Purple aftershave on the corners of his lips, hairs trimmed and a gloss over the skin, peeking through the surface. Mirror ***** streaked with water a damp towel hanging over the basin.

I saw him in town today, standing on the street corner with his hands in his pockets waiting for the cross guard to let him walk. I ran so fast that the temporary glue I used to piece together major organs so that I could live, but live without emotion, grew loose. I put myself together again with washi tape from my kindergarten backpack. Placing them over the cuts his razor left between my legs.

I told myself that I would always be me before I remember that for 3 years I was yours. But right now the skies are grey and the scent your aftershave stings my nostrils. You made me kiss you on the cheek on the sickly smooth skin, you made me grow up too fast.

I set the closet where he kept me on fire with myself inside of it, deciding to burn with the ******* house instead of watching it from afar.

Knock on the old wood he opens the door to a room filled with smoke.

Four Poems on the Tapestry Art of Jilly Edwards*

Yellow is the New Blue

From the train window
that yellow of summer
****-bright, and almost aromatic,
not a field colour in a fifties childhood
so we grew up without it you and I,
first curious at its occasional occurrence,
then somewhat overwhelmed
by its presence where pasture green
or golden wheat once was, and now this,
more than lemon and lemon-sharp too,
wonderfully colliding with any blue day
when the sky rests against a wolding sweep
of this crop the colour of daffodil.


Follow the Path to the Heart

Altar piece? But no, too small,
and there’s no God hiding there
under the table: this is on the wall.

Anyway, look at the panels here,
blue at the far end, surprising
but necessary, a clear

sea depth folding into itself a bare
surrounding whiteness of peace,
of supplication, a contemplative sampler

free from improving verse
or repetitious decoration.
It is all it is, even less.


Woolly Pictures and Plastic Boxes

I don’t do woolly pictures on the wall,
She said, and her son had smiled
in agreement. Long narrow strips instead,
She continued, rolled up to fit in a box
with tail-like braids sneaking out
and around and across and down
falling from a shelf or a window sill.

And those plastic (partitioned) boxes,
oohh! – I bought fifty wholesale from
Muji,  she exclaimed. I fill them
with moments, with evidence
of my journeying: always a railway ticket,
sometimes a torn wrapper stitched to mend,
then a tiny tapestry woven to fill one frame,
inevitably, a large-lettered cautionary word.

Standing on their sides my boxes
become rows of open windows,
a transparent gathering of memory,
a railway carriage of memorabilia.  
You can take them out, she said,
and put them back in a different way.
Memory is like that, the same trip
but the ordering altered:
there and back, back and there.


Ma

It’s a state of mind
Agnes talks about
and draws without a ruler,
a grid empty of everything
except the line, except a colour
all across and down
on *washi paper.

It’s space, you know,
a gap, a pause, an interval
or a consciousness of place,
a simultaneous awareness
of form and non-form,
an intensification of vision.

There it is on the wall.
This one, she points,
more blues than a lonely blue
ma gives shape to the whole,
my tapestry of negative space.

When I look at the sea
it’s all ma out there,
in the sparkle of reflections
on the cut-glass water,

where there is too much form
to hold against the heart,
where space is substance.

putting the tracks i liked
out there, on my stories
hoping, wondering,
maybe they'd see me for how i dream
and not for how i've been coping

except a step further
a path up ahead
i realized, they didn't really care for all that i had
prized possessions of mine, these lyrics so simple
they don't deserve bits of me, if the surface excites them sole
if they don't like it whole, not worth the lengths i go

a girl's room is her own museum
or so they said
mine's a beautiful chaos
trust me, a letter to self

and so i stopped
a step further even
ahead i moved
watched, smiled, told them they had all i could
share without breaking, without giving them the key
that could threaten my volatility—my being
and i hoped they'd accept

except fools require everything whole
even if they can't accept it, they need it only
for the pleasure it brings, the joy of knowing
not to like, to love—but to show—
the world always required proving

i have my own cocoon
won't term myself ready to bloom
or a butterfly for that case
but i hide, intending to forget the world
my room, the paradoxical mapping
the stars chart their own course during the nights
up on my ceiling as i turn the lamp and let it burn bright
it's simple, heady space
there's posters and pictures on one wall
the other holds a heart collage of all sorts
lomographic detailing, i've always found myself dreaming
one picture, and i tend to stare deep
whenever this head gets too loud, i sit and stare at all of the meanings

there's a magnitude that hides
read every picture, uncover—but it comes with a price
safe spaces, meant to be kept hidden
posters—the movies that stayed, the artists looking back at me
quotes, written in an unhinged manner
my favourite, i'm yet to choose
but it all kind of gives away what i can't hammer
across my skull and at myself every time i go out
i wish to carry it all, to show them what i'm all about

don't try to rewrite my scars
just don't add any new ones to the already existing
and you could wrap a bandage
i'll keep all the rough edges sealed
and edited for flow

there's carts—more like shelves weakened with a multitude of books
i counted them, turned out to be a lucky 151
now i wonder which i ought to read
to throw caution to the wind and forget all my seams

there's stands, holding tiny little things
a layer of all my bracelets, of all that i intend to wear
one with the skincare, and other little prizes i just keep
there's pens, a vast multitude—I could never have enough
in all colors, i think half of them already dried up
a couple things for journaling stay at the very back, at the very bottom
right above, it holds all the things i could use to paint—to bring my dreams to mortal realm
except the skills lack, i tend to procrastinate
so they stay, gathering dust—unless i air it out—once a day
every day

the last compartment holds a stack of pencils, a glass quill—intended for magic
couple washi tapes—perhaps i'll wrap them around my wrists
and a few paper cutters, having gathered rust from being washed—every time i stuttered

a red ribbon, and a golden one, tied around both my shelves—reminding of who brought them to
vines hang in one corner, right beside the balcony
i'm yet to minecraft the windows, perhaps i'll let them be
there's pages stuck to the walls, and a multitude of sketches
nothing all too special—but there's this one of an eye that speaks
couple stars, the phases of the moons—waning and waxing,
full one too!
a paper leaf string—maple leaf except i made little hearts
hangs over the bathroom door—completely out of place, held in a purple thread
the pages wall is of a comfy book—before the coffee gets cold
the curtains are a shade of violet and silver in the middle, indication of what couldn't have been told
silver almost looks like a grey, a bit shiny, a bit neutral
but then there's another book stand and it holds a few candles
hardcovers at the bottom, they hold too much weight
the paperbacks balance the top however
and wrapping its corners is a string light—a heavy mistake
it goes over my wardrobe
multitude of tiny bulbs if i were to turn it on
phases of the moon again, cut out
and beneath—like scribbles on a notebook—stuck album covers in tiny, varying shades

a sign that says smile—i can't say i do
but it stares back at me, every time i sit on my bed—so i try to
a blue ribbon bow—gifted, i remember just who
stuck to the handle bar, i grip it every time i pull the door through

my desk is a messy messy affair
to put a name to things would be like listing down what i couldn't bear
but here it goes—
my laptop, the one i barely use—it's new
yet to find my way through, i rely on the old one
tho it's been barely working
comfort i guess—is one step away from despair

fake purple tulips, standing in a lilac bottle that i'd painted
a pastel of the same shade except it's an hourglass
30 minutes, i'm yet to check if it lives up to its truth
three scrapbooks, incomplete, the kits emptied halfway through
a candle, a chalkboard, tiny—a slate of all sorts
with one side a black, the other a white
i tend to use it black over white

a clock, stuck on the wrong time, currently giving 11:11
some wisterias kept in a green plastic vase
and a succulent that's as real as it gets
i water it every now and then, the bubbles breathing a sign of life in the room
there's a bunny enchanted almost in a glass sphere—a lamp i don't turn on
a shell, one you'd find at the edge of a sea—except it's a gift too
sets of little trinkets i opened in kinder joy
pen stands holding my sketch pencils that i rarely use
my keyboard is a heavy affair
doesn't really fit in the room with its peachy aesthetic
it seeks repair

a bowl, huge ceramic one i'm yet to find the perfect place for
it carries several stones, i think i'd use them someday to break a skull or two
kidding—
the wall above—black and white, epiphanies printed on pictures
"human being"
"anxious person"
"creative block", "parental advisories"
"life of an artist", a quote between viktor & jayce  and big moon

a wall hanging on the wall, carries a humidifier i don't use
the three figurines of harry, hermione and ron from the wizarding world
the second ron hides just behind the three
a kuromi sits atop a small tin, holding bracelets that specifically need no calling

there's a couple fake plants, sure
books everywhere—on my bed
a set of few that i personally cherish
a dictionary of dreams, a history of time, grimms' tales and a comfort book to carry
it all together

my current read, a lighter for some reason, a diary i write poetry in
and a notebook to remind me why i do it all
add to it- a pen in white, one in blue
a highlighter just to mark the lines i already knew

oh the plushies!
a penguin, a bunny, a koala, a seal
an octo changing moods, a slytherin pillow, and a kuromi
a strawberry hiding a bunny again, and teddy—ages old from when i was a child
three pillows, and two comforters, i think i might get a weighted blanket
the grip feels familiar

there's a tapestry, right above my bed—i tend to forget its existence
since i'm always facing away
the sun and the moon, staring at each other
and a couple random trinkets that define me
don't ask of my drawers, or in between my books
my cupboard, or my wardrobe
i'll mention downturned black butterflies, a cloud with a storm symbol
a party mask, and a phone charm hanging off a circle
a small stool holding japanese authors' best works
a snowflake candle and a few marbles

it's all my own
sacred, hidden
drapery of the lights—different moods, different nights
why i wonder i hide, or spend so much of my time
but it's a galaxy here within
like in my eyes and in my being—whole

my brain resets, works to a rhythm—on nice days
i tend to keep the balcony open and wind flows
everything whispers and takes a breath of relief
the rain pours outside, as i sit and speak
little secrets to my walls
lying on my bed or sitting at my desk
wondering, circling—the reasons to live

the grandest—my baby bunny
wondering, sleeping, napping away or speaking
she stays with me
her own space, her own world a part of my own
we've got an ecosystem in here
the most prized possession

and every time i step
i carry this armor
laced with all the time i spent in this room
gathering strength, putting a piece anew
even if you're not it—
would you like to come see my room?

why'd i let the outsides visit and steal it solely
to murmur of how it all seems obnoxious
it's bits of me, pasted, put together
clumsy, messy, chaotic
i'm quite a few issues when you hear
so close your eyes, listen to my speaker
as i play the playlists i've kept hidden
tonight's the turn for prologue by cloud koh
and if you haven't even tried to read mine
how can i let you read the story directly just for show?

Ek shanyashi, kailasash washi,
Sansar bulata tu bhole kalyankari,
Moh Maya se pare wo ganga dhari,
Netra bandh, shant suamya swaroop hari.

Ek Rajkumari pratibhashali,
Parvat raj ki putri thi wo Parvati,
Ati sundar wo kanya gunkari,
Maata pita ki raj dulari.

Purva janams wo anjan,
Bhul se bhatak *** ek van me ekaant,
Dekha shivling dhul me paryapt,
Chuke k mahsoos kiya koi purwa janam ka gyaan.

Anjani utejna ya hiriday me jaga prem,
Parvati bhuli sansar ka sneh,
Van me jake Kiya tapsya ka dheyey,
Chord ke Mahal dhundh ne chali man ka chen.
Par wo prem hi kya jisme na ** duvidha,
Shiv saa agori kaha samje, ye to he narayan ki leela,
Parvati bhi kaha thi piche hatne wali,
Sansar kehta wo agori or tu rajkumari,
Prem ki yahi to kahani,
Na me puri na wo Pura, phir bhi sansar ke sukhi Nar Naari.

If a second-rate artist had stayed in the academy of fine arts,
He night have draw a shtyoyk, not sphere of influence,
If a young soldier had kept writing poetry.


He once sketched corn market and the glamour of St. Micheal,
But his lines lacked the geometry of Bauhaus revolution,
If a second-rate artist had stayed in the academy of fine arts.

He might have traced tree shadows through the downpour,
Not diagrammed blueprints for labour floor,
If a young soldier had kept writing poetry.


He might have murmured Haiku to translucent jellyfish,
not sealed his breathe for iron and ash,
If a second-rate artist had stayed in the academy of fine arts.


He might have kept washi folds in origami,
rather than little red dot rained above an army,
If a young soldier had kept writing poetry.

He might have painted a Prussian blue over Bavarian Silhouette,
Not arranging the en masse beneath  broadcast commandos,
If a second-rate artist had stayed in the academy of fine arts.
If a young soldier had kept writing poetry.