... so we're talking about allowing this
sort of writing to mature?
                        that it doesn't belong for
     my contemporary audience? i'm sure it does...
**** me... just give me the abstract
tetragrammaton of the acronym n.e.w.s.
  or the "finger": †.

— The End —